(313) phat kat / ronnie cash
hiphop but at least it's 313 -- and andres does the scratching on it so hey have you heard this cyclone? best hiphop album i've heard in awhile i think, really, really good..mostly produced by dilla and black milk. guess it's a couple months old now... always heard a lot about him and had checked him out before, but this stuff is way better than what i'd heard before...
Re: (313) Justice
Everyone or anyone making this type of music. Yes, they showed the ad but this stuff takes a while since this music doesn't conform to stereotypes. And one commerical isn't going to do it but its a start. It would have encouraged challenging creativity in the music for different purposes. Major/indie films, commercials, and you know what? Hell, why not even maxipad commericals? Female techno producers can hit that. What's wrong with it, if done tastefully? At least the opportunities will be there, whether or not the artist is brought upfront like Juan was or doing a project inconspicuously like I happen to hear a track used on CSI Vegas by Basic Channel I think it was. That's all I'm saying. Opportunity. We always b*tch n' moan about people like Moby, Paul Oakenfold, Tiesto seeing them in something prominent but yet when its good underground Detroit Techno music tries to get a chance to really be included tastefully in mainstream culture, it gets slapped back. H, I REALLY wonder why... M. kent williams wrote: > I'm not entirely sure who it is you think missed the opportunity. > They showed that ad a lot, and if anyone watching TV thought 'wow what > is that?' they could have hit the internet to find out. I'm sure > there is someone out there that saw that commercial and was turned on > to the music, but that happened before licensing music for a > commercial became a big deal. Now every band's dream is to sell a > track for a commercial, and their CDs go out with stickers that say > "AS HEARD IN THE LATEST STAY FRESH MAXIPAD COMMERCIAL." > > That was also when people thought a half million people were showing up at > DEMF. > > I'm not sure the US is ever going to take Techno out of the > underground. All the American artists making the music make most of > their money overseas. The majority of Americans are so musically > conservative that Radiohead is considered edgy for using electronic > percussion. Most Americans are turned off by any music that doesn't > feature a prominent vocal. > > > On 6/29/07, Generator Music <[EMAIL PROTECTED]> wrote: >> Nevermind rolling stones or spinwhat about that Ford commercial??? >> >> I personally thought it was the Jackie Robinson moment for Detroit >> Techno, >> the break this music was waiting for. I thought it was the greatest >> thing >> ever to happen to this music and it was a sign of things to come for >> this >> music ACROSS the board. But nooo, mugs' egos and the lack of >> foresight by everyone, including the audience ruined it. And none of it >> was Ford's fault either. So basically we all saw what happened if this >> music TRIED to leave the underground. >> >> It still kills me to this day of that missed opportunity. >> >> Marina > M. Tang | A & R Generator Detroit/Chicago/Berlin email. [EMAIL PROTECTED] aim. jiji2017 www.generatormusic.com = Coming soon: GEN029 - Neon Sex Fiend - Elektrofive (12") Remixes by DJ K1, Ultradyne, and Mauser. Soundclips @ www.generatormusic.com
(313) appropriation thread w.r.t. Detroit, Ghetto Tech
also somewhat relevant- this guy did a master's thesis on the subject, posted here for all to read! http://www.dickride.com/gm-ghettotech-thesis.pdf - Original Message From: kent williams <[EMAIL PROTECTED]> To: list 313 <313@hyperreal.org> Sent: Friday, June 29, 2007 12:23:48 PM Subject: Re: (313) Justice I'm not entirely sure who it is you think missed the opportunity. They showed that ad a lot, and if anyone watching TV thought 'wow what is that?' they could have hit the internet to find out. I'm sure there is someone out there that saw that commercial and was turned on to the music, but that happened before licensing music for a commercial became a big deal. Now every band's dream is to sell a track for a commercial, and their CDs go out with stickers that say "AS HEARD IN THE LATEST STAY FRESH MAXIPAD COMMERCIAL." That was also when people thought a half million people were showing up at DEMF. I'm not sure the US is ever going to take Techno out of the underground. All the American artists making the music make most of their money overseas. The majority of Americans are so musically conservative that Radiohead is considered edgy for using electronic percussion. Most Americans are turned off by any music that doesn't feature a prominent vocal. On 6/29/07, Generator Music <[EMAIL PROTECTED]> wrote: > Nevermind rolling stones or spinwhat about that Ford commercial??? > > I personally thought it was the Jackie Robinson moment for Detroit Techno, > the break this music was waiting for. I thought it was the greatest thing > ever to happen to this music and it was a sign of things to come for this > music ACROSS the board. But nooo, mugs' egos and the lack of > foresight by everyone, including the audience ruined it. And none of it > was Ford's fault either. So basically we all saw what happened if this > music TRIED to leave the underground. > > It still kills me to this day of that missed opportunity. > > Marina Get the free Yahoo! toolbar and rest assured with the added security of spyware protection. http://new.toolbar.yahoo.com/toolbar/features/norton/index.php
(313) Ford commercial
I thought it was a dope ad. wasn't subscribed here at that time. sounds like it got bad reviews on this board... because here is our underground thing getting floated up to the mainstream? I find that very understandable actually. I guess I like the add more in retrospect because it stands as a fluke rather than a harbinger. its years later. we have the missy elliot remix of clear... but yet (thankfully) no britney redo of model 500. was the concern for naught? - Original Message From: Generator Music <[EMAIL PROTECTED]> To: 313@hyperreal.org Sent: Friday, June 29, 2007 11:55:10 AM Subject: Re: (313) Justice Nevermind rolling stones or spinwhat about that Ford commercial??? I personally thought it was the Jackie Robinson moment for Detroit Techno, the break this music was waiting for. I thought it was the greatest thing ever to happen to this music and it was a sign of things to come for this music ACROSS the board. But nooo, mugs' egos and the lack of foresight by everyone, including the audience ruined it. And none of it was Ford's fault either. So basically we all saw what happened if this music TRIED to leave the underground. It still kills me to this day of that missed opportunity. Marina J.T. wrote: >>but I guess I just don't get what *would* be a genuine way of calling >> attention to the music? (in contrast to "this disingenuous manner"). > > well put..i agree with most of what tom is saying at some level, but it's > impossibly idealistic and entirely speculative. idealism is vital tho. but > yeah. who knows exactly what would happen if somehow someway the crazy > "real" club stuff got mainstream coverage, but i highly doubt it would > take off like spank rock, there's no foundation for it too. the foundation > ahs to be built sometime somewhere though if something like that is ever > going to happen. > > i remember how excited i was to see articles in rolling stone and spin > some years back about the belleville 3, thinking "yes, the rest of the > world is finally going to wake up to this brilliant music and "real" dance > music will become a viable part of the music industry!"bzzt! but > then again, it depends on your pov. playlists from ibiza have gotten > better, and i'm certainly happier to see kompakt inhabiting the same space > moonshine and company used to. it could be better, maybe, but it could > also be much worse. something is usually better than nothing, and that > goes for spank's mis-credit as bmore club as well > > > M. Tang | A & R Generator Detroit/Chicago/Berlin email. [EMAIL PROTECTED] aim. jiji2017 www.generatormusic.com = Coming soon: GEN029 - Neon Sex Fiend - Elektrofive (12") Remixes by DJ K1, Ultradyne, and Mauser. Soundclips @ www.generatormusic.com Shape Yahoo! in your own image. Join our Network Research Panel today! http://surveylink.yahoo.com/gmrs/yahoo_panel_invite.asp?a=7
Re: (313) BLACK FOIL
On 6/29/07, black foil <[EMAIL PROTECTED]> wrote: http://myspace.com/blackfoil DJS DOWNLOAD AND SPIN AT WILL mp3s dont spin. nice music. hahahahaha. tom
Re: (313) Justice
I'm not entirely sure who it is you think missed the opportunity. They showed that ad a lot, and if anyone watching TV thought 'wow what is that?' they could have hit the internet to find out. I'm sure there is someone out there that saw that commercial and was turned on to the music, but that happened before licensing music for a commercial became a big deal. Now every band's dream is to sell a track for a commercial, and their CDs go out with stickers that say "AS HEARD IN THE LATEST STAY FRESH MAXIPAD COMMERCIAL." That was also when people thought a half million people were showing up at DEMF. I'm not sure the US is ever going to take Techno out of the underground. All the American artists making the music make most of their money overseas. The majority of Americans are so musically conservative that Radiohead is considered edgy for using electronic percussion. Most Americans are turned off by any music that doesn't feature a prominent vocal. On 6/29/07, Generator Music <[EMAIL PROTECTED]> wrote: Nevermind rolling stones or spinwhat about that Ford commercial??? I personally thought it was the Jackie Robinson moment for Detroit Techno, the break this music was waiting for. I thought it was the greatest thing ever to happen to this music and it was a sign of things to come for this music ACROSS the board. But nooo, mugs' egos and the lack of foresight by everyone, including the audience ruined it. And none of it was Ford's fault either. So basically we all saw what happened if this music TRIED to leave the underground. It still kills me to this day of that missed opportunity. Marina
Re: (313) Justice
Nevermind rolling stones or spinwhat about that Ford commercial??? I personally thought it was the Jackie Robinson moment for Detroit Techno, the break this music was waiting for. I thought it was the greatest thing ever to happen to this music and it was a sign of things to come for this music ACROSS the board. But nooo, mugs' egos and the lack of foresight by everyone, including the audience ruined it. And none of it was Ford's fault either. So basically we all saw what happened if this music TRIED to leave the underground. It still kills me to this day of that missed opportunity. Marina J.T. wrote: >>but I guess I just don't get what *would* be a genuine way of calling >> attention to the music? (in contrast to "this disingenuous manner"). > > well put..i agree with most of what tom is saying at some level, but it's > impossibly idealistic and entirely speculative. idealism is vital tho. but > yeah. who knows exactly what would happen if somehow someway the crazy > "real" club stuff got mainstream coverage, but i highly doubt it would > take off like spank rock, there's no foundation for it too. the foundation > ahs to be built sometime somewhere though if something like that is ever > going to happen. > > i remember how excited i was to see articles in rolling stone and spin > some years back about the belleville 3, thinking "yes, the rest of the > world is finally going to wake up to this brilliant music and "real" dance > music will become a viable part of the music industry!"bzzt! but > then again, it depends on your pov. playlists from ibiza have gotten > better, and i'm certainly happier to see kompakt inhabiting the same space > moonshine and company used to. it could be better, maybe, but it could > also be much worse. something is usually better than nothing, and that > goes for spank's mis-credit as bmore club as well > > > M. Tang | A & R Generator Detroit/Chicago/Berlin email. [EMAIL PROTECTED] aim. jiji2017 www.generatormusic.com = Coming soon: GEN029 - Neon Sex Fiend - Elektrofive (12") Remixes by DJ K1, Ultradyne, and Mauser. Soundclips @ www.generatormusic.com
(313) Re: Justice
Lurker too here, and very late on this thread. Anyhow, saw spank rock in the UK I think two years ago now - unless they've improved dramatically live, in terms of all their members and all their sound, this band suck like no other, regardless of who they're ripping off. That's my tuppence. And you guys going heavy on the appropriation/real tip - who were the influences on the 'real', and on them, etc, etc. There's real, and meaning it, eg soul music or whatever, and then there's fashion posturing. But then even there's a lot to be admired in great contrivance. Billy -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 28 June 2007 04:26 To: 313@hyperreal.org Subject: 313 Digest 28 Jun 2007 03:26:19 - Issue 3166 313 Digest 28 Jun 2007 03:26:19 - Issue 3166 Topics (messages 90558 through 90587): Re: Justice 90558 by: Michael.Elliot-Knight.fallon.com 90559 by: J.T. 90560 by: Thomas D. Cox, Jr. 90561 by: Thomas D. Cox, Jr. 90562 by: Thomas D. Cox, Jr. 90563 by: Matt Kane's Brain 90564 by: Martin Dust 90565 by: Thomas D. Cox, Jr. 90566 by: Rob G 90567 by: Rob G 90569 by: Jeff Davis 90572 by: J.T. 90576 by: Thomas D. Cox, Jr. 90577 by: /0 90578 by: Rob G 90579 by: J.T. 90580 by: Thomas D. Cox, Jr. 90581 by: Thomas D. Cox, Jr. 90582 by: Thomas D. Cox, Jr. 90583 by: Rob G 90584 by: /0 90585 by: J.T. 90587 by: Thomas D. Cox, Jr. Re: Track Moodymann dropped... what is it? & a quick nyc update 90568 by: M Ng 90575 by: Stoddard, Kamal Jeff Mills Runway Fashion Show 90570 by: John Sokolowski 90573 by: M Ng 90574 by: John Sokolowski Re: new Delsins are a pair of little goodies 90571 by: francis.thatamazingthing Re: Justice finale?? 90586 by: diana potts Administrivia: To subscribe to the digest, e-mail: [EMAIL PROTECTED] To unsubscribe from the digest, e-mail: [EMAIL PROTECTED] To post to the list, e-mail: 313@hyperreal.org -- I choose Polesoft Lockspam to fight spam, and you? http://www.polesoft.com/refer.html I choose Polesoft Lockspam to fight spam, and you? http://www.polesoft.com/refer.html
RE: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D
I will go to bat for the home town and propose that Baltimore City teens are more at-risk than Ann Arbor teens, however this is pure conjecture. > -Original Message- > From: kent williams [mailto:[EMAIL PROTECTED] > Sent: Friday, June 29, 2007 2:02 PM > To: Rob G > Cc: J.T.; list 313 > Subject: Re: (313) On Topic and Topical: Baltimore Club DJ's > tribute to Disco D > > Even better! > > On 6/29/07, Rob G <[EMAIL PROTECTED]> wrote: > > actually that is an Ann Arbor teen center that gets the donations. > > > > - Original Message > > From: kent williams <[EMAIL PROTECTED]> > > To: J.T. <[EMAIL PROTECTED]>; list 313 <313@hyperreal.org> > > Sent: Friday, June 29, 2007 7:57:11 AM > > Subject: Re: (313) On Topic and Topical: Baltimore Club > DJ's tribute > > to Disco D > > > > You're right, I posted too quick. Newsense is selling the > mix CD on > > Ebay with proceeds going to a Baltimore teen center. If you're > > interested in bidding: > > > > http://tinyurl.com/3chf7k > > > > On 6/29/07, J.T. <[EMAIL PROTECTED]> wrote: > > > i don't see no mix. > > > the link is to a 3.1 MB mp3 of "whores in the house", > good one. typical bmore, it's kinda messy and spastic and > super tracky. the claps are really nice. but again, expecting > this stuff to be a mainstream hit instead of spank well... > > >
Re: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D
Even better! On 6/29/07, Rob G <[EMAIL PROTECTED]> wrote: actually that is an Ann Arbor teen center that gets the donations. - Original Message From: kent williams <[EMAIL PROTECTED]> To: J.T. <[EMAIL PROTECTED]>; list 313 <313@hyperreal.org> Sent: Friday, June 29, 2007 7:57:11 AM Subject: Re: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D You're right, I posted too quick. Newsense is selling the mix CD on Ebay with proceeds going to a Baltimore teen center. If you're interested in bidding: http://tinyurl.com/3chf7k On 6/29/07, J.T. <[EMAIL PROTECTED]> wrote: > i don't see no mix. > the link is to a 3.1 MB mp3 of "whores in the house", good one. typical bmore, it's kinda messy and spastic and super tracky. the claps are really nice. but again, expecting this stuff to be a mainstream hit instead of spank well... > Shape Yahoo! in your own image. Join our Network Research Panel today! http://surveylink.yahoo.com/gmrs/yahoo_panel_invite.asp?a=7
(313) Fw: UK Guardian: Wellington roots
Not Detroit, not even techno, but a 313 fave . . . http://music.guardian.co.uk/urban/story/0,,2113440,00.html Wellington roots Could these men be New Zealand's first soul superstars? Jon Lusk on Fat Freddys Drop Thursday June 28, 2007 The Guardian Those searching for something a little different at last weekend's Glastonbury festival may have stumbled across a strange but beguiling act from New Zealand. Alongside the sardonic wordplay of Arctic Monkeys, the bluster and bombast of Kaiser Chiefs and the crowdpleasing efficiency of the Chemical Brothers, the soulful, unhurried sound of Fat Freddys Drop came across as music from another time zone. Which it is, in more ways than one. Long championed by taste-making DJs Gilles Peterson and Charlie Gillett, Wellington's self-proclaimed "seven-headed soul monster" is steadily reaching out beyond the expat fanbase that first discovered its uniquely Kiwi hybrid of dub/reggae, soul, funk, hip- hop and techno flavours, marinated in jazz and served with a distinctly Pacific swing. Fat Freddys Drop are nothing if not eclectic. But how did they get that name - no apostrophe and all? "It's one of those silly names that just stuck," says founder member DJ Fitchie, aka Chris Faiumu (or simply "Mu"). A New Zealand-born Samoan, he's a softly spoken mountain of a man, with a mischievous sense of humour. But he is not Fat Freddy. After jamming with silky-voiced singer Dallas Tamaira and trumpeter Toby Laing for several years on Wellington's fertile late-90s music scene, by 1999 Mu felt it was high time they made a record. The song Hope was the result. "We wrote and mixed and recorded it all in 48 hours with the assistance of a drug that at the time was called Fat Freddys - LSD," he says. Mu had been DJing around Wellington since the early 1990s, and by the middle of the decade had picked up enough production skills to set up his own studio at the seaside house he was renting. No longer satisfied with simply playing other artists' instrumentals for others to freestyle over, he started programming his own rhythm tracks on an MPC sampler/sequencer. "As soon as we made that step, it became obvious quite quickly that we needed other people to fill it out even more. They were added quite naturally - musicians who had a similar love for the improv side of it. We'd have them come down and jam over a real simple bassline and a beat, and see what they could make out of it. And, as we started putting out the odd 12-inch, I suppose we turned into a proper band." By now fully formed with three horns, keyboards and guitar, Fat Freddys Drop released their long-awaited debut studio album, Based On a True Story, in May 2005. Despite the lack of a drummer or a bass player - their rhythm section is shared between Mu's MPC beats, Iain Gordon's synth-bass keyboards and Tehimana Kerr's choppy guitar work - the album was a multi-platinum sensation in New Zealand and a cult hit in Europe, with worldwide sales now approaching 150,000. Following a triumphant European tour last summer, the band's current series of UK shows finds them road- testing new, more soul-orientated material, where set lists are replaced by "structures". True to their improvisational roots, every gig is unique, and they record them all to capture ideas. If their long, rambling jams at times seem unfocused, as they collectively feel their way from one groove to another, the payoff comes in transcendental music-making when "the Freddies" are really "on". The band's laidback, island-time ambience is unmistakeably a product of its environment, but that seems only to have enhanced their appeal to British listeners. Though Mu's beachfront home has just been sold, the new owners have agreed to let him to working there for the time being, and it is just the right setting for the band's calm, cool, maritime style. "The vibe of the beach totally feeds into the music," Laing says. "If you go to a studio in the middle of town and it's grimy and there's, like, pigeon s#1T everywhere, it creates one kind of music. We can just walk out the studio door and the sea is right there. That definitely has an effect".
(313) BLACK FOIL
http://myspace.com/blackfoil DJS DOWNLOAD AND SPIN AT WILL
(313) - test ignore
TEST. No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.476 / Virus Database: 269.9.10/873 - Release Date: 6/26/2007 11:54 PM
Re: (313) Justice
I'm sorry for all those weary of this thread at this point, I don't blame ya. but for anyone that has found something interesting here then check this out. over on the "hollerboard" the question is asked whether all the media hype has killed b-more club at this point... and DJ Technics chimes in... http://www.low-bee.com/forum/viewtopic.php?t=21236&start=120 - Original Message From: J.T. <[EMAIL PROTECTED]> To: Rob G <[EMAIL PROTECTED]>; "Thomas D. Cox,Jr." <[EMAIL PROTECTED]>; 313@hyperreal.org Sent: Thursday, June 28, 2007 2:32:19 PM Subject: Re: (313) Justice >but I guess I just don't get what *would* be a genuine way of calling >attention to the music? (in contrast to "this disingenuous manner"). well put..i agree with most of what tom is saying at some level, but it's impossibly idealistic and entirely speculative. idealism is vital tho. but yeah. who knows exactly what would happen if somehow someway the crazy "real" club stuff got mainstream coverage, but i highly doubt it would take off like spank rock, there's no foundation for it too. the foundation ahs to be built sometime somewhere though if something like that is ever going to happen. i remember how excited i was to see articles in rolling stone and spin some years back about the belleville 3, thinking "yes, the rest of the world is finally going to wake up to this brilliant music and "real" dance music will become a viable part of the music industry!"bzzt! but then again, it depends on your pov. playlists from ibiza have gotten better, and i'm certainly happier to see kompakt inhabiting the same space moonshine and company used to. it could be better, maybe, but it could also be much worse. something is usually better than nothing, and that goes for spank's mis-credit as bmore club as well Take the Internet to Go: Yahoo!Go puts the Internet in your pocket: mail, news, photos & more. http://mobile.yahoo.com/go?refer=1GNXIC
Re: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D
actually that is an Ann Arbor teen center that gets the donations. - Original Message From: kent williams <[EMAIL PROTECTED]> To: J.T. <[EMAIL PROTECTED]>; list 313 <313@hyperreal.org> Sent: Friday, June 29, 2007 7:57:11 AM Subject: Re: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D You're right, I posted too quick. Newsense is selling the mix CD on Ebay with proceeds going to a Baltimore teen center. If you're interested in bidding: http://tinyurl.com/3chf7k On 6/29/07, J.T. <[EMAIL PROTECTED]> wrote: > i don't see no mix. > the link is to a 3.1 MB mp3 of "whores in the house", good one. typical > bmore, it's kinda messy and spastic and super tracky. the claps are really > nice. but again, expecting this stuff to be a mainstream hit instead of spank > well... > Shape Yahoo! in your own image. Join our Network Research Panel today! http://surveylink.yahoo.com/gmrs/yahoo_panel_invite.asp?a=7
Re: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D
On 6/29/07, kent williams <[EMAIL PROTECTED]> wrote: A BMore Club mix by Steve Newsense in tribute to Disco D http://tinyurl.com/2mjt2x I found out about it on Idolator.com, where the first commenter says "Nice to see some real Baltimore club getting some play, rather than that B.S. Spankrock nonsense." Tom, you're not an Idolator commenter are you? ;-) i am not, and im obviously not the only person who feels the way i do ;) tom
Re: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D
You're right, I posted too quick. Newsense is selling the mix CD on Ebay with proceeds going to a Baltimore teen center. If you're interested in bidding: http://tinyurl.com/3chf7k On 6/29/07, J.T. <[EMAIL PROTECTED]> wrote: i don't see no mix. the link is to a 3.1 MB mp3 of "whores in the house", good one. typical bmore, it's kinda messy and spastic and super tracky. the claps are really nice. but again, expecting this stuff to be a mainstream hit instead of spank well...
Re: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D
i don't see no mix. the link is to a 3.1 MB mp3 of "whores in the house", good one. typical bmore, it's kinda messy and spastic and super tracky. the claps are really nice. but again, expecting this stuff to be a mainstream hit instead of spank well... -Original Message- >From: kent williams <[EMAIL PROTECTED]> >Sent: Jun 29, 2007 10:40 AM >To: list 313 <313@hyperreal.org> >Subject: (313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D > >A BMore Club mix by Steve Newsense in tribute to Disco D > >http://tinyurl.com/2mjt2x > >I found out about it on Idolator.com, where the first commenter says > >"Nice to see some real Baltimore club getting some play, rather than >that B.S. Spankrock nonsense." > >Tom, you're not an Idolator commenter are you? ;-)
(313) On Topic and Topical: Baltimore Club DJ's tribute to Disco D
A BMore Club mix by Steve Newsense in tribute to Disco D http://tinyurl.com/2mjt2x I found out about it on Idolator.com, where the first commenter says "Nice to see some real Baltimore club getting some play, rather than that B.S. Spankrock nonsense." Tom, you're not an Idolator commenter are you? ;-)
(313) Bleep43 podcast
This week features new bits by Luke Vibert plus a mix with some classic Detroit by the mysterious 21st Century Global Slumlord. http://www.bleep43recordings.com/mixes/Show62.mp3 Tracklisting Man Parrish - Heatstroke Change - The End Herman Schwartz - Replicant's Suffering Unique 3 - The Theme (Autechre Remix) The Ace of Clubs - Whorcan Gary Numan - Cars Bjork - Verterbrae by Verterbrae Cluster - Zum Wohl Pliiant - The Night the World made sense Stephan Mathieu & Janek Schaefer - Fugue Robert Hampson & Steven Hess - Part Two 21st Century Global Slumlord mix Stewart Walker - Classic Science Fiction http://www.discogs.com/release/34297 Regis - Asbestos (Sleeparchive Remix) http://www.discogs.com/release/508018 Joyrex - Italic Eyeball http://www.discogs.com/release/4700 Vainqueur - Solanus (Original) http://www.discogs.com/release/25926 Thomas Brinkmann - Susi 1 http://www.discogs.com/release/21369 Red Planet - Stardancer http://www.discogs.com/release/12482 Jake Mandell - Brocolli Crisis http://www.discogs.com/release/122617 Stewart Walker - Dim & Turbulent Mornings http://www.discogs.com/release/5410 CoH - Path #3 (Dynamo Baby Bore Me Numb) http://www.discogs.com/release/714111 Surgeon - Remnants Of What Once Was http://www.discogs.com/release/14104 Oscar Mulero - CV Is Dead http://www.discogs.com/release/43520 Anders Ilar - A Day Ago http://www.discogs.com/release/819063 Marcell Dettmann - Radio Drum http://www.discogs.com/release/753032 Jeff Mills - Eclipse http://www.discogs.com/release/141 Black Dog - Vir2l http://www.discogs.com/release/35668 Bleep - Cycle 92 http://www.discogs.com/release/636531 Proteus Speaks, Inseminates http://www.imdb.com/title/tt0075931/ Iannis Xenakis - Voyage Absolu Des Unari Vers Adromede http://www.discogs.com/release/219347 Black Boat Band - ? For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
