(313) Galaxy 2 Galaxy

2004-01-06 Thread chris.anglesey


Anyone out there know where I can get 
hold of a copy of the galaxy 2 galaxy
double-pack repress - all sold out here
in Manchester.

Chris.

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(313) Terrence Parker / Intangible Soundworks

2004-01-05 Thread chris.anglesey


Hello 313 Peepz,

Just wondered whether any of you could help me out with some Terrence Parker / 
Intangible info.  I've just got
turned onto a couple of his records which I love (Tribute
e.p and Love Got Me High).  Can anyone recommend anything
else that he released on Intangible or other labels that's in the same league 
as these 2 ?

Also if there's anything released by other artists on Intangible which are 
'must-haves' then please let me know
about these as well.

I've been into Detroit stuff for years but am only catching onto his stuff now 
for some reason.  He never seemed to get the publicity that the other Detroit 
artists received in Europe which strikes me as odd, seeing that his stuff is up 
there with the best of them.  

Thanks - Any help appreciated.

Chris.

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(313) Forgotten Detroit Classics

2003-12-19 Thread chris.anglesey

Morning 313 Peepz,

Right, it's Friday, one week till x-mas and i'm at work when i'd rather be at 
home listening to some nice warm, emotive techno music.  If I can't be 
listening to it i'd want to talk about it instead.  So
 
Whenever I see lists of Detroit classics it's always the obvious tunes which 
are included; hi-tech jazz, strings of life, desire etc.  But what about those 
not so well known gems, the ones that are loved and forgotten or the ones 'that 
got away' ?

I was getting ready for work this morning and I got a track in my head which 
wouldn't go away.  Very sexy track, very deep, quite unique at the time (I 
could never mix it with anything as it sounded so unlike anything else I had) - 
bugged me for a few minutes then I remembered it.  Infiniti - Higher (Tresor) - 
great track, but never got the recognition it deserved for some reason.

Anybody else ?

Chris.

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(313) Frictional 01

2003-12-17 Thread chris.anglesey


Hello,

I've got the chance to snap up a copy of the first Frictional release, Claude 
Young  Shake's 'Changing Factors'e.p

Does anyone out there know what it's like - is it dancefloor friendly, what 
kind of style is it ?

Would appreciate any info.

Chris. 
 

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(313) D.Wynn KMS mix

2003-12-11 Thread chris.anglesey


No James, don't think that last track on the
cd is the 'Yennek' track.  this one's quite
garagey and has the lyrics to be without soul,
in my life - anyone else got any clues about
this or either of the other tracks ?

chris. 


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(313) Incogdo / GU - Disco Thieves

2003-12-04 Thread chris.anglesey

hello 313 Peepz,

I'm selling the following 313 related records 
 (in order to fund my christmas shopping !!)  

If anyone's interested please contact me privately.

*INCOGDO - SIMPLY JUST A VENTAGE (Derrick May  Carl Craig)

*GLENN UNDERGROUND  THE DISCO THIEVES - GU SAMPLER
(Cajual 243 - Unreleased / White Label)

thanks,
Chris.

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Re: (313) OT: A H mixers [was Re: (313) richie hawtin in wired magazine]

2003-11-21 Thread chris.anglesey

I personally don't have a problem with the
AH having gain controls on the back.  If 
one record is quieter than another all you
have to do is adjust the gains whilst your 
cueing up which takes a couple of seconds.  
The LED 'channel' lights give you an accurate
enough idea of when the volumes on both 
records match.

Chris.
 
 From: [EMAIL PROTECTED]
 Date: 2003/11/20 Thu PM 06:04:02 GMT
 To: 313@hyperreal.org
 Subject: (313) OT: A  H mixers [was Re: (313) richie hawtin in wired 
 magazine]
 
 I've only used an Xone 32 twice, but I hate having the gains back there.  I
 prefer to have the main faders at max to allow for easier cuts, so I
 generally cue a track at one volume and then back off a notch or so before
 dropping it in, then gradually bring it up to match the other track.
 Reaching around the back of the mixer to do this is a pain in the ass in my
 opinion.  Other than that, I think the layout is great and the LFO is pretty
 fun once you muck about with it for a bit.  Never used one of the higher-end
 AH mixers, but I'd love to give them a shot -- unfortunately they're just a
 little price-prohibitive in my book.
 
 
 - Original Message - 
 From: Gary Robinson [EMAIL PROTECTED]
 To: Martin [EMAIL PROTECTED]; Jason Brunton [EMAIL PROTECTED];
 Blackman, Ryan (UKEKT) [EMAIL PROTECTED]
 Cc: 313 313@hyperreal.org
 Sent: Thursday, November 20, 2003 5:22 AM
 Subject: Re: (313) richie hawtin in wired magazine
 
 
  All down to space on the front panel, you can set the gain while you're
  cueing up and shouldn't need to tweak it, whereas the EQs, sends, filter
  etc. all need to be closer to hand while in the mix. Before I got a Xone
 32
  I thought it was a stupid place to have the gains, but after a week or so
 of
  getting used to it I've never given it another thought. It's just a great
  sounding well built piece of kit.
 
  Gary
 
  - Original Message - 
  From: Martin [EMAIL PROTECTED]
  To: Jason Brunton [EMAIL PROTECTED]; Blackman, Ryan (UKEKT)
  [EMAIL PROTECTED]
  Cc: 313 313@hyperreal.org
  Sent: Thursday, November 20, 2003 10:27 AM
  Subject: Re: (313) richie hawtin in wired magazine
 
 
   Why are the gains on the back tho
  
  
   20/11/03 10:29 AM Jason [EMAIL PROTECTED]
  
I'll back that one up- the A+H mixers are the only DJ mixers I've ever
used where you can actually BOOST frequencies with the EQ and it
doesn't sound harsh- they have  anew mixer out new month with a big
launch party at Cargo in London- I'll let you all know what its like
once I've seen it.
   
cheers
   
Jason Brunton
   
   
On Thursday, November 20, 2003, at 10:05 AM, Blackman, Ryan (UKEKT)
wrote:
   
The AH mixer has awesome sound quality, and comprises of top end
compenents
throughout.
The EQ is 4 way too, and from my own experience, allows much
creativity in
the mix, not to mention tighter control of the sound.
The facilities (ranging from Aux Send/Return, Filters etc) are also
 top
notch.
In short- I have never used anything better.
   
-Original Message-
From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED]
Sent: 19 November 2003 9:49
To: m a t t [d]
Cc: 313@hyperreal.org
Subject: Re: (313) richie hawtin in wired magazine
   
   
On Wed, 19 Nov 2003, m a t t [d] wrote:
   
http://www.wired.com/news/digiwood/
0,1412,61273,00.html?tw=wn_story_top5
   
interesting about his modified allen and heath mixer
   
sorry if this has been posted before...
   
matt :)
   
a couple of comments:
   
1.  i didn't think itunes had dance music from independent labels
   
2.  people talk about how hawtin (and others) simply play the same
 set
over and over again, or at least variations of that set.  it isn't
hard to
understand why this dynamic occurs given his travel itinerary.
 doesn't
mean it is RIGHT...but it IS understandable.
   
3.  i'm not familiar with the allen and heath mixer.  what does he
 gain
from modifying IT as opposed to a standard say, GEMINI?  (*ducks*)
   
   
peace
lks
   
   
   
   
 ***

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If 

(313) Blaze

2003-11-04 Thread chris.anglesey


Greetings 313 Peepz,

I was wondering whether any of you can tell me what are the ESSENTIAL tracks 
released by Blaze.  I'm really into the 'A Moment in Time Part 1' record that 
they released recently.  Beautiful, deep-house music which can be appreciated 
at home or in a club.  I'm more into this type of Blaze material rather than 
the noodly, garage stuff they also release.  If anyone could give me any tips I 
would really appreciate it.

Sorry, know this one's not strictly 313 but i've heard people like Juan Atkins 
playing Blaze stuff (which is what got me into it in the first place).

Chris.

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(313) Strings of Life (Krivit Edit)

2003-10-31 Thread chris.anglesey


which record shop did you get it from Alex - i've
been looking for this for a couple of weeks.

i heard Francois K play this at the Movement Festival,
agree with your comments about it's crossover potential.

chris. 

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(313) 'Techno' Music

2003-10-24 Thread chris.anglesey


this ones been buggin' me this a.m.  although i generally disagree with 
dance-genre labelling (the best was 'intelligent techno', as opposed to 
unintelligent techno I suppose !)I'm usually quite interested to find out where 
these terms come from, whether it's a group, person or magazine.
I remember reading an early interview with Juan Atkins or Kevin Saunderson, 
saying we call our music techno.  On the other hand I read someone else 
saying that it was Neil Rushton (KoolKat honch) who coined the term to market 
the music.  I also remember DMay saying that he always hated the term and never 
thought of the music in that way.

Can anyone expand further; was it though up by the 'belleville 3' or Rushton ?  
   


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(313) Francois K's effects unit

2003-07-16 Thread chris.anglesey

Does anyone out there have any info on the effects
unit that Francois K used during his set at the
Movement Festival ??  It's a slimline, white coloured
unit  anyone who was there will remember how he used
it to great effect.  He also used it during the
Transmat party at the Tangent Gallery and apparently
carts it around with him when he d'j's all over the world.
Any help much appreciated - I want one !!!

Chris.

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(313) Copenhagen Record Shops

2003-07-16 Thread chris.anglesey


I'm going to Copenhagen in August (7-11th)  was wondering
whether any list members knew of any good vinyl shops out
there stocking house/techno.  I would really appreciate
any guidance.  Please e-mail me back privately;
[EMAIL PROTECTED] 

thanks,
chris.   

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(313) Andres - KDJ26 - Double e.p

2003-07-05 Thread chris.anglesey

I have a copy of this in mint condition - would trade it for Designer Music 12 
or Simply Just a Ventage 12.  Also
open to cash offers.

Please mail me privately: [EMAIL PROTECTED]

Chris.

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(313) New 'I Feel Love' Bootleg

2003-07-05 Thread chris.anglesey

Does anyone know who's behind the new bootleg of 'I feel love'.  Retains the 
best elements of the original and gets rid of the bits which have dated a 
little.  And yes, it does go on for 15 mins :) 

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