(313) The Vault - March 10, 2010 feat. Oscar Mulero
Show archives are available online. To get to them, visit www.AntonBanks.com and click on Archives. Planned guests for the next few weeks: Feb. 17, 2010 - I recorded a mix for Elektrosouls in the UK. Click here to get to that set. March 24, 2010 - Casual Violence (www.myspace.com/stecasualviolence) [Tentative] April 7, 2010 - Adam Jay (www.adamjaymusic.com) More guests TBA... CLICK THE LINK TO HEAR THE SHOW http://www.antonbanks.com/audio/the_vault_03-10-10.mp3 Tracklist for the show: [Artist, Track, Label] Applescal, the Storm Is Yours, Traum Vince Watson, Love in F Minor (Intro Mix), Everysoul Itokim, When The Lights Go Out In The City, Iterant Tony Dax, Reflection, Iterant Komplex, Modulators (Original Mix), Iterant Casual Violence, Allways, unreleased ### Set by Oscar Mulero Appears courtesy Warm Up Records. Many thanks to Hans for this mix. For more information about him, visit www.oscarmulero.com or www.myspace.com/bassreaction Sorry, the tracklisting is not available. ### Recloose, Four Ways of Saying Goodbye, Spelunking, Planet-E --- Click for info about the show: www.antonbanks.com/bio.html *** I appreciate all promotional music sent to me and will never sell any of it online or anywhere else. All promotional material sent to me is aired on my show as well as used in my DJ sets when I play out.
Re: (313) Partial DEMF lineup [Plastikman Live]
A preview in Paris before ? http://www.myspace.com/weloveweloveart What a mission control center! Is he launching a space shuttle to Mars ? I hope that it will at least build some pretty fractals. Who knows i may be going to this party. — K* Le 10/03/2010 16:26, kent williams a écrit : Hah, so he's putting something together using Ableton Live, Max For Live AND Plogue Bidule. And he wants to control the video along with the audio. Nothing could ever go wrong with that -- outdoors, at night with possible weather complications, right? Was I the only one who got the e-mail from Minus saying Hey video artists -- send us your work to use in our live show! For free! ? I'm all for cutting edge technology and trying new things, but I'd have to say that very little that Richie does moves me. He puts together these complicated Inspector Gadget setups and then ... unleashes hours of boring techno too mnml for vowels. Give me a good DJ with a record box and a mixer with no effects any day. On Wed, Mar 10, 2010 at 9:06 AM, Martijn de Blaauw martijn.de.bla...@woonconcept.nl wrote: Let me be the first to predict that there will be technical difficulties that delay the start of the Plastikman set. Well he is rehearsing, Check the vid: http://www.youtube.com/watch?v=0AkJEOsDyV0 (Plastikman Teknik Rehearsal, March 1-4, Mannheim, Germany)
RE: (313) Croydon Is New Detroit
I think the article makes a number of useful comparisons but it wasn't intended to be taken too seriously. I find the various directions dubstep and UK house have taken extremely interesting though. Dubstep was so easily dismissed and pigeonholed as one dimensional and not particularly innovative but it has broadened and diversified in so many surprising directions. Also, many different genres and subgenres in the UK seem to have converged and ended up sounding very similar which I think ought to be noticed. Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Tristan Watkins [mailto:phonop...@googlemail.com] Sent: 11 March 2010 00:35 To: kent williams Cc: list 313 Subject: Re: (313) Croydon Is New Detroit On 10/03/2010 22:23, kent williams wrote: I think the article makes some good points but mostly in the context of the UK, where musical sub-genres are written about as though they were stars in their own right. The Detroit attitude is, I'd hope, more eclectic, and the musicians I talk to think more in terms of good or bad than this genre or that genre. So I can talk with Alan Oldham about Creation Records Shoegazer bands, and with Shake about Cooly G. The way I read it, he was saying that eclecticism and perpetual reinvention is precisely what makes dubstep (so far) like the early days of Detroit techno - that it is evolving very quickly, pulling in influences from all over the shop and is difficult to pin down. I think that's a fair point. If you listen to a lot of the best dubstep producers' DJ sets you'll find influences from all over the last 25 years and within the various styles of dubstep. Also, I think there's a misperception that it's just kids making this stuff. Untold has been producing since '93 according to this RA article: http://www.residentadvisor.net/feature.aspx?1105 Not that I think the comparison can stretch for miles or that anyone should take it out of context. Ultimately, I'm just getting a bit irritated with people making more out of it than it is or of writing it off altogether. Whether it's to everyone's taste is one thing but I would hope it's evident that this isn't narrow or purely derivative. In my mind it's one of the more interesting things to happen in a long time precisely because it's not as narrow and codified as any of the previous big electronic music trends. It's almost the complete opposite. Tristan # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 #
(313) Article on Detroit in the UK Guardian
I haven't read it yet, but thought people on here would be interested: http://www.guardian.co.uk/film/2010/mar/10/detroit-motor-city-urban-decl ine Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Robert Taylor [mailto:rdtay...@channel4.co.uk] Sent: 12 March 2010 14:56 To: phonop...@googlemail.com; kent williams Cc: list 313 Subject: RE: (313) Croydon Is New Detroit I think the article makes a number of useful comparisons but it wasn't intended to be taken too seriously. I find the various directions dubstep and UK house have taken extremely interesting though. Dubstep was so easily dismissed and pigeonholed as one dimensional and not particularly innovative but it has broadened and diversified in so many surprising directions. Also, many different genres and subgenres in the UK seem to have converged and ended up sounding very similar which I think ought to be noticed. Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Tristan Watkins [mailto:phonop...@googlemail.com] Sent: 11 March 2010 00:35 To: kent williams Cc: list 313 Subject: Re: (313) Croydon Is New Detroit On 10/03/2010 22:23, kent williams wrote: I think the article makes some good points but mostly in the context of the UK, where musical sub-genres are written about as though they were stars in their own right. The Detroit attitude is, I'd hope, more eclectic, and the musicians I talk to think more in terms of good or bad than this genre or that genre. So I can talk with Alan Oldham about Creation Records Shoegazer bands, and with Shake about Cooly G. The way I read it, he was saying that eclecticism and perpetual reinvention is precisely what makes dubstep (so far) like the early days of Detroit techno - that it is evolving very quickly, pulling in influences from all over the shop and is difficult to pin down. I think that's a fair point. If you listen to a lot of the best dubstep producers' DJ sets you'll find influences from all over the last 25 years and within the various styles of dubstep. Also, I think there's a misperception that it's just kids making this stuff. Untold has been producing since '93 according to this RA article: http://www.residentadvisor.net/feature.aspx?1105 Not that I think the comparison can stretch for miles or that anyone should take it out of context. Ultimately, I'm just getting a bit irritated with people making more out of it than it is or of writing it off altogether. Whether it's to everyone's taste is one thing but I would hope it's evident that this isn't narrow or purely derivative. In my mind it's one of the more interesting things to happen in a long time precisely because it's not as narrow and codified as any of the previous big electronic music trends. It's almost the complete opposite. Tristan # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 #
RE: (313) Article on Detroit in the UK Guardian
Oh, and the film in question is on BBC2 tomorrow: http://www.bbc.co.uk/programmes/b00rkm3y Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Robert Taylor Sent: 12 March 2010 14:58 To: Robert Taylor; phonop...@googlemail.com; kent williams Cc: list 313 Subject: (313) Article on Detroit in the UK Guardian I haven't read it yet, but thought people on here would be interested: http://www.guardian.co.uk/film/2010/mar/10/detroit-motor-city-urban-decl ine Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Robert Taylor [mailto:rdtay...@channel4.co.uk] Sent: 12 March 2010 14:56 To: phonop...@googlemail.com; kent williams Cc: list 313 Subject: RE: (313) Croydon Is New Detroit I think the article makes a number of useful comparisons but it wasn't intended to be taken too seriously. I find the various directions dubstep and UK house have taken extremely interesting though. Dubstep was so easily dismissed and pigeonholed as one dimensional and not particularly innovative but it has broadened and diversified in so many surprising directions. Also, many different genres and subgenres in the UK seem to have converged and ended up sounding very similar which I think ought to be noticed. Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Tristan Watkins [mailto:phonop...@googlemail.com] Sent: 11 March 2010 00:35 To: kent williams Cc: list 313 Subject: Re: (313) Croydon Is New Detroit On 10/03/2010 22:23, kent williams wrote: I think the article makes some good points but mostly in the context of the UK, where musical sub-genres are written about as though they were stars in their own right. The Detroit attitude is, I'd hope, more eclectic, and the musicians I talk to think more in terms of good or bad than this genre or that genre. So I can talk with Alan Oldham about Creation Records Shoegazer bands, and with Shake about Cooly G. The way I read it, he was saying that eclecticism and perpetual reinvention is precisely what makes dubstep (so far) like the early days of Detroit techno - that it is evolving very quickly, pulling in influences from all over the shop and is difficult to pin down. I think that's a fair point. If you listen to a lot of the best dubstep producers' DJ sets you'll find influences from all over the last 25 years and within the various styles of dubstep. Also, I think there's a misperception that it's just kids making this stuff. Untold has been producing since '93 according to this RA article: http://www.residentadvisor.net/feature.aspx?1105 Not that I think the comparison can stretch for miles or that anyone should take it out of context. Ultimately, I'm just getting a bit irritated with people making more out of it than it is or of writing it off altogether. Whether it's to everyone's taste is one thing but I would hope it's evident that this isn't narrow or purely derivative. In my mind it's one of the more interesting things to happen in a long time precisely because it's not as narrow and codified as any of the previous big electronic music trends. It's almost the complete opposite. Tristan # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817
(313) Octave One/MS-10
Octave One decided to mark 20 years of doing techno with a new label and, I think, a new website. A little curiously, they've named it after the catalogue number of their one and only release on Transmat, MS-10. We all know that release had a little more than history behind it, but the guys have taken the trouble to namecheck Derrick May on the website. I hope that any accompanying new material might show a little more edge than has been found in their material of late. http://430west.com/ms10/
Re: (313) Octave One/MS-10
On Fri, Mar 12, 2010 at 2:09 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: Octave One decided to mark 20 years of doing techno with a new label and, I think, a new website. A little curiously, they've named it after the catalogue number of their one and only release on Transmat, MS-10. We all know that release had a little more than history behind it, but the guys have taken the trouble to namecheck Derrick May on the website. I hope that any accompanying new material might show a little more edge than has been found in their material of late. http://430west.com/ms10/ First release is a real belter; charted it: Andrew Duke Cognition Audioworks Halifax NS Canada March 2010 chart 01 Andrew Duke--Grandfather (Matt Chester remix) (Open Concept) 02 Anthony Shake Shakir--Frictionalism (Rush Hour) 03 Dan Curtin--Lifeblood (Mobilee) 04 Octave One--The Greater Good (430 West) 05 Various--Remix Sampler Vol. 1 (Night Vision) 06 The Black Dog--CCTV Nation (Redshape Analog mix) (Soma) 07 Mirko Loco--Love Harmonic (Carl Craig Soundscape mix) (Cadenza) 08 Tevo Howard--Crystal Republic (Hour House Is Your Rush) 09 Aufgang--Barock (Robert Hood remix) (Infine) 10 Reade Truth--Let's Go To New York Instead (Brennan Green remix) (Wurst) -- http://soundcloud.com/andrewdukecognitionaudio http://myspace.com/andrewduke
Re: (313) Octave One/MS-10
On Fri, Mar 12, 2010 at 13:09, Odeluga, Ken ken.odel...@dowjones.com wrote: http://430west.com/ms10/ Found thereon: Published by Munchman Music/BMI © 2010 Munchman Music Munchman? This Munchman? http://en.wikipedia.org/wiki/Munch_Man -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com
Re: (313) Octave One/MS-10
Holy $h!t... I totally grew up playing that game. I loved my TI94A... ~David On Fri, Mar 12, 2010 at 1:36 PM, Matt Kane's Brain mkb.dirty...@gmail.com wrote: On Fri, Mar 12, 2010 at 13:09, Odeluga, Ken ken.odel...@dowjones.com wrote: http://430west.com/ms10/ Found thereon: Published by Munchman Music/BMI © 2010 Munchman Music Munchman? This Munchman? http://en.wikipedia.org/wiki/Munch_Man -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com
Re: (313) Octave One/MS-10
Who is munchman? I've got a couple of wicked records on directbeat by him --Original Message-- From: Matt Kane's Brain To: Odeluga, Ken Cc: 313 Mailinglist List Sent: 12 Mar 2010 19:36 Subject: Re: (313) Octave One/MS-10 On Fri, Mar 12, 2010 at 13:09, Odeluga, Ken ken.odel...@dowjones.com wrote: http://430west.com/ms10/ Found thereon: Published by Munchman Music/BMI © 2010 Munchman Music Munchman? This Munchman? http://en.wikipedia.org/wiki/Munch_Man -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com Sent from my BlackBerry® wireless device
Re: (313) Octave One/MS-10
That Direct Beat release is from Lorne Burden, the youngest of the Burden brothers (damn they are The Jacksons of techno ;-)). He also released as Kaotic Special Rhythm. I think that the new Octave One is banging, it reminded me a lot of Empower and their early work. On 12 mrt 2010, at 21:38, chesterm...@googlemail.com wrote: Who is munchman? I've got a couple of wicked records on directbeat by him --Original Message-- From: Matt Kane's Brain To: Odeluga, Ken Cc: 313 Mailinglist List Sent: 12 Mar 2010 19:36 Subject: Re: (313) Octave One/MS-10 On Fri, Mar 12, 2010 at 13:09, Odeluga, Ken ken.odel...@dowjones.com wrote: http://430west.com/ms10/ Found thereon: Published by Munchman Music/BMI © 2010 Munchman Music Munchman? This Munchman? http://en.wikipedia.org/wiki/Munch_Man -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com Sent from my BlackBerry® wireless device
Re: (313) Octave One/MS-10
On Fri, Mar 12, 2010 at 4:05 PM, David Powers cybo...@gmail.com wrote: Holy $h!t... I totally grew up playing that game. I loved my TI94A... ~David ***Me, too! :) On Fri, Mar 12, 2010 at 1:36 PM, Matt Kane's Brain mkb.dirty...@gmail.com wrote: On Fri, Mar 12, 2010 at 13:09, Odeluga, Ken ken.odel...@dowjones.com wrote: http://430west.com/ms10/ Found thereon: Published by Munchman Music/BMI © 2010 Munchman Music Munchman? This Munchman? http://en.wikipedia.org/wiki/Munch_Man -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com -- http://soundcloud.com/andrewdukecognitionaudio http://myspace.com/andrewduke
(313) The Wild Kingdom Packs It In Early (Radio)
Tomorrow night's Wild Kingdom gets cut short by an hour due to the shift to Daylight Savings Time. I'm making use of what time is available by dropping some succulent tracks from a handful of classic CD compilations, featuring contributions from Photek, HIA, Eddie Fowlkes, Codlcut/Morris, Young American Primitive, C. C. (in 69 mode), B12, and others. Last week's Make It Fit set is documented at http://www.kfjc.org/music/playlist.php?i=34867 . Limited time archives for all shows on KFJC (including this one) are available at http://www.kfjc.org/broadcast_archives/ . These are rolling archives, available for two weeks after any given show. My shows are listed as Goodwrench. Send comments and suggestions to i...@kfjc.org . The Wild Kingdom airs on KFJC-FM 89.7, Saturday night/Sunday Morning, 12A-3A (8A-10A GMT). Potential listeners outside the San Francisco Bay area can find a webcast at http://www.kfjc.org/netcast/index.php . Present and past Wild Kingdom playlists are also archived at kfjc.org. You can also check out archived playlists from my first KFJC show Just Desserts that was on Fridays 10P-2A from 1992 through 1999. Archived playlists exist for that show starting from Fall 1995 to New Year's Eve 1999/2000, so you can see what what I'm up to these days is pretty much consistent with what I was up to all along. If you do tune in (especially via the web), please take a little time to let me know your locale. I'm also interested in promo music from all over and in promoting local (San Francisco Bay area) techno-type events. If you want to do some promotion for an event, contact the KFJC promotions department at pr...@kfjc.org to arrange ticket giveaways and/or to send information for inclusion in our concert outlook. Thanks to those who have sent promo music so far. Regards, Richard Hester Mr. Goodwrench The Wild Kingdom SU 12A-3A KFJC-FM 89.7, Los Altos Hills, California
