Re: (313) re: best decks
You use the pitch fader and notch it up and down. It takes a bit of getting used to. That said, I prefer touching the platter or using the spindle, except when I'm playing tracks with strings. r./ On Thu, 21 Nov 2002 11:07:47 -0500, James Bucknell [EMAIL PROTECTED] said: jeebers--it's bad to slow a record by dragging your finger against the platter? does the same apply to speeding the record up by twisting the spindle? i just watched what dj pierre did and tried to do the same. so how are you meant to slow a record on the 1200s without touching the platter? james From: seth redmond [EMAIL PROTECTED] Date: Wed, 20 Nov 2002 11:49:45 + To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) re: best decks I'm still undecided on whether the torque is better or worse. Although it seems logical to get as much as possible, when I tried mixing on Vestax I missed the ability to drop a record back into time by dragging my finger across the edge of the plate as I could with 1200s; although unexpectedly had no trouble moving back to technics again. I am pretty convinced that once I got out of this habit (bad for the motor in any case) I wouldn't mind. The only thing I am sure I would miss on technics is the +10 pitch control. I never had to use the +50's but I've often found that I was agonisingly just-out-of-range on the technics and had to piss about subtely speeding the other record up / down it's not the first time I've heard doubts about the build quality, but don't know anyone who's had them long enough for it to be an issue. their mixers have always been pretty nice mind. -s From: Neil Wallace [EMAIL PROTECTED] To: 'Langsman, Marc' [EMAIL PROTECTED],'seth redmond' [EMAIL PROTECTED],313@hyperreal.org Subject: RE: (313) re: best decks Date: Wed, 20 Nov 2002 10:49:55 - I got one pdx 2000 (as it was all I could afford at the time) and I really love it: -50% is actually really useful as use you can mix things at half tempo to do some weird x2s, having a reverse button is also very useful and yes they seem to have quite a lot more torque - which may not be a good thing if you play out a lot as after using vestax technics feel very light and you need to use a much gentler touch and yeah skipping is virtually non existent which I believe is due to the tonearm being designed to produce no lateral force perpendicular to the tonearm instead all the forces run parallel to the tonearm (or that's the theory anyway) Build quality wise I would say that echnics still have the edge insomuch as touching the deck with the needle on the record doesn't seem to make a noise thru the speakers whereas at high volumes if you tap the vestax you can hear the tapping. _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail -- Benn Glazier [EMAIL PROTECTED] http://www.royaltech.net -- http://fastmail.fm - Access your email from home and the web
RE: (313) Red Planet compilation
I was at Submerge yesterday and they had copies. -Original Message- From: Ian [mailto:[EMAIL PROTECTED] Sent: Saturday, November 16, 2002 11:51 AM To: Erik Jälevik Cc: The Music Institute Subject: Re: (313) Red Planet compilation On 11/16/02 7:15 AM, Erik Jälevik [EMAIL PROTECTED] wrote: Sorry if this is a FAQ (I'm new), but is the Red Planet CD compilation that came out in 99 readily available? http://www.submerge.comlists this as still in-stock. Essential. -- im
(313) venue: old motor building
what shows are scheduled here? I know of the one friday, then there is some rap show with eazy e or some shit, and then I thought there was at least one more show whats it? whats the deal with that space? -Joe jinjin_a_gogo: i dont speak your urban lingo, holmes
(313) Fwd: Music created in the Motor City
Reply-To: [EMAIL PROTECTED] From: Contemporary Art Institute of Detroit [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Music created in the Motor City Date: Wed, 20 Nov 2002 20:06:29 -0500 X-Priority: 3 (Normal) Importance: Normal Re:sounding Detroit: a comparative presentation and discussion of music created in the Motor City Presented by the Contemporary Art Institute of Detroit, and sponsored by Wayne State University's Honors Program. www.caidonline.org Participants: Lars Bjorn, Ben Edmonds Dan Sicko (information below) Panel Moderator: Liz Copeland (WDET and CAID) Saturday, November 23rd, 3-5 pm Bernath Auditorium inside the David Adamany Undergraduate Library on the campus of Wayne State University Free and open to the public Book signing to follow event Synopsis of the idea behind Re:sounding Detroit: Re:sounding Detroit is an attempt to discover the common points between the various music forms to emerge out of Detroit. It's a city whose sounds have reverberated from our own back yards to around the world: jazz, blues, Motown, rock, electronic and beyond - earning Detroit the reputation of being an acclaimed music city. What are the factors that have given Detroit this common art form across generations, expressed in such varied and unique ways? With the aid of sound and visuals, each presenter will examine the relationship between music and culture (and subculture) applicable to the era. The forum will conclude with a comparative, mediated discussion between all participants. Participant Information: Lars Bjorn. Lars Bjorn is a Professor of Sociology at the University of Michigan-Dearborn campus, as well as author of Before Motown: A History of Jazz in Detroit, 1920-60 (University of Michigan Press 2001). He has published From Hastings Street to the Bluebird: The blues and jazz traditions in Detroit (Michigan Quarterly Review 1986) and is the author of numerous articles on jazz in Detroit. Joining Bjorn from the audience will be his collaborator on Before Motown, Jim Gallert. Ben Edmonds. Originally from the New England area, Ben Edmonds has been a Detroiter since 1968. He's since become an accomplished music journalist, as an editor for the legendary Creem magazine up until today's position of US editor for the UK-based Mojo magazine - while contributing to several publications in between including Rolling Stone, New Musical Express The Los Angeles Times. Edmonds has written liner notes for many, including the relatively recent reissue of Love's Forever Changes and the Deluxe Edition of Marvin Gaye's What's Going On, which will be acknowledged with the ASCAP Deems Taylor Award presented at Lincoln Center in New York this December. Edmonds is the author of What's Going On (Mojo Books/Canongate 2001), an unauthorized biography of Marvin Gaye. Dan Sicko. A Detroit native, Dan Sicko has been writing about techno music for over ten years. In fact, techno music inspired him to write in the first place, ultimately making him change his profession in 1996 and take on copywriting and advertising full-time. But he never stopped writing about music, his articles appearing in publications such as Wired, Rolling Stone, Urb and his own online techno magazine Reverb. In 1997 Sicko proposed the idea of a book about the history of techno - the first from an American (not to mention Detroit) perspective. Publisher of Urb magazine Raymond Leon Roker has said about Sicko's book Techno Rebels (Billboard Books) published in 1999, Dan Sicko demonstrates an acute awareness of the racial, cultural, and historical implications of the late twentieth century's digital soundtrack, exploring it with a depth that few have captured in print. Media sponsors for LINK include WDET-FM 101.9 Detroit Public Radio and Metro Times. Visit the Contemporary Art Institute of Detroit on the world wide web at http://www.caidonline.org +++ If you have received this message in error and need to be removed from the list, please respond with REMOVE in the subject heading. Duplicate e-mail notices may be prevented in the future by responding to this e-mail with DUPLICATE in the subject heading. +++
Re: (313) A worthwhile event
Im sure the event is filled, but if there is a need for a PA of fuxy trax, I'd be happy to donate my friday night. I like charity events -Joe - Original Message - From: Ian [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, November 18, 2002 1:01 PM Subject: (313) A worthwhile event A yearly event here in Detroit that is well worth the cover price! Good music for a great cause. ID Please make plans to attend House for the Homeless 3, a benefit for the Capuchin Soup Kitchen in Detroit on Friday, November 22. Local House DJ's and performers have generously donated their time to raise money for this worthy cause just in time for Thanksgiving. Date: Friday, November 22 (9pm-2am) Location: 3515 Caniff (space generously donated by Dan Sordyl) Admission: $10 donation at the door (proceeds to the Capuchin Soup Kitchen), 18+ welcome Performances from (in 2 rooms): Sound Circle Collective Dwayne Jensen: Fathom Recordings, Beatdownsounds.com Delano Smith: Beatdownsounds.com DJ Genesis: Beatdownsounds.com John Arnold: Ubiquity, Transmat Mazz: Citypeoplemusic Josh Crilley feat. Malik Alston: Truth Manifest John Stoll: Color Collective Mathew Boynton: Detroit Bachelor DJ's, Incognito Detroit Patrick Aaron aka Egghead: Crackly Records Fashions by Michele Swanson Hors D'oeuvres prepared by Camillian Cafe in Greektown 3515 Caniff, Hamtramck Doors open at 9. 18 and over welcome. Admission $10 at the door only. Cash bar. Additional canned food donations will be accepted (cover still applies) Thanks to our sponsors: Record Time, Camillian Cafe, Real Detroit Weekly, Motor Productions, Highway Press, and the Patricola Agency Contact information: Vince Patricola: Cell (248) 417-6089, email: [EMAIL PROTECTED]
(313) 1990 techno
techno recorded off the radio from 1990, if you can id some of these tracks please let me know. thanks in advance. http://pages.prodigy.net/stevepwats/afterhourb.ram 1. ? 2. ? 3. Man Machine Man Machine Outer Rhythm 4. ? 5. ? 6. ? 7. ? 8. 808 State - Pacific State (original ZTT vesrion?) 8. Farley Jackmaster Funk U Aint Really House (instrumental) 9. ? 10. Jungle crew feat. Jungle Jorge Elektric Dance Elektro Sounds 11. Truntable Hype s/t 12. ? 13. ? (cheesy Cubic rip off) 14. ? 15. ?
(313) Dublin Night Strike
´Dublin Night Strike On Saturday 21st of December, Dublin based D1 Recordings present in cooperation with Underground Resistance from Detroit: Dublin Night Strike, the first in a two part banging UR mission to Dublin. The organisation that brought DEAF, the Dublin Electronic Arts Festival in October, is starting a new series of Nightstrike events throughout various venues in the city. The two rooms of Temple Bar Music Centre, where the party will be held, will be completely transformed with camoflage decoration. The first edition will feature the legendary Underground Resistance DJs Suburban Knight and Clandestine. DJ Suburban Knight (Detroit) is also known as Dark Energy or James Pennington (who collaborated with Jeff Mills and other famous techno heroes). D1 will be represented by the live performance of Donal Tierney. Find D1 hosting a night at The Crypt in Dublin on Fridays.´ Regards, Martijn Searchline Van Breestraat 154 P.O. Box 9292 1006 AG Amsterdam The Netherlands Tel: +31 (0)20 578 86 86 Fax: +31 (0)20 662 92 81 http://www.searchline.biz Disclaimer: This e-mail and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from Searchline, are confidential and solely for the use of the intended recipient. If you have received this e-mail in error please notify the system manager at [EMAIL PROTECTED]
(313) Fw: TERENCE FIXMER presents AKTION MEKANIK
ARTIST: VARIOUS COMPILED BY: TERENCE FIXMER TITLE: AKTION MEKANIK LABEL: MUSIC MAN FORMAT: CD / 2 X 12 CAT NO: MMCD 021 RELEASE DATE: 17 JANUARY 2002 Featuring classic 'EBM' (electronic body music) and Nu-Beat tracks from Nitzer Ebb, The Normal, Fad Gadget, Front 242, Crash Course In Science, Skinny Puppy, DAF, Liaisons Dangereuses and a new exclusive track from compiler (and Gigolo) Terence Fixmer, Aktion Mekanik brings together long lost/forgotten classics from the 80's Belgian Nu-Beat scene, whilst highlighting their influence on modern electronic composition. With tracks such as The Normal's 'Warm Leatherette' being covered by Chicks On Speed or bootlegged by Richard X and DJ Hell covering No More's 'Suicide Commando' and making the second half of his recent 'Electronicbody-housemusic' mix CD a homage to old and new versions of 'EBM', 'Aktion Mekanik' is a timely reminder of how we used to play. One such current producer who certainly used to play is Planete Rouge man, Terence Fixmer who has been fusing EBM with modern techno ever since 'Electrostatic' launched his life as a Gigolo in the late 90s. Born in Lille, on the Northern borders of Belgium it was at the tender age of 15 that Fixmer fell headfirst into the burgeoning EBM scene just across the border, where himself and fellow friends at Ghent's Music Man label fanatically followed bands such as Front 242, Klinik, DAF and Nitzer Ebb and frequented Belgian clubs such as Boccaccio and Skyline. I made this compilation as a personal journey and to remember the well respected electronic artists which are in someway our modern techno forefathers, states Fixmer. I made it just because this is the music of my heart and nothing to do with any 80s trend. With Fixmer having recently remixed Nitzer Ebb's classic 'Join In The Chant' for Novamute and now currently working with their singer Douglas MacCarthy on a new project, Aktion Mekanik neatly brings his EBM adventure full circle. Furthermore, look out next year for Crash Course In Science's never before released only album from the early 80's vaults set for a debut airing on Music Man some 20 years later.! Terence Fixmer plays live at ElectrooVoodoo, Liverpool on December 13th. More info: www.terencefixmer.com Nitzer Ebb - Warsaw Ghetto Nitzer Ebb, (strongly influenced by DAF) were, alongside Front 242, at the forefront of the EBM sound in the late 80s, with classics like Let Your Body Learn Join in The Chant. Warsaw Ghetto, taken from their second twelve inch (1985) is a more obscure track by them. Crash Course In Science - Cardboard Lamb Hailing all the way from Philadelphia, CCIS, only released one twelve inch from which this track is taken! Numerous covers have followed (check Pete Tong's essential anthem BUCCIBAG), but here in it's original glory. No More - Suicide Commando Indie Classic from 1981, got remixed by DJ Hell Echopark in 1998 as a taster for Hell's Munich Machine album. The Normal - Warm Leatherette Daniel Miller's classic, Mute records first releaseIt was in l978, right after Punk had started. The music at the time was quite unusual -- apart from a few groups like Kraftwerk. Fad Gadget - Coïtus Interruptus Taken from Fad Gadget's first album Fireside Favourites, this sets a benchmark for further Fad Gadget anthems like Ladyshave Collapsing New People! The Klinik - Hours + Hours Belgian electronic duo THE KLINIK started out in 1984, focusing their early efforts on the international home-taping circuit.But through their releases and remarkable live-gigs, which blend their haunting music with splendid and intriguing video footage, the twosome (Dirk IVENS - Voices and Marc VERHAEGHEN - Electronics) gradually built up a steady following and a reputation that stretched beyond the confinement of the Living room studio. Hours + Hours is taken from their first album Sabotage (1985). Daf - Verschwende Deine Junged The core of DAF are Gabi Delgado-Lopez and Robert Gorl. They met in Dusseldorf during the punk movement in 1977 whilst Gabi was singing in local punk bands and Robert finishing his formal musical training. They went on to release seminal tracks like Der Mussolini Brothers... This track is taken from the 1981 album Gold Und Liebe. The Invincible Limit - Push! First there was Invisible Limits as a band, Thomas Lüdke being a member, programming the sequences to such classics as Love is a Kind of Mystery and Devil Dance. Thomas then left, chose Invincible Limit as his new solo project, and made Push in 1986 (Last Chance Records). Crash Course In Science - Flying Turns Hailing all the way from Philadelphia, CCIS, only released one twelve inch from which this track is taken! The flip from the one previously mentioned. Liaisons Dangereuses - Mystere Dans Le Brouillard Founded by Beate Bartel Chris Haas in 1981, releasing onlycassettes ... this track was taken from a 7inch single released on Mute records in 1982 as a b-side from the also seminal Los Ninos Del
RE: (313) vinyl burn (was re: best decks)
Another thing you have to take into consideration is what type of stylii you're using, spherical or elliptical ones. I really love my vinyl so I don't scratch, I try not to touch it, I use a carbon fibre brush and elliptical stylii which I replace regularly. Now I'm a bit lazy to type out why, and it's well explained here: http://www.djedwhite.com/articles.html Oh, and good morning! Anal Anya ; ) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, November 20, 2002 9:30 PM To: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) vinyl burn (was re: best decks) I've found that you always get this with certain qualities of vinyl, except with Shure's wonderful M447s, which I can't praise enough. The villains of the piece are definitely the Stanton 500als, which basically cane vinyl in a horrifying way - though there's always those little battery powered bus/car things that drive round your record with a little speaker on their back, don't ever use these if you want to listen to the record again. Through collecting old vinyl I've noticed that the quality of the vinyl varies a lot with economic circumstances. e.g. during the 70's and the oil crisis pressings became a lot thinner and peeps came up with silly ideas like RCA's shonky 'Dynaflex' pressings. These thin pressings, or worse still the ones pressed on adulterated vinyl, seem to be particularly prone to needle burn. A bit OT I'm afraid (especially for a first posting - please be gentle) but Richard started it. Dan while we are kinda on topic.I wanted to ask about vinyl burning and stylii if you've got old styliil can they damage your wax? I was playing around with two copies and repeating the intro for ages...and then when I played the same record the next day the intro was all staticy and defintely sounded damaged. is this vinyl burn? on some stylli/cartridge ads they talk about this 'vinyl burn'.can old needles damage your wax? rc
RE: (313) re: best decks
personally I like the 1200's any club you play at will have these. 12's are my faves too bu to be honest thats becoming less the case nowadays - many places are having the vestax fitted - in london alone loads of the major places have all had vestax refits - cargo, ministry, fabric, home (before it shut) -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) re: best decks
that makes a lot of sense ! It will be interesting to see how modern decks such as vestax are faring in 6+ years time for reliability and construction. -Original Message- From: Fred Heutte [mailto:[EMAIL PROTECTED] Sent: 20 November 2002 20:34 To: 313@hyperreal.org Subject: RE: (313) re: best decks I know, I've given this speech before. It's more or less an accident of history that the Technics 1200 founded the modern DJ age and continues to be the standard turntable. It's certainly been put to far more different kinds of uses than the designers could ever have imagined. The real reason is that, overall, it is a marvel of mechanical engineering. There's a lot of talk about torque and how the Vestax design meets or exceeds the Technics, but what you don't hear about is that delicate balance between torque, starting speed and platter weight that distinguishes the 1200 from all other turntables. This is what makes the 1200 a musical instrument, at least in a secondary way, as compared to a mere audio reproduction device. The 1200 has its share of faults -- everyone hates the placement of the on-off switch, and the little pop-up light, which requires something approaching knee surgery to fix, is useful but the lights are difficult and expensive to replace. I've found almost universally that, when pitched off the 0% locked pitch position, they spin just a little faster after being stopped and restarted. And rotation speeds are very consistent over most of the pitch range but vary noticeably once you get above +/- 6%. And don't even get me started about how they rip off customers on replacement parts like covers. Last I checked, it was $45 per HINGE on those covers! The 1200 has a number of clever design features that go almost unnoticed. And there is a consistency of materials and construction that's always evident. Even beat-up club 1200s are pretty reliable. The 1200 was first marketed to some degree as an audiophile turntable, since it evolved out of the high-end Technics line of the day. It was hardly then and certainly not now a true audiophile unit. Just the rumble figures alone would scare the average reader of Absolute Sound. But we're not here to talk about playing 180 gram virgin vinyl on $6,000 turntables. You laugh! But take a look: http://www.audiocircuit.com/9150-turntable-circuit/Commercial/ Nottingham%20Analogue- NOT/9150CMNOT.htm Besides, the 1200 rumble adds the distinctive je-ne-sais-quoi to a really good bassline playing on a Really Big Sound System. I've seen 1200s that ran daily for 10 years without a hitch, although you can tell the pitch controls are ral loose! I've seen them indoors in all kinds of situations including on stages that bounced like trampolines, outdoors on the beach and in the hills, and they are almost if not quite indestructible. I've seen DJs do all kinds of crazy things with 1200s, not just backspins, platter twists and what have you. Not even Rotator plumbed the depths of what a 1200 can do. If you watch enough DJs over the years, you'll be surprised at how many different ways there are to play. There is great versatility built into its somewhat simple and otherwise nondescript design. I'm not always a believer in the standard equipment in a given field. I use the Opera browser instead of Internet Explorer, and have never worn a pair of Nike shoes even though Portland where I live is Niketown. But the 1200 deserves its place as *the* standard DJ turntable. Fred -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) re: best decks
OK, not learning my lesson the first time; the Mac Vs PC of the DJ world... for those people who mix using a combination of pitch and mere digits (but touch their records enough to make pitch-only near impossible), and who have used them for an extended period of time; do the vestax cause any significant problems due to the fact that they don't slow down much when touched (i.e. 'cause you can't use the edge of the plate / spindle)? Last question, Promise. -s _ MSN 8 with e-mail virus protection service: 2 months FREE* http://join.msn.com/?page=features/virus
RE: (313) Lenn Swann on Groovetech 11/21
What style is he playing? I know he's a world-class turntablist these days but I remember way back when him and Daddy Riff (as 12 Tech Mob) were the booty/ghetto dream team! I still think their 1996 Bounce dat Azzz Vol 1 is the best mix in that style I've ever heard, and nothing I've heard from Disco D, Godfather, Assault et al since then has really surpassed it for me. Is he doing a hip-hop or booty set? | -Original Message- | From: Colette Lewis [mailto:[EMAIL PROTECTED] | Sent: 20 November 2002 18:43 | To: 313 | Subject: (313) Lenn Swann on Groovetech 11/21 | | | It's not Techno but it's 313 related! | | Thursday, November 21st - Lenn Swann Live on Groovetech Radio | London 12pm - | 2pm | | | |
Re: (313) re: best decks
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Seth said... Last question, Promise. I say... I realise I may not be the most interesting contributor to this list, but bleedin hell, it better had be, this is boring me rigid :) Just on a trying to change the topic note, I got a lovely new test pressing of Kirk Degiorgio's new EP for new religion through the post yesterday. It's HARD, but I quite like it in a way. Definitely his most club techno orientated work for some time, 2 tracks, both with the floor in mind. Should be out in January I think. So, anyone got any interesting stuff to tell us or what?! - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
(313) interesting stuff? (was RE: (313) re: best decks)
| So, anyone got any interesting stuff to tell us or what?! Err... The Artcyclopedia (http://www.artcyclopedia.com) describes minimalism as 'a style of art in which objects are stripped down to their elemental, geometric form, and presented in an impersonal manner'. Robert Hood's Minimal Nation EP (Axis, 1994) is as pure as it gets, discharging solidly 3-dimensional shapes into the sonicsphere. Listening to Rhythm, you meditate on its building blocks of melody and rhythm, and find in them sonic paradoxes worthy of Escher's drawings. From the underlying premise that music exists independently of humankind, minimalism attempts to strip away subjectivity and assume natural forms, thus attaining ultimate truth and ultimate beauty. This naked, quantum truth turns out to be more complex than the higher-order, multi-layered introspections fashioned by the ultra-conscious mind. A (hastily concocted but purpose-serving) existential riddle for you: what is a more complex concept - a piece of wood or a house built of pieces of the same wood? (from http://www.sagant.freeserve.co.uk/jukebox302.htm ) Maybe not interesting, but hopefully a bit of a diversion! Brendan
(313) Record shipping
hi 313 sorry, this is somewhat off topic: do any UK 313ers know of the best place to get packaging in which to ship vinyl and how much this might be? i'm London based, but via the web would be ok too. i'm selling some stuff on ebay soon that's all. e me privately if you wish to help me out! cheers, h This e-mail and any attachment is for authorised use by the intended recipient(s) only. It may contain proprietary material, confidential information and/or be subject to legal privilege. It should not be copied, disclosed to, retained or used by, any other party. If you are not an intended recipient then please promptly delete this e-mail and any attachment and all copies and inform the sender. Thank you.
(313) Amsterdam 2nd hand shops
Memo from Alex Bond of PricewaterhouseCoopers Start of message text I'm in Amsterdam at the end of the month and was wondering if any 313ers knew of any good second hand record shops there? I've been to that Concerto, the one in the Leidesplein on 2 floors (can't remember the name), a couple of tiny little ones in the Jordaan. Anyone know of anymore that are worth a visit? I'm prepared to get on the train if it's a good one. A while ago someone was telling me of a shop in Utrecht that loads and loads of 12s that were all 3 guilders, but that was a while ago. Anyone know if it exists? Also has anyone been to Black Rhythm Records? Is that worth a visit? Looking for old 12's. (Disco/Soul/Funk/Italo/Electronic etc) or house/techno stuff. Junk shops etc would be good.. Many Thanks, Alex - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
(313) recs wanted please
got a sudden urge to buy a CD this lunchtime needs to widely available eg at HMV/Virgin UKso it give mes about 1 hour to think of something to buy... but cant decide... anyone care to offer any thoughtsoff list is fine... as a pointer last 3 things purchased - ian o brien - desert scores... now that is been reissued metro area - metro area system 7 and derrick may - mysterious travellor many thanks in advance. rav
RE: (313) Record shipping
http://www.covers33.co.uk/mailers.htm That's about the only place I can find. :/ Dscaper -- Aeonflux Radio - http://www.aeonflux.co.uk A man who know's what he knows, and knows what he doesn't know, is the sign of a man who knows. -Original Message- From: Williams, Howard [mailto:[EMAIL PROTECTED] Sent: 21 November 2002 11:23 To: 313 (E-mail) Subject: (313) Record shipping hi 313 sorry, this is somewhat off topic: do any UK 313ers know of the best place to get packaging in which to ship vinyl and how much this might be? i'm London based, but via the web would be ok too. i'm selling some stuff on ebay soon that's all. e me privately if you wish to help me out! cheers, h This e-mail and any attachment is for authorised use by the intended recipient(s) only. It may contain proprietary material, confidential information and/or be subject to legal privilege. It should not be copied, disclosed to, retained or used by, any other party. If you are not an intended recipient then please promptly delete this e-mail and any attachment and all copies and inform the sender. Thank you.
(313) interesting stuff - KDJ, Red Planet, UR, Footwork, RjD2
Alex: So, anyone got any interesting stuff to tell us or what?! non-313: the RjD2 album, Deadringer, is worth investigating if you're remotely into hiphop. picked it up on Saturday on a whim, and mighty fine it is too! 313: the new Moodyman 12 is quite nice. i can take-or-leave much of KDJ's stuff, but i heard some samples of I'm Doing Fine online this week and i think it's a definite maybe. ;) some interesting goings-on at Submerge. looks like there's a new Red Planet on it's way - #11 Revenge of the Wolf - plus a Red Planet associated book Understanding the Connection between Black and Aboriginal Peoples. there's also something which looks suspiciously like another reissue/replacement release on UR - Dark Energy Dark Paradise 12 (listed as UR-031, which used to be the Dark Energy doublepack!). if you're into wicked Detroit-style (electro and techno-tinged) house then keep your eyes peeled for a label called Footwork Records. the label's London-based, but the guys who run it are closely affiliated with Detroit's IS12 collective. due out sometime around now is an ep from Detroit's AudioMatriX, House Ballads Part Two (Part One was produced by Mark Flash and was the 2nd ep on Footwork), and an ep by Louis Digital, The Crack-Up. i think Groovetech have some samples, so head down there and have a listen if you're interested. ...and that's about it for now. rob _ STOP MORE SPAM with the new MSN 8 and get 2 months FREE* http://join.msn.com/?page=features/junkmail
Re: (313) interesting stuff? (was RE: (313) re: best decks)
The Artcyclopedia (http://www.artcyclopedia.com) describes minimalism as 'a style of art in which objects are stripped down to their elemental, geometric form, and presented in an impersonal manner'. Robert Hood's Minimal Nation EP (Axis, 1994) is as pure as it gets, discharging solidly 3-dimensional shapes into the sonicsphere. Listening to Rhythm, you meditate on its building blocks of melody and rhythm, and find in them sonic paradoxes worthy of Escher's drawings. http://www.lipsons.pwp.blueyonder.co.uk/escher/ascending.html And don't try to tell me it can't be done without cheating!!! ;)
Re: (313) re: best decks
seth redmond wrote: OK, not learning my lesson the first time; the Mac Vs PC of the DJ world... for those people who mix using a combination of pitch and mere digits (but touch their records enough to make pitch-only near impossible), and who have used them for an extended period of time; do the vestax cause any significant problems due to the fact that they don't slow down much when touched (i.e. 'cause you can't use the edge of the plate / spindle)? Again I don't know exactly how the new decks feel but I have no problem with the old vestax, I use spindle and plate edge *and* pitch. All works fine. Pitch controlling with vesax is easier, pitch fader is quite resistant and has a real fluid motion. The only problem with touching the plate edge is the little dimples http://www.vestax.co.uk/flash/2002/turntablesPDX2000.htm You touch it and the record slows down with a 'wobbly' sound, technics have the little circles which makes for a much smoother slow down. Hope this helps -- Mike
RE: (313) Random question about platter dots (was re: best decks)
The only problem with touching the plate edge is the little dimples super tangential random question here - but the dots on technics are meant to indictae what pitch things are going at by which row is stationary (because of the strobe effect of the red light) ... has anyone actually ever used this functionality or is there any other useful purpose ? would be handy to know as Ive thought they were a bit redundant (although it looks quite cool! ) peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) venue: old motor building
I doubt its easy E (seeing that he is no longer on this earth) but there have been shows at this space regularly. I believe that Dan has been rent the space out to who ever wants it so I don't think there is a general place for all the upcoming events. -R -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Wednesday, November 20, 2002 8:19 PM To: 313@hyperreal.org Subject: (313) venue: old motor building what shows are scheduled here? I know of the one friday, then there is some rap show with eazy e or some shit, and then I thought there was at least one more show whats it? whats the deal with that space? -Joe jinjin_a_gogo: i dont speak your urban lingo, holmes
Re: (313) interesting stuff - Footwork, Stuff
hey guys if you're into wicked Detroit-style (electro and techno-tinged) house then keep your eyes peeled for a label called Footwork Records. the label's London-based, but the guys who run it are closely affiliated with Detroit's IS12 collective. due out sometime yes the first 12 on footwork was pretty nice too, by louis digital, had a really stripped-down homemade peaches-n-cream remix, and a couple nice house tracks. that mark flash one (the second footwork) was godawful but i guess that just means i'm not a mark flash fan...0 subtletly..definitely excited to hear the new ones tho! also check out this new label from Glasgow with it's first release next week - Stuff Records, vaguely affiliated (i think?) with the guys from Rub-a-Dub (and redshift, who i think is on the list?) ...the first ep is a various artists ep full of totally crazy chit, from drexciyan electro to wigged out japanese hiphop-idm, straight-up rb remixes(!?) etc...they clearly dont care about making genre records and there is some cool stuff on there..they have a website, incomplete now but very soon complete at: http://www.stuffrecords.co.uk and a soundbite: http://www.stuffrecords.co.uk/audiobank/truffleclub.mp3 bye jt _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE*. http://join.msn.com/?page=features/virus
RE: (313) Random question about platter dots (was re: best decks)
Its just because the speed of the turntable varies slightly and so the dots are used to tell when it is going at exactly 33 1/3rm or 45rpm :-Original Message- :From: Langsman, Marc [mailto:[EMAIL PROTECTED] :Sent: Thursday, November 21, 2002 2:10 PM :To: 'Michael Lees'; seth redmond :Cc: 313@hyperreal.org :Subject: RE: (313) Random question about platter dots (was re: best decks) : : : The only problem with touching the plate edge is the little dimples : :super tangential random question here - but the dots on technics are meant :to indictae what pitch things are going at by which row is stationary :(because of the strobe effect of the red light) ... has anyone actually :ever :used this functionality or is there any other useful purpose ? :would be handy to know as Ive thought they were a bit redundant (although :it :looks quite cool! ) : :peace, :Marc : :--- :--- :This message is intended only for the personal and confidential use of the :designated recipient(s) named above. If you are not the intended recipient :of this message you are hereby notified that any review, dissemination, :distribution or copying of this message is strictly prohibited. This :communication is for information purposes only and should not be regarded :as an offer to sell or as a solicitation of an offer to buy any financial :product, an official confirmation of any transaction, or as an official :statement of Lehman Brothers. Email transmission cannot be guaranteed to :be secure or error-free. Therefore, we do not represent that this :information is complete or accurate and it should not be relied upon as :such. All information is subject to change without notice. :
Re: (313) Random question about platter dots (was re: best decks)
On my old decks (sound lab) the red light and dots were a godsend. The O% point could be adjusted with the turn of a screw. The 0% seemed to move a lot by itself so to 're-zero' the pitch I'd set the pitch to zero, turn the screw and watch the dots until they stayed still, if the dots moved one way too fast, other way too slow. I think the big dots should stay still at 45 and the small at 33 1/3 (but it may be the other way round, it's been a while since I've had to worry about that). --Mike Neil Wallace wrote: Its just because the speed of the turntable varies slightly and so the dots are used to tell when it is going at exactly 33 1/3rm or 45rpm :-Original Message- :From: Langsman, Marc [mailto:[EMAIL PROTECTED] :Sent: Thursday, November 21, 2002 2:10 PM :To: 'Michael Lees'; seth redmond :Cc: 313@hyperreal.org :Subject: RE: (313) Random question about platter dots (was re: best decks) : : : The only problem with touching the plate edge is the little dimples : :super tangential random question here - but the dots on technics are meant :to indictae what pitch things are going at by which row is stationary :(because of the strobe effect of the red light) ... has anyone actually :ever :used this functionality or is there any other useful purpose ? :would be handy to know as Ive thought they were a bit redundant (although :it :looks quite cool! ) : :peace, :Marc : :--- :--- :This message is intended only for the personal and confidential use of the :designated recipient(s) named above. If you are not the intended recipient :of this message you are hereby notified that any review, dissemination, :distribution or copying of this message is strictly prohibited. This :communication is for information purposes only and should not be regarded :as an offer to sell or as a solicitation of an offer to buy any financial :product, an official confirmation of any transaction, or as an official :statement of Lehman Brothers. Email transmission cannot be guaranteed to :be secure or error-free. Therefore, we do not represent that this :information is complete or accurate and it should not be relied upon as :such. All information is subject to change without notice. : -- Mike [EMAIL PROTECTED] http://www.cs.nott.ac.uk/~mhl/
Re: (313) Random question about platter dots (was re: best decks)
Not to mention fixing 1200s which have been damaged when +16'd... Its just because the speed of the turntable varies slightly and so the dots are used to tell when it is going at exactly 33 1/3rm or 45rpm :-Original Message- :From: Langsman, Marc [mailto:[EMAIL PROTECTED] :Sent: Thursday, November 21, 2002 2:10 PM :To: 'Michael Lees'; seth redmond :Cc: 313@hyperreal.org :Subject: RE: (313) Random question about platter dots (was re: best decks) : : : The only problem with touching the plate edge is the little dimples : :super tangential random question here - but the dots on technics are meant :to indictae what pitch things are going at by which row is stationary :(because of the strobe effect of the red light) ... has anyone actually :ever :used this functionality or is there any other useful purpose ? :would be handy to know as Ive thought they were a bit redundant (although :it :looks quite cool! ) : :peace, :Marc : :--- :--- :This message is intended only for the personal and confidential use of the :designated recipient(s) named above. If you are not the intended recipient :of this message you are hereby notified that any review, dissemination, :distribution or copying of this message is strictly prohibited. This :communication is for information purposes only and should not be regarded :as an offer to sell or as a solicitation of an offer to buy any financial :product, an official confirmation of any transaction, or as an official :statement of Lehman Brothers. Email transmission cannot be guaranteed to :be secure or error-free. Therefore, we do not represent that this :information is complete or accurate and it should not be relied upon as :such. All information is subject to change without notice. : -- Mike [EMAIL PROTECTED] http://www.cs.nott.ac.uk/~mhl/ _ Help STOP SPAM with the new MSN 8 and get 2 months FREE* http://join.msn.com/?page=features/junkmail
RE: (313) Random question about platter dots (was re: best decks)
There is a method of using the dots to match your 2 decks. Essentially, +/- whatever will match the same pitch adjustment of the other deck. -Original Message- From: seth redmond [mailto:[EMAIL PROTECTED] Sent: Thursday, November 21, 2002 9:35 AM To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) Random question about platter dots (was re: best decks) Not to mention fixing 1200s which have been damaged when +16'd... Its just because the speed of the turntable varies slightly and so the dots are used to tell when it is going at exactly 33 1/3rm or 45rpm :-Original Message- :From: Langsman, Marc [mailto:[EMAIL PROTECTED] :Sent: Thursday, November 21, 2002 2:10 PM :To: 'Michael Lees'; seth redmond :Cc: 313@hyperreal.org :Subject: RE: (313) Random question about platter dots (was re: best decks) : : : The only problem with touching the plate edge is the little dimples : :super tangential random question here - but the dots on technics are meant :to indictae what pitch things are going at by which row is stationary :(because of the strobe effect of the red light) ... has anyone actually :ever :used this functionality or is there any other useful purpose ? :would be handy to know as Ive thought they were a bit redundant (although :it :looks quite cool! ) : :peace, :Marc : :--- :--- :This message is intended only for the personal and confidential use of the :designated recipient(s) named above. If you are not the intended recipient :of this message you are hereby notified that any review, dissemination, :distribution or copying of this message is strictly prohibited. This :communication is for information purposes only and should not be regarded :as an offer to sell or as a solicitation of an offer to buy any financial :product, an official confirmation of any transaction, or as an official :statement of Lehman Brothers. Email transmission cannot be guaranteed to :be secure or error-free. Therefore, we do not represent that this :information is complete or accurate and it should not be relied upon as :such. All information is subject to change without notice. : -- Mike [EMAIL PROTECTED] http://www.cs.nott.ac.uk/~mhl/ _ Help STOP SPAM with the new MSN 8 and get 2 months FREE* http://join.msn.com/?page=features/junkmail
(313) If you see a copy in a shop....
Here's a spotters challenge... Cabaret Voltaire : Body and Soul (CD or LP) « TWI 944 » (Les Disques du Crepuscule, 1991) Used to have a copy on tape, but you can guess the rest. If anyone knows of a shop that's got a copy in, can they mail me URL or a mail addie to get in touch with them. Having problems getting hold of it, although I didn't think it was as rare as rocking horse sh*t. Dscaper :) -- Aeonflux Radio - http://www.aeonflux.co.uk A man who know's what he knows, and knows what he doesn't know, is the sign of a man who knows.
Re: (313) interesting stuff - Footwork, Stuff
JT: yes the first 12 on footwork was pretty nice too, by louis digital, had a really stripped-down homemade peaches-n-cream remix, and a couple nice house tracks. that mark flash one (the second footwork) was godawful but i guess that just means i'm not a mark flash fan...0 subtletly..definitely excited to hear the new ones tho! the new Louis Digital definitely shows a progression from the first one, and the AMX 12 is really good too imho! i'm not sure what's happening with their website, but as i said before Groovetech has some samples anyways. also check out this new label from Glasgow with it's first release next week - Stuff Records, vaguely affiliated (i think?) with the guys from Rub-a-Dub (and redshift, who i think is on the list?) ...the first ep is a various artists ep full of totally crazy chit, from drexciyan electro to wigged out japanese hiphop-idm, straight-up rb remixes(!?) etc...they clearly dont care about making genre records and there is some cool stuff on there..they have a website, incomplete now but very soon complete at: http://www.stuffrecords.co.uk and a soundbite: http://www.stuffrecords.co.uk/audiobank/truffleclub.mp3 cool, nice heavy funky Mary J remix! as well as that Mary J remix (The Truffle Club Perculatin') the Stuff ep also features a track from Marcia Blaine School for Girls whose 12 on Dalraida is superb downtempo melodic electronica, and one by Redshift who's last ep on Surface Effect i really liked n'all (reminded me of early UR/RedPlanet electro)... and as it happens Warp have the Stuff ep in stock so i think i'll snag one shortly, along with a copy of Twoism!!! :) rob ps: is it the same Redshift (signs emails as Joe i think?) who's on this list? i always assumed Redshift was a Scot or based in Scotland, mainly cos of the Rub-a-dub association. _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE*. http://join.msn.com/?page=features/virus
Re: (313) interesting stuff - Footwork, Stuff
no, Im a different Joe I'ved used redshift (now r3dshift) as my email for a while, but it is not connected with my performance names I perform typically as fux however, I have played a few PAs on the radio as negative saucer and was also on the bill for this years battery park cologne festival as negative saucer. (yes, I dont like fux that much either, its kinda a nickname... quite embarrassing to discuss this project on the radio... fux sounds profane.) if I have current samples of ideas and audio concepts up, they are here: www.emmrecords.com/~fux/webshite.php sorry for any confusing or extra info that no one cares about :) -Joe DelCimmuto - Original Message - From: rob webb [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, November 21, 2002 10:22 AM Subject: Re: (313) interesting stuff - Footwork, Stuff JT: yes the first 12 on footwork was pretty nice too, by louis digital, had a really stripped-down homemade peaches-n-cream remix, and a couple nice house tracks. that mark flash one (the second footwork) was godawful but i guess that just means i'm not a mark flash fan...0 subtletly..definitely excited to hear the new ones tho! the new Louis Digital definitely shows a progression from the first one, and the AMX 12 is really good too imho! i'm not sure what's happening with their website, but as i said before Groovetech has some samples anyways. also check out this new label from Glasgow with it's first release next week - Stuff Records, vaguely affiliated (i think?) with the guys from Rub-a-Dub (and redshift, who i think is on the list?) ...the first ep is a various artists ep full of totally crazy chit, from drexciyan electro to wigged out japanese hiphop-idm, straight-up rb remixes(!?) etc...they clearly dont care about making genre records and there is some cool stuff on there..they have a website, incomplete now but very soon complete at: http://www.stuffrecords.co.uk and a soundbite: http://www.stuffrecords.co.uk/audiobank/truffleclub.mp3 cool, nice heavy funky Mary J remix! as well as that Mary J remix (The Truffle Club Perculatin') the Stuff ep also features a track from Marcia Blaine School for Girls whose 12 on Dalraida is superb downtempo melodic electronica, and one by Redshift who's last ep on Surface Effect i really liked n'all (reminded me of early UR/RedPlanet electro)... and as it happens Warp have the Stuff ep in stock so i think i'll snag one shortly, along with a copy of Twoism!!! :) rob ps: is it the same Redshift (signs emails as Joe i think?) who's on this list? i always assumed Redshift was a Scot or based in Scotland, mainly cos of the Rub-a-dub association. _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE*. http://join.msn.com/?page=features/virus
RE: (313) Random question about platter dots (was re: best decks)
Its just because the speed of the turntable varies slightly and so the dots are used to tell when it is going at exactly 33 1/3rm or 45rp How do you tell though? Do the dots become stationary when the turntable is exact?
RE: (313) If you see a copy in a shop....
Thanks for the two links Alex/Steve. Soon as it arrives, I'll throw a few snippets of the tracks up, so you can see what you've let me in for. Thanks again. :) Dscaper -- Aeonflux Radio - http://www.aeonflux.co.uk A man who know's what he knows, and knows what he doesn't know, is the sign of a man who knows. -Original Message- From: Craig Harrison [mailto:[EMAIL PROTECTED] Sent: 21 November 2002 15:15 To: 313@hyperreal.org Subject: (313) If you see a copy in a shop Here's a spotters challenge... Cabaret Voltaire : Body and Soul (CD or LP) TWI 944 (Les Disques du Crepuscule, 1991) Used to have a copy on tape, but you can guess the rest. If anyone knows of a shop that's got a copy in, can they mail me URL or a mail addie to get in touch with them. Having problems getting hold of it, although I didn't think it was as rare as rocking horse sh*t. Dscaper :) -- Aeonflux Radio - http://www.aeonflux.co.uk A man who know's what he knows, and knows what he doesn't know, is the sign of a man who knows.
Re: (313) Random question about platter dots (was re: best decks)
- Original Message - From: seth redmond [EMAIL PROTECTED] To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, November 21, 2002 2:35 PM Subject: Re: (313) Random question about platter dots (was re: best decks) Not to mention fixing 1200s which have been damaged when +16'd... I found a use! I pitched my tables back 'n forth from +8 to +16 a number of times over the years, but never really knew if I could trust my suspicions of drift on the tables or not - it just seemed like it only happened rarely, which didn't make a lot of sense - more likely my ears were off. I've played on tables that dip and dive severely, and that was not the case on mine - I just wanted to know for sure if I could always trust my tables and couldn't figure out how I could determine this. But then I remembered the strobes [lightbulb]! I figured, if I plopped the slider at 3.33 and 6.66 and the strobes actually matched up with the dots as they were supposed to, and there was no noticeable drift, it must mean that the speed of the tables are not slipping. I think it very unlikely that the strobes would flash at an exact same 'wrong' rate as the dip in speed on the tables. So... if you wanna know if your tables still work right or if you're just crazy, check the strobes. Also, you can measure how faithful they are to +/-8 by seeing how far off they are from 0, 3.33 and 6.66. I was happy to find mine were perfect after 8 years of (ab)use. This is also good for proving the durability of your Technics should you ever need to sell them. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
(313) samplespotter
Samplespotter.com seems to have dissapeared. Have I got the wrong url or alternatively does anyone know of an alternative database where you can search for an artist/song and see who has sampled it or vice versa Cheers neil
(313) NYC gig guides
Can anyone point me at a good, comprehensive NYC event listings site? Or recommend gigs between 27-29 November? Thanks, Andy
RE: (313) NYC gig guides
pick up flyer mag from any record store. nov 25th : Hawtin/Sven @ Filter 14. get here early, it's gonna be a good one ;) -p -Original Message- From: Andy Mitchell [mailto:[EMAIL PROTECTED] Sent: Thursday, November 21, 2002 3:37 PM To: 313 List; Acid Jazz Mailing List Subject: (313) NYC gig guides Can anyone point me at a good, comprehensive NYC event listings site? Or recommend gigs between 27-29 November? Thanks, Andy
(313) [313] aardvarck EP on rushhour. cult copy
hi folks. anyone out there that's hungerin' for some psyche/bfc inspired grooves... grab the new aardvarck EP on rushhour. this is a great release. i guess it appears on carl craig's workout mix. peace lrh
RE: (313) interesting stuff - Footwork, Stuff
...the first ep is a various artists ep full of totally crazy chit, from drexciyan electro to wigged out japanese hiphop-idm, straight-up rb remixes(!?) YES! ..they clearly dont care about making genre records GOOD. As many smart labels have figured out the deepest headz are brave enough to handle the switch-ups in tempos and styles within a single label (Planet E, also to some degree also Rush Hour, Archive, Kindrid Spirits, Delsin, etc. to name a few. Also other Glasgow labels are on a roll, how about their other great genre-bending labels like Iridide and Emoticon too?) http://www.stuffrecords.co.uk/audiobank/truffleclub.mp3 this is awesome production... do they have a US distributor? peace, Matt
RE: (313) interesting stuff - Footwork, Stuff
this is awesome production... do they have a US distributor? i dunno, it's only 500 copies (and 5 different metallic shades of vinyl..o), and they suggest getting it from rub-a-dub or boomkat... maybe try emailing [EMAIL PROTECTED] for more.. jt _ The new MSN 8: advanced junk mail protection and 2 months FREE* http://join.msn.com/?page=features/junkmail
