Aux 88 millennium mix

[Steve Robertson]

https://soundcloud.com/radio-ur/aux-88-millennium-mix

Great stuff. Old school vibe.

Labyrinthine

[Steve Robertson]

I found this Soundcloud page with some interesting electro, which had a
Bandcamp release. It sounds a lot like something Gerald Donald might be
part of... Maybe not but I just wondered if anyone knew more about it?

https://soundcloud.com/user283850666
https://retape.bandcamp.com/album/ii-v

It's pretty good anyway. It appeared to be released yesterday.

Re: 313 Digest 20 Mar 2015 05:02:50 -0000 Issue 4279

[Steve Robertson]

I suppose that shouldn't be a surprise to me, but I didn't know. That
makes some sense though. It seems almost impossible for most people to
make money making music these days.

It would have been great to be a producer during the 90's. I bought a
lot of vinyl then too.

It's remarkable how limited a lot of electro vinyl releases would seem
to be currently. It looks like releases of just 100-250 records for even
the most well known artists. Good releases have some rarity, yet demand
is not what it was either.


On Fri, 20 Mar 2015, at 06:32 AM, Philip McGarva wrote:
> 
> On 20/03/2015 16:02, 313-digest-h...@hyperreal.org wrote:
> > I'd go further and offer commercial rights to remix projects. The
> > details of that would need to be discussed but in principle I would
> > welcome commercial remixes that were authorised by me and I would not
> > expect a share of royalties. I've no idea if that sort of arrangement
> > exists already, but folk in the business should be able to figure it out
> > if there's an interest.
> Steve
> 
> No royalties IS the business arrangement :^(

Re: Roland article

[Steve Robertson]

Thanks for this Alasdair. I found it interesting. I got a SYSTEM-1 and I am  
interested in PLUG-OUT synths - the mix of software and hardware etc. I hope  
that they will continue to release them. 


On Wed, 18 Mar 2015, at 12:00 PM, Alasdair Lyon wrote: 

> This is one for the nerds.  It doesn't really say that much but the photos  
> are good, including the photo of the 909 developer, Atsushi Hoshiai, with  
> his ride cymbal that he sampled and used for the 909 sound, which has  
> probably graced a good number of records over the years.
>
> http://www.residentadvisor.net/feature.aspx?2065

Commons music and remix projects

[Steve Robertson]

I am inspired mostly by a period in electronic music between 1990 and
2001. I am deeply interested in Detroit electro & techno music,
especially Underground Resistance, Jeff Mills, Drexciya, DJ K-1, Aux 88,
as well as great British artists such as Neil Landstrumm and Aphex Twin,
among many others. I started to make music a couple of years ago and I
reached a point where I now feel as much lost as I feel I found my sound
(I'm still at a loss to know what exactly my next track will be).

I posted all what I have to share on my Soundcloud page
(https://soundcloud.com/kerr-knoll) with 24-bit audio (44.1 kHz)
downloads and an explicit creative commons license, to mix & share
non-commercially. Music to be shared freely. I'll be making completely
new tracks in the future. All of these are free and I am comfortable
with that.

I'd go further and offer commercial rights to remix projects. The
details of that would need to be discussed but in principle I would
welcome commercial remixes that were authorised by me and I would not
expect a share of royalties. I've no idea if that sort of arrangement
exists already, but folk in the business should be able to figure it out
if there's an interest. As well as the downloads available on Soundcloud
I can provide additional assets on request.

Please share with anyone that might be interested in either the tracks
or the remix opportunity.

Thanks

Steve

Re: (313) Defining Detroit

[Steve Robertson]

I've set up a Discourse site in the hope that you may find it interesting
or otherwise simply for my own personal curiosity. It's been a bit quiet
around here and if Facebook is now where the conversations are then I'm
also missing out. Maybe I've never found a better forum for music than the
313 list, but my personal interest is more generally underground electronic
music, and UR as an inspiration.

https://disco.k-os.net/   (Discourse @ K-os.net)

Feel free to post your SoundCloud things there (it has support for
embedding players too), if you want to (anything goes). I'll keep the site
up if there's enough interest to keep it going.

It's all set-up with email integration and good security for passwords etc,
but also allowing folk to use Twitter or Google, or even Yahoo for
authentication, and Facebook if I can get that to work. Currently Facebook
login is disabled.

This sits on it's own virtual dedicated server, supports mobile browsers
and things. Worth evaluating if you are interested in that sort of thing.
I'd help out if there's interest in setting something up specifically for
313.


On Wed, Jan 8, 2014 at 10:30 PM, kent williams wrote:

> I hear more from former and current 313 list people on Facebook than I do
> on 313 list. Just a sign of the times. It's been almost 30 years since I
> got my first e-mail address, and not long after that I got on mailing lists
> so...maybe a technology that has been mostly superceded.
>
>
> On Mon, Jan 6, 2014 at 7:12 PM, Philip McGarva wrote:
>
>> This article kind of depressed me, as it's mostly about the past. Sure
>> there are a few good new tracks on the Still Music comp, but it's patchy at
>> best and not any kind of real development of the Detroit sound.
>>
>> This article won't change anything. Did DEMF / Movement make any
>> difference to how actual house or techno are perceived or enjoyed by
>> mainstream audiences? I doubt it. Plus it's now about 25 years since techno
>> emerged - what makes anyone think that peeps will suddenly 'get' it? Are
>> EDM kids (I guess they're kids) into music from that era? As a teen I sure
>> wasn't much interested in music from the mid-'50s.
>>
>> It's great that the artists mentioned are still playing out and making
>> the kind of great music they always have, but that would have happened
>> regardless of the mainstream anyway.
>>
>> Just my 02 - this list is pretty quiet these days...
>>
>> p
>>
>>
>

Re: (313) Defining Detroit

[Steve Robertson]

I suspect mailing lists could still out-live Facebook. I hope so anyway,
otherwise for something better ;)


On Wed, Jan 8, 2014 at 10:30 PM, kent williams wrote:

> I hear more from former and current 313 list people on Facebook than I do
> on 313 list. Just a sign of the times. It's been almost 30 years since I
> got my first e-mail address, and not long after that I got on mailing lists
> so...maybe a technology that has been mostly superceded.
>
>
> On Mon, Jan 6, 2014 at 7:12 PM, Philip McGarva wrote:
>
>> This article kind of depressed me, as it's mostly about the past. Sure
>> there are a few good new tracks on the Still Music comp, but it's patchy at
>> best and not any kind of real development of the Detroit sound.
>>
>> This article won't change anything. Did DEMF / Movement make any
>> difference to how actual house or techno are perceived or enjoyed by
>> mainstream audiences? I doubt it. Plus it's now about 25 years since techno
>> emerged - what makes anyone think that peeps will suddenly 'get' it? Are
>> EDM kids (I guess they're kids) into music from that era? As a teen I sure
>> wasn't much interested in music from the mid-'50s.
>>
>> It's great that the artists mentioned are still playing out and making
>> the kind of great music they always have, but that would have happened
>> regardless of the mainstream anyway.
>>
>> Just my 02 - this list is pretty quiet these days...
>>
>> p
>>
>>
>

Re: (313) New 12"

[Steve Robertson]

Sounds good. Thanks for the heads-up :)


On Thu, Jan 9, 2014 at 1:43 AM, John Sokolowski wrote:

> It definitely has something to do with Submerge/UR. When we are at
> Submerge during DEMF weekend last year Roach was playing a test copy in the
> store. A few of us were digging it and we asked him what it was. He said he
> only had 6 copies at the moment and that they were for him and his friends.
>
> He also said the B1 track samples his daughter's voice and that it is his
> favorite cut on the record. Thought that was pretty awesome. Cheers!
>
> --
> From: p...@dagmar-tara.com
> To: 313@hyperreal.org
> Date: Mon, 6 Jan 2014 10:01:50 +
> Subject: (313) New 12"
>
> Over Christmas I picked up this 12" which seems to be something to with
> Submerge / UR, Im digging it
>
> http://www.discogs.com/Dj-Roach-Nuestro-Futuro/release/5208963
>
> You can buy it here, as well as a new hip hop thing related to Submerge as
> well.
>
> http://www.vinylunderground.co.uk/new-in-backcatalog/m-riot.html
>
> http://www.vinylunderground.co.uk/new-in-backcatalog/the-anti-scene-ep.html
>
>
>
> *Paul Kendrick*
> * Tel: 020 7628 0700 *
>
> *www.dagmar-tara.com *
> *Address:** Dagmar Tara  *
>
> *65 London Wall, London, EC2M *
>
>

Re: [313] An amazing twisted melodic tune I heard...

[Steve Robertson]

Oops!
I mean "discordant" =)

Still the tune eludes me. It was sort of the last track (before "one more
tune") but I'm pretty sure I've heard it before. Possibly when Richie Hawtin
played in Brighton sometime late last year.



- Original Message -
From: "jonathan morse" <[EMAIL PROTECTED]>
To: "Steve Robertson" <[EMAIL PROTECTED]>
Cc: "313 list" <313@hyperreal.org>
Sent: Thursday, May 09, 2002 9:44 PM
Subject: Re: [313] An amazing twisted melodic tune I heard...


>
> On Thursday, May 9, 2002, at 08:59 AM, Steve Robertson wrote:
>
> > it had a kind of disocrdian sound
>
>
> fnord?
>
>


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[313] An amazing twisted melodic tune I heard...

[Steve Robertson]

A couple of weeks ago I was out in Aberdeen (Scotland) to the Richie Hawtin
vs. Luke Slater night and I just have to try and find out what that 2nd last
track Richie Hawtin used is. If you've heard it I hope you can guess what
I'm talking about here - it had a kind of disocrdian sound that starts out
of tune and drifts in to be quite melodic in it's own twisted way. I
absolutely loved it and would love to know what it is any ideas anyone?


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