(313) Ghostly & Adult Swim pair up for new freebie compilation
http://ghostly.com/releases/ghostly-swim Direct link to compilation album + artwork download: http://www.adultswim.com/williams/music/ghostlyswim/tools/media/ ghostlyswim.zip 1. Michna - Triple Chrome Dipped 2. Dabrye - Temper 3. The Chap - Carlos Walter Wendy Stanley 4. Dark Party - Active 5. Tycho - Cascade (Live Version) 6. JDSY - All Shapes 7. Deastro - Light Powered 8. Matthew Dear - R+S 9. FLYamSAM - The Offbeat 10. Cepia - Ithaca 11. Aeroc - Idiom 12. The Reflecting Skin - Traffickers 13. School Of Seven Bells - Chain 14. Ben Benjamin - Squirmy Sign Language 15. Kill Memory Crash - Hit + Run 16. Osborne - Wait A Minute 17. Milosh - Then It Happened 18. 10:32 - Blue Little 19. Mux Mool - Night Court 2 associated videos (Michna - Triple Chrome Dipped; Mux Mool - Night Court) can be viewed at http://www.adultswim.com/williams/music/ghostlyswim/index.html - Greg
Re: Re: (313) 4 more Movement acts
> well then the prevalent view here is wrong. the festival works best when it > books diverse acts to pays its bills and perpetuate its own existence. big There is no evidence to support the assumption that booking more artists outside of the Detroit tradition improves the success of the festival. There is in fact evidence that the festivals that were about Detroit's electronic music legacy had much larger attendance -- there is no way to know how many of those people would have attended had it not been free, but it's fairly safe to assume that the first few festivals would have been the greatest successes had an entry fee been charged and had the festivals been competently managed. The sponsorship was there (selling the festival as "Detroit Techno" all over TV, to boot), mainstream media was there, the initial excitement was there, the widespread local appeal was there. The only thing borne out as a more successful approach in the past few years is the charging of an entry fee and a much more competent management of the festival in general. You aren't going to convince anybody jumping to conclusions that aren't borne out. You can only claim Paxahau's festival would be less successful as a Detroit-centric festival if they throw one and it is decisively less successful. You may well be right (I think you are) considering the trends in electronic music these days, but they haven't had that festival to prove it, yet. > member that wants that 25 percent, there is someone out there looking for > the dnb stuff they are booking, or this or that. just because YOU dont dig > it, doesn't mean its invalid and has no place at the festival. That's certainly true enough, but helllooo McFly, why the hell are you on the Detroit Techno mailing list if you don't think Detroit's legacy is more important, ultimately more culturally relevant, than global superstar dj's or the newest hype for the majority of people attending. There has to be a balance between commerce and art/culture, but considering it's Detroit, and the only electronic music festival in Detroit, I think it's reasonable to expect there will be an undercurrent to the festival that celebrates Detroit's legacy. I don't think Paxahau has failed to address that, but as Detroit Techno devotees we want more, we want Paxahau to have the balls to risk it's ass to throw another Detroit-centric festival, now that they have put in place proper management. It is a bit unreasonable. Paxahau's business smarts that dictates the festival goes increasingly in a different direction -- the cultural relevance has been minim(al)ized, because I'm afraid electronic music, especially American electronic music, has suffered tremendously in the last 7 years. It would be crazy to throw a festival like the first few festivals again given that no one (comparatively) in America is buying Techno, and maybe more importantly look at the output of Detroit (and America in general). Paxahau is smart and they have probably judged the market correctly. You gotta get the kids there. There ain't many heads among the kids these days. The heads have jobs, kids, old fogie legs that don't dance so good no more...The kids ain't got no responsibilities and are much more carefree about burning through their dough. The majority just wanna party. Perhaps they would be open to learning about why Detroit's legacy is so important and unique to electronic music. But there is no real exciting reason why they would care to learn. The infrastructure to put Detroit/American electronic music culture in the public eye and make it compelling just isn't there. /0 may be obnoxious (ain't we all sometimes), but I'm afraid he's right. That said I'm attending if it's within my budget (plane tickets and gas = megabux right now) and a lot of friends of mine who have never gone before -- heads even -- want to go this year. It's the best we have and it's not going to improve if it's not nurtured. I believe things will come back around, and besides it's the best opportunity we Americans have to see so many artists we like in one place, without using a passport. And if the festival ain't up to snuff for you, you can shift your attention to soaking up the city and hanging out with seldom-seen friends...It depends on your budget etc whether it's worth it or not -- if budget isn't a primary consideration, absolutely it is... I miss Detroit a lot...
Re: Re: Re: (313) 4 more Movement acts
"It would be at least borderline interesting if you would respond to what I actually wrote." -Fred Heutte - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 9:49 PM Subject: Fw: Re: Re: (313) 4 more Movement acts "well then the prevalent view here is wrong" So it always seems coming from you. fh -- mail forwarded, original message follows -- To: [EMAIL PROTECTED],313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: Re: (313) 4 more Movement acts Date: Mon, 21 Apr 2008 20:22:42 -0400 well then the prevalent view here is wrong. the festival works best when it books diverse acts to pays its bills and perpetuate its own existence. big deal, so you wont like every act, but without the other 75 percent, the 25 percent you want wouldnt have a festival to play at. and for every 313 member that wants that 25 percent, there is someone out there looking for the dnb stuff they are booking, or this or that. just because YOU dont dig it, doesn't mean its invalid and has no place at the festival. again, it is detroit's electronic music festival. not the detroit electronic music festival. furthermore, it's pretty obvious that its not a festival dedicated to detroit music. even the first blessed years were not as detroit-centric as it "could" have been. and thank god for that. - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 8:33 PM Subject: Fw: Re: (313) 4 more Movement acts It would be at least borderline interesting if you would respond to what I actually wrote. Maybe somewhere else someone is demanding that "Movement 2008: Detroit's Electronic Music Festival" be only about Detroit techmo. But not here. The prevalent view on 313@hyperreal.org has always been that the festival works best when it represents -all- of Detroit's electronic music diversity, not just techno. fh -- mail forwarded, original message follows -- To: 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) 4 more Movement acts Date: Mon, 21 Apr 2008 18:57:31 -0400 as has been said, its not a detroit techno festival, its detroits electronic music festival. and Im glad. a yearly festival dedicated to any sub-genre would get boring and increasingly hard to market. detroit has more people on the lineup than any one other city by FAR, so you, being a fan of detroit techno, should be happy with that. this list needs to snap out of this demf-is-a-celebration-of-detroit-techno mindset, because it just leads to cyclical wastes of time in the form of all this whining about lineups
Fw: Re: Re: (313) 4 more Movement acts
"well then the prevalent view here is wrong" So it always seems coming from you. fh -- mail forwarded, original message follows -- To: [EMAIL PROTECTED],313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: Re: (313) 4 more Movement acts Date: Mon, 21 Apr 2008 20:22:42 -0400 well then the prevalent view here is wrong. the festival works best when it books diverse acts to pays its bills and perpetuate its own existence. big deal, so you wont like every act, but without the other 75 percent, the 25 percent you want wouldnt have a festival to play at. and for every 313 member that wants that 25 percent, there is someone out there looking for the dnb stuff they are booking, or this or that. just because YOU dont dig it, doesn't mean its invalid and has no place at the festival. again, it is detroit's electronic music festival. not the detroit electronic music festival. furthermore, it's pretty obvious that its not a festival dedicated to detroit music. even the first blessed years were not as detroit-centric as it "could" have been. and thank god for that. - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 8:33 PM Subject: Fw: Re: (313) 4 more Movement acts It would be at least borderline interesting if you would respond to what I actually wrote. Maybe somewhere else someone is demanding that "Movement 2008: Detroit's Electronic Music Festival" be only about Detroit techmo. But not here. The prevalent view on 313@hyperreal.org has always been that the festival works best when it represents -all- of Detroit's electronic music diversity, not just techno. fh -- mail forwarded, original message follows -- To: 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) 4 more Movement acts Date: Mon, 21 Apr 2008 18:57:31 -0400 as has been said, its not a detroit techno festival, its detroits electronic music festival. and Im glad. a yearly festival dedicated to any sub-genre would get boring and increasingly hard to market. detroit has more people on the lineup than any one other city by FAR, so you, being a fan of detroit techno, should be happy with that. this list needs to snap out of this demf-is-a-celebration-of-detroit-techno mindset, because it just leads to cyclical wastes of time in the form of all this whining about lineups
Re: Re: (313) 4 more Movement acts
well then the prevalent view here is wrong. the festival works best when it books diverse acts to pays its bills and perpetuate its own existence. big deal, so you wont like every act, but without the other 75 percent, the 25 percent you want wouldnt have a festival to play at. and for every 313 member that wants that 25 percent, there is someone out there looking for the dnb stuff they are booking, or this or that. just because YOU dont dig it, doesn't mean its invalid and has no place at the festival. again, it is detroit's electronic music festival. not the detroit electronic music festival. furthermore, it's pretty obvious that its not a festival dedicated to detroit music. even the first blessed years were not as detroit-centric as it "could" have been. and thank god for that. - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 8:33 PM Subject: Fw: Re: (313) 4 more Movement acts It would be at least borderline interesting if you would respond to what I actually wrote. Maybe somewhere else someone is demanding that "Movement 2008: Detroit's Electronic Music Festival" be only about Detroit techmo. But not here. The prevalent view on 313@hyperreal.org has always been that the festival works best when it represents -all- of Detroit's electronic music diversity, not just techno. fh -- mail forwarded, original message follows -- To: 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) 4 more Movement acts Date: Mon, 21 Apr 2008 18:57:31 -0400 as has been said, its not a detroit techno festival, its detroits electronic music festival. and Im glad. a yearly festival dedicated to any sub-genre would get boring and increasingly hard to market. detroit has more people on the lineup than any one other city by FAR, so you, being a fan of detroit techno, should be happy with that. this list needs to snap out of this demf-is-a-celebration-of-detroit-techno mindset, because it just leads to cyclical wastes of time in the form of all this whining about lineups
Fw: Re: (313) 4 more Movement acts
It would be at least borderline interesting if you would respond to what I actually wrote. Maybe somewhere else someone is demanding that "Movement 2008: Detroit's Electronic Music Festival" be only about Detroit techmo. But not here. The prevalent view on 313@hyperreal.org has always been that the festival works best when it represents -all- of Detroit's electronic music diversity, not just techno. fh -- mail forwarded, original message follows -- To: 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) 4 more Movement acts Date: Mon, 21 Apr 2008 18:57:31 -0400 as has been said, its not a detroit techno festival, its detroits electronic music festival. and Im glad. a yearly festival dedicated to any sub-genre would get boring and increasingly hard to market. detroit has more people on the lineup than any one other city by FAR, so you, being a fan of detroit techno, should be happy with that. this list needs to snap out of this demf-is-a-celebration-of-detroit-techno mindset, because it just leads to cyclical wastes of time in the form of all this whining about lineups
Re: (313) 4 more Movement acts
ok tom, refute my claim and tell me who has more resident playing at demf than detroit? at least 25 percent of the lineup are people I can go see any weekend of the year, which means they are local. maybe if you cry enough, paxahau will book theo and kdj on 2 staged for 12 hours a day, for all 3 days. oh wouldn't that lead to a fun thread on 313. - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 7:01 PM Subject: Re: (313) 4 more Movement acts On Mon, Apr 21, 2008 at 6:57 PM, /0 <[EMAIL PROTECTED]> wrote: as has been said, its not a detroit techno festival, its detroits electronic music festival. and Im glad. a yearly festival dedicated to any sub-genre would get boring and increasingly hard to market. detroit electronic music is not just techno, and it is not any one subgenre either. detroit has more people on the lineup than any one other city by FAR, so you, being a fan of detroit techno, should be happy with that. no. this list needs to snap out of this demf-is-a-celebration-of-detroit-techno mindset, because it just leads to cyclical wastes of time in the form of all this whining about lineups what needs to happen is that you need to move to a city where you can see all the crap artists that you miss out on all the time, and leave this list and detroit music alone. tom
Re: (313) 4 more Movement acts
On Mon, Apr 21, 2008 at 6:57 PM, /0 <[EMAIL PROTECTED]> wrote: > as has been said, its not a detroit techno festival, its detroits electronic > music festival. and Im glad. a yearly festival dedicated to any sub-genre > would get boring and increasingly hard to market. detroit electronic music is not just techno, and it is not any one subgenre either. > detroit has more people on the lineup than any one other city by FAR, so > you, being a fan of detroit techno, should be happy with that. no. > this list needs to snap out of this demf-is-a-celebration-of-detroit-techno > mindset, because it just leads to cyclical wastes of time in the form of all > this whining about lineups what needs to happen is that you need to move to a city where you can see all the crap artists that you miss out on all the time, and leave this list and detroit music alone. tom
Re: (313) 4 more Movement acts
as has been said, its not a detroit techno festival, its detroits electronic music festival. and Im glad. a yearly festival dedicated to any sub-genre would get boring and increasingly hard to market. detroit has more people on the lineup than any one other city by FAR, so you, being a fan of detroit techno, should be happy with that. this list needs to snap out of this demf-is-a-celebration-of-detroit-techno mindset, because it just leads to cyclical wastes of time in the form of all this whining about lineups - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Monday, April 21, 2008 7:06 PM Subject: Re: (313) 4 more Movement acts > Mark Farina > Lawnchair Generals > Miles Maeda > Punisher >/ > good god - for every one good act they add three crap ones I don't have a problem with any of those. I've known Mark since 1992, haven't seen MM but like some of his, and I have a pretty high regard for some of the LG output, which is made of sterner stuff than most west coast house these days. And of course Punisher has always been good when I've seen her, and remember she stood well above the relentless mediocrity at the underground stage one year. My bigger problem is the continuing de-focus on Detroit in the lineup. Yes, there are some Detroit area artists on the list, and good for them, but overall it just doesn't have the breadth and depth it should given who's within local driving distance of the festival. And this isn't just conjecture about what it could be, it's about what it was when you go back and look at the first couple of years. fh
Re: (313) 4 more Movement acts
> > Mark Farina > > Lawnchair Generals > > Miles Maeda > > Punisher > >/ > > good god - for every one good act they add three crap ones I don't have a problem with any of those. I've known Mark since 1992, haven't seen MM but like some of his, and I have a pretty high regard for some of the LG output, which is made of sterner stuff than most west coast house these days. And of course Punisher has always been good when I've seen her, and remember she stood well above the relentless mediocrity at the underground stage one year. My bigger problem is the continuing de-focus on Detroit in the lineup. Yes, there are some Detroit area artists on the list, and good for them, but overall it just doesn't have the breadth and depth it should given who's within local driving distance of the festival. And this isn't just conjecture about what it could be, it's about what it was when you go back and look at the first couple of years. fh
Re: (313) A mix by Scott Ferguson of Ferrispark Records
its a stupid slang word that means excited or upset. I just used it to mock tom a little. he uses all this awesome slang because he's straight from the mean streets of pittsburg ;) - Original Message - From: "Aidan O'Doherty" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Monday, April 21, 2008 5:57 PM Subject: Re: (313) A mix by Scott Ferguson of Ferrispark Records what does 'sweating it' mean? On 21/04/2008, /0 <[EMAIL PROTECTED]> wrote: that moodyman track has been in the wild for at least 5 months, why is everyone sweating it? - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 2:21 PM Subject: (313) A mix by Scott Ferguson of Ferrispark Records > we have a great eclectic mix by scott ferguson (our second guest mix > by a guy named scott in a row, in fact!) over at ISM: > > http://infinitestatemachine.com/2008/04/21/guest-mix-scott-ferguson-of-ferrispark-records/ > > tracklist: > > Brian Eno & David Byrne "Solo Guitar With Tin Foil" My Life In the > Bush of Ghosts > Nitin Sawhney "The Namesake Opening Titles" The Namesake > Dead Can Dance "The Ubiquitous Mr Lovegrove" Wake > Alanis Morissette "Uninvited" MTV Unplugged: Alanis Morissette (Live) > Scott Ferguson "Blood Breath (Andrew Schultz Dedication Mix)" For All > Days, My Blood, My Brothers > Stanley Clark "Song to John (Part 1)" Journey To Love > Norman Connors "The Creator has a Master Plan" You Are My Starship > Bill Evans "Peace Piece" The Best of Bill Evans > Tom Waits "Martha" Closing Time > Gordon Lightfoot "The Wreck of the Edmund Fitzgerald" Summertime Dream > Bobby Caldwell "To Know What You've Got" Cat In The Hat > Scott Ferguson "My Blood, My Brother (Steve Ferguson Dedication Mix)" > For All Days, My Blood, My Brothers > Moodyman "Freaky Mothah F*ckah" KDJ (white label) > > it's got that moodymann everyone on here has been sweating! > > tom >
Re: (313) A mix by Scott Ferguson of Ferrispark Records
what does 'sweating it' mean? On 21/04/2008, /0 <[EMAIL PROTECTED]> wrote: > that moodyman track has been in the wild for at least 5 months, why is > everyone sweating it? > > - Original Message - From: "Thomas D. Cox, Jr." > <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Monday, April 21, 2008 2:21 PM > Subject: (313) A mix by Scott Ferguson of Ferrispark Records > > > > > > we have a great eclectic mix by scott ferguson (our second guest mix > > by a guy named scott in a row, in fact!) over at ISM: > > > > > http://infinitestatemachine.com/2008/04/21/guest-mix-scott-ferguson-of-ferrispark-records/ > > > > tracklist: > > > > Brian Eno & David Byrne "Solo Guitar With Tin Foil" My Life In the > > Bush of Ghosts > > Nitin Sawhney "The Namesake Opening Titles" The Namesake > > Dead Can Dance "The Ubiquitous Mr Lovegrove" Wake > > Alanis Morissette "Uninvited" MTV Unplugged: Alanis Morissette (Live) > > Scott Ferguson "Blood Breath (Andrew Schultz Dedication Mix)" For All > > Days, My Blood, My Brothers > > Stanley Clark "Song to John (Part 1)" Journey To Love > > Norman Connors "The Creator has a Master Plan" You Are My Starship > > Bill Evans "Peace Piece" The Best of Bill Evans > > Tom Waits "Martha" Closing Time > > Gordon Lightfoot "The Wreck of the Edmund Fitzgerald" Summertime Dream > > Bobby Caldwell "To Know What You've Got" Cat In The Hat > > Scott Ferguson "My Blood, My Brother (Steve Ferguson Dedication Mix)" > > For All Days, My Blood, My Brothers > > Moodyman "Freaky Mothah F*ckah" KDJ (white label) > > > > it's got that moodymann everyone on here has been sweating! > > > > tom > > > >
Re: (313) A mix by Scott Ferguson of Ferrispark Records
that moodyman track has been in the wild for at least 5 months, why is everyone sweating it? - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 2:21 PM Subject: (313) A mix by Scott Ferguson of Ferrispark Records we have a great eclectic mix by scott ferguson (our second guest mix by a guy named scott in a row, in fact!) over at ISM: http://infinitestatemachine.com/2008/04/21/guest-mix-scott-ferguson-of-ferrispark-records/ tracklist: Brian Eno & David Byrne "Solo Guitar With Tin Foil" My Life In the Bush of Ghosts Nitin Sawhney "The Namesake Opening Titles" The Namesake Dead Can Dance "The Ubiquitous Mr Lovegrove" Wake Alanis Morissette "Uninvited" MTV Unplugged: Alanis Morissette (Live) Scott Ferguson "Blood Breath (Andrew Schultz Dedication Mix)" For All Days, My Blood, My Brothers Stanley Clark "Song to John (Part 1)" Journey To Love Norman Connors "The Creator has a Master Plan" You Are My Starship Bill Evans "Peace Piece" The Best of Bill Evans Tom Waits "Martha" Closing Time Gordon Lightfoot "The Wreck of the Edmund Fitzgerald" Summertime Dream Bobby Caldwell "To Know What You've Got" Cat In The Hat Scott Ferguson "My Blood, My Brother (Steve Ferguson Dedication Mix)" For All Days, My Blood, My Brothers Moodyman "Freaky Mothah F*ckah" KDJ (white label) it's got that moodymann everyone on here has been sweating! tom
Re: (313) 4 more Movement acts
none of them. dont bother coming. - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, April 21, 2008 11:30 AM Subject: Re: (313) 4 more Movement acts On Mon, Apr 21, 2008 at 11:27 AM, <[EMAIL PROTECTED]> wrote: Mark Farina Lawnchair Generals Miles Maeda Punisher good god - for every one good act they add three crap ones which is the good one?? inquiring minds want to know. tom
Re: (313) 4 more Movement acts
seconded. will be nice to see farina, after he didnt make it in year 2. maeda might be fun too - Original Message - From: "Steward, Tim" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Monday, April 21, 2008 12:22 PM Subject: RE: (313) 4 more Movement acts Out of those acts Punisher is definitely The good one. Her dj skills are tight. Tim / Planet Detroit The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, April 21, 2008 11:56 AM To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) 4 more Movement acts well, if I had to pick one out of them all I'd go with Punisher I've come around to some of her tunes (when I'm in the mood for harder stuff) granted I haven't witnessed her DJ MEK "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 04/21/2008 10:30:11 AM: On Mon, Apr 21, 2008 at 11:27 AM, <[EMAIL PROTECTED]> wrote: > > Mark Farina > Lawnchair Generals > Miles Maeda > Punisher > > good god - for every one good act they add three crap ones which is the good one?? inquiring minds want to know. tom
(313) A mix by Scott Ferguson of Ferrispark Records
we have a great eclectic mix by scott ferguson (our second guest mix by a guy named scott in a row, in fact!) over at ISM: http://infinitestatemachine.com/2008/04/21/guest-mix-scott-ferguson-of-ferrispark-records/ tracklist: Brian Eno & David Byrne "Solo Guitar With Tin Foil" My Life In the Bush of Ghosts Nitin Sawhney "The Namesake Opening Titles" The Namesake Dead Can Dance "The Ubiquitous Mr Lovegrove" Wake Alanis Morissette "Uninvited" MTV Unplugged: Alanis Morissette (Live) Scott Ferguson "Blood Breath (Andrew Schultz Dedication Mix)" For All Days, My Blood, My Brothers Stanley Clark "Song to John (Part 1)" Journey To Love Norman Connors "The Creator has a Master Plan" You Are My Starship Bill Evans "Peace Piece" The Best of Bill Evans Tom Waits "Martha" Closing Time Gordon Lightfoot "The Wreck of the Edmund Fitzgerald" Summertime Dream Bobby Caldwell "To Know What You've Got" Cat In The Hat Scott Ferguson "My Blood, My Brother (Steve Ferguson Dedication Mix)" For All Days, My Blood, My Brothers Moodyman "Freaky Mothah F*ckah" KDJ (white label) it's got that moodymann everyone on here has been sweating! tom
Re: (313) some clip from Kraftwerk Mpls show
here's another from the beginning (1st song Man Machine) you can see they were having some tech difficulties early on http://www.youtube.com/watch?v=nM1ZVY5janc by the way, you can see the light from someone's camera in the bottom right corner come on @ around 17 seconds We were standing just to the right of that person MEK [EMAIL PROTECTED] wrote on 04/21/2008 12:26:56 PM: > > found these on Youtube > > http://www.youtube.com/user/sonicfox > > I'm sure more will be surfacing soon > Not any from me however - didn't bring a camera > > MEK >
(313) some clip from Kraftwerk Mpls show
found these on Youtube http://www.youtube.com/user/sonicfox I'm sure more will be surfacing soon Not any from me however - didn't bring a camera MEK
Re: (313) 4 more Movement acts
regardless, there are appropriate performers, if not superstars. not like some ironic mash up, unless its detroit mash up. On 4/21/08, Michael Kuszynski <[EMAIL PROTECTED]> wrote: > saw punisher in chicago years ago. pretty boring and typical tracks. > maybe thats just that one time and place. miles has some fantastic > mixtapes from back in the day, one was sunshower i think. heavy thick > and rich old style deep house. i love him and i am no house head. > > On 4/21/08, Steward, Tim <[EMAIL PROTECTED]> wrote: > > Out of those acts Punisher is definitely > > The good one. Her dj skills are tight. > > > > Tim / Planet Detroit > > > > > > The contents of this e-mail are intended for the named addressee only. It > > contains information that may be confidential. Unless you are the named > > addressee or an authorized designee, you may not copy or use it, or > disclose > > it to anyone else. If you received it in error please notify us > immediately > > and then destroy it. > > > > From: [EMAIL PROTECTED] > > [mailto:[EMAIL PROTECTED] > > Sent: Monday, April 21, 2008 11:56 AM > > To: Thomas D. Cox, Jr. > > Cc: 313@hyperreal.org > > Subject: Re: (313) 4 more Movement acts > > > > well, if I had to pick one out of them all I'd go with Punisher I've > > come around to some of her tunes (when I'm in the mood for harder > > stuff) > > granted I haven't witnessed her DJ > > > > MEK > > > > "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 04/21/2008 > > 10:30:11 > > AM: > > > > > On Mon, Apr 21, 2008 at 11:27 AM, <[EMAIL PROTECTED]> > > wrote: > > > > > > > > Mark Farina > > > > Lawnchair Generals > > > > Miles Maeda > > > > Punisher > > > > > > > > good god - for every one good act they add three crap ones > > > > > > which is the good one?? inquiring minds want to know. > > > > > > tom > > > > > -- > --- > Michael Kuszynski > [EMAIL PROTECTED] > [EMAIL PROTECTED] > http://www.planerecordings.com > New York, NY > -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
Re: (313) 4 more Movement acts
saw punisher in chicago years ago. pretty boring and typical tracks. maybe thats just that one time and place. miles has some fantastic mixtapes from back in the day, one was sunshower i think. heavy thick and rich old style deep house. i love him and i am no house head. On 4/21/08, Steward, Tim <[EMAIL PROTECTED]> wrote: > Out of those acts Punisher is definitely > The good one. Her dj skills are tight. > > Tim / Planet Detroit > > > The contents of this e-mail are intended for the named addressee only. It > contains information that may be confidential. Unless you are the named > addressee or an authorized designee, you may not copy or use it, or disclose > it to anyone else. If you received it in error please notify us immediately > and then destroy it. > > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: Monday, April 21, 2008 11:56 AM > To: Thomas D. Cox, Jr. > Cc: 313@hyperreal.org > Subject: Re: (313) 4 more Movement acts > > well, if I had to pick one out of them all I'd go with Punisher I've > come around to some of her tunes (when I'm in the mood for harder > stuff) > granted I haven't witnessed her DJ > > MEK > > "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 04/21/2008 > 10:30:11 > AM: > > > On Mon, Apr 21, 2008 at 11:27 AM, <[EMAIL PROTECTED]> > wrote: > > > > > > Mark Farina > > > Lawnchair Generals > > > Miles Maeda > > > Punisher > > > > > > good god - for every one good act they add three crap ones > > > > which is the good one?? inquiring minds want to know. > > > > tom > -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
RE: (313) 4 more Movement acts
Out of those acts Punisher is definitely The good one. Her dj skills are tight. Tim / Planet Detroit The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, April 21, 2008 11:56 AM To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) 4 more Movement acts well, if I had to pick one out of them all I'd go with Punisher I've come around to some of her tunes (when I'm in the mood for harder stuff) granted I haven't witnessed her DJ MEK "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 04/21/2008 10:30:11 AM: > On Mon, Apr 21, 2008 at 11:27 AM, <[EMAIL PROTECTED]> wrote: > > > > Mark Farina > > Lawnchair Generals > > Miles Maeda > > Punisher > > > > good god - for every one good act they add three crap ones > > which is the good one?? inquiring minds want to know. > > tom
Re: (313) 4 more Movement acts
well, if I had to pick one out of them all I'd go with Punisher I've come around to some of her tunes (when I'm in the mood for harder stuff) granted I haven't witnessed her DJ MEK "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 04/21/2008 10:30:11 AM: > On Mon, Apr 21, 2008 at 11:27 AM, <[EMAIL PROTECTED]> wrote: > > > > Mark Farina > > Lawnchair Generals > > Miles Maeda > > Punisher > > > > good god - for every one good act they add three crap ones > > which is the good one?? inquiring minds want to know. > > tom
Re: (313) 4 more Movement acts
On Mon, Apr 21, 2008 at 11:27 AM, <[EMAIL PROTECTED]> wrote: > > Mark Farina > Lawnchair Generals > Miles Maeda > Punisher > > good god - for every one good act they add three crap ones which is the good one?? inquiring minds want to know. tom
(313) 4 more Movement acts
Mark Farina Lawnchair Generals Miles Maeda Punisher good god - for every one good act they add three crap ones MEK
Re: (313) Online ecord stores
Let's not forget, opusrecords.com (downtown 304), they are ideal for picking up house and have been increasing their techno selection as of late, picking up the slack for some of the other online stores that are no longer with us. The other odd store I take a peek at every now and again, if all other options have been exhausted is down in DC, djhut.com. They were the only store we could snag that last Kevin Reynolds. jw On Fri, Apr 18, 2008 at 9:04 PM, Kowalsky <[EMAIL PROTECTED]> wrote: > People, i'm in a mood of refreshing my roster of online record stores in the > US. Can you point some good ones? The store must ship internationally, must > be fast and eficient in replying mail and in shipping, must have a good > catalog of classics and new releases and must have a decent site interface > with audio samples. > > Thank y'all in advance. > > Kw > -- Technoir Audio http://www.technoiraudio.com "dealing with your imperfect world"
Re: (313) Online ecord stores
Dope Jams gets all the Delsin stuff, but only a few copies...but it's worth checking before dropping more $$ for int'l shipping... Dancerecords.com has a quince ep and the yotoko album on sale right now...i don't think they've been getting any more Delsin stuff since Syntax went down tho On Sun, Apr 20, 2008 at 7:44 PM, dan lucas <[EMAIL PROTECTED]> wrote: > Any recommendations for Delsin vinyl?
RE: (313) Porter Ricks "Biokinetics CD"/Metal CD Cases
Messrs. Von Oswald and Ernestus spoke about the cases many years ago - can't remember where but they said something like that it wasn't deliberate, emphasising that they had no intention of causing people who buy their music to lose what they'd bought. I got the impression that the metal cases seemed to be a good idea at the time to them and the unfortunate consequences were unforeseen. Nothing deliberate and not a cruelly indirect way to press home [pun unintended] their invocation to 'buy vinyl'. [I always find the phrase quite funny and I think it's partly meant to be!] I went through 3 BC compilations, 2 Maurizio ones and 2 CR 'various artists' ones before I learned my lesson: keep the cases in the display cabinet, keep the CDs in a CD book or something. -Original Message- From: Jernej Marusic [mailto:[EMAIL PROTECTED] Sent: Saturday, April 19, 2008 11:40 AM To: [EMAIL PROTECTED] Cc: 313 Org Subject: Re: (313) Porter Ricks "Biokinetics CD" I've modified my metal boxes (after my M CD cracked in half) by sticking the plastic from a normal jewlcase inside. After my M CD cracked, I wrote an email to Hardwax, that they should do something about the desing, and they sent me a new copy for free :) Jernej www.octex.si theREALmxyzptlk wrote: > That could well be the case, but I burned cdrs from my copies right > after I got them and played those, especially when traveling. When I > heard people had cracked discs, I checked my own and three of them were > cracked. None of them were even opened more than a few times. > Chain Reaction figured it out and moved to the uglier 'soft covers' > eventually. And I can't find a few of the CDs I have sitting in stacks > of slimlines. > The notion of a CD banging around on bare metal as packaging always > seemed just this side of the legendary Durutti Column LP that used > sandpaper for the jacket. Interesting aesthetically, but a tad shy on > the function meter (unless you hate Vini Reilly) > > jeff > > > >> Not that it's either here nor there, but I don't think that at normal >> temps, the difference between the expansion rate of stamp metal and >> whatever plastic they make CDs from differs that much. >> >> I think it's as much the fact that a plastic CD case's spindle-holder >> is made of plastic that bows in when you push on the CD, then pops >> back out so that a little lip on each tine of the spindle-thingie >> keeps the CD in place. There is little or no outward force on the >> hole in the CD. >
Re: (313) Kraftwerk last night (Mpls show)
On 21 Apr 2008, at 00:24, [EMAIL PROTECTED] wrote: Fantastic show and yes, the rumors are true, Sounds great, good report MEK, wish I'd been there - I love Kraftwerk. m
