Re: (313) Maurice Fulton mixes?
here's a maurice fulton mix from the djhistory site. all the mixes on here are excellent. http://www.djhistorymixarchive.com/mixes/djhistmix011.mp3 james www.jbucknell.com Antonio Alves Felizardo [EMAIL PROTECTED] To t313@hyperreal.org, [EMAIL PROTECTED] 09/08/05 01:28 AM cc Subject Re: (313) Maurice Fulton mixes? I believe there is at least one on betalounge.com. Check it out. Antonio On Aug 8, 2005, at 4:22 PM, [EMAIL PROTECTED] wrote: anyone ever see any online mixes of his? would love to hear what his sets are like. MEK ForwardSourceID:NT00021A9E
RE: (313) yes i missed something
(I'm deliberately over-quoting here) Ken ** Geek mode: enabled The old Digest was completely broken and I'm glad it's been fixed. The old Digest did not recognize MIME types and everything was bludgeoned into 7-bit ASCII (plain text) and so anything that wasn't plain text (quoted-printable, or base64-encoded, in MIME-speak) was rendered illegible in the old Digest, as I've posted about several times. The new Digest is correct - its MIME type is correct (multipart/digest), and each message is delineated with a proper MIME Content-Type (message/rfc822) and Content-Disposition (inline, with a filename). They are most definitely NOT attachments. Notice the inline - a proper mail client will show you the new Digest as a continuous message (inline), with proper MIME handling. Apple's Mail.app shows it properly, as does Mozilla Thunderbird. (Thunderbird not only shows it as a continuous message, but it also shows each individual message as a clickable link at the bottom of the frame, so you can jump to an individual message - if you knew which one you wanted to jump to, that is.) The Digest isn't broken - it's Outlook that's broken for thinking properly-formatted MIME digests are a bunch of attachments. (I'll fire up Entourage - the Office equivalent to Outlook Express - and see what they look like in that client.) - Greg * Ladies and Gentlemen: we are now in outer space! ;-) Seriously, I think most people here will understand that as much as I do (i.e., barely.) Could I ask for clarification, or at least a simpler, jargon-free description next time? No offence intended. Ken
Re: (313) yes i missed something
Ladies and Gentlemen: we are now in outer space! ;-) Seriously, I think most people here will understand that as much as I do (i.e., barely.) Could I ask for clarification, or at least a simpler, jargon-free description next time? No offence intended. Ken In short Ken, Outlook is rubbish... Cheers Martin
Re: (313) Maurice Fulton mixes?
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, August 08, 2005 4:22 PM Subject: (313) Maurice Fulton mixes? anyone ever see any online mixes of his? would love to hear what his sets are like. His sets are usually very good! Funny thing is that I've seen him mix at large clubs like Fabric wearing just earbud headphones. Weird! Tristan
(313) Hans Zimmer
Never let your wife prevent you from buying equipment. A house will not buy a synthesizer, but a synthesizer can buy a house. Hans Zimmer
Re: (313) Hans Zimmer
yeah? tell that to the missus ;) MEK D1 [EMAIL PROTECTED] 08/09/05 10:59 AM To 313@hyperreal.org cc Subject (313) Hans Zimmer Never let your wife prevent you from buying equipment. A house will not buy a synthesizer, but a synthesizer can buy a house. Hans Zimmer
Re: (313) Hans Zimmer
Get one with a built in vocoder then, it'll tell her for you! [EMAIL PROTECTED] yeah? tell that to the missus ;) MEK Never let your wife prevent you from buying equipment. A house will not buy a synthesizer, but a synthesizer can buy a house. Hans Zimmer
(313) Chicago Event, Thursday Aug 11 (featuring Kate Simko, David Powers)
Hi, Sorry for the spam but this is an event that some of you may be interested in attending. Open Source / Open Ear Festival presents The Age of Insects: An Evening of Improvisation and DIY Music August 11, 2005, 8 p.m. Mess Hall, 6932 N. Glenwood, Chicago One block from the Morse Red Line stop Free Admission “…the reign of birds seems to have been replaced by the age of insects, with its more molecular vibrations, chirring, rustling, buzzing, clicking, scratching, and scraping.” -Deleuze and Guattari, A Thousand Plateaus Scheduled performances Live laptop set performed by Kate Simko. 8:00 – 9:00 p.m. Kate Simko is a classically trained pianist who has carved her niche as an electronic music producer. Some of her endeavors include film scores, live piano and electronic music shows, remixes and harmonically rich techno tracks. Since discovering underground dance music in the early 90’s, Kate has been enthralled with the genre. While serving as Music Director at WNUR 89.3 Chicago from 1998-2001, Kate was immersed in electronic music. Since then she has released music on Traum (as “Detalles” with Andres Bucci) and Antenna International and has projects coming out in 2005/6 on OMM, Badman and Chocolate Industries. Combining her musical training with her love for underground music, Kate is continually exploring a dialogue between the classical tradition and underground music - her two strongest musical influences. Performing beside artists such as Michael Mayer, M83, Ulrich Schnauss, Four Tet, Ellen Allien, Gustavo Lamas and Dinky, Kate has had the opportunity to share her music both in Chicago and abroad. site: www.katesimko.com http://www.katesimko.com detalles cd: www.forcedexposure.com/artists/detalles.html http://www.forcedexposure.com/artists/detalles.html downloads: http://homepage.mac.com/ksimko/FileSharing10.html traum: www.traumschallplatten.de http://www.traumschallplatten.de Hypocenter, by David A. Powers, featuring vocalist Carol Genetti. 9:00 – 9:45 p.m. 60 years ago, on August 6, 1945, an atomic bomb was dropped on Hiroshima. Hypocenter is an experimental opera that focuses on this catastrophic event. Utilizing improvisation, collage, and chance procedures (including passages created with custom software coded by the author in the computer language Python), Hypocenter explores an incomprehensible, chaotic, and fragmented universe, where moments of beauty and humor appear and then vanish in the midst of unrelenting darkness. Hypocenter features vocal improvisation by Carol Genetti, accompanied by Jerome Bryerton (percussion), Michael Caskey (percussion), Paul Hartsaw (saxophones), Jason Kramer (bassoon), and David Powers (keyboards and laptop). Electro-acoustic improvisations led by saxophonist Paul Hartsaw. 9:45 – 10:30 p.m. Seeking to humanize the sounds of electronic machines while simultaneously becoming a machine himself, Paul has experimented for the last 10 years on developing a language of extended techniques on the saxophone that range from quietly shrill altissimo buzzes to dense blocks of rhythmically charged polyphony. Paul will be accompanied Jerome Bryerton on percussion and David Powers on keyboards and laptop. *This will be the final performance for the Open Source/Open Ear festival. For more information on the festival please visit http://www.osoe.net http://www.osoe.net/.
(313) Jaded ravers ... because you all are, aren't you?
Read all 64 episodes! Free gratuitous Pittsburgh references for Thomas Cox included! http://www.jadedraver.com/index.php?cur=0rl=1 - Greg
