Hello,
Here're three problems:
1. The recent devel versions can't work properly. Under XP, if I press enter
on the file attaached (and all other files), both 2.13.11 and 12 gives out
abort message, saying whatever RAM can't be "read".
2. When running 2.13.12, the warning before its abort te
Hello,
I've looked into engraver-init.ly, and RemoveEmptyRhythmicStaffContext is
there. But when I include it with \RemoveEmptyStaffContext in my orchestral
score, LP complains about such line. Why?
Regards
Haipeng
___
lilypond-user mailing list
lil
Ha, thanks. But I'm not so stupid. Of course I have
\layout {
\context {
\RemoveEmptyStaffContext
\RemoveEmptyRhythmicStaffContext
}
}
And then the error:
xx\xx\xx.ly:nn:nn: error: syntax error, unexpected CONTEXT_DEF_IDENTIFIER
\RemoveEmptyRhythmicStaf
Hello,
Now I get the error of Devel version 2.13.13:
Lilypond-windows.exe
"0x007aa281" command uses "0x" ram, this ram cannot be "read".
What's wrong?
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailm
Then Here's the source file. Very simple piano score. Does it have errors
itself?
Haipeng
\version "2.13.7"
\header {
tagline = ##f
dedication = \markup { \bold "DEDICATED TO MY CLASSMATES IN THE COLLEGE FOR ADULTS" }
title = \markup { \fontsize #2 "Calling" }
composer = \markup { \
Thank you for your email. 2.12 and 2.13.7 can compile it without any problem. I
ever tried a very simple snippet such as:
\version "2.13.11" % the problem came since this version
\Score {
\new Staff { \clef treble \time 2.4 c,2 }
\layout {}
}
and the error still appeared.
Haipeng
___
Reboot system? I've never thought about it, but it may not be the key. Any
versions before 2.13.10 can run without problem. The same error occurred in the
versions (perhaps) 2.11.50-51. Perhaps further 2.14 can run without any problem?
If I still can't find the key, I have to either continue us
Thanks. I ever tried it in 2.13.10 by recalling an email from someone in the
early list, but it was of no use.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I now use the following command line setting to reject the "read" problem:
for %1 in (%windir%\system32\*.dll) do regsvr32.exe /s %1
But the ugly tie playback problem is still here, so I have to again roll back
to 2.13.7.
Haipeng
___
lilypond-user
Hello,
I have a problem with temporarily divisi desks (pult).
At the beginning of the music, the 1st violin is divided into bracketed two
parts to generate different harmonics. However, it becomes unis in the future,
so I must prepare a separate violin I part. If I need to show all instrument
Thank you very much. I ever thought about it, but all examples in NR I know are
using this override in layout block. So I didn't know whether it can be used as
this.
So I suggest it should be added in the documentation.
Regards
Haipeng
___
lilypond-u
Hello,
I find the problem concerning ties playback since 2.13.8. When I use
articulate script, the ties are broken in midi. Please try yourself to find
where the bug is.
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://
Yes, if not use articulate, the ties play correctly.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Excellent! Thank you!
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
I find Lilypond 2.13.16 is available, but I can't download it. The
linuxaudio.org is unavailable. When I enter the address manually, google comes
up to try to search the address. I use the antiblockade software to skip the G
FW, but the result is the same. Is the site down?
Regards
Hai
Hello,
I'm learning counterpoint. The 3 part fugue below is on 2 staves. I used both
<< >> and new voice, but my teacher still said the result is not good. Why?
Regards
Haipeng
\version "2.13.21"
% automatically converted from 2.xml
str = \change Staff = rh
stl = \change Staff = lh
\header {
Hello,
I find I'm facing a problem I didn't pay attention to--making parts. I have
read the NR, and know how to add cues. But here's a problem: how can I use the
same source to extract every parts with different cues? Thus, if I add
\cueDuring to every part, the full score will also contain cu
Thanks.
> No, not if you use \killCues in your full score.
I know it, but the example puts it inside the music expression, so I guess it
can't be used as:
piccolo = \relative c,, { }
\new Staff = "piccolo" { \killCues \piccolo }
Am I wrong?
Regards
Haipeng
Hello,
Today I get a score from my composition teacher. The piece is for orchestra
with various instruments. In the perc part, he uses some stick signs such as
hard xylophone stick, soft timpani stick. I don't know how these sticks look
like, but hope Lilypond can do them. I don't know whether
Hello,
As a person reported earlier, 2.13.24 can't create pdf. My error is not the
same as his. The program aborts at the end, saying can't find
libgs.exe.so.8.70. It's strange that the file it's finding is not a standard
file, because there are many other things after the regular exe extensio
Hello,
Here's another serious problem (only with blind). Sighted people can check
whether the page turn is disturbing the flowing music and troubling the
players, but for me, I have to ask an assistant for help, since Lilypond can't
export Musicxml, or Musescore can't open Lilypond file. Furth
Hello,
I'm working on my overture. NR says by moving Staff_performer to Voice and
creating more than one voice in a staff, more than 16 kinds of instruments can
be used in midi output. But I failed, resulting many warnings saying there are
more than 16 tracks. One thing I can tell is, I still
Sorry, I misunderstood NR. But I still need more than 16 sounds. I don't know
the difference between channel and track. Finale and Sibelius can have more
than 32 instruments at once, so I don't know whether Lilypond can reach this
feature.
Regards
Haipeng
__
Hello Urs,
I'd like to tell you that I wanted Lilypond to export Musicxml to fit my
usage (as a blind), but no one is able to do this. This issue and related talks
is in the Google Code. By the way, Musescore has removed Lilypond import
already.
Regards
Haipeng
_
> In the MIDI version of your score, you can try to include several voices in
> the same Staff,...
Thanks, I know it. The issue came when I used instrument changes such as pizz
and mute, which create more sounds.
Brett pointed out in yesterday's email that Finale and Sibelius uses
different
> I did put in a bit of a suggestion to tackle precisely this challenge.
...
I think this feature needs someone to add many C++ codes in the source, but it
seems that most of the improvement were done out of (I mean "by not largely
modifying") the core (I guess).
Haipeng
_
Hello,
I downloaded 2.13.26 to compile my overture. The result is bad, because it
not only uses more pages, but also reported a (de)crescendo too small warning.
I reinstalled 2.13.24-2, then the warning disappeared, and the page amount is
back to normal. Are there any spacing changes in 26?
Re
Thanks, but I have used many new features only available in 2.13.
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dear All,
After reading the messages about "going back in midi time", I realized that
the main problem of my overture's midi output is not totally because of
articulate. Here's the small intro containing just 8 bars, and the problem is
at bar 7. Please run it, and you'll see these warnings. I
Thanks Carl, I have solved the problem last night by adding midi tags to all
the problematic instruments (bassoons, trumpet I, cello and bass). I don't know
how Lilypond calculates music values, but I've never heard such issue in other
musical notation softwares.
Regards
Haipeng
_
Hello,
I know how to write special tempo indication like 4= ca120 in old versions of
lilypond. But since the new ones have included \tempo text + tempo function, I
don't know how to adjust it. Moreover, the indication is quite different from
the snippet. At the end of my overture, there are bo
Hello,
I encounter a strange problem on my harp part. THe message is:
programming error: no note heads for the line spanner on neighbor line?
Confused.
It is very strange because, although it seems to be the problem of the last
glissando, when I commented out all previous music, it has no probl
Thanks, but...
> commenting \showStaffSwitch in the staff harprh stops this warning/error -
> could this be a starting point to track the error?
I'm confused. Because all my code seems to be right, and if no
\showStaffSwitch, the change staff can't work. But please tell me whether the
pdf output
Hello,
I finally finish my concert overture, which has just 250 measures, 34 pages.
The compiling is a nightmare! When I used normal way, the computer turned into
a circumstance like it was about to crash. Then I used Process Tamer, a small
util program to reduce source wasting. At first, it's
Hello,
I encount a serious problem. My teacher found that my fermatas are only on
the silent parts. When I gave him the following snippet, the problem persisted.
Is it a bug? Must I use \fermata instead of ^\fermataMarkup?
Regards
Haipeng
\version "2.13.24"
\layout {
\context {
\StaffGrou
Then you should add this to the doc in case of confusion to other people.
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Carl,
Yes, I found these sections. The two have confused me for over two years.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
Does anyone have experience with various soundfonts? I think Lilypond'smidi
is only suitable for GM soundfonts. I just purchased Orchestral Collection
Bundle from Digital SOund Factory, and found it is divided into separated
sections. Is anyone familiar with this kind of soundfonts?
Reg
Hello,
In NR, I discovered a problem concerning tagging. If I remove multiple tags,
it will wolk perfectly; however, the opposite way is not available (at the very
bottom of the tagging section). I'd like to make parts for my overture, which
already contains many midi tags. I want to nest tags
Hello,
When I extract the timpani part from my overture (I have not made cues), a
fatal problem comes--spacing issues. No matter what staff size I set, the
warning "couldn't fit music on page" always appears. How to sove it?
Regards
Haipeng
a simplified version (without rehearsal and top texts)
Thanks. But when I used 30, my full score was fattened from 34 pages to 38, and
there are many warnings saying (de)crescendo too small, in fact they are not
small; and a programming error in harp part in 2.13.24 increased to several:
"no note heads for the line spanner on neighbor line? Confused
I have figured out how to achieve, but... but you must do a complete different
score for midi. If the two sounds within a line uses different soundfont, you
must divide it into two lines. Also, please map the midi instrument to the
correct presets of your soundfont, thus, 001 is not always piano
Hello,
I reported this problem earlier, and stopped when my teacher said nothing was
wrong on the score. But with 2.13.30" the portion has more such reports. Here's
the music. When I comment out music before rehearsal 6 (sorry, mark line not
included, see the comment line), no problem is found
Dear Phil:
> I can confirm that compiling this music produces a number of errors...
> the score is too complex to have any chance of working out whether this is a
> bug or expected behaviour owing to errors in the music. I tried commenting
> out parts of the music but with no success.
Yeah, w
Xavier Scheuer wrote:
> I have sent 2 bugs reports to Joe and to bug-lilypond:
Thanks.
> Your programming error: no note heads for the line spanner on neighbor
> line seem related to \showStaffSwitch used simultaneously with
> \glissando ...
But I ever wrote many harp gliss with staff changes
Hello,
I'm a CHinese blind musician Hu Haipeng. I have been using Lilypond since
2008, and get many benefit from it. I also know Manuscript Writer, but since
it's dos based, I seldom put attention to it. Thank you for developing a tool
to convert MWR into Lilypond, but can I discuss something
Martin said:
> What do you mean with "not suitable" ?
> A Lilypond to MusicXML conversion tool probably will not solve the limited
> MIDI capacities of Lilypond.
No! If you have Sibelius and its own vst or Garritan personal Orchestra, you
can import Strauss's Pizzicato Polka and a piece containin
As I said, the midi is 1) not well balanced, and 2) too concret on notes, but
without required information for accurate dynamics and KS (keyswitch).
Therefore, Sibelius will treat all pizz as arco, all solo violin passages as
tutti, and all muted brass as open. Moreover, the machine-gun sounded
Hello,
I have two questions about title pages and prefaced pages. Perhaps they are
in the manuals, but I can't find them at this time.
1. Title pages: If I want to set page number to -1 to start the music at the
second piece of paper, how can I force the number 0 to hide at the back of
title
Hello,
I am editing the back of the title page, where are some notes to perc
players. In the following block, I used hspace, but a sighted person told me
that the 5 lines are not shifted right. I then used 6 spaces before every P,
but the problem persists. How can I do?
Regards
Haipeng
\mark
Thanks Phil.
> I believe that \paragraph isn't a standard part of LilyPond notation
Yeah, it's not included in the default scm file. But I just want some
word-wrapped lines and other kinds of formatted texts in case they have bad
indentations and run off the page. This is very useful when I wri
The \paragraph is taken from the manual, but I don't know where it is now.
#(define-markup-list-command (paragraph layout props args) (markup-list?)
(let ((indent (chain-assoc-get 'par-indent props 2)))
(interpret-markup-list layout props
(make-justified-lines-markup-list (cons (make-hspace-
Hello,
I am re,reading the sections in NR about markups. The following confuses me,
because I can't find any wrong points in the last one. The madual says it has
no anchor point, so can't be moved. Can you give me any clues?
Also, I can't distinguish xx-align and xx-column. I think \left-alig
Hello,
I'm writing an indication for bell tree to gliss upwards. So I need an arrow
pointing right-up. However, the following markup only produces an rotated
triangle. Must I add a line before the arrow? Could you help me visually to
create one?
Regards
Haipeng
\relative c, {
r2 c\mp^\mark
Hello,
My mother found a problem when I write continuous triplets. For example,
\time 4/4 c'4 c' \times 2/3 { c'8 d' e' } \times 2/3 { f' g' a' }
The two triplets are grouped like one sextupplet, but with two 3's. What's the
problem? Is it a wrong practice in notation convention? Is it controlle
Sorry for the noise, it's my fault of not setting tupplet spanner duration in a
continuous triplets, not my example here.
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
I'm very glad that 2.13.34 is much better than previous devel versions since
2.13.24. The only shortcoming is, however, still spacing. In my case, the
overture uses 35 pages in 2.13.24, while 37 in 2.13.34, with one "couldn't fit
music on page:" warning in the middle. I don't know which
Thanks! My Filezilla can't connect to my own ftp site, and Filesonic is running
abnormal this month. The other 2 sites you pointed out are either blocked by
gfw or redirected to another site. So I have to upload it to RS, and you hacan
only have 10 chances to download it. The zip file contains n
Hello,
Thanks for releasing 2.13.35, the spacing problem in 2.13.34 has been solved,
and I'm 99% satisfied with it, except that the overture still compiles out 4
pages more than 2.13.24. However, I'll jump to this version before 2.14's out.
Regards
Haipeng
___
Hello,
A person reported that in the following harp passage of mine, the slurs are
blurred with the notes. He read the score generated by 2.13.24, so: Is it still
wrong in 2.13.35? How to solve the issue?
Regards
Haipeng
\version 2.13.35
headsOn = \sequential {
\override Dots #'transparent =
Thanks, and sorry for not having provided a excellent snippet. The errors don't
appear in my full score and complete part, so 2.13.35 will do the harp part
well I think.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.or
Hello,
I'd like to engrave some percussion sections for separate players. The groups
have their name for player numbers, and the individual rhythmic staves indicate
names of instruments. However, even though I include the engraver, the file
attached doesn't generate group names into the pdf. I
Hello,
I'm producing parts for my overture, while finding a very frustrating visual
problem. I'd like Lilypond to auto resize staves to pages, but I know the staff
size must be set manually. Therefore, even a single line score causes all pages
to have staves running out of. When I tried to set
Hello Janek,
It's perhaps not feasible to change in my opinion. The current calculation is
very scientific. If you use c3 c c, then you'll lost the true value, since
\times 2/3 { c4 c c } equals a half, while \times 2/3 { c8 c c } equals a
quarter. It might be good to change to \tuplet 3 { c4
101 - 164 of 164 matches
Mail list logo
