Re: [313] speaking of sylvester... (was Re: [313] song id)

2001-11-02 Thread Jason Martin
megatone was label that released a lot of sylvesters work, patrick cowley
may well have been behind it (so to speak  ;)

the record you have there sounds very hi-nrg especially if ian levine is
involved - he was a big uk northern soul dj that swtiched on to disco in the
late 70's and then onto to what he termed 'hi-nrg' in the early 80's
(basically a fast and cheesy synth-oriented version of disco)..


-j
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www.suenomartino.net


- Original Message -
From: Eli Bingham [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, November 03, 2001 5:49 AM
Subject: [313] speaking of sylvester... (was Re: [313] song id)


 ...i wonder if anyone could comment or shed some light on an
 old 12 that i found the other day.  i sometimes make a habit
 of trolling the used soul and rock vinyl bins in out the
 way record stores - you'd be amazed what you can find sometimes.
 in this case i was in the rasputin's in beautiful downtown
 pleasant hill, california.  along with some $1 morris day
 and the time twelves (ahem), i found an old sylvester record.
 its a double a side 12 on megatone records, apparently
 based in the castro in san francisco.  its dated 1985.  one
 side is take me to heaven, the other side is called sex.
 now, its definitely inna '80s eurodisco stylee - cheap
 unsequenced drum machine programs and live synth playing.
 the production is by ken kessie and morey goldstein (?) with
 remix by ian levine (???).  really really long tracks with
 typical campy sylvester vocals, but tons of great '80s synth
 basslines and over-the-top linndrum drumrolls to sample.  the
 funny part is that take me to heaven is ludicrously fast for
 a disco record.  i played it with house and it came in at -8,
 so i'm guessing its close to 140bpm (but with sylvester being
 the way he is, at -8 he sounds just fine).

 anyway, anyone know what the deal with this record is?  who are
 these people?  who the heck is megatone records?  i've seen one
 other record on megatone and it was a patrick cowley production,
 something i-f would drop.



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Re: [313] Hardwax info

2001-11-01 Thread Jason Martin
claude young and one of the guys from drexciya also contributed to the
hardwax catalog - most of it is by rob though..

who can say rave?


peace
-j
---
www.suenomartino.net


- Original Message -
From: Arne Weinberg [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, November 01, 2001 11:37 PM
Subject: Re: [313] Hardwax info


 Hello everybody!

 I think the Hardwax records are all produced by Robert Hood!
 The older ones are veeery hard! The best releases on Hardwax IMO:
 Dr. Kevorkian-Aftermath (HW 005)
 Missing Channel-submerged (HW 008)
 Mathematic Assassins-Calculator (HW 009)
 Robert Hood-Force of One (HW 010)

 As far as I know the label still exists and robert Hood is releasing 12es
 sparely on it!

 I think it should be no problem to get them all.
 Try Hardwax (the store! Has nothing to do with the label!) in Germany
 www.hardwax.com

 Cheers, Arne

 Arne Weinberg
 GROUND ZERO Rec. / STARBABY Rec. / PROPAGANDA Rec.
 **


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[313] music institute/sound signature parties

2001-10-21 Thread Jason Martin
hey all,

its been a while!

I've put up a few modest pages on the music institute and sound
signature/track mode parties (among other things) from this year's DEMF at
http://www.suenomartino.net  for anyone who may be interested...

any incorrect info etc, pls drop me a line..


thanks + peace
-jason
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demf update

2001-03-08 Thread Jason Martin
hey again all..

ive just resubscribed again with the intent of gettin the lowdown on DEMF this 
year - im going to try and make it over for this one..

is there a website with relevant info on the event or can some kind soul with 
the wisdom let me know when its happening along with a few details etc?


muchos gracias
martino



RE: [313] Re: [Re: [313] KDJ no show Glasgow]

2000-11-29 Thread Jason Martin
.Interesting comment ,BTW Paul okenfold(sp?)
recieved $120,000 for new years eve 2000...spinning three gigs helicoptered
from one to others when done @ $60,000 a pop...
kinda puts $7500 in perspective , huh?

and how much did millsy get paid for NYE 2000 in melbourne?

j



test msg

2000-11-27 Thread Jason Martin
test

while i'm here though, any news on dates for the DEMF in 2001?!


jason



RE: [313] Focus Commercial

2000-11-17 Thread Jason Martin
has anyone thought that maybe FORD looked out their windows during the
D.E.M.F saw all the folks and thought.. there is a market we can exploit!???

surely you jest graham - I think we should anaylze this more (and then some) 
and then someone from the list here write a Phd on Ford's contribution to 
techno at a grass roots level.

j



RE: [313] Focus Commercial

2000-11-16 Thread Jason Martin
4 or 5 years ago on this list a couple of ppl mentioned seeing ads for credit 
cards with a twist on the usual 'j citizen' card-holder name.  Instead the 
adverts showed 'K. Larkin' and 'J. Atkins'..  i think the in-house techno fan 
angle might be right on there.. :)

j

I think you're right about that interpretation Dan. It's only if you have
prior knowledge of the tune and it's origins that you understand the double
meaning of Detroit Techno  Ford Focus. What can be said is that someone at
the ad agency is a techno fan



RE: [313] KDJ discography

2000-11-15 Thread Jason Martin
Im pretty sure his disco revisited (emotional content?) ep on TP's Intagible 
label was the first ep he did under the name Kenny Dixon Jr. unless theres 
some obscure releases hes done that didn't see the light of day outside 
detroit?  That was around 1995..

j

This weekend i ran into an old KDJ record on Soul City, the label said it
was recorded in 1996. Is there someone who knows when he recorded his first
record? I tried looking at this KDJ discography page at:
http://twoplayer.net/kdj/ but it seems it isn't there anymore.

[EMAIL PROTECTED]

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cash cows

2000-11-15 Thread Jason Martin
re: jaguar mixes, remixes of mixes, etc..

when will they end?!

2.5 yrs later and still counting..


time for something new
j



RE: [313] cerrone

2000-10-31 Thread Jason Martin
pandamonium, 12 (x2?)

pandamonium is her label, kenny dixon seems to be involved to some degree as 
well..

j

uh anyway can anyone tell me what label  format norma jean bell's 'i'm the
baddest bitch' was released on? ta.

p-dogg




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RE: [313] We Know It - Wee Papa Girls

2000-10-31 Thread Jason Martin
= Original Message From darw_n [EMAIL PROTECTED] =
I dug up this old record I have, In House Vol. 1, Jive 1988 and it has We
Know It produced by Kevin Saunderson, an absolutely ripping acid house
track!!  Also has Samantha Fox's I wanna have some fun remix by
Saunderson, and three Adonis tracks...

Anyways,  I was wondering what are Saunderson's other acid house productions
from that time era?

the groove that wont stop is definetely acid house (and one of the only 
detroit 303 tracks from the late 80's i can even think of?)

It was one of a number of acid house classics that got redone on the UK acid 
brass cd a few years back.  classic acid house in a brass band style.  can't 
believe it didnt start a new UK genre really..


jm



RE: [313] (OT) Layla/MIDI/gear question

2000-10-26 Thread Jason Martin
hugh (and anyone else interested..),

I started a gear list about 4 or 5 years ago called 'movable-parts' which i 
subsequently left a while back.
I believe its still running at [EMAIL PROTECTED] under someone elses 
control.. try sending some mail to that address with 'subscribe' in the main 
part of your msg..

hope that helps
jason m

Anyone that has a Layla/Gina/Darla soundcard by echo please (please!) hit me
back. I need someone with some experience to help me out with a problem I'm
having with mine.
Also, what are some good gear lists. I've heard of the creators, what's
that one all about? How does one subscribe?
Thank you, have a good day.
_
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RE: [313] Mellow Mills (Was: what do you reccomend?)

2000-10-25 Thread Jason Martin
re: jeffs liner notes on his records:

am I the only person that thinks its all total dribble?
I mean, really!

at least he's releasing more of his mellow stuff now (IMO much better than the 
minimal stuff).. the Queens Theme for example is straight up techno!



j



RE: [313] UR live pa tape

2000-10-25 Thread Jason Martin
I got hold of a recording of a live UR pa from new york 1992, it
starts of with sonic destroyer(i think), amazon's on there,
there's also an MC on there (Rob Hood?)
about 4-5 tracks in human resource - dominator drops in and someone (Jeff
Mills?) starts djing..

was this the standard fare, live and dj sets combined for the UR pa's?  what 
was the lineup for UR at the time?

yeah some sort of. although they didn't that many live show

they toured australia late 92 also, same deal as marsel outlines for the 
utrecht show..  rob 'the noise' hood mc'ing, banks on machines and t-1000 
9alan oldham) was the dj as mills quit UR two days before the tour..

IMO this was UR at their peak - at least here in adelaide _everyone_ who was 
into any serious form of dance music at all was into UR.  It's changed a hell 
of a lot since..



j



RE: [313] Smallfish Website

2000-10-24 Thread Jason Martin
I believe they have E2-E4 on vinyl too..

shame about the fact it fades out half way thru..

jm
For those who don't know.

The Smallfish records website is now up and running. Check it out:

http://www.smallfish.co.uk


Respect
JasonB

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RE: [313] DEMF Track ID

2000-10-20 Thread Jason Martin
I guess Im wasting BW when i could be investigating for myself but is there 
any way of streaming the audio from those DEMF RA's without having to *wait* 
for the video?

j
What is that gorgeous track KDJ is
playing in the late 40:00's (up until
around 50:00). Hook seems to be
You live your life or something.
Praise God. This is beautiful.

Matt

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RE: [313] Stacey Pullen in Melbourne

2000-10-13 Thread Jason Martin
re: sims et al.

they are made less to be artsy fartsy smartass detroity
intelligent music, they are mixing tools.

excellent - then find a more relevant list to talk about it on and take the 
discussion there.

appreciated.

j



RE: [313] off topic at the moment...

2000-10-06 Thread Jason Martin
maybe the list moderator (still george smiley?) might post the standard '313 
info' piece and some etiquette so _everyone_ on this list can start posting 
*relevant* mail.  some of you ppl talk the most unrelated BS, its like reading 
a bad news group..

this list is a great resource, please dont spoil it for everyone by not 
thinking before you post.


j



RE: [313] easy listening interpretation of Kraftwerk songs

2000-10-05 Thread Jason Martin
senor coconut..

its by the german guy behind atom heart (if my memory serves correct?).. he 
now lives in chile and Im sure i heard that he has another lp of covers coming 
out soon too...

j
I probably missed that, but
what's cd called that has these easy listening covers of kraftwerk songs?

thanks
chris
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RE: [313] Ubiquity

2000-10-05 Thread Jason Martin
well this list is getting *totally* out of control with regard to list 
content, but I cant pass up any opportunity to rap about roy ayers now..  ;)

roy ayers ubiquity is his band which he ran from 1970 to about 78 or so, 
recording many classic jazz funk lp's for polydor (most ppl know 'everybody 
loves the sunshine' for example..)

he started his own independant label around 1980 but it was called 'Uno 
Melodic' - he never ran any label called ubiquity at all, this was the name of 
his collective/band.

Ubiquity records is a general current day label run out of san fran (I think?) 
that has nothing to do with my main man roy..  that URL someone posted was the 
one for them..

hope this helps, mail if you need more info!
peace
jason m

Thanks for fwding the link to me but I still don't know if this is the same
label that Ayers started up...I can see that it could be just by the other
related labels and some of the artists
This I got from another site:

In 1970, Roy flew the nest, settled into Manhattan and formed his own band,
dubbing it Ubiquity. An ever-changing eclectic collective of musicians and
vocalists, Ubiquity's music could not be pigeonholed.
Funk, salsa, jazz, rock, soul, rap - all were equal parts of Ayers' vision
and sound. What really tied it all together was the music's embracing of the
voice as an integral instrumental component. I realized the power of the
voice - I knew jazz didn't get that much play on the radio. The giants: Wes
Montgomery, Cannonball Adderley, Jimmy Smith, gained a lot of recognition
even though their music was primarily instrumental - but it was vocal, too.
People would respond to voices. I wasn't closed, I was open to it. I had
people like Edwin Birdsong, who wrote Spirit of Doo Doo - he knew hooks. I
had great singers. Dee Dee Bridgewater, Edwin, Carla Vaughan, Chicas... Roy
Ayers and Ubiquity were signed to Polydor that year.
Thus began an astonishingly vital and prolific period that would end 12
years later and yield 20 albums.

So it might very well be the same label but Ubiquity is still going...under
Polydor's direction? Onward to the Polydor web site to find my answer.

Fred


From: JavierDrada [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Subject: Re: [313] Ubiquity
Date: Wed, 4 Oct 2000 21:12:19 -0500

http://www.ubiquityrecords.com/

- Original Message -
From: FRED MCMURRY [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, October 04, 2000 8:59 PM
Subject: [313] Ubiquity


: Does anybody know about Ubiquity
:
: Re:
: Who : Languis, dj Hoseh (dublab), dj Nobody (Ubiquity)
:
: I know that Roy Ayers had/has a label called Ubiquity but it's a jazz
: label...I'm sure these are not the same labels.
:
: Fred
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RE: [313] DEMF pics

2000-10-05 Thread Jason Martin
can anyone verify whether there is a festival taking place around the same 
time next year?

I need to book in some holidays... :)

jm
If you feel a bit nostalgic about the DEMF, feel free to hop over to
http://technotourist.org/demf
I finally uploaded some of the pictures i took during the festival and i also
included the review Klaas-Jan wrote.

Cheers,
Hans

--
Hans Veneman
[EMAIL PROTECTED]
http://www.TV-99-AD.com/hans/
http://TechnoTourist.org/

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RE: [313] DEMF pics

2000-10-05 Thread Jason Martin
sorry is that in may?

(im australian!)

;)
thanks
j

yes.  as of now i believe it is scheduled to take place on memorial day
weekend of '01 and '02.



On Thu, 5 Oct 2000, Jason Martin wrote:

 can anyone verify whether there is a festival taking place around the same
 time next year?

 I need to book in some holidays... :)

 jm
 If you feel a bit nostalgic about the DEMF, feel free to hop over to
 http://technotourist.org/demf
 I finally uploaded some of the pictures i took during the festival and i 
also
 included the review Klaas-Jan wrote.
 
 Cheers,
 Hans
 
 --
 Hans Veneman
 [EMAIL PROTECTED]
 http://www.TV-99-AD.com/hans/
 http://TechnoTourist.org/
 
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RE: [313] (Yet another) Track ID

2000-09-27 Thread Jason Martin
I'll throw in a couple guesses.   Carl's Good Girls is powered by a huge
brazilian batacuda, which to some people sounds like a marching band drum
corps.

this is of course sampled from sergio mendes and the brasil 66..

Another minute, obscure possibility is the flipside of Meco's disco Star
Wars LP (yes, I bought this when it first came out), which also riffed
heavily on the marching band sound.

funnily enough I always thought the b-side of the meco star wars record 
sounded like something carl might have done once upon a time..

j



RE: [313] Derrick May track ID

2000-09-27 Thread Jason Martin
'You cant hide from yourself' by teddy pendergrass on Philly international.  
The 'female' sample is actually teddy pitched up somewhat.. :)

peace
j

the sneak cut is based on a teddy pendergrass sample
(a big whoppin' chunk of a teddypendergrass track, actually :))

Stewart Moroney wrote:

 Dj Sneak - You can't hide from your bud on Defiant
http://www.supersphere.com/play/web2.supersphere.com/Content/TV/de
  rrikmay.rm
 
  is a slammin tune, with a funky baseline and what sounds like a
  woman singing well. every now and then...



RE: [313] (Yet another) Track ID

2000-09-26 Thread Jason Martin
No, It's def. not spastik.  It's not nearly as manic as that.  Is has a
section of rapidly repeating snares, then a pause, then a series of snare
hits in the pattern of 1-2, 1-2-3-4.

but does it go booom-tssst-booom-tssstt-bm-tssst or wsh-wooosh-wooosh?
 maybe jiggy-jiggy-jiggy-jiggy?

or perhaps [more relevant to the majority of discussion on this list] does it 
have a girl singing holiidaaayyy in it?



j



RE: [313] Re: I-f mix on boombox.net

2000-09-13 Thread Jason Martin
on good RA mixes etc,

has anyone got any good (HQ) mixes of older sounds they also might recommend 
to me/the list?



peace
j



RE: [313] Surgeon Ruskin

2000-09-11 Thread Jason Martin
Surgeon and Ruskin are coming to Australia for the first time. What is the
vibe on this two out there

does 'techno' have a vibe at all anymore?


j



RE: [313] Friday Nite

2000-09-11 Thread Jason Martin
Pandamonium AFAIK is Norma Jean Bell's label (she plays sax and has been 
around _a long_ time, ie the 70's) and Kenny Dixon has done a lot of work on 
the label.. KDJ is his own label and im sure 'andres' is a moniker of some 
sort, so

jm


Last week I listened to this record on Pandamonium, . Anyway... a few 
questions have been fermenting in my mind
since then, mainly because the first thing I recognised when listening to
this (at least one of the remixes) was the B1 track on the Andres double
pack on KDJ. Now... is Friday Nite an old disco track? What was the original
track on Pandamonium (I suppose) and who produced it? Have they and Andres
just coincidently used the same song to sample (or are they the same
person(s)...hmmm 



RE: [313] mills vs .ca

2000-09-07 Thread Jason Martin
I honestly find difficult imagine him asking 100k for a gig

it was for NYE 2000, another popular techno luminary talked about often on 313 
was asking not much less to play in adelaide on the same night (he didn't play 
in the end).

its big business and dont be fooled.  I'm not sure that someone whos plays 
records (well or not) are worth that but its all in the wallet of the beholder 
i guess.

 as well
as asking 15k for a melbourne club.

apparently the sliding scale system works for a lot of these guys.  thursdays 
might be 8k, friday 12k and saturday nights might be 15k.

It's not really our business, unless this
is a forum for promoters.

I totally disagree! why should it be kept a secret?



j



RE: [313] francois k and francois kevorkian?

2000-09-01 Thread Jason Martin
yep francois has been around for a long time now, he moved from france to NY 
in the early 70's, started drumming with one of those old dj's like walter 
gibbons or tee scott back then, started dj'ing himself playing at places like 
the garage, etc.  he produced a lot of stuff on Prelude and (i think) west 
end.. someone mentioned the body music track by the strikers on prelude, i 
think he did that.  He has been running Axis Studios in NY for ages, Kraftwerk 
recorded Electric Cafe there in 85, Juan Atkins did some of his stuff from the 
Deep Space LP there too from hazy memory.  Francois did a lot of great mixes 
including _the_ mix of problems d'lamour by alexander robotnik and of course 
the crazy percussive mix of TDF by kraftwerk.. he'd be one of the only guys 
from that 70's garage era still around and kicking!

peace 5000
j


i was wonderingare they the same people? i heard francois is a house dj
but i know kevorkian did that remix for tour de france and im wondering if
they are one in the same because a few people here on the west coast are
confused? can anybody help?



RE: [313] Derrick/Colette

2000-09-01 Thread Jason Martin
= Original Message From Derek [EMAIL PROTECTED] =
Well, in Ferndale, I got to see Thomas Barnett rip the needle off French
Kiss and yell at Derrick for a few, before he spit on the next record
Derrick was playing, and then see him run off only to have a couple
bouncers chase him! All that within the first 10 mins of DM's set.

well its always great to hear that detroit producers have the same feeling of 
solidarity as those in chicago plus some!

*lol*

j



RE: [313] Kenny Larkin

2000-08-31 Thread Jason Martin
He also did one Lp on rs called Metaphor.  Similar sounds and a different 
approach, equally as good IMO..  came out around (god) 97? 98?  There was a 
wild carl craig remix of one of the tracks of that lp called catatonic.. well 
worth hunting down..

well its been a while since i've been on 313, just resubbed.. any of you old 
originals still around?  :)


peace
jason m
adel, aust.



Just finished listening to Kenny Larkin's Azimuth for the first time, I DO
NOT know how I let this thing slip through my fingers for so long, its
beautiful!  Is this the only album he has released where he did the
production work?? I'm just blown away.

Casey

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