There will only be one upgrade price. Anyone who upgrades will automatically
get the full version.
FWIW I’ve seen non-commercial clauses in edu software plenty of times.
Steve P.
> On 23 Apr 2018, at 00:21, David H. Bailey wrote:
>
>> On 4/22/2018 8:50 AM, Aaron Sherber wrote:
>> This confu
Where having minimal files helps a lot is when you have to add or remove
measures after the fact. Then opening a modifying 2 files is much easier
than modifying 30. Btw: I still use 2 files for some projects, but only for
large ensembles with parts doubled up on single lines in the score. For
these
In my experience, it has been a big time saver -- not sure if I would say
HUGE.
Aaron.
On Sun, Apr 22, 2018 at 6:14 PM, Lee Actor wrote:
> I already enter all cues in my "extracted parts" score, no pasting between
> docusments.
> I also change several "parts only" items globally once, in th
On 4/22/2018 8:50 AM, Aaron Sherber wrote:
> This confused me as well, but it appears that if you have a Dorico
> educational license, you're not allowed to produce commercial work. See
> question 9 at https://www.steinberg.net/en/education/faq.html
>
> Aaron.
>
That is so bizarre -- Steinberg i
I already enter all cues in my "extracted parts" score, no pasting between
docusments.
I also change several "parts only" items globally once, in the same score.
Same with elements colliding in all parts (rare in my experience).
You're right about later edits potentially having to be done in multi
Ooh, ooh, ooh! I got this!
Fewer files is a HUGE time saver! You can enter all the cues with copy and
paste (or the plugin, which I find buggy) without pasting between documents,
you can change the font sizes for tempi and rehearsal letters ONCE (or anything
else ONCE) and have it apply to all
Makes sense. It seems to me you'd also be able to change the tempo marking
font size in the linked parts score; I change several global settings in the
version of the score I extract parts from that I want to apply to all parts and
not to the score.
With two separate copies of the score, thoug
Not sure about that (away from office for the weekend...), as I rarely touch
that setting; so I may very well be wrong here.
Skjalg - for anledningen på nett med iPhone.
> 22. apr. 2018 kl. 23:29 skrev Lee Actor :
>
> So I can have different scaling factors (Document Options->Music
> Spacing-
So I can have different scaling factors (Document Options->Music
Spacing->Spacing Widths) in score and parts? Are you sure?
-Lee
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
Skjalg Bjørstad
Sent: Sunday, April 22, 2018 12:30 PM
To: fina
My solution for many of these things (and I think many others have the
same workflow) is to have one file for the score and one file for the
(linked) parts. This is not as good as one file for everything, but it's
better than a bunch of separate files for extracted parts.
Given this workflow, in
My Note Spacing plugin already allows you to have different spacing options
for parts and score (with saved settings). It doesn't do allotment tables,
though, so either part or score would have to use the reference duration
settings.
On Sun, Apr 22, 2018 at 2:30 PM, Skjalg Bjørstad <
trekkspillman
Your 2) and 3) are not correct. Music spacing is not linked between score and
parts. You can also change clef in parts with staff styles (transposition>set
to clef) in part only. 1) and 4) are valid, though.
Skjalg - for anledningen på nett med iPhone.
> 22. apr. 2018 kl. 20:34 skrev Lee Act
I'm not a regular user of linked parts -- yes, I still make a copy of the
score and extract from there -- but I did make a reasonable effort several
years ago to incorporate them into my normal work flow. I gave up after a
month or so due to encountering too many situations that required special
w
I am starting a new thread because my comments seem to be buried in the
recent Dorico thread. I would like to poll this list about what features
are missing from Linked Parts. I am doing so with an eye towards a possible
plugin to address what can be addressed.
Things that cannot be addressed by a
This confused me as well, but it appears that if you have a Dorico
educational license, you're not allowed to produce commercial work. See
question 9 at https://www.steinberg.net/en/education/faq.html
Aaron.
On Sun, Apr 22, 2018 at 5:43 AM, David H. Bailey <
dhbai...@davidbaileymusicstudio.co
Why would your "educational" license force you to redo everything in
Finale? Are there restrictions on what sort of results you can get from
Dorico under the "educational" license?
David H. Bailey
On 4/21/2018 5:25 PM, Steve Parker wrote:
>
>> On 21 Apr 2018, at 13:33, Robert Patterson >
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