Re: Moving clef changes into the bar they affect

Am 09.09.2014 um 04:45 schrieb James Worlton: > > On 9/8/2014 9:06 PM, David Nalesnik wrote: >> Hi James, >> >> On Mon, Sep 8, 2014 at 8:36 PM, James Worlton > > wrote: >> >> Hello, >> >> I'm trying to create a quiz for a Theory class, and I'm having >> dif

Re: beginner stanza help

On Tue, Sep 9, 2014 at 10:01 PM, Steven Arntson wrote: Thanks for this, it helps. I'm struggling to understand this program with very little background, and it is like spelunking without a headlamp. Consequently, I fear asking questions that are not worth answering. I thought I could get the

Re: beginner stanza help

Samuel Speer writes: > No one's calling you an idiot. > > In your example, you create a variable called text and then define it > as the first stanza. However, the second stanza is sort of just-- > hanging out there. Try renaming your first variable textOne and then > before the second \lyricmode

Re: beginner stanza help

No one's calling you an idiot. In your example, you create a variable called text and then define it as the first stanza. However, the second stanza is sort of just-- hanging out there. Try renaming your first variable textOne and then before the second \lyricmode add textTwo = , then in your scor

Re: fonts.openlilylib.org is live!

Peter Crighton-4 wrote > This is fantastic, many thanks, Abraham and everybody else involved! > > By the way, the link to the Gutenberg1939 font sampler contains a small > typo, it should be: > http://fonts.openlilylib.org/gutenberg1939/font-sampler-Gutenberg1939.pdf > > > -- > Peter Crighton |

Re: beginner stanza help

Colin Campbell writes: > On 14-09-09 06:35 PM, Steven Arntson wrote: >> I'm trying to get stanzas to work for a song that has two verses. What >> am I doing wrong? >> >> text = \lyricmode { >>\set stanza = #"1. " >> here are | %m1 >> the words | %m2 >>

Re: beginner stanza help

On 14-09-09 06:35 PM, Steven Arntson wrote: I'm trying to get stanzas to work for a song that has two verses. What am I doing wrong? text = \lyricmode { \set stanza = #"1. " here are | %m1 the words | %m2 } \lyricmode { \set stanza = #"2. "

beginner stanza help

I'm trying to get stanzas to work for a song that has two verses. What am I doing wrong? text = \lyricmode { \set stanza = #"1. " here are | %m1 the words | %m2 } \lyricmode { \set stanza = #"2. " here are | %m1 more words

Re: fonts.openlilylib.org is live!

This is fantastic, many thanks, Abraham and everybody else involved! By the way, the link to the Gutenberg1939 font sampler contains a small typo, it should be: http://fonts.openlilylib.org/gutenberg1939/font-sampler-Gutenberg1939.pdf -- Peter Crighton | Musician & Music Engraver based in Mainz,

fonts.openlilylib.org is live!

Dear LilyPond Community, The new website where you can download alternative music fonts is now live! Head on over to fonts.openlilylib.org and try them out! If there are any broken links, please let me know so I can fix them. If any instructions are unclear, please let me know so I can clarify

Re: Defining custom MIDI dynamics

Hello Knute, perhaps its just an unusual topic few have experience with? At least I don’t; yet after a look in the NR section on the topic I think you’re on the right path with the cond approach. After all, you want to define a single function to pass it on as dynamicAbsoluteVolumeFunction. An

Re: How to handle changing transpositions

Hi Kieren, I modified the example for the auto-transpose engraver a bit, so it uses a music and a global variable. I merged them in one Voice, so that the cue names are not printed twice. But that is not necessary for the transposition. If the music is in concert-pitch and transposed to instru

Re: Defining custom MIDI dynamics

I'm wondering why I have gotten no responses. Did I frame the question poorly? Did it get to the list? Knute Snortum (via Gmail) On Mon, Sep 8, 2014 at 9:48 AM, Knute Snortum wrote: > I know how to set a single custom dynamic: > > #(define (myDynamics dynamic) >(if (equal? dynamic pTresD

Re: In wait for a subsequent word (sorry how can I put it)?

Yes, there is a rule. All of the places where you have used underscore, like "er__go" should be hyphens: "er-go" and the last words in both lines ("cernui" and "jubilatio") should both end with an underscore that goes through the last note. Larry in Tampa On Tue, Sep 9, 2014 at 1:56 PM, Son_V

Re: In wait for a subsequent word (sorry how can I put it)?

Well, I now include an image; I usually write a "long underscore" when there is something that lasts in a next syllable; like in the example, "Sa -- cra -- men __ tum" (here you can see what i mean in "men __ tum", or "to __que"). I do not give trace about the syllable to be sung after "cer -- nu -

Re: Treating a tie as a slur

Hi, 2014-09-08 12:51 GMT+00:00 Johan Vromans : > Hi, > > Often when processing music imported from Sibelius I have the problem > that Sibelius doesn't seem to care whether a tie connects notes of the > same pitch. As a consequence, some Sibelius users have become lazy and > always use a tie even w

RE: overlapping staves

Pierre, Perfect! Thank you! Mark From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com] Sent: Tuesday, September 09, 2014 7:35 AM To: Mark Stephen Mrotek Cc: Nick Payne; lilypond-user Subject: Re: overlapping staves Hi Mark, 2014-09-09 9:10 GMT+02:00 Mark Stephe

Re: How to color a text spanner

Thank you, David! That makes sense. And thanks to all who aim at improving the description. Joram Am 06.09.2014 um 09:52 schrieb David Nalesnik: On Sat, Sep 6, 2014 at 1:52 PM, Joram mailto:noeck.marb...@gmx.de>> wrote: And I can add a question: What is the difference between Dynam

Re: overlapping staves

Hi Mark, 2014-09-09 9:10 GMT+02:00 Mark Stephen Mrotek : > Hope this helps finding my error. > As already mentioned here : http://lilypond.1069038.n5.nabble.com/increased-space-between-piano-staves-td166190.html problem comes from the tuplet brackets. Putting \tweak positions #'() before tuple

Re: How to handle changing transpositions

I tried out the example file, and I have the impression this could be a solution. Unfortunately it does not seem to compile with current LilyPond. 2.19.11 seems to work. Would somebody mind to check if that's an issue with the function or with my build? TIA Urs On 9. September 2014 14:42:37

Re: overlapping staves

Greetings Mark, A quick look at your code reveals that you are still using the \times command, which I believe has been replaced. In your longer run of tuplets, you might change the code to \tuplet 3/2 8 { ... } Hwaen Ch'uqi On 9/9/14, Mark Stephen Mrotek wrote: > Mfr. Payne, > > > > Thank yo

Re: How to handle changing transpositions

Hi Kieren, On 09.09.2014 14:55, Kieren MacMillan wrote: > Hi Jan-Peter, > >> may I again mention the auto-transpose snippet. > Does the key signature get changed automatically, even if the key-signatures > are defined “externally” (i.e., in a variable) and change DURING THE TIME the > player is

Re: How to handle changing transpositions

Hi Urs, > What are the most straightforward approacges to dealing with instruments that > actually change transposition, e.g. clarinets in A and B or an > oboe/englishhorn part? There are no “straightforward” approaches, unfortunately… =( See, for example, the thread

Re: How to handle changing transpositions

Hi Jan-Peter, > may I again mention the auto-transpose snippet. Does the key signature get changed automatically, even if the key-signatures are defined “externally” (i.e., in a variable) and change DURING THE TIME the player is on the second (or third) instrument? If so, this would solve a HU

Re: How to handle changing transpositions

Hi Urs, On 09.09.2014 14:29, Urs Liska wrote: > What are the most straightforward approacges to dealing with > instruments that actually change transposition, e.g. clarinets in A > and B or an oboe/englishhorn part? may I again mention the auto-transpose snippet. If music is either entered in conc

Re: How to handle changing transpositions

Ok, I've verified that *this* issue is no issue. But I have another issue warranting the same thread: What are the most straightforward approacges to dealing with instruments that actually change transposition, e.g. clarinets in A and B or an oboe/englishhorn part? Thanks for any ideas Urs O

Re: How to handle changing transpositions

Am 09.09.2014 13:46, schrieb Simon Albrecht: Am 09.09.2014 um 11:46 schrieb Urs Liska: Hi list, I have a problem understanding how to efficiently deal with horn parts that change their transposition with the clef. That is: In the treble clef the part is notated as \transpose f, c while in

Re: How to handle changing transpositions

Am 09.09.2014 um 11:46 schrieb Urs Liska: Hi list, I have a problem understanding how to efficiently deal with horn parts that change their transposition with the clef. That is: In the treble clef the part is notated as \transpose f, c while in the bass clef it is notated in concert pitch. T

Re: How to handle changing transpositions

Hi Urs, I see a lot of action on the Fried-Crowd-Project :) ... it is great luck to me but also a pity that I started my new job ... well, I don't have a key-turn-solution, but just a hint on the auto-transpose snippet in OLL https://github.com/openlilylib/openlilylib/tree/master/editorial-tools/a

How to handle changing transpositions

Hi list, I have a problem understanding how to efficiently deal with horn parts that change their transposition with the clef. That is: In the treble clef the part is notated as \transpose f, c while in the bass clef it is notated in concert pitch. Is there a convenient way in LilyPond (or ha

RE: overlapping staves

Mfr. Payne, Thank you for your response. Yes, the third measure was missing. It has been restored to both examples that are attached. Hope this helps finding my error. Thank you for your kind attention. Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-u