VIRGIL: Re: VIRGIL Digest V1 #16

1999-02-12 Thread lauren spurr

Can you please stop sending me this stuff, I have wrote before but stuff 
keeps coming.

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VIRGIL Digest   Wednesday, 10 February 1999Volume 01 : 
Number 016

RE: VIRGIL: Reading the Aeneid
VIRGIL: Re: Appendix (Spenser)
The epic form of the Aenid
Reading the Aeneid
Re: VIRGIL: Reading the Aeneid
Re: VIRGIL: Reading the Aeneid
Moral values in Aeneid
question
Re: VIRGIL: Moral values in Aeneid
Re: VIRGIL: Moral values in Aeneid
Re: VIRGIL: Moral values in Aeneid
Re: VIRGIL: Moral values in Aeneid
Helen's Abduction
Re: VIRGIL: Helen's Abduction

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From: Rodriguez, Katherine C. [EMAIL PROTECTED]
Date: Fri, 5 Feb 1999 15:42:00 +0800
Subject: RE: VIRGIL: Reading the Aeneid

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Dear Jenny,
I am afraid that these questions that you need to ask are made by the
teachers in my school. If you need anymore, just let me know.

Katherine

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From: David Wilson-Okamura [EMAIL PROTECTED]
Date: Fri, 05 Feb 1999 10:29:08 -0600
Subject: VIRGIL: Re: Appendix (Spenser)

This will be of interest to some: reading through the most recent issue 
of
Spenser Newsletter last night I came across the following notice:


Thomas, Kerri Lynne. A Note on Spenser's Translation of _Culex_. 
Spenser
Studies 12 (1998, for 1991): 205-06. 

   Spenser's Virgil's Gnat adds a phrase not found in his original:
   line 400's murdred troupes. Spenser found this idea in _The His-
   tory of Jason_, Caxton's translation of Raoul Le Fevre's fifteenth
   century romance _Fais de Jason_.


Sounds like another great instance of generic contamination in this 
period:
Spenser knows the classical text at first hand, but he still reads it
through the filter of medieval romance.

- 
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David Wilson-Okamurahttp://www.virgil.org/chaucer
[EMAIL PROTECTED]Chaucer: an annotated guide to online resources
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From: Pete Powers [EMAIL PROTECTED]
Date: Sat, 6 Feb 1999 12:18:24 -0800
Subject: The epic form of the Aenid

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My question is, are there any books or information available which 
would =
discuss the form of an epic and how that form is evident in the Aenid.

Thanks

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From: JAMES C Wiersum [EMAIL PROTECTED]
Date: Sat, 6 Feb 1999 16:48:34 -0800
Subject: Reading the Aeneid

Dear Jenny,
   I think one of the best study books for reading the Aeneid is
Kenneth Quinn's, Virgil's Aeneid. It is probably out of print but can
possibly be acquired at a good used book store or on line. Though 
Quinn's
book is scholarly and a bit technical, the beauty of his book is that
each book of the Aeneid gets a summary, an analysis in outline form, 
and
a commentary. It does not get any better than this. Give it a try.

James C. Wiersum

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From: [EMAIL PROTECTED]
Date: Sun, 7 Feb 1999 11:46:48 EST
Subject: Re: VIRGIL: Reading the Aeneid

James,
  Thank you for the help. I will look into it.
   jenny

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From: Pete Powers [EMAIL PROTECTED]
Date: Sun, 7 Feb 1999 22:29:26 -0800
Subject: Re: VIRGIL: Reading the Aeneid

Thanks for the help

have a great day
Pete
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Re: VIRGIL: Helen's Abduction

1999-02-12 Thread Yvan Nadeau
Although no-one has actually said it, it will be clear from the 
variety of responses and the reference to various authors that there 
is no one Helen; each author was and is free to interpret the 
character Helen as he/she sees fit.

However, the most interesting (because ambiguous and many-sided) view 
of Helen's response to Menelaos, to Paris and to sexual passion and 
family life is Homer's Iliad, the episode of the single combat in 
Books 2,3,4.  There we see the power of beauty, male and female, and 
of sexual attraction studied in a masterly way in a variety of 
contexts including the old men on the wall and Priam himself.  There 
the power of Aphrodite is shown for what it is - not something to be 
trifled with.  And that portrayal of Helen is set right beside - not 
contrasted - with the portrait of Andromache that follows.

Rebecca and her girls, if they have not read those passages of the 
Iliad, truly have a treat in store!  

yn 


 From:  Rebecca Smyth [EMAIL PROTECTED]
 To:[EMAIL PROTECTED]
 Subject:   Re: VIRGIL: Helen's Abduction
 Date:  Thu, 11 Feb 1999 10:49:31 PST
 Reply-to:  [EMAIL PROTECTED]

 Salvete!
 
 Thank you all for your comments and insight.  I am most grateful for 
 your help and I'm certain that my girls will also apreciate it;  I'm 
 looking forward to my next class with them and an exciting discussion. 
 I would definitely enjoy reading the speech which Georgias wrote:  thank 
 you in advance for forwarding it to me.  
 
 I shall turn now to Homer,  Euripides and Ovid and investigate this 
 matter further.  
 
 I'm thoroughly enjoying teaching our heritage,  particularly with such 
 marvellous discussions from interested students.  
 
 Thank you,  again,  for providing me with further questions and ideas to 
 put to my students.
 
 Rebecca Smyth
 
 
 
 
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Re: VIRGIL: Helen's Abduction

1999-02-12 Thread Ariel Medina
Ave!

On question #1: Odysseus is in a situation that he is totally helpless. 
His situation also points to an exile and exile is a hard thing in his 
times. These two points might help in understanding Odysseus' tears.

On question #2: His name, I think, came from his relatives after a 
hunting episode where a boar attacked him but he managed to kill the 
boar. So, I think, Odysseus is a name that denotes trouble. He is 
trouble.

Vale,
Ariel


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This fascinating (and to me educational) discussion emboldens me--who 
knows
only a little Latin, and no Greek--to ask three questions which are 
outside
the parameters of Virgil.  The first is slightly analogous to the Helen
question.

1.  Is Odysseus supposed to be held by Calypso entirely against his 
will?
In other words, is he, during the years of captivity, constantly pining 
to
return to Ithaca, and a reluctant sex slave?  Or does he succumb to 
the
charms of the nymph?  I'm especially interested in classical 
commentators on
this issue.

2.  Is the derivation of Odysseus' name in any way connected with the 
wound
he received as a youth?  One of my older and brighter students in one 
of my
Joyce classes told me he had heard this, but couldn't supply a source.

3.  Years ago I was told that the phrase used by Nixon's 
vice-president,
Spiro Agnew, to characterize the conservative heart of America, the 
silent
majority, was a tag that Homer used to describe the dead.  Is this 
true? 

Many thanks in advance for the collective wisdom of the list.

Jack Kolb
Dept. of English, UCLA
[EMAIL PROTECTED]

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