Re: (313) Translation from German needed

2004-08-18 Thread doris non-woo
eesh.  that paragraph had so many english-ized german words, it actually 
hurt to read.
basically: fabrice lig cut is bouncy and happy and bubbly and confident in 
its knowledge about the future (so techno...) and melody.  dan curtin on 
the flip is imitating the detroit sound and casually showing off his ideas 
on that front.  sounds like it's more on the slammin' side.  third remixer 
is $tinkworx, who's more heavy and deep and funky.  sounds like this 
guy's gonna have a hard-on over this record for the rest of the year.
a more literal translation'll cost ya ;)


On Tue, 17 Aug 2004 21:59:12 +0100, ian cheshire 
[EMAIL PROTECTED] wrote:
 Katrin or Ronny could :)
 
 
 
 -Original Message-
 From: Stewart Caig [mailto:[EMAIL PROTECTED]
 Sent: 17 August 2004 20:54
 To: 313@hyperreal.org
 Subject: (313) Translation from German needed
 
 Yep, its good ole Bleed from De-Bug again and his untranslatable reviews 
:)
 
 But if someone fancies having a go for me Id be most greatful.
 
 Funky wie immer legt hier Fabrice Lig mit einem dieser vor lauter Glck 
nur
 so sprudelnden Remixe los und lsst die Rimshots snappen, die Synthesizer
 trten wie eine Klarinettenkapelle auf Landpartie und segelt gewinnend 
und
 mit geschwellter Brust voller Gewissheit in ein emotional seliges Wissen 
um
 die Zukunft der Melodie. Quietschig und bester Laune dieser Track. Auf 
der
 Rckseite kommt Dan Curtin, von dem man ja glcklicherweise in letzter 
Zeit
 wieder mehr hrt, und er ist ja einer der Epigonen dieses neuen
 Detroitsounds und das lsst er hier auch lssig und voller slammender 
Ideen
 raushngen. Beats hauen einem um die Ohren und die Melodien wrden im
 Sparring gegen Fabrice auch die Federn fliegen lassen. Und als dritter
 dieser unglaublich gut gewhlten Remixer kommt dann auch noch $tinkworx, 
der
 dem Ganzen etwas deeper begegnet und nicht ganz so leicht, dafr aber mit
 grabend smoothem Funk anrollt. Wre ich Splinterfaction, ich htte wegen
 dieser EP das ganze Jahr gute Laune.
 
 
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Re: [313] audio streams

2002-09-19 Thread doris non-woo
paxahau

On Wed, 18 Sep 2002, ryan burns wrote:

 
 whats is the correct spelling for the web site that streams dj sets out of 
 detroit??  PAXOUX?  i cant remember how to spell the name.
 can anyone help me
 ryan
 
 
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[313] vienna

2002-05-31 Thread doris non-woo
hello,
i'm going to be in vienna in mid-june.  if there are any austrian 313-ers,
or anybody else that knows of anything going on there around that time, or
has suggestions for websites/magazines/etc. with listings, please get back
to me at [EMAIL PROTECTED]
thanks!



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Re: [313] motor detroit now:places in detroit

2002-05-15 Thread doris non-woo
i also quite enjoyed panacea, i went there for the first time last
friday.  it's got a very IKEA atmosphere, if you're into that sort of
thing.  couldn't tell you about the drinks (not allowed to drink at the
moment-- grr!!!), but with paxahau running friday nights there, you know
you're in for good music everytime.


On Tue, 14 May 2002, Catherine Eberhardt wrote:

 Yeah the buddha bar is really really cool, they used to have atari in
 there and stuff but i don't think they do anymore.  The drinks are good,
 nice atmosphere, it looks similar to 13 below, which i was told is how
 they want it to be.  
 
  diana potts [EMAIL PROTECTED] 05/14/02 19:13 PM 
 
 
  I was told that the Budha Bar is not bad. If you're
 willing to travel to about 7mile and Lahser, Michael
 Geiger now plays on Saturdays and I've heard their
 drink are really good.
 
 d
 --- Catherine Eberhardt [EMAIL PROTECTED]
 wrote:
  Yeah Motor has gotten really stale.  I think it's
  because someone new
  does all their booking, and didn't they get new
  ownership?  Anyway that
  place has gone really downhill, they have cheesy
  dancers, lights and
  horrible talent for the most part.  There are a few
  exceptions though. 
  They should have been voted #1 club in the US about
  2 or 3 years ago.  
  
  As for Porter St., great club, my favorite event
  there so far was seeing
  Chaos, awesome show.  It's a little pricey, and they
  could use a better
  bar.  I wish it was on Fridays instead of Thursdays,
  because there would
  be more people there.  It definately has a lot of
  potential though and
  they bring in good talent on a regular basis!  It's
  a nice crowd.  Props
  to Porter St.
  
   Data General [EMAIL PROTECTED] 05/14/02 18:10
  PM 
  On Tue, 14 May 2002, :P wrote:
  
   can anyone tell me whats happened with this place?
   they suddenly
  turned
   into a trance club... they really quit getting
  good techno talent
  really
   suddenly..  is there any other clubs in detroit
  that are picking up
  the
   slack?
  
   whats the atmosphere like at porter st?
  
  
  I have no input about Motor, but my one experience
  at Porter St. (shake,
  about a month ago) was great!  The sound system is
  nice, the atmosphere
  is
  tasteful and good for dancing, and from the periodic
  updates i get about
  their shows it seems like they're pretty seriously
  committed to bringing
  in quality people.  I've definitely been wanting to
  go again since the
  first time i went.
  
  ben
  
  
  
  
  
  
  
 
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Re: [313] advice? from seattle to demf.

2002-05-15 Thread doris non-woo
the greek town blue nile moved, its new location is in ferndale.

On Wed, 15 May 2002, glyph1001 wrote:

 Isn't there a Blue Nile (also Ethiopian)  in Greek Town also?
 
 g.
 
 Andy Kellman wrote:
 
 :P said:
 general FYI, priceline.com is running a sale on airline tickets right now.
 
 And if you can get out here during the day Friday, you can catch Eddie Money
 in Clarkston.
 
 
 Andy
 
 (Whose favorite place for vegetarian eats -- it's Ethiopian, specifically --
 is The Blue Nile on 9 Mile in Ferndale, a block west of Record Time Jr.)
 
 
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Re: [313] re motor detroit

2002-05-15 Thread doris non-woo
nor do i, but could you clean up after yourselves, you appear to have
dropped a bunch of names

On Wed, 15 May 2002 [EMAIL PROTECTED] wrote:

 Amir does NOT own any of Motor.
 
 Dan, Amir and Perry (#2 at Clear Channel) are all partners in Smalls (a
 Small corner bar a block from Motor) And that's basically because Dan and
 Perry have been friends since childhood.
 
 I don't really see the point of this thread anymore.
 
 
 
 On Wed, 15 May 2002, PhedX wrote:
 
  ummm yea, I corrected myself (thanks barb) already But if Barb had not
  caught it I would be thanking you.
 
 
  Also ClearChannel/SFX is only involved because AMIR has bought into some of
  Dans Business giving themselves a sweet venue a nd Dan the ability to go on
  due to the hard couple years it had up until recently. (it did almost close)
 
 
  now we know this man! But its TMI without score cards for most.
 
  Then do you explain who Amir is, how he worked to own a number of the MOST
  successful clubs in DETROIT FROM THE 80s until and other stuff...
 
 
  I say, naw.
 
 
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Re: [313] totally OT - osbournes/ozzy's kid a dj?

2002-05-01 Thread doris non-woo
On Wed, 1 May 2002, Jayson B. wrote:

 yup.  its jack.  he's the one.  90% of the time he's on a flyer he's billed 
 as ,ozzy ozbourne's son,  rather than on his own merits.

it's not jack, jack's, what, 14?  it's ozzy's other (older) son from
another marriage, they showed him briefly during last night's
episode.  either way though, he still cashes in on the ozzy osbourne's
son gimmick.








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[313] Juxtapose. Sundays.

2002-04-26 Thread doris non-woo
forwarded for a friend:

-- Forwarded message -- 

Enter into our juxtapose of intense sounds  and soulful melodies...where
the rhythm of our hearts unify for a harmonious love affair. Even on the
darkest of days, we are presented with an uplifting love that never
judges, disappoints or leaves you feeling empty. On the contrary...it
leaves you craving more.

Join us as we pay homage to the unconditional beat.

4/28

Rick Wilhitevibes music

Delano Smithbeat down sounds

5/5

Mike Grantmoodsgrooves

Mike Clarkbeatdownsounds/planet e

5/12

Mike Huckabyharmony park/deep transportationj

Norm Talleyupstairs asylum prod.

5/19

Al Esterbeat down sounds

Steve Crawford

 
Lounge Residents: Seoul, Ani, Adamo, Todd Weston

 

 

Location: Marilyn's on Monroe

497 Monroe

Detroit, MI




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[313] what?

2002-04-12 Thread doris non-woo
from freep.com:

Among the missing: techno godfathers Kevin Saunderson and Derrick May,
booked the past two years and asked by Marvin to return for 2002. They
declined. 

I'm not going to support something like that, says Saunderson. The only
reason I played in the first place was Carl. 

from electronicmusicfest.com:

Kevin Saunderson


huh?



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Re: [313] WINTERGALACTIC2002

2002-03-19 Thread doris non-woo
does anybody know the set days/times for performances?  the website says
they'll be announced march 1, but i can't find them, and don't have much
time to dig around the website


On Tue, 19 Mar 2002, Simon wrote:

 Actually this event is happening Saturday and Sunday... the 30th and 31st.
 Its a 2 day ordeal with all of the info on the website.. 
 It's not my party.. so I do not know the details but I would assume that 
 if he is in Montreal that same night that he is either playing during the 
 day on Saturday or on Sunday...?
 
 http://www.Wintergalactic.com
 
 Enjoi,
 Simon  
 
  Original message 
 Date: Tue, 19 Mar 2002 17:36:53 GMT
 From: [EMAIL PROTECTED]  
 Subject: Re: [313] WINTERGALACTIC2002  
 To: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 
 Hmm... Anthony Rother is also supposed to be playing a party with 
 L'usine in Montreal on the same night. 
 
 I wonder how that will all work out... ???
 
 -J
 
 on 3/19/02 11:36 AM, Simon at [EMAIL PROTECTED] wrote:
 
  taken from http://www.Nocturnalmagazine.net 
  
  Saturday Mar 30 
  
  WINTERGALACTIC Toronto, ON 
  
  Sonic State DJs: Marco V. (netherlands), Orkidea (finland), Ken Ishii 
  (Japan), J. Majik (uk), Anthony Rother (germany), Lucien Foort 
  (netherlands), Mario Piu (italy), Pablo Gargano (italy), Cor Fijneman 
  (netherlands), Ellen Alien (germany), Simon (usa), Agent Orange (usa), 
 DJ 
  Godfather (usa), Anodyne (usa), Dark Driver (usa), Cole Jacobs (usa), 
  Viceroy (usa), Miss - Tek, OS/2, Cryogenetic, Hibernate, Deko-ze, 
 ECO.r1, 
  Cluster, Nuclear Ramjet, Voytek, The Dukes, Christian Skjodt, +++ 
  
  Music Format: House, Techno, Trance, Progressive, Drum n Bass 
  
  Admission: $40 earlybird, $50 advance, $60 @ the door, 19+ 
  
  Ticket Outlets: see website 
  
  Location: The Docks- 11 Polson Street 
  
  Infoline: n/a 
  
  Website: www.wintergalactic.com
  
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 -
 This message was sent via the BiznessOnline.com webmail system.
 http://www.biznessonline.com
 
 
 Simon 
 Http://www.SonicState.net
 Http://www.The-Syndicate.net
 Http://www.LuvchildEntertainment.com
 ||AIM|Dj Simon DC|| 
 |Upcoming Events|
 Mar|16|Philosophy|Roanoke VA
 Mar|25|Stars  Stripes|Maimi FL
 Mar|30/31|WinterGalactic|Toronto CA
 Apr|13|Relativity|Washington DC
 Apr|20|Kobe|Baltimore MD
 May|26|Monumental|Washington DC
 
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Re: [313] Regarding Business (coming events)

2002-03-07 Thread doris non-woo
www.makeashorterlink.com

On Thu, 7 Mar 2002, :P wrote:

 grr
 
 the damn email client split the link up.
 
 I renamed the track for downloads sake:
 
 http://www.emmrecords.com/teh_fux/truncate%20my%20link%20baby.mp3
 
 Thanks for listening!
 
 -Joe
 
 - Original Message -
 From: Ian Cheshire [EMAIL PROTECTED]
 To: ':P' [EMAIL PROTECTED]; 313@hyperreal.org
 Sent: Thursday, March 07, 2002 12:22 PM
 Subject: RE: [313] Regarding Business (coming events)
 
 
  link doesn't work??
 
  -Original Message-
  From: :P [mailto:[EMAIL PROTECTED]
  Sent: 07 March 2002 17:26
  To: 313@hyperreal.org
  Subject: Re: [313] Regarding Business (coming events)
 
 
  I'm going to change the subject now to suit my needs :)
 
  in case anyone cares, I have a track up at from a recent show (pardon my
  lack of webpage for the record company site, I dont have time right now
 with
  school and all.)
 
  its a little rough but let me know what you think
 
 
 http://www.emmrecords.com/teh_fux/dont%20feed%20me%20after%2012%20because%20
  bitch,%20Im%20a%20gremlin.mp3
 
  its called dont feed me after 12 because bitch, Im a gremlin
 
  I will also be playing some live sets in lower michigan this month I
 think,
  march 22nd for a 3 hour live PA on wcbn ann arbor (12am-3am)
  www.wcbn.org/listen.html for a webcast or 88.3 if you are in the area.
  Rabbits (are you still on list?)  will be there too, so be sure to listen
  and see how we melt down 2 styles and create the mold from which all
 future
  techno will be created :P
 
  Thanks for reading
 
  -Joe
 
  negative-saucer
 
 
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Re: [313] transllusion

2002-02-14 Thread doris non-woo
On Thu, 14 Feb 2002 [EMAIL PROTECTED] wrote:

 can someone translate this drexciya related interview for us...
 
 http://www.technoidz.de/transllusion.htm
 
 or just in say what it is all about
 
 thanks
 bye
 rob


pardon the awkward translation in places.  german sentence structure is a
bitch.
back to being productive now...


Our dear Chet Avery has once again on a mission from elektric magazine
approached one of the big dogs in the electronic music business in order
to relate to you his thoughts and ideas: james stinson aka
tranllusion.  ok, this name may not necessarily be familiar to some of you
as the headliner of the last groove or raveline, but who knows exactly
who's really behind drexciya (the bosses of warp o-ton rough trade
;-) ) anyway.  beside james pennington, james stinson is part of one of
the most style-coining (style-setting?  err...) institutions of electro,
and with transllusion has gotten a solo project going whose new album,
since its emergence in november, challenges the direct descendents (or
followers?) of the old traditions of the detroit underground.  though more
technoid, swinging, and altogether straighter than one is used to from the
old masters drexcia, mighty phat (haha) and dark...if you want to have a
listen, you should look for the supremat-label in the record store.  but
now have fun with chet's interview with james stinson.

chet: drexciya has always been very covered in the depths of the sea,
without really stepping into the foreground.  how can we understand and
categorize your project transllusion?

t: in relation to drexciya, transllusion is a completely different
project.  in contrast to drexciya, your ears and spirit (soul? wit?) have
to work to hear the differences and get a complete picture, which is
actually the point of transllusion.  with a close look, the listener will
notice that transllusion represents a journey into the head.  why did you
decide to conduct your solo project on the mental level?  transllusion is
a journey into my spririt/soul/wit, not that of the listener.  i like to
meditate, that's why i took it as the basis of my concept.  the journey
into my spirit/soul/wit will help the listener get a new view of the
world.

c:  in earlier interviews, drexciya spoke of a fire that they would
ignite.  in what form can we expect that, and does transllusion represent
a part of it (is it perhaps the introduction)?  can we see it as
revolution, and what means will you use?  how will the world look
afterwards?

t:  unfortunately i can't tell you right now.  you just have to keep your
ears open and you'll see.  one thing i can say, it'll be a musical
storm.  i cant answer further questions, since they pertain too much to
drexciya.

c:  in y our opinion, what are the chances of realizing all set goals?

t:  i don't give it any thought.  look, i don't have any influence on
it.  it depends on the people to take up the music and process it.  it
doesn't make a difference if 20 or 2 people occupy themselves with the
project, as long as i make a single one happy with it, it's entirely
enough for me.

c:  you live very secluded.  how important are economic and political
structures to you, how do you feel about religion, science, and art?

t:  regarding transllusion, none of these areas matter.  transllusion
happens in an entirely different place from reality and time and describes
the inner life.

c:  why do you keep so distant from the detroit scene?  why do you hardly
keep contact with other detroit artists, and why is the distance so
important to you?

t:  i hardly go outside b/c i dont want to take up external impressions
and influences that would be reflected in my music.  the distance is so
important to me b/c i need a lot of room to freely develop my
spirit/wit.  i can't even tell you who currently has a hot record out
because i'm working so hard at the moment.  i know, i should take a break
sometimes and look outside, but right now i can't.

c:  in our opinion, underground resistance has put the fight against the
majors a bit in the background.  with the last releases, one has missed
the message a bit, that is one couldn't directly interpret it.  could you
maybe tell us which way mad mmike is going?

t:  unfortunately i cant answer that.  i simply don't know, since i
haven't been in contact with them for years.  i can't say either whether
they've given up hope.

c:  why did you release your solo-project on a sublabel of tresor?  were
you looking for a certain label to, for example, reach a target audience,
that is, did you look for a label that corresponded with your views?

t:  as i've mentioned in previous interviews, it's not the label that
matters to me, but the music and the artists.  people don't have to know
anything about the label.  in other words, they don't have to know how
much money is being earned or of what my deal with the label
consists.  they don't even want to know, and are only interested in the
artist.  the label is only the 

[313] forwarded question re: purposemaker track id

2002-01-22 Thread doris non-woo
please reply to him directly... thanks!


-- Forwarded message --
Date: Tue, 22 Jan 2002 17:12:06 -
From: tlinder313 [EMAIL PROTECTED]
Subject: Purposemaker Track ID?

For the Detroit Technophiles.

What is the name of the track that has a similar (identical) drum 
pattern to E-Dancer's Pump the Move but has a vocal of breakitdown-
and-getcha-into-the-groove.  I have it on a Jeff Mills Live in 
Germany mixtape from pre-'97 and D-Wynn played it at the Tribe 9 
anniversary party at Motor, in May 1998. 

I think it might be a Purposemaker track but I'm not positive.  Maybe 
even an E-Dancer Pump the Move remix (It's not the Kenny Larkin mix 
of it that was on the album, and it's not the original that had the 
Joey Beltram B-side).

If you know what it is, can you give me the Track Title, Album Title, 
and possibly the matrix number?





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Re: [313] Motor - Guardian feature

2002-01-09 Thread doris non-woo
http://www.guardian.co.uk/drugs/Story/0,2763,628867,00.html ?

(not sure if that's what you're looking for...)

On Wed, 9 Jan 2002, Jason Donnelly wrote:

 does anyone still have the  link to the Guardian feature about that guy and 
 girl who went to Motor. I've deleted it and I want
 to read the follow up article from yesterday - can't find it in the search 
 option though.
 
 thanks
 
 jason
 
 
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