Re: (313) mega men
I love that part when he's losing his drumstick. Southern Outpost schrieb: I can't see the screen thru all the tears! The drummer missed his starting cue ;) On Tue, Apr 1, 2008 at 3:33 PM, Philip McGarva [EMAIL PROTECTED] wrote: hi i am sorry to do this and put some of our US cousins to shame but all i can say it watch this and weep ;-) http://www.youtube.com/watch?v=1IimecXiMnM heh philski
Re: (313) Artist Compensation?
Well, in my experience label and artist split the profit of a release 50/50. If you're lucky you'll get an advance on this one. For that you'll give the label the permission to do whatever they feel is right with this particular recording. Cheers! Jan - (disrupt) www.jahtari.org Having never been on the producer side of things, I'm curious if anyone can illuminate some of the basics when it comes to artist compensation for small record labels (the kind most of us buy our vinyl from). So if Producer A writes a track, how does he/she sell it to a small electronic label? Is he/she paid a one-time fee for the track or are they given a percentage based on how many prints of the track sell? I'm interested in how this works with our music and small labels, not the rest of the music world. Maybe some of the people on here who've been producing for years can illuminate this for us? Obviously the focus should always be on the ends (good music) and not the means (how much $$ am I getting for it), but this seems like an interesting topic to me -Arturo Lopez-
Re: (313) the scene
Yeah, has been posted here a few times before. Supernice, from the air-guitar-action up to the rollerblades. Anybody knows what The Scene was back then? A music-TV program or something? Would love to know. Jan (disrupt) www.jahtari.org chad schrieb: at some point in your respective quests to beat the internet, i'm sure you came across this. maybe some of you long before that.. for those that haven't: http://tinyurl.com/3a4msl .
Re: (313) Belgium 19.09 Matmos / Dabrye +++ Meakusma @ Recyclart Brussels
Yeah, saw Dabrye live last Wednesday here in Leipzig / Germany. Not to be missed! He had this superfunky Army field computer thing around. Very rough case, completely in camouflage colours, with a big handle on top and all... For those near to Belgium, not to miss ! MEAKUSMA - 19.09.06 @ Recyclart (Brussels) live Matmos + Zeena Parkins (Matador, San Francisco) live Dabrye feat. MC Kadence (Ghostly Intl, Eastern Dvlpt , Detroit) live Daniel Meteo (Meteosound, Ocean Club, Berlin) live Uské Orchestra (Sonig, Ambivalence, Firstcask, Bxl) dj-support Derb (Ana L. Intrudr, Fraunmusik, Klangforschung Ost) concert 7 pm 2am @Recyclart Rue des Ursulines/Ursulinenstraat 25 - 1000 Brussels - Belgium http://www.meakusma.org http://www.recyclart.be Artist infos: Matmos www.brainwashed.com/matmos www.matadorrecords.com/matmos Dabrye www.dabrye.com www.ghostly.com Daniel Meteo www.meteosound.net www.scape-music.de Uské Orchestra www.uskeorchestra.be www.ambivalence.be/uske Derb www.klangforschungost.org www.klangforschungost.org/ali -- (disrupt) www.jahtari.org
Re: (313) Vinyl
Yeah, and let's not forget the Dub/Reggae corner. Same there, especially 7s. Hard to imagine this stuff on CD somehow. I've heard the opposite from the world of indie rock actually - that small indie labels have done a good job of keeping vinyl going with ltd. pressings, 7/45rpms, collector series, etc. MEK [EMAIL PROTECTED] wrote on 08/16/2006 11:19:40 AM: I was having a beer with someone who works at a large record distributers in the UK the other week and he was telling me that vinyl will meet it's demise a lot sooner than people think because the number of companies that can manufacture lacquers for use in the production of vinyl is now limited to a handful in the world (and due to lack of demand they are not exactly economically viable anymore). Now I don't want a boring digital vs. vinyl type discussion here (we've done that to death) but I'm not sure I believe him for some reason. I'd like to hear this isn't true but I suspect it might be. Anyone on here have any better information than me? cheers robin... -- (disrupt) www.jahtari.org
Re: (313) Reggaeton
Yeah, check this: http://playtherecords.com/2006/01/rise-of-reggaeton.html There's also a mix linked to it, done by WayneWax: http://riddimmethod.net/music/wayneandwax_el-mix-dembow.mp3 Never got warm with this kinda music, though. Most of the niceness and deepness contained in Dub and Reggae are gone there. Jan Anyone with knowledge on here? Fancy getting hold of a tune (even if only a download) I heard constantly on my recent trip to Cuba - very cheesy but it will bring back good memories :-) Obviously an established hit I gather the lyrics in some way involve a/the pitcher (as in baseball). Googled but I can't find it. There seemed several versions but the one I liked most had the archetypical first-thing-you-do-when-you-get-a-sampler breaking glass sound. Although the lyrics are in Spanish there was a remix which said in English this is the remix ? -- (disrupt) www.jahtari.org
RE: (313) Reggaeton + INTERESTING USB CONTROLLER
Yes Francis! That gear looks fun for sure. More interesting stuff on it here: http://playtherecords.com/2006/06/simple-yet-effective.html Oh, you remember this has been posted here before? Not sure. http://playtherecords.com/2006/06/303-madness_08.html Ultimately leading to this nice video essay on the history of the 303: http://www.nkhstudio.com/pages/popup_bassline.html Hope you can track back that tune you're looking for. Best is to write directly to Wayne from the WayneWax blog. He's THE man for such stuff: [EMAIL PROTECTED] He was once teaching kids in Jamaica how to build riddims with FruityLoops and Ableton, expert man. He can help you. But always nice to get such stuff when it's connected to travelling memories. Got me a whole bunch of 70ies Gangster-Bollywood movies in India once. Amazing rough Funk music in there! Cheers! Jan Jan Thank you for this - interesting and hopefully I can track down the tune I'm after via the sites / contacts your link leads me to. Typically while looking at one of the sites your trail led me to I can across this: http://riddimmethod.net/?p=94 an interesting USB MIDI etc. controller which may or may not have been posted about on here already. -- (disrupt) www.jahtari.org
Re: (313) serious stuff
Hehe, insane stuff!!! Watch and learn! Jan http://www.collegehumor.com/movies/1694381/ -- (disrupt) www.jahtari.org
re: (313) techno and kids
Wow, that sounds most cool and gives some hope! :) You already tested if that works with Reggae and Dub tunes as well? Since Rhythm Sound seems to go down nicely. A lot of bass around in Dub! Cheers and groovy times with your son! Jan (disrupt) www.jahtari.org I am picking up this thread from about 13 months ago... So I finally get to add to this b/c I'm a new, first time dad, as of almost a month ago. As you either know, or can imagine, there's tons of writing and products out there that play on the idea of Classical music being good and calming for baby. I personally think it's a load of hooey and a marketing technique they use b/c in the real world, people associate classical music with intelligence and culture. Someone gave us a baby Einstein CD (a series of toys, music, and video for infants), and it was crap - 40 minutes of classic lullabies played on a general MIDI preset box. My theory goes like this: when baby is in utero, he/she is swimming in fluid. All of the outside sounds get translated to swirling bass, and it's LOUD in there; think about what it sounds like when you're under water. I was looking for the best music to mimic that environment To that end, the thing that just astounds me is that my son loves and is calmed by dubby techno (lucky for me!). When he starts to cry, I play rhythm sound, maurizio, or deepchord over and over. More up tempo Gez Varley, Ifach label, or Rob Hood tracks work too. The trick is turning it up, not to any ludicrous level, but loud enough to feel the bass kick. Cutting back on the highs helps too. Hopefully, his taste in music will continue along this path :) -Gil -- (disrupt) www.jahtari.org
Re: (313) a question regarding DEMF and the history of Detroit techno
. and jungle wise, soundmurderer definitely has something going on that is much more related to detroit simply because the guy's life has obviously been influenced by growing up in/around detroit. so drawing attention to these other people is serving absolutely no one except those whose name will now be associated with something they had nothing to do with. and thats wack. No other city in the world can boast to be what Detroit is .. and from where I am standing the DEMF is a celebration of what Detroit has started, and the fact that the festival is in the heart of the city is testament to what Detroit has committed to continue. While I respect you are upset, and for many good reasons. Until they start holding the DEMF in New York or Berlin I think you should work on the positives. look, since they announced paxahau was doing the festival this year, ive given them the benefit of the doubt at every stage. initially i said well, i know what theyre known for, but hopefully theyll keep the big picture in mind when picking the acts to play. then the initial lineup came out, and it was obvious that they had done no such thing. they said they would announce more lineup later, so i held out that they would add much more detroit stuff. then the full lineup was released, with only a few good additions and lots of other extraneous nonsense piled on. so i assumed that with so few detroit representations that theyd give those people whose blood sweat and tears they owed the existance of the festival to SOME iota of credit by giving them good timeslots to rock the crowds. of course, i was wrong yet again. they have had numerous chances to do ANYTHING right, and aside from booking rob hood and giving him a good timeslot, they have screwed everything else up! But .. perhaps you think I have no right to comment because I don't live in Detroit. nah, i dont think anything of the sort. in case you didnt know, im not from detroit, nor do i have any connection to it outside of my deeply held passion for its music and by extension its culture and it. If thats the case then Detroit Techno should have never been played outside the city limits. let me state how i feel about people outside detroit playing at the festival: i dont mind it at all. last year was a great case with all the dutch people playing who obviously have enough connection in their music (even though it is not music i buy, or listen to on anything resembling a regular basis) to deserve to be there. same thing with past performers like 4 hero and rhythm and sound and even richie hawtin. however, i dont feel like the festival should be concentrated on those people. they should be given their due respect as great artists, but this is DETROIT'S electronic music festival. this should be all about the detroit artists. and now its just not. taking the detroit out of it and all youve got is some random electronic music. and thats a rave. what that has to do with detroit, i'm not sure. but i guess we'll all find out in a couple days! tom -- (disrupt) www.jahtari.org
RE: (313) a question regarding DEMF and the history of Detroit techno
Never gonna give you p! Never gonna let you dwn. :) On Wed, 17 May 2006 13:42:28 -0400, Rob Theakston [EMAIL PROTECTED] wrote : Who's clownin around? http://www.detroitluv.com/index.php?topic=33738.msg370116#msg370116 This is serious stuff. Rick deserves a spot on the pyramid stage just as much as anyone. After all, if it weren't for Rick and the SAW sound we wouldn't HAVE a Detroit Techno to speak of. Seriously, Rob -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Wednesday, May 17, 2006 1:39 PM To: 313@hyperreal.org Subject: Re: (313) a question regarding DEMF and the history of Detroit techno On 5/17/06, Matt Kane's Brain [EMAIL PROTECTED] wrote: Will he be wearing a balaclava? Hope so. (he being Astley of course) you clowns are very funny. tom -- (disrupt) www.jahtari.org
Re: (313) freddie hubbard / theo parrish
btw: does anyone know other tracks where little sunflower was also used? http://the-breaks.com/search.php?term=freddie+hubbardtype=0 (roll down to the 'Love Conncetion' album) freddie hubbard - little sunflower also sampled by: a tribe called quest - the love aybee - deepblak'd pepe bradock - deep burnt btw: does anyone know other tracks where little sunflower was also used? c* Lee Herrington schrieb: Hi list. Does anyone recall the name of the freddie hubbard tune that theo parrish snatched up for one of his Ugly Edits? np - red clay cheers, Lee R. Herrington U STORE IT Technical Support Engineer [EMAIL PROTECTED] 440-260-2245 -- (disrupt) www.jahtari.org
Re: FW: (313) Subject: (313) Record stores and stuff in Berlin.
Or check www.zitty.de, the Berlin city mag. A bit of German basic knowledge is helpful maybe. :) Under 'Veranstaltungen' (= dates) you can enter the place (Veranstaltungsort, like 'Maria') or better just click on the date and check a genre like 'Party'. Hit 'Suche starten' (Start search) and wait for a lng list of dates. :) Cheers! Jan (disrupt) www.jahtari.org On Thu, 27 Apr 2006 18:02:02 +0100, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote : I've been there a couple of time and both times have rolled up in company with a bunch of lads, obviously off our heads and obviously tourists. This has not resulted in us having any hassle getting in though! The only sign of door policy I've seen is the famous confiscation of camera phones which they're very polite about (and let's face it it just adds to the buzz). In my limited experience all Berlin clubs rock - know what you mean about the Maria audience, it's still great fun though, Watergate seems cooler (both a good and bad thing) but is certainly a very smart place indeed! -Original Message- From: Roman von Contzen [mailto:[EMAIL PROTECTED] Sent: 27 April 2006 17:20 hi - one thing about berghain, they seem to have a new door policy. haven't been there for several months cause i in the meantime prefer the small - more secret - events. i have heard many complaints about a new door policy at berghain. if you approach the door make shure to not come as a group of more than two persons and make shure not to wear your hair too long... if you look as if you're from southern europe - good luck! some of the guys at the door have bald heads - so they might act like they look :-) club maria has some great acts all the time - but the audience changed - it's more like the little raver boys and girls now what i still like is watergate. good music and the right audience - and becks beer! -- (disrupt) www.jahtari.org
RE: (313) Who said Kraftwerk was the best electronic music ever to come out of Germany?
If you liked Mambo Kurt you should absolutely check out the amazing Klaus Wunderlich stuff! Same veine, same vibes! http://www.organfax.co.uk/klauswunderlich.html 'The Uncrowned King of Organ Music' the article says. Stumbled over one of his records on a flea market and thought it one of this rare obscure pieces you just buy for the cover and strangeness of it. But I then found out that this guy sold more than 18 Mio records and seemed to be very well known from the 60s to 80s. Excellent Hammond niceness first, later on the most hilarious synth tunes. Absolutely check the brilliant interview there (scroll down the page) he did for an English radio station in the early 80s. His English is among the funniest German-English I ever heard (especially when he talks about synthesizers...)! Some tunes to listen in there too! For the RealPlayer. Jan (disrupt) www.jahtari.org On Fri, 7 Apr 2006 08:24:09 +0100, Nik [EMAIL PROTECTED] wrote : LOL. The Rammstein cover has just made me spray my tea out my nose. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 07 April 2006 07:57 To: Joost P; 313 Detroit Subject: RE: (313) Who said Kraftwerk was the best electronic music ever to come out of Germany? Tell me this is *not* something to do with Uwe Schmidt...(I admit I haven't looked.) -Original Message- From: Joost P [mailto:[EMAIL PROTECTED] Sent: 06 April 2006 22:38 To: 313 Detroit Subject: (313) Who said Kraftwerk was the best electronic music ever to come out of Germany? http://www.mambo-kurt.de/php/mp3s.php?bereich=musiksub=1 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.3.5/302 - Release Date: 05/04/2006 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.3.5/302 - Release Date: 05/04/2006 -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.3.5/302 - Release Date: 05/04/2006 -- (disrupt) www.jahtari.org
Re: (313) Delsin / de:bug. oh no...
Haha, nice! For those of you who are not 100% fit with German: the man who can whistle every Carl Craig track with his fingers... Looking forward to hear you here in Leipzig, man! Cheers! Jan (disrupt) www.jahtari.org http://www.de-bug.de/news/3535.html On Fri, 31 Mar 2006 01:01:52 +0200, Peteri, Jochem [EMAIL PROTECTED] wrote : sorry guys, everything is true. and also check the schedule, aardvark, peel und 154 going german for the last time for de:bug be there, its fun http://www.de-bug.de/news/3535.html The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail. -- (disrupt) www.jahtari.org
Re: (313) Re: [313) r.i.p Capitol Hill Kids
Doesn't matter who they are, what music they listen to, how they dress, how old they are... it's a tragic. I feel the core problem is that there're are WAY too many guns around in the States, everybody has access to them and can easily pack one. Sad, sad thing. Many pay with their lives for that kind of policy on a daily basis. Jan (disrupt) www.jahtari.org I'm sure in the coming days there will be things, sings or behavior, that should have been paid attention to. Always seems like there are. The media hounds will blame the kids and the music because the harder questions are just to difficult to deal with when you still have the sports and weather to report. MEK Fred Heutte [EMAIL PROTECTED] ta.comTo 313@hyperreal.org 03/26/06 06:47 PM cc Subject (313) Re: [313) r.i.p Capitol Hill Kids It's hard to say what motivated the shooter. There is even speculation he planned to attack the official party itself which was well-run on a heavily traveled street and finished at the early hour (for me anyway :) of 4 am. When they say, the freaks come out, Seattle knows how to do that and be cool with it. The Seattle scene has always been an ever-changing melange and people cross readily between music genres because they are *friends*, you know. The boundaries are much less than they are in other parts of the country, from what I have observed, and there is a lot of crossover between electronic and regular band scenes as the interests of those already identified as victims indicates. And there is less of the segregation by age groups that has occurred in other places, certainly in Portland where I am. The people in that house were in the late teens to late 20s. This was utter violence visited on a scene that works hard to keep that out, where people actually say PLUR and mean it. Our friend groovinkim, who founded nwtekno, lives a few blocks away and says the neighborhood is semi-sketchy. This is all about a multi-ethnic youth culture trying to find a safe space to function in an increasingly unbalanced society. You can chuckle at the candy aspect of some of it but these are, through only a couple degrees of separation, our brothers and sisters in electronic dance music of *whatever* kind. fh -- (disrupt) www.jahtari.org
