Addison: speaking of fountain pens. I'm certainly no collector, but I like
fountain pens because they're the only writing instrument that allows me to
write clearly (sort of; my handwriting is very bad) without my hand
cramping, or else, without the point sliding all over the paper. The
"glide" and the resistance are in just the right mix.

But my experience, except for brief ownership of a Parker 51 which my
daughter dropped nib first on a tile floor, has been with cheap fountain
pens.

This is what I have:
https://www.amazon.com/Lamy-Safari-Fountain-Pen-Charcoal/dp/B0002T401Y/ref=zg_bs_1085704_4/160-5052302-7745938?_encoding=UTF8&psc=1&refRID=G7K36TEM9SN2BXAFK1JN

In my limited experience, this writes very well. But in the cheap category
(say, under $100,) can I do better? How will a cheap but better pen write
compared to this? And if I have to pay more than $100 to get noticeably
superior writing qualities, how much more?

Thanks, Patrick


On Fri, Mar 31, 2017 at 8:35 PM, Addison Wilhite <addisonwilh...@gmail.com>
wrote:

> Just thought I'd chime in on the book.  I also just picked it up and have
> only just finished the vinyl section.  I'm also an audiophile migrating
> back towards vinyl and really enjoying the tactile experience and the
> different way I listen to music.
>
> I am hoping the book digs deeper into some of the reasons why as humans we
> tend to find these analog experiences more rewarding.  I've also recently
> been bitten by the fountain pen bug which in some ways is more dangerous
> than a bike obsession.  Easy to keep many more pens than find space for a
> bike.  Plus, for $200 you can get a really nice pen.  But I've spent much
> more on both a modern Montblanc and a vintage Waterman flex pen.
>
> Anyway...the book so far is definitely one to check out.
>
>
>
> Addison Wilhite, M.A.
>
> Academy of Arts, Careers and Technology
> <http://www.washoeschools.net/aact>
>
> *“Blazing the Trail to College and Career Success”*
>
> Educator: Professional Portfolio <http://renorambler.wix.com/portfolio>
>
> Blogger: Reno Rambler <http://reno-rambler.blogspot.com/>
>
>
>
>
> On Fri, Mar 31, 2017 at 9:21 PM, Glen <glam...@gmail.com> wrote:
>
>>
>>
>> On Friday, March 31, 2017 at 5:51:57 PM UTC-6, Ray Varella wrote:
>>>
>>> I'd like to add another thought to this discussion, it has to do with
>>> public radio vs mainstream corporate media.
>>> snip....
>>>
>>> The sterility of a streaming digital service will never rival that sort
>>> of listening experience.
>>>
>>>
>>>
>> I encourage you to explore the world of streamed public radio. Whether
>> through iTunes, the NPR app or however you can, there is a vast world of
>> fantastic commercial free music available today. No it isn't tube amp warm
>> but the jazz from your Bay Area or WWOZ is fantastic and the Americana from
>> WNCW or WFPK makes my Friday nights and Sunday afternoons.
>>
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-- 
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Patrick Moore
Alburquerque, Nouvelle Mexique,  Vereinigte Staaten
**************************************************************************
**************
*The point which is the pivot of the norm is the motionless center of a
circumference on the contours of which all conditions, distinctions, and
individualities revolve. *Chuang Tzu

*Stat crux dum volvitur orbis.* *(The cross stands motionless while the
world revolves.) *Carthusian motto

*It is *we *who change; *He* remains the same.* Eckhart

*Kinei hos eromenon.* (*It moves [all things] as the beloved.) *Aristotle

*Le sacre est la projection du Centre celeste dans la peripherie cosmique,
ou du "Moteur immobile" dans le flux des choses. *F Schuon, *Le Sens du
Sacre, *Etudes Traditionnelles, 1r q 1979

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