RE: (313) georgio moroder
yeah, the original score from Scarface -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Saturday, September 21, 2002 10:46 PM To: 313@hyperreal.org Subject: (313) georgio moroder so ive got some stuff from the man, including the son of my father lp, but ive not got much electronic stuff, just a few mp3s and cheesy neverending story and flashdance soundtracks. is there a comp with his essential electronic productions? and if theres not, can someone recommend some for me? thanks, tom andythepooh.com
Re: [313] georgio moroder
Hey Maarten Moroder´s E=MC2 was one of the all-time favourite albums of Derrick May !!! http://www.disco-disco.com/tributes/giorgio.html http://www.geocities.com/HotSprings/1392/GiorgioMoroder.html Cheers Mario Maarten Baute [EMAIL PROTECTED] escribió: Hi people, I want to get a clear vision on the impact that georgio moroder had in the late 70´s and later on house and techno.. Does anyone know a good text about this guy? And more important - can I find some sound previews of what he has produced? Sorry for my bad english today.. but it has been a hectic day! Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - Do You Yahoo!? Yahoo! Messenger! Comunicación instantánea gratis con tu gente.
Re: [313] georgio moroder
I don't know if any of this is helpful (and I'm sure there ARE texts, but I don't know of them), Giorgio's signature is that arpeggiated bassline you hear in Donna Summer's I Feel Love which he tends to repeat in *many* productions. When the band Japan transitioned from a yowling rock outfit dressed in pilfered items from their sisters' closets to Roxy Music clones (no offense - I love Japan :-), it was Giorgio behind the knobs with the Life in Tokyo single which did it. Sparks used him to produce No.1 in Heaven and (I think) Terminal Jive, which feature that 'sound' prominently. He did the Midnight Express sndtrk and several others. Without him there wouldn't have been any Bronski Beat as we know them. Giorgio was instrumental in shaping disco and, considering Blondie (Heart of Glass) and Berlin's use of him, he had a strong hand in another feeder line of today's scene via a vis (ugh. I hate the nomenclature) new wave. If you go here http://www.cdnow.com/ and do a search for Giorgio Moroder, it should provide you with some items which will be linked to .ra samples. Hope this helps. jeff At 10:44 AM 2/5/2002, you wrote: Hi people, I want to get a clear vision on the impact that georgio moroder had in the late 70´s and later on house and techno.. Does anyone know a good text about this guy? And more important - can I find some sound previews of what he has produced? Sorry for my bad english today.. but it has been a hectic day! Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] georgio moroder
Mxyzptlk wrote: Giorgio was instrumental in shaping disco and, considering Blondie (Heart of Glass) Slight correction. Heart of Glass was produced by Mike Chapman. Moroder produced Call Me... Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] georgio moroder
Right you are. That's what happens when you get old and your memory is so bad that you forget that you're old and can't trust it anymore :-) ' jeff At 11:36 AM 2/5/2002, you wrote: Mxyzptlk wrote: Giorgio was instrumental in shaping disco and, considering Blondie (Heart of Glass) Slight correction. Heart of Glass was produced by Mike Chapman. Moroder produced Call Me... Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
