Poulenc says son bouche at #17 in Elegie. Am I to assume that from #17 to the end of
the piece is stopped? If not, where does it change back to open?
Mark J. Syslo
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I have an entire dissertation - over 200 pages - on the history of the horn
as a solo jazz instrument. It is called _A Horn of a Different Color_. I
plan to either send a copy to the HIS archives or print it and sell it at
printing cost. It is a socio- theoretical-musicological analysis of the
I'm very interested in seeing this. A PDF copy on the Internet, if that's
OK with you, would be great. No more specific questions from me at this
point - I've ordered a recording or two and am looking forward to listening
to them.
-S-
-Original Message-
From:
[EMAIL PROTECTED]
Hi all,
If you have never heard of Chris Komer, you will. He's 3rd in the New
Jersey Symphony and an incredible jazzer.
scottito
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We've all seen these BERP's for sale for ~$20. But what do they really do
for you? Here's what I'd like it to do for me. I'd like it to occupy a
mouthpiece right off the leadpipe right beside my 'main' mpc in my horn
which I think it was designed to do so, so far no problem. Before coming in
What if it is at the beginning of the piece?
Of course, picture that your nerves have gotten a hold of you, and you
forget to move the mouthpiece from the BERP back on to the horn...Here
comes the High Bnat ...PPFFFTT.
Whoa Nelly.
I doubt that there is a serious substitute for
Hi all,
Better than a berp is a score of the piece you are playing (or just a
good ear).
Find a tutti spot where you can quietly play a note of the chord. For
example if you are playing a piano concerto in D, find a spot where
you can quietly play along on a D concert (our A), or perhaps an A
Hiya,
Richard Burdick is a very good and knowledgable horn player, but
there are many great players out there who will tell you that buzzing
is a valuable practice. I'm with them.
You can tell a lot about someone's playing by listening to their
buzz. As a player I find it an invaluable tool to
I was glad to see someone finally mentioned Vincent Chancey. I would add
Robert Northern (though any work with him as a soloist might be pretty hard
to find) and did anyone mention David Amram? I guess I could go back and
look through the posts, but am feeling a little lazy right now.
Ditto to what Scott just said - Chris Komer - remember that name. Unbelievably good
horn playing, and not just jazz horn playing. I understand his work with Burning
River Brass got reviewed in the current Horn Call - and a very glowing review it was -
Sandra Clark
Toledo, OH
-
Hi List,
Ellen Manthe said: I have an entire dissertation - over 200 pages - on the
history of the horn as a solo jazz instrument. It is called A Horn of a
Different Color.
That's an interesting choice of title as it is the same as an album released
by hornist Jerry Peel around 1980 of
Hi.
Does anyone know whether there has been a problem with the IHS website?
I have been trying with www.hornsociety.org - but don't get through to the server.
Any ideas?
Thanks,
Graham
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Hello to all! I am new to this list, and I'm trying to solve a mystery. Any help
from anyone would be greatly, incredibly, wonderfully appreciated!
I am a horn hobbyist-- I take private lessons but I don't know much about specific
horns and manufacturers. To get to the point, I have a
What you have is a Chinese horn. Now there is an Eastman brand that is
supposed to be slightly a cut above some of the other Chinese horns. At one
time Atkinson had horns/and or components for horns made in China.
It could be that some Chinese company decided to stencil two horn names
known
On Tuesday, October 19, 2004, at 04:19 PM, Laura Carter wrote:
So it appears that I have either a fraudulent horn (which I didn't
know existed), or an incredibly rare horn that no one has ever heard
of. So I am on a quest to find out any information I can about my
horn and this elusive Eastman
Hi Graham,
_www.hornsociety.org_ (http://www.hornsociety.org) works for me from
Kansas City using AOL.
Regards,Jerry
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Browsing the web on basis of threads of this fine list sometimes leads one
to unexpected sights:
http://www.poperepair.com/used_horns/images/035.jpg
looks non-suspicious.
However
http://www.poperepair.com/used_horns/images/036.jpg
makes this limited mind think Walzenhorn in the Lehmann sense
I have tried out a Yamaha triple at the factory in 1994, and the one I tried
was a full triple. The long valve behind the main valve set is a long rotary
change valve. (It looked similar to the the picture you mentioned)
It was an excellent horn, and the taper sizes are similar to that of the
Here is a very informative website about Conn instruments. I was getting a
1924 Conn 10D ready to sell and this place had loads of information about
it. Did you know there was a Conn 8E?
http://www.xs4all.nl/~cderksen/index.html
Leonard// LAredo
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