RE: (313) Au Revoir Groovetech
1. Whether freedom is desirable, is not my point. But I'd argue very strongly that file sharing has tremendously increased my freedom as a consumer. I now have a choice. One could say, in fact, that I participate in a kind of musical communism, as I support record labels as an ethical decision, even though I can already get the product for free. I take what I wish, and pay as I am able. I also give back musically in the form of the many free or very low-paying shows I have done throughout my life. From some ethical perspectives this is wrong, but to me this is a step in the direction of what would actually be a more humane and ethical society. This behavior doesn't make sense from an ideological economic perspective. But economic models should not be mistaken for reality. 2. You seem to have a very pro-capitalist view of art, that the incentive and the ability to create only come from a profit motive. I know many talented musicians, composers, and artists, who make very little at their art, and often do more commercial work to subsidize the art they really care about. I don't think the economic incentive argument applies very well to artistic human behavior. I wear a tie to work every day, in part, so that I no longer have financial pressure when I work on music. Now I get to work on the music I really care about for its own sake. I don't get to do it full time, but that is the nature of the society we live in, and these issues have been a problem for talented artists long before mp3s ever came around. 3. I fear the end of the golden age of free music, will only increase the power of corporate entities. My belief is that the real fear the big labels have about file sharing is that it will weaken the channels of corporate distribution. All the power the record labels have centers on distribution and the kind of mass marketing an economy of scale on that level makes possible. If consumers started getting their music from anywhere and everywhere, they might be less interested in buying the HIT-OF-THE-WEEK just because a huge label pumped a bunch of money in to it to make it the next big thing. 4. I think the new paradigm for music is simple. Information truly IS free, because it is costly to contain, and it tends to spread as if of its own accord. There are plenty of capitalistic ways to turn file-sharing into a strength, rather than a weakness. Instead of selling the information, you sell packaging, you sell shows, you sell services. You sell products that are special that amount to more than the musical data stored inside. There are many possibilities out there for creative and motivated people! -David -Original Message- From: Rc [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 23, 2003 6:40 AM To: David Powers; '313 Detroit'; [EMAIL PROTECTED] Subject: Re: (313) Au Revoir Groovetech i'm not sure if freedom should allow for the unregulated trade in the intellectual property of others without their permission. This influences the incentive and the ability to create. i think that at this time, if composers and labels wanted you to have their music for free, they would offer it and many do from their websites. the web is the most efficient music distribution model ever, and the vast majority of music consumers are prepared to have their entire collections in a digital format. i think we're kinda living in a golden age of free music, but things will slowly change and hopefully there will be shift in power away from the major labels that dictate how music is to be consumed. on 23/9/03 9:34 AM, David Powers at [EMAIL PROTECTED] wrote: Well, maybe, but once again, I might point out I bought four records this weekend. 3 of the records, I have MP3s of the albums I bought, and have been searching for the record. The fourth is an artist I discovered in part by checking out his MP3s. I also discovered The Sea Cake through mp3s this weekend, because I saw a poster for an upcoming show of theirs here in Chicago. Now, because I liked the music I heard, I intend to go see their show. I will probably buy an album of theirs on vinyl also, if I see it around. I think that many others would have the same outlook as my own. Of course, it's always scary to put ethical choices in the hands of consumers. But then, isn't that what freedom (if that word means anything at all anymore) is all about? -David PS. I never did try out Groovetech. I prefer shopping in stores but I do use planetxusa.com sometimes. -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Monday, September 22, 2003 1:35 PM To: 313 Detroit Subject: Re: (313) Au Revoir Groovetech Now maybe the impact of rampant file sharing and burning stuff becomes clear... Think about it... -- From: [EMAIL PROTECTED] To: Phonopsia [EMAIL PROTECTED] Subject: Re: (313) Au Revoir Groovetech Date: Tue, 23 Sep 2003 12:49 AM Well, it
(313) Sonic Groove Records moving in November 2003
Reposted from friendster: Sonic Groove Records .. we have decided after 9 years in the same location its time for change and cheaper rent. Our new space is being renovated as I write. It will be super cool when finished with a brand new atmosphere lots of new products too. We stand firm in a scene that is going through the roughest of times to show everyone that this is a way of life and not a trend. We set out on a mission in 1990 to push the most upfront futuristic sounds in underground electronic music and to create a scene for it. And we will continue to do so for many years to come. We are making a move east to the Lower East Side.Our new address will be 206 Ave B between E12th 13st. Look for postings on grand opening bash which will most likely include one of our crazy parties afterwards. Exact opening date will be posted in a few weeks after major construction is done. Should be around second week of November. In the meantime we will still be here at 41 Carmine St and expect a smooth transfer with no days closed in between the move. I'll keep everyone posted. Any repost would be highly appreciated. Thanks, Adam X
Re: (313) Sonic Groove Records moving in November 2003
Wooohoo! My brother's neighborhood - now I won't have to hop the train when I visit. I wonder if Vinyl Mania is going to stick around Carmine? That's going to be weird not being able to crisscross the street for my techno/house fix. MEK Mark S. Krüx [EMAIL PROTECTED]To: 313 313@hyperreal.org udios.com cc: Subject: (313) Sonic Groove Records moving in November 2003 09/23/03 07:39 PM Reposted from friendster: Sonic Groove Records .. we have decided after 9 years in the same location its time for change and cheaper rent. Our new space is being renovated as I write. It will be super cool when finished with a brand new atmosphere lots of new products too. We stand firm in a scene that is going through the roughest of times to show everyone that this is a way of life and not a trend. We set out on a mission in 1990 to push the most upfront futuristic sounds in underground electronic music and to create a scene for it. And we will continue to do so for many years to come. We are making a move east to the Lower East Side.Our new address will be 206 Ave B between E12th 13st. Look for postings on grand opening bash which will most likely include one of our crazy parties afterwards. Exact opening date will be posted in a few weeks after major construction is done. Should be around second week of November. In the meantime we will still be here at 41 Carmine St and expect a smooth transfer with no days closed in between the move. I'll keep everyone posted. Any repost would be highly appreciated. Thanks, Adam X
Re: (313) Ugly Edit
-- Original Message -- From: [EMAIL PROTECTED] Has he put that edit of Loose Joints on there that he was playing last time he was in England? not from the sound samples someone posted the other day. my copy should be in tomorrow though, im very excited. the tracks all sound hot. Thought that was a pretty poor edit - admittedly I only heard it in a club, but I dunno, just far too teasing! usually I like his edits too, always rougher than most, slightly more creative than others.. i LOVE the all over my face edit. i think it might be one of his best. it does just build and build and build. when it comes out and i buy it, it will always be played just before the original. using that to build up to the drop in the original would make any decent crowd go bananas. still think that Made In The Usa edit on number one is one of the best. rough rough rough i like every one of the ugly edits tracks. theo is great at making raw sounding stuff. the dells track on 4 and the love i lost on 2 are my favorites though tom andythepooh.com
(313) track id
at movement, one of the three chairs cats played this track that had a sample saying welcome to the warehouse. we hope you enjoy the music. spoken over a raw house type joint. anyone have any idea what it is? tom andythepooh.com
Re: (313) track id
On Tue, 23 Sep 2003 20:42:38 -0400, Thomas D. Cox, Jr. [EMAIL PROTECTED] said: at movement, one of the three chairs cats played this track that had a sample saying welcome to the warehouse. we hope you enjoy the music. spoken over a raw house type joint. anyone have any idea what it is? That sounds like Armando w/ Paul Johnson Welcome II the Warehouse. Haven't heard that cut for a while! Benn -- Benn Glazier [EMAIL PROTECTED] http://www.royaltech.net
Re: (313) Au Revoir Groovetech
Um. There's nothing ethical about Communism. It's the fraternal twin of fascism, people disappearing in the night, with their wedding bands sent back to their wives weeks later, people being put in pyschiatric care for expressing the wrong view, living in fear. Impoverished health care systems, people stealing wood in winter for fires to keep warm, limited diets, neighbours policing each other. At schools getting essay topics on communism where you'd get A as long as you blabbed on how wonderful life under Marxism was, etc etc. Not being allowed to openly celebrate Christmas. You should talk to my dad. That's probably not the analogy you want! ;) Seriously if that freedom for the consumer is at the cost of musicians making a living then there is a problem. There has to be a balance. 1. Whether freedom is desirable, is not my point. But I'd argue very strongly that file sharing has tremendously increased my freedom as a consumer. I now have a choice. One could say, in fact, that I participate in a kind of musical communism, as I support record labels as an ethical decision, even though I can already get the product for free. I take what I wish, and pay as I am able. I also give back musically in the form of the many free or very low-paying shows I have done throughout my life. From some ethical perspectives this is wrong, but to me this is a step in the direction of what would actually be a more humane and ethical society. This behavior doesn't make sense from an ideological economic perspective. But economic models should not be mistaken for reality. 2. You seem to have a very pro-capitalist view of art, that the incentive and the ability to create only come from a profit motive. I know many talented musicians, composers, and artists, who make very little at their art, and often do more commercial work to subsidize the art they really care about. I don't think the economic incentive argument applies very well to artistic human behavior. I wear a tie to work every day, in part, so that I no longer have financial pressure when I work on music. Now I get to work on the music I really care about for its own sake. I don't get to do it full time, but that is the nature of the society we live in, and these issues have been a problem for talented artists long before mp3s ever came around. 3. I fear the end of the golden age of free music, will only increase the power of corporate entities. My belief is that the real fear the big labels have about file sharing is that it will weaken the channels of corporate distribution. All the power the record labels have centers on distribution and the kind of mass marketing an economy of scale on that level makes possible. If consumers started getting their music from anywhere and everywhere, they might be less interested in buying the HIT-OF-THE-WEEK just because a huge label pumped a bunch of money in to it to make it the next big thing. 4. I think the new paradigm for music is simple. Information truly IS free, because it is costly to contain, and it tends to spread as if of its own accord. There are plenty of capitalistic ways to turn file-sharing into a strength, rather than a weakness. Instead of selling the information, you sell packaging, you sell shows, you sell services. You sell products that are special that amount to more than the musical data stored inside. There are many possibilities out there for creative and motivated people! -David -Original Message- From: Rc [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 23, 2003 6:40 AM To: David Powers; '313 Detroit'; [EMAIL PROTECTED] Subject: Re: (313) Au Revoir Groovetech i'm not sure if freedom should allow for the unregulated trade in the intellectual property of others without their permission. This influences the incentive and the ability to create. i think that at this time, if composers and labels wanted you to have their music for free, they would offer it and many do from their websites. the web is the most efficient music distribution model ever, and the vast majority of music consumers are prepared to have their entire collections in a digital format. i think we're kinda living in a golden age of free music, but things will slowly change and hopefully there will be shift in power away from the major labels that dictate how music is to be consumed. on 23/9/03 9:34 AM, David Powers at [EMAIL PROTECTED] wrote: Well, maybe, but once again, I might point out I bought four records this weekend. 3 of the records, I have MP3s of the albums I bought, and have been searching for the record. The fourth is an artist I discovered in part by checking out his MP3s. I also discovered The Sea Cake through mp3s this weekend, because I saw a poster for an upcoming show of theirs here in Chicago. Now, because I liked the music I heard, I intend to go see their show. I will probably buy an
RE: (313) Sonic Groove Records moving in November 2003
Good luck and vive le sonic groove. k -Original Message- From: Mark S. Krüx [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 24, 2003 1:39 AM To: 313 Subject: (313) Sonic Groove Records moving in November 2003 Reposted from friendster: Sonic Groove Records .. we have decided after 9 years in the same location its time for change and cheaper rent. Our new space is being renovated as I write. It will be super cool when finished with a brand new atmosphere lots of new products too. We stand firm in a scene that is going through the roughest of times to show everyone that this is a way of life and not a trend. We set out on a mission in 1990 to push the most upfront futuristic sounds in underground electronic music and to create a scene for it. And we will continue to do so for many years to come. We are making a move east to the Lower East Side.Our new address will be 206 Ave B between E12th 13st. Look for postings on grand opening bash which will most likely include one of our crazy parties afterwards. Exact opening date will be posted in a few weeks after major construction is done. Should be around second week of November. In the meantime we will still be here at 41 Carmine St and expect a smooth transfer with no days closed in between the move. I'll keep everyone posted. Any repost would be highly appreciated. Thanks, Adam X
RE: (313) New Erykah Badu LP
I cant see it on general release here in the UK yet. Is it available. Another one to check for forward looking soul with a tech_y edge is Spacek - Vintage Hi Tech. Give it some time and after a few listens it begins to unfold. Rav -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 23 September 2003 22:06 To: 313 Detroit Subject: (313) New Erykah Badu LP Has anyone heard this yet? World Wide Underground is the closest thing to a Moodymann album on a major, all jazzy grooves, quite avant garde. The single Danger is not at all representative (I actually thought it was very Neptunes like, a bit derivative for Ms Badu). It's really brave putting this out. The sleeve notes suggest it's a reaction to the monotony of urban radio. Badu modelled it on a mixtape. I always loved the songs on Baduizm - there ain't nothing wrong with great songs - and some of the neo-soul albums I've bought have relied on the groove more than songs and they've not been especially memorable but like D'Angelo's layered Voodoo this really works. This takes Mama's Gun a step further. I think a lot of 313 heads would really dig this!
RE: (313) 313 London party - updated lineup
Likewise! ;) I've put this in my diary... cheers, _nic -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 September 2003 17:33 To: 313@hyperreal.org Subject: Re: (313) 313 London party - updated lineup Mhmm, narce - I'll delurk for that one. ; ) Cheers, Anya Message date : Sep 23 2003, 04:32 PM From : Brendan Nelson To : 313@hyperreal.org Copy to : Subject : (313) 313 London party - updated lineup OK, my brain isn't exactly firing on all cylinders today and so my list didn't include a particular 313er who *should* have been included... a Mr Ken Odeluga! So here's the updated lineup: Ken Odeluga (Bleep43) Brendan Nelson (Lunar Selector, WIDE) Guy Thackeray (WIDE) Rohan Thurairatnam (Audiolove, Overload) Tristan Watkins (Phonopsia) Placid (acid-house.net) Toby Frith (Bleep43) Matt Chester (11th Hour) Maxim Sullivan (Amp-Art) Dan Butler (313 lurker!) Once again, sorry about that... Brendan
Re: (313) new down low mix available for downloAD
This mix is damn fine- just what I need at the moment- thanks Jason Brunton On Tuesday, September 23, 2003, at 03:16 PM, Minto George wrote: new mix from phrenic recorded on 2 busted a** turntables: http://downlowmusic.org/Mp3s/Phrenic%20- %20deep%20n%20raw%20jerkin%20mix.mp3 phrenic deep n raw jerkin' mix tracklisting 1. andres - salvador de bahia - mahogani 2. dan bell - the wild life - elevate special projects 3. 3 chairs - all over - 3 chairs 4. new world aquarium - the magnificent - peacefrog 5. theo parrish - friendly children - sound signature 6. black joy - untitled - project 7. luke sardello - subtle measures - soundproof 8. luke sardello - somebody said - soundproof 9. jp soul - waiting (joshua iz remix) - roam 10.chateau flight - pergola - neroli 11.j.tejada a.leviste - inside the atom - playhouse 12.rima - let it go (titonton tejada remix) 13.krikor - peeping tom - karat 14.smith n hack - ultra-range (interlude) - bohannon tribute 15.smith n hack - to our disco friends - bohannon tribute total time 58:56 __ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com
RE: (313) New Erykah Badu LP
A wonderful record! They're just miles ahead aren't they. Such a techno record to my ears. Another one to check for forward looking soul with a tech_y edge is Spacek - Vintage Hi Tech. Give it some time and after a few listens it begins to unfold. Rav
RE: (313) Off centre soul/New Erykah Badu LP
If you like this off centre UK soul like Spacek, try to lay your hands on the first Lewis Taylor CD from 97 or thereabouts. Similar atmosphere tho not as tech_y. Rav -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 24 September 2003 09:55 To: Mann, Ravinder [CCS]; 'Cyclone Wehner'; 313 Detroit Subject: RE: (313) New Erykah Badu LP A wonderful record! They're just miles ahead aren't they. Such a techno record to my ears. Another one to check for forward looking soul with a tech_y edge is Spacek - Vintage Hi Tech. Give it some time and after a few listens it begins to unfold. Rav
Re: (313) Au Revoir Groovetech
i agree, file sharing has certainly increased your freedom as a consumer. one is free to take as they wish, without permission and without direct payment. your views of musical socialism are fine for those that willingly participate - but it's questionable whether such a system should be forced onto creators and other owners without their approval. i think it is not so much about capitalism nor profit, but about choice. composers should be given the choice of how their music is to be distributed and whether they want to value it commercially or just give it away. Take that decision away, and the incentive to create/work is affected. If you do not like the way that labels or other owners set the current terms for the consumption of their music, then simple - don't consume it. but to steal it and then have the defense, that you are contributing to the creation of a more humane and ethical society, is a concept that some may find to difficult to swallow. on 24/9/03 10:16 AM, David Powers at [EMAIL PROTECTED] wrote: 1. Whether freedom is desirable, is not my point. But I'd argue very strongly that file sharing has tremendously increased my freedom as a consumer. I now have a choice. One could say, in fact, that I participate in a kind of musical communism, as I support record labels as an ethical decision, even though I can already get the product for free. I take what I wish, and pay as I am able. I also give back musically in the form of the many free or very low-paying shows I have done throughout my life. From some ethical perspectives this is wrong, but to me this is a step in the direction of what would actually be a more humane and ethical society. This behavior doesn't make sense from an ideological economic perspective. But economic models should not be mistaken for reality. 2. You seem to have a very pro-capitalist view of art, that the incentive and the ability to create only come from a profit motive. I know many talented musicians, composers, and artists, who make very little at their art, and often do more commercial work to subsidize the art they really care about. I don't think the economic incentive argument applies very well to artistic human behavior. I wear a tie to work every day, in part, so that I no longer have financial pressure when I work on music. Now I get to work on the music I really care about for its own sake. I don't get to do it full time, but that is the nature of the society we live in, and these issues have been a problem for talented artists long before mp3s ever came around. 3. I fear the end of the golden age of free music, will only increase the power of corporate entities. My belief is that the real fear the big labels have about file sharing is that it will weaken the channels of corporate distribution. All the power the record labels have centers on distribution and the kind of mass marketing an economy of scale on that level makes possible. If consumers started getting their music from anywhere and everywhere, they might be less interested in buying the HIT-OF-THE-WEEK just because a huge label pumped a bunch of money in to it to make it the next big thing. 4. I think the new paradigm for music is simple. Information truly IS free, because it is costly to contain, and it tends to spread as if of its own accord. There are plenty of capitalistic ways to turn file-sharing into a strength, rather than a weakness. Instead of selling the information, you sell packaging, you sell shows, you sell services. You sell products that are special that amount to more than the musical data stored inside. There are many possibilities out there for creative and motivated people! -David -Original Message- From: Rc [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 23, 2003 6:40 AM To: David Powers; '313 Detroit'; [EMAIL PROTECTED] Subject: Re: (313) Au Revoir Groovetech i'm not sure if freedom should allow for the unregulated trade in the intellectual property of others without their permission. This influences the incentive and the ability to create. i think that at this time, if composers and labels wanted you to have their music for free, they would offer it and many do from their websites. the web is the most efficient music distribution model ever, and the vast majority of music consumers are prepared to have their entire collections in a digital format. i think we're kinda living in a golden age of free music, but things will slowly change and hopefully there will be shift in power away from the major labels that dictate how music is to be consumed. on 23/9/03 9:34 AM, David Powers at [EMAIL PROTECTED] wrote: Well, maybe, but once again, I might point out I bought four records this weekend. 3 of the records, I have MP3s of the albums I bought, and have been searching for the record. The fourth is an artist I discovered in part by
(313) Nubian Minds
anyone heard this yet? from the Rush Hour list... NUBIAN MINDS FEAT KJ - EP - US12'' [IRMA UNLIMITED - IU 028 - 22833] - € 10,90 Deep melancholic melodical but percussive uplifting housetracks much in Moods and Grooves vain and Detroit influences. Tip!! (e) peace Matt MacQueen
Re: (313) records....
Mark S. Krüx wrote: From: [EMAIL PROTECTED] So folks, what's hot? I quite like that new Kevin Saunderson record on Ante Zenit...classic KMS, and a great party record it's $16 though. KEVIN SAUNDERSON - Ante 17 [ZENIT, ANTEZENIT17, GERM \ Format: 12] Sounds good as hell. Anyone other than PX stocking it? Regards, Ramon
Re: (313) Nubian Minds
matt, a little mp3 snippet can be found on juno.co.uk robin... Matt MacQueen wrote: anyone heard this yet? from the Rush Hour list... NUBIAN MINDS FEAT KJ - EP - US12'' [IRMA UNLIMITED - IU 028 - 22833] - € 10,90 Deep melancholic melodical but percussive uplifting housetracks much in Moods and Grooves vain and Detroit influences. Tip!! (e) peace Matt MacQueen
RE: (313) New Erykah Badu LP
Spacek Soundsystem has a set on http://www.betalounge.com/ second set from the top in the archives (date is 09/06/03) they were fantastic at Movement (High Tech Soul stage) - I couldn't leave Detroit without buying their LP hope the whole band can make it next time they come to the US MEK Mann, Ravinder [CCS] To: 'Cyclone Wehner' [EMAIL PROTECTED], 313 Detroit [EMAIL PROTECTED] 313@hyperreal.org cc: Subject: RE: (313) New Erykah Badu LP 09/24/03 02:44 AM I cant see it on general release here in the UK yet. Is it available. Another one to check for forward looking soul with a tech_y edge is Spacek - Vintage Hi Tech. Give it some time and after a few listens it begins to unfold. Rav -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 23 September 2003 22:06 To: 313 Detroit Subject: (313) New Erykah Badu LP Has anyone heard this yet? World Wide Underground is the closest thing to a Moodymann album on a major, all jazzy grooves, quite avant garde. The single Danger is not at all representative (I actually thought it was very Neptunes like, a bit derivative for Ms Badu). It's really brave putting this out. The sleeve notes suggest it's a reaction to the monotony of urban radio. Badu modelled it on a mixtape. I always loved the songs on Baduizm - there ain't nothing wrong with great songs - and some of the neo-soul albums I've bought have relied on the groove more than songs and they've not been especially memorable but like D'Angelo's layered Voodoo this really works. This takes Mama's Gun a step further. I think a lot of 313 heads would really dig this!
RE: (313) Nubian Minds
I found this on watts site but the audio links are not working. Keep trying I guess. MIke NUBIAN MINDZ - EP (6 98)[NL]Written by July Kenny Produced by Colin Lando Nuban Mindz with some lush house for the Irma label Casablanca has one of those superb deep intros before a killer guitar lick comes in and steals the show, combining with a pretty pumpin bassline Dreaming kicks off the flipside, with slight electro feel winding it s way in the background while a spoken vocal and a deep bassline battle for attention at the front of the mix Need To Know is a rework of Dreaming with a bit heavier bass and a few more synths TRACKS Casablanca/ Dreaming/ Need To Know[NL]Watts #178382 - Label: IRMA UNLIMITED - Format: 12D - Country: USA - Catalog #: IU 028 - Style: Deep house - Released: Sep 17, 2003 Casablanca[NL] Dreaming / Need TO Know -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 24, 2003 9:23 AM To: 313 Subject: (313) Nubian Minds anyone heard this yet? from the Rush Hour list... NUBIAN MINDS FEAT KJ - EP - US12'' [IRMA UNLIMITED - IU 028 - 22833] - € 10,90 Deep melancholic melodical but percussive uplifting housetracks much in Moods and Grooves vain and Detroit influences. Tip!! (e) peace Matt MacQueen
(313) Spacek Soundsystem
they were fantastic at Movement (High Tech Soul stage) - I couldn't leave Detroit without buying their LP I missed their show at Movement, unfortunately... what label is it out on, and are there any samples online? best, Matt MacQueen
(313) Re: Spacek Soundsystem
iK7 http://www.k7.com/data.pl?release=%21K7144MP3 search around on the site - they've got singles in addition to the full LP MEK Matt MacQueen [EMAIL PROTECTED]To: [EMAIL PROTECTED] .comcc: Mann, Ravinder [CCS] [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org, 'Cyclone Wehner' [EMAIL PROTECTED] 09/24/03 11:45 AMSubject: Spacek Soundsystem they were fantastic at Movement (High Tech Soul stage) - I couldn't leave Detroit without buying their LP I missed their show at Movement, unfortunately... what label is it out on, and are there any samples online? best, Matt MacQueen
(313) House of God
Hi sorry for the mass post but anyone got any details on HOG please? website or email is fine .. thanks Ian --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.515 / Virus Database: 313 - Release Date: 01/09/03
Re: (313) House of God
If I'm not mistaken, it used to be http://www.hog.org.uk/ but appears to be down. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] - Original Message - From: ian cheshire [EMAIL PROTECTED] To: 313 List 313@hyperreal.org Sent: Wednesday, September 24, 2003 7:12 PM Subject: (313) House of God Hi sorry for the mass post but anyone got any details on HOG please? website or email is fine .. thanks Ian --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.515 / Virus Database: 313 - Release Date: 01/09/03
RE: (313) House of God
yeah I thought so, oh well I'll try some other way.. cheers though man:) -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: 24 September 2003 19:50 To: ian cheshire; 313 List Subject: Re: (313) House of God If I'm not mistaken, it used to be http://www.hog.org.uk/ but appears to be down. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] - Original Message - From: ian cheshire [EMAIL PROTECTED] To: 313 List 313@hyperreal.org Sent: Wednesday, September 24, 2003 7:12 PM Subject: (313) House of God Hi sorry for the mass post but anyone got any details on HOG please? website or email is fine .. thanks Ian --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.515 / Virus Database: 313 - Release Date: 01/09/03 --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.515 / Virus Database: 313 - Release Date: 01/09/03 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.515 / Virus Database: 313 - Release Date: 01/09/03
(313)fresh/last spam
FRESH THURSDAY Last Installment. (spam) Woodbridge Jammy-Jam Starring: Ab/nrml (6dirty.com) Joseph Tommy John Arnold @Lush Lounge 10241 joseph campau, hamtramck 313.872.6220 _ Get McAfee virus scanning and cleaning of incoming attachments. Get Hotmail Extra Storage! http://join.msn.com/?PAGE=features/es
Re: (313) Spacek Soundsystem
This guys did a remix for me on Ubiquity. The track is I Can Be w' Amp Fiddler. I heard they played it at the festival. nice. john _ High-speed Internet access as low as $29.95/month (depending on the local service providers in your area). Click here. https://broadband.msn.com
(313) Prince
Prince is coming to my town. Has anyone seen him perform lately - what can I expect?
