Re: (313) Theo Parrish Interview
On 9 Dec 2009, at 18:05, David Powers wrote: I was disappointed in his final comments, snip Good post but he really can't answer Derrick May questions :) Music isn't about objects! Lots of DJ's now sound like your f***ing dad, they really need to get over it. m
Re: (313) Theo Parrish Interview
On 9 Dec 2009, at 02:37, robin wrote: http://blog.awdio.com/index.php/2009/12/07/theo-parrish-interview-from-djoon-paris/ robin... He's a bit like a cracked record tho... m
Re: (313) Theo Parrish Interview
I was disappointed in his final comments, because I think he missed something really important about music. And not in his defense of vinyl per se, but in his attempt to sum up what a DJ is. DJ's, like live musicians, are responsible for presenting music live. The physicality of carrying around crates of vinyl and getting your hands dirty might be a part of DJing, but this is only a surface aspect of DJing, and not at all the essence of what the DJ (or other live musician) does. In my opinion the essence of what live musicians and DJ's do is to create vibrations at a particular space and time for a particular group of people. Being able to hear fully vibrations, knowing which vibrations to create, and having the ability to create those vibrations is what it takes to become a master of vibrations, whatever the genre and instruments. Theo Parrish's reference to Kung Fu is telling, for a Kung Fu master is not only one who has mastered some technical exercises, but is suppsed to be one whose discipline has led them to some level of spiritual insight. In other words, it is not just the surface actions that the Kung Fu master performs, but the state of mind from which those actions arise. For musicians, the ability to hear that is the key to mastery of music. For me their are three levels of hearing: hearing with the ear, hearing with the mind, and hearing with the soul. When you can really hear on all three levels, you will have total awareness of the vibrations you are creating, and knowledge of what those vibrations do. This is fundamental to mastering all musical practice. And it is the inability to really listen, and a lack of knowledge of great music, not the inability to spin vinyl, that is really what gets in the way of younger producers and DJ's. For me, it is essential to, at minimum, have some understanding of jazz, Western classical, Indian classical, and West African drumming. These traditions have mastered different aspects of creating vibration that are fundamental to music making in general, regardless of genre. Whether you spin vinyl, hit keys on an acoustic piano, or plug in an ipod, if you aren't fully aware of the vibration you create, you cannot master music, even if your actions are technically precise. For me, the role of a musician or DJ very close to that of a shaman. Some I have studied with, such as William Parker and Billy Hart, have emphasized the power of music to heal. This means that making music publicly requires a high level of responsibility. The world is full of negative vibrations that are used to enslave people and to produce consumer consciousness. Vibrations can literally make people sick! Responsible musicians and DJ's need to realize how powerful vibrations are and how great the responsibility to use this power wisely is... the second you leave your bedroom, you assume a part in the great spiritual tradition of music. You have just as much of a responsibility as the masters (individuals such as Beethoven, Chopin, Cecil Taylor, Ravi Shankar, or John Coltrane) did to create powerful vibrations that can heal and inspire us as human beings. ~David On Wed, Dec 9, 2009 at 9:18 AM, Martin Dust mar...@dustscience.com wrote: On 9 Dec 2009, at 02:37, robin wrote: http://blog.awdio.com/index.php/2009/12/07/theo-parrish-interview-from-djoon-paris/ robin... He's a bit like a cracked record tho... m
Re: (313) Theo Parrish Interview
David - This was a dp ass post. nice. thanks, Jeffrey J. Davis fon: +1.218.8332847 (21883DAVIS) fax: +1.803.643.4085 cel: +86.158.0184.9459 jeff.da...@agy.com / jeffrey.james.da...@gmail.com www.JeffreyJDavis.com jeffrey.james.davis JeffreyJDavis On Wed, Dec 9, 2009 at 1:05 PM, David Powers cybo...@gmail.com wrote: I was disappointed in his final comments, because I think he missed something really important about music. And not in his defense of vinyl per se, but in his attempt to sum up what a DJ is. DJ's, like live musicians, are responsible for presenting music live. The physicality of carrying around crates of vinyl and getting your hands dirty might be a part of DJing, but this is only a surface aspect of DJing, and not at all the essence of what the DJ (or other live musician) does. In my opinion the essence of what live musicians and DJ's do is to create vibrations at a particular space and time for a particular group of people. Being able to hear fully vibrations, knowing which vibrations to create, and having the ability to create those vibrations is what it takes to become a master of vibrations, whatever the genre and instruments. Theo Parrish's reference to Kung Fu is telling, for a Kung Fu master is not only one who has mastered some technical exercises, but is suppsed to be one whose discipline has led them to some level of spiritual insight. In other words, it is not just the surface actions that the Kung Fu master performs, but the state of mind from which those actions arise. For musicians, the ability to hear that is the key to mastery of music. For me their are three levels of hearing: hearing with the ear, hearing with the mind, and hearing with the soul. When you can really hear on all three levels, you will have total awareness of the vibrations you are creating, and knowledge of what those vibrations do. This is fundamental to mastering all musical practice. And it is the inability to really listen, and a lack of knowledge of great music, not the inability to spin vinyl, that is really what gets in the way of younger producers and DJ's. For me, it is essential to, at minimum, have some understanding of jazz, Western classical, Indian classical, and West African drumming. These traditions have mastered different aspects of creating vibration that are fundamental to music making in general, regardless of genre. Whether you spin vinyl, hit keys on an acoustic piano, or plug in an ipod, if you aren't fully aware of the vibration you create, you cannot master music, even if your actions are technically precise. For me, the role of a musician or DJ very close to that of a shaman. Some I have studied with, such as William Parker and Billy Hart, have emphasized the power of music to heal. This means that making music publicly requires a high level of responsibility. The world is full of negative vibrations that are used to enslave people and to produce consumer consciousness. Vibrations can literally make people sick! Responsible musicians and DJ's need to realize how powerful vibrations are and how great the responsibility to use this power wisely is... the second you leave your bedroom, you assume a part in the great spiritual tradition of music. You have just as much of a responsibility as the masters (individuals such as Beethoven, Chopin, Cecil Taylor, Ravi Shankar, or John Coltrane) did to create powerful vibrations that can heal and inspire us as human beings. ~David On Wed, Dec 9, 2009 at 9:18 AM, Martin Dust mar...@dustscience.com wrote: On 9 Dec 2009, at 02:37, robin wrote: http://blog.awdio.com/index.php/2009/12/07/theo-parrish-interview-from-djoon-paris/ robin... He's a bit like a cracked record tho... m
Re: (313) Theo Parrish Interview
On Wed, 2009-12-09 at 13:45 -0500, Jeffrey J Davis wrote: David - This was a dp ass post. nice. thanks, Jeffrey J. Davis fon: +1.218.8332847 (21883DAVIS) fax: +1.803.643.4085 cel: +86.158.0184.9459 jeff.da...@agy.com / jeffrey.james.da...@gmail.com www.JeffreyJDavis.com jeffrey.james.davis JeffreyJDavis On Wed, Dec 9, 2009 at 1:05 PM, David Powers cybo...@gmail.com wrote: I was disappointed in his final comments, because I think he missed something really important about music. And not in his defense of vinyl per se, but in his attempt to sum up what a DJ is. DJ's, like live musicians, are responsible for presenting music live. The physicality of carrying around crates of vinyl and getting your hands dirty might be a part of DJing, but this is only a surface aspect of DJing, and not at all the essence of what the DJ (or other live musician) does. In my opinion the essence of what live musicians and DJ's do is to create vibrations at a particular space and time for a particular group of people. Being able to hear fully vibrations, knowing which vibrations to create, and having the ability to create those vibrations is what it takes to become a master of vibrations, whatever the genre and instruments. Theo Parrish's reference to Kung Fu is telling, for a Kung Fu master is not only one who has mastered some technical exercises, but is suppsed to be one whose discipline has led them to some level of spiritual insight. In other words, it is not just the surface actions that the Kung Fu master performs, but the state of mind from which those actions arise. For musicians, the ability to hear that is the key to mastery of music. For me their are three levels of hearing: hearing with the ear, hearing with the mind, and hearing with the soul. When you can really hear on all three levels, you will have total awareness of the vibrations you are creating, and knowledge of what those vibrations do. This is fundamental to mastering all musical practice. And it is the inability to really listen, and a lack of knowledge of great music, not the inability to spin vinyl, that is really what gets in the way of younger producers and DJ's. For me, it is essential to, at minimum, have some understanding of jazz, Western classical, Indian classical, and West African drumming. These traditions have mastered different aspects of creating vibration that are fundamental to music making in general, regardless of genre. Whether you spin vinyl, hit keys on an acoustic piano, or plug in an ipod, if you aren't fully aware of the vibration you create, you cannot master music, even if your actions are technically precise. For me, the role of a musician or DJ very close to that of a shaman. Some I have studied with, such as William Parker and Billy Hart, have emphasized the power of music to heal. This means that making music publicly requires a high level of responsibility. The world is full of negative vibrations that are used to enslave people and to produce consumer consciousness. Vibrations can literally make people sick! Responsible musicians and DJ's need to realize how powerful vibrations are and how great the responsibility to use this power wisely is... the second you leave your bedroom, you assume a part in the great spiritual tradition of music. You have just as much of a responsibility as the masters (individuals such as Beethoven, Chopin, Cecil Taylor, Ravi Shankar, or John Coltrane) did to create powerful vibrations that can heal and inspire us as human beings. ~David On Wed, Dec 9, 2009 at 9:18 AM, Martin Dust mar...@dustscience.com wrote: On 9 Dec 2009, at 02:37, robin wrote: http://blog.awdio.com/index.php/2009/12/07/theo-parrish-interview-from-djoon-paris/ robin... He's a bit like a cracked record tho... m
(313) Theo Parrish Interview
http://blog.awdio.com/index.php/2009/12/07/theo-parrish-interview-from-djoon-paris/ robin...
Re: (313) Theo Parrish Interview
I love it when musicians start singing beats! Denise On Tue, Dec 8, 2009 at 9:37 PM, robin ro...@fivetones.org wrote: http://blog.awdio.com/index.php/2009/12/07/theo-parrish-interview-from-djoon-paris/ robin... -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University http://denisedjsdetroit.blogspot.com/
(313) Theo Parrish interview
Hello, I posted the raw footage of a Theo Parrish interview earlier this year and I know a lot of you checked it out already, but if not or if you wanna hear it again, it's now back online all edited up nicely at this address... http://www.outerdrive.co.nz/ Andy
Re: (313) Theo Parrish Interview and Overload Farewell
On Sat, 13 Sep 2003, RAW2019 wrote: a nice interview i only don't really follow him on the FS story allthough i understand his point of view on suffering on getting a collection is has nothing to do with FS from where i'm looking at it. but maybe i don't understand .. RAW interviewing is a SCIENCE. nick should be commended for getting it right here. (as a sidenote, tristan isn't the nature of the internet ephemeral? i remember this dope web magazine called FEED. disappeared into the void with the QUICKNESS. overload is gone, but it'll bleed into to something else...just like FEED bled into places like Salon and even Slate.) as far as FS goes... FS is the thing that makes DJs able to forego the work of building a collection through blood, sweat, tears, and loot. And in as much as that process winnows out (to a certain extent) people who aren't that serious about DJing as a craft, Theo thinks (according to my reading of the interview) that something very very important is being lost. He's right...but also wrong. People ARE now able to just take an entire record collection, or even recreate an entire record collection with a tiny fraction of the effort previously required. And some of those people are no doubt doing it just because they can. And their art suffers for it. Speaking technically, you learn something about the craft of DJing from blending two tracks BY HAND that you don't necessarily get by tweaking a couple of BPM knobs. BUT at the same time when the means of production is opened up to the public and made democratic think about what you gain. You gain access to all of the tracks that previously needed a 19th level Wizard to find. You gain more time to develop your craft because you don't have to go sifting through bins. Through the process of competition and cooperation, better DJing results from the increased interaction of all those cats who are spinning now. With the means of production widely distributed you now have the ability to use found sounds in a much richer fashion. I've been toying with the idea of taping my lectures and then using them as background for my mixes...something that would have been very difficult just five years ago. So Theo is channeling Wynton Marsalis here, against an invisible Herbie Hancock. He's got some points...but I guess where you stand on them is very much related to what you think about democracy and art. peace lks
Re: (313) Theo Parrish Interview and Overload Farewell
It's a science and an art. interviewing is a SCIENCE. nick should be commended for getting it right here. (as a sidenote, tristan isn't the nature of the internet ephemeral? i remember this dope web magazine called FEED. disappeared into the void with the QUICKNESS. overload is gone, but it'll bleed into to something else...just like FEED bled into places like Salon and even Slate.) as far as FS goes... FS is the thing that makes DJs able to forego the work of building a collection through blood, sweat, tears, and loot. And in as much as that process winnows out (to a certain extent) people who aren't that serious about DJing as a craft, Theo thinks (according to my reading of the interview) that something very very important is being lost. He's right...but also wrong. People ARE now able to just take an entire record collection, or even recreate an entire record collection with a tiny fraction of the effort previously required. And some of those people are no doubt doing it just because they can. And their art suffers for it. Speaking technically, you learn something about the craft of DJing from blending two tracks BY HAND that you don't necessarily get by tweaking a couple of BPM knobs. BUT at the same time when the means of production is opened up to the public and made democratic think about what you gain. You gain access to all of the tracks that previously needed a 19th level Wizard to find. You gain more time to develop your craft because you don't have to go sifting through bins. Through the process of competition and cooperation, better DJing results from the increased interaction of all those cats who are spinning now. With the means of production widely distributed you now have the ability to use found sounds in a much richer fashion. I've been toying with the idea of taping my lectures and then using them as background for my mixes...something that would have been very difficult just five years ago. So Theo is channeling Wynton Marsalis here, against an invisible Herbie Hancock. He's got some points...but I guess where you stand on them is very much related to what you think about democracy and art. peace lks
Re: (313) Theo Parrish Interview and Overload Farewell
- Original Message - From: Lester Kenyatta Spence [EMAIL PROTECTED] To: RAW2019 [EMAIL PROTECTED] Cc: Phonopsia [EMAIL PROTECTED]; 313@hyperreal.org Sent: Sunday, September 14, 2003 7:52 AM Subject: Re: (313) Theo Parrish Interview and Overload Farewell He's right...but also wrong. same goes for the internet he's hamering on ... well I think he didn't had a clear vision of the possibilty of things when he gave the interview RAW
Re: (313) Theo Parrish Interview and Overload Farewell
a nice interview i only don't really follow him on the FS story allthough i understand his point of view on suffering on getting a collection is has nothing to do with FS from where i'm looking at it. but maybe i don't understand .. RAW - Original Message - From: Phonopsia [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, September 10, 2003 5:47 AM Subject: (313) Theo Parrish Interview and Overload Farewell These are sad times for the internet. The Overload site and forum were a Godsend for me. This interview and preamble help to articulate some of what I will miss: http://www.overloadmedia.co.uk/archives/interviews/theo_parrish.php Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Theo Parrish Interview and Overload Farewell
These are sad times for the internet. The Overload site and forum were a Godsend for me. This interview and preamble help to articulate some of what I will miss: http://www.overloadmedia.co.uk/archives/interviews/theo_parrish.php Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Theo Parrish Interview and Overload Farewell
Phonopsia said: These are sad times for the internet. The Overload site and forum were a Godsend for me. I deleted the email, but Overload got saved. I can't remember who, but some kind individuals will be financially backing Overload. I think they'll be overhauling the site also... or something like that. dave.
Re: (313) Theo Parrish Interview and Overload Farewell
- Original Message - From: David Gillies [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, September 10, 2003 4:57 AM Subject: Re: (313) Theo Parrish Interview and Overload Farewell Phonopsia said: These are sad times for the internet. The Overload site and forum were a Godsend for me. I deleted the email, but Overload got saved. I can't remember who, but some kind individuals will be financially backing Overload. I think they'll be overhauling the site also... or something like that. Dust will be creating a similar forum, and the Overload archives will remain (other than the forum - it will be gone), but the site itself is not going to continue to produce content. Ali, Woody and the other contributors are moving on. Dust will be cool, but Overload will be missed. It was pretty definitive of underground culture here for me and many others (especially in London) in the last year (more than that for others who have been here longer). Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
RE: (313) theo parrish interview questions? (fwd)
fuch. im at work and just clicked the link. COULD WE PLEASE (AT LEAST) PUT A WARNING ON SUCH LINKS !! Rav -Original Message- From: Maarten Baute [SMTP:[EMAIL PROTECTED] Sent: Thursday, January 30, 2003 5:35 PM To: [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: Re: (313) theo parrish interview questions? (fwd) How about: Gee Theo.. I really like what you ´ve done with the Sound Signature site: http://www.soundsignature.net ! So is this the next step in your artists development? ;) It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read.
RE: (313) theo parrish interview questions? (fwd)
And I bet you never knew such fun could be had with horses! :o) -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Friday, January 31, 2003 9:38 AM To: 'Maarten Baute'; [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: RE: (313) theo parrish interview questions? (fwd) fuch. im at work and just clicked the link. COULD WE PLEASE (AT LEAST) PUT A WARNING ON SUCH LINKS !! Rav -Original Message- From:Maarten Baute [SMTP:[EMAIL PROTECTED] Sent:Thursday, January 30, 2003 5:35 PM To: [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: Re: (313) theo parrish interview questions? (fwd) How about: Gee Theo.. I really like what you ´ve done with the Sound Signature site: http://www.soundsignature.net ! So is this the next step in your artists development? ;) It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read.
RE: (313) theo parrish interview questions? (fwd)
or dogs... :) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: vrijdag 31 januari 2003 10:41 To: Mann, Ravinder [CCS]; 'Maarten Baute'; [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: RE: (313) theo parrish interview questions? (fwd) And I bet you never knew such fun could be had with horses! :o) -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Friday, January 31, 2003 9:38 AM To: 'Maarten Baute'; [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: RE: (313) theo parrish interview questions? (fwd) fuch. im at work and just clicked the link. COULD WE PLEASE (AT LEAST) PUT A WARNING ON SUCH LINKS !! Rav -Original Message- From:Maarten Baute [SMTP:[EMAIL PROTECTED] Sent:Thursday, January 30, 2003 5:35 PM To: [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: Re: (313) theo parrish interview questions? (fwd) How about: Gee Theo.. I really like what you ´ve done with the Sound Signature site: http://www.soundsignature.net ! So is this the next step in your artists development? ;) It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read.
Re: (313) theo parrish interview questions? (fwd)
What ever you do don't type squarepusher into google and hit I'm feeling lucky ;) --Mike Wibo Lammerts wrote: or dogs... :) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: vrijdag 31 januari 2003 10:41 To: Mann, Ravinder [CCS]; 'Maarten Baute'; [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: RE: (313) theo parrish interview questions? (fwd) And I bet you never knew such fun could be had with horses! :o) -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Friday, January 31, 2003 9:38 AM To: 'Maarten Baute'; [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: RE: (313) theo parrish interview questions? (fwd) fuch. im at work and just clicked the link. COULD WE PLEASE (AT LEAST) PUT A WARNING ON SUCH LINKS !! Rav -Original Message- From: Maarten Baute [SMTP:[EMAIL PROTECTED] Sent: Thursday, January 30, 2003 5:35 PM To: [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject:Re: (313) theo parrish interview questions? (fwd) How about: Gee Theo.. I really like what you ve done with the Sound Signature site: http://www.soundsignature.net ! So is this the next step in your artists development? ;) It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read. -- Mike
Re: (313) theo parrish interview questions? (fwd)
thats like bluebeard saying dont open that door - Original Message - From: Michael Lees [EMAIL PROTECTED] To: Wibo Lammerts [EMAIL PROTECTED] Cc: 'Odeluga, Ken' [EMAIL PROTECTED]; Mann, Ravinder [CCS] [EMAIL PROTECTED]; 'Maarten Baute' [EMAIL PROTECTED]; [EMAIL PROTECTED]; Phonaut [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, January 31, 2003 1:03 PM Subject: Re: (313) theo parrish interview questions? (fwd) What ever you do don't type squarepusher into google and hit I'm feeling lucky ;) --Mike Wibo Lammerts wrote: or dogs... :) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: vrijdag 31 januari 2003 10:41 To: Mann, Ravinder [CCS]; 'Maarten Baute'; [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: RE: (313) theo parrish interview questions? (fwd) And I bet you never knew such fun could be had with horses! :o) -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Friday, January 31, 2003 9:38 AM To: 'Maarten Baute'; [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: RE: (313) theo parrish interview questions? (fwd) fuch. im at work and just clicked the link. COULD WE PLEASE (AT LEAST) PUT A WARNING ON SUCH LINKS !! Rav -Original Message- From: Maarten Baute [SMTP:[EMAIL PROTECTED] Sent: Thursday, January 30, 2003 5:35 PM To: [EMAIL PROTECTED]; Phonaut; 313@hyperreal.org Subject: Re: (313) theo parrish interview questions? (fwd) How about: Gee Theo.. I really like what you ve done with the Sound Signature site: http://www.soundsignature.net ! So is this the next step in your artists development? ;) It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read. -- Mike
(313) theo parrish interview questions? (fwd)
Hello, It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read. Thanks! n/p np- The Stereonerds (Rather Interesting) . . .. . . . . . .. . . Official Tetsu Inoue Homepage, HeadTheater archive, and Tradelists @: http://web.math.luc.edu/~njurcin
Re: (313) theo parrish interview questions? (fwd)
how about: 1. where are you at right now? 2. where do you see yourself/your music in 20 years time? 3. Who is the child in the photo that features on your record labels? Dan Hello, It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read. Thanks! n/p np- The Stereonerds (Rather Interesting) . . .. . . . . . .. . . Official Tetsu Inoue Homepage, HeadTheater archive, and Tradelists @: http://web.math.luc.edu/~njurcin
Re: (313) theo parrish interview questions? (fwd)
ask theo what happened with his website. i miss checking out those cool fliers. oh, and ask him if he digs living in cleveland, OH. peace lrh From: Phonaut [EMAIL PROTECTED] Date: 2003/01/30 Thu AM 10:46:30 EST To: 313@hyperreal.org Subject: (313) theo parrish interview questions? (fwd) Hello, It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read. Thanks! n/p np- The Stereonerds (Rather Interesting) . . .. . . . . . .. . . Official Tetsu Inoue Homepage, HeadTheater archive, and Tradelists @: http://web.math.luc.edu/~njurcin
Re: (313) theo parrish interview questions? (fwd)
How about: Gee Theo.. I really like what you´ve done with the Sound Signature site: http://www.soundsignature.net ! So is this the next step in your artists development? ;) It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read.
