Re: (313) Electronic music culture in America

2004-10-07 Thread Michael . Elliot-Knight
I should amend this -

Problem with Minneapolis is Chicago. Many artists overlook our city for
that much larger one.

at the same time, the proximity to Chicago has allowed Minneapolis to have
a healthy house music 'scene' when the techno hasn't been

it's starting to balance out now

MEK



Re: (313) Electronic music culture in America

2004-10-07 Thread DJ Entropy

On Thu, 7 Oct 2004, Tosh Cooey wrote:

All the North Americans I know who have been over to Europe in the last  
year
keep saying the same thing over and over, that electronic music culture  
in

America is dying.




Dying?  It's been dead since 2001.






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Re: (313) Electronic music culture in America

2004-10-07 Thread Tosh Cooey

Lester Kenyatta Spence wrote:


when i first got on this list i was in my mid twenties with the world in
front of me.

now i'm in my mid thirties with a growing family that keeps on growing.
much harder to go clubbing.



Good point, how much of it is due to age?

Tosh


Re: (313) Electronic music culture in America

2004-10-07 Thread yussel
i used to rave all night in a warehouse

now i rave all morning at the gym.

time to move to never never land...


...i mean berlin

=P




On Thu, 7 Oct 2004, Tosh Cooey wrote:

 Lester Kenyatta Spence wrote:

  when i first got on this list i was in my mid twenties with the world in
  front of me.
 
  now i'm in my mid thirties with a growing family that keeps on growing.
  much harder to go clubbing.


 Good point, how much of it is due to age?

 Tosh



Re: (313) Electronic music culture in America

2004-10-07 Thread diana potts

age depends on the person. 

in my teens I raved.
in my early twenties I clubbed.
in my mid/late twenties I've been all about graduate
school. (I'm dragging my ass out to see algorithm in
philly tomorrow though!)

and I'm looking forward to graduation so I can finally
start going out and seeing some of the stuff I'm
missing now.
I definitely am more of a home body now, and my
interests aren't so narrow- but I'm in a bit of an
opposite boat 'age' wise.

I think politics effects alot of the atmosphere in the
states. Could it be that the election year is
overshadowing much of what's going on socially? dunno.

Perhaps it's just the overall age group and music
taste of the list. If we were on a *gasp* 'progressive
house' list, would the post be diff't. It seems to be
that the people from the states moving to Berlin are
of a particular electronic music group of tastes?
maybe you can be more insightful there Tosh.

Is it about radio? Do they play techno on the radio in
Berlin? Does that effect any outcome? 
You have to remember also when you say Europe  it's
much easier for people to city hop there. The trains
or so much more connected and it's cheaper to travel.
The economy is diff't...and face it,  economy does
effect social/entertainment life. 

...just some ideas.

diana


--- [EMAIL PROTECTED] wrote:

 i used to rave all night in a warehouse
 
 now i rave all morning at the gym.
 
 time to move to never never land...
 
 
 ...i mean berlin
 
 =P
 
 
 
 
 On Thu, 7 Oct 2004, Tosh Cooey wrote:
 
  Lester Kenyatta Spence wrote:
 
   when i first got on this list i was in my mid
 twenties with the world in
   front of me.
  
   now i'm in my mid thirties with a growing family
 that keeps on growing.
   much harder to go clubbing.
 
 
  Good point, how much of it is due to age?
 
  Tosh
 
 




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Re: (313) Electronic music culture in America

2004-10-07 Thread /0
im waiting the first wave of sound-alike records from the
We-all-moved-to-germany crowd.

well, not waiting...


- Original Message - 
From: [EMAIL PROTECTED]
To: Tosh Cooey [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Wednesday, October 06, 2004 8:00 PM
Subject: Re: (313) Electronic music culture in America


 i used to rave all night in a warehouse

 now i rave all morning at the gym.

 time to move to never never land...


 ...i mean berlin

 =P




 On Thu, 7 Oct 2004, Tosh Cooey wrote:

  Lester Kenyatta Spence wrote:
 
   when i first got on this list i was in my mid twenties with the world
in
   front of me.
  
   now i'm in my mid thirties with a growing family that keeps on
growing.
   much harder to go clubbing.
 
 
  Good point, how much of it is due to age?
 
  Tosh
 



Re: (313) Electronic music culture in America

2004-10-07 Thread robin


when i first got on this list i was in my mid twenties with the world 
in

front of me.
now i'm in my mid thirties with a growing family that keeps on 
growing.

much harder to go clubbing.



Good point, how much of it is due to age?


we had a discussion with a slightly different focus last year about 
this. there was a thread that asked for anyone under the age of 25 on 
this list to pipe up. i think there was one person.


i think the rubbishing of things like electroclash on here might be an 
age thing, for example.


robin...



RE: (313) Electronic music culture in America

2004-10-07 Thread Redmond, Ja'Maul
I believe the age thing is a big factor. Which is why I was  so focused on the 
misguided marketing or promoting of techno. I think I would be safe to say that 
most electronic music is marketed towards a 25 and under crowdi.e. dance 
night clubs, raves, bars, small records stores, cliché' magazines,,etc. But for 
most larger cities and small cities the 25 to 40 crowd is the largest in 
population demographic.  

Come on we have to be honest, once we hit 30 it's hard to make it to these late 
night events with all of our other responsibilites. I'm starting to promote my 
live P.a.'s to Daytime,weekend festivals, Gallery Crawls,Park festivals, Car 
shows, Electronics or computer  events, etc. and I'm getting way better 
response not to mention better pay. WAY more people actually buy c.d's and ask 
for contact information.  The music at these events are usually reserved for 
Rock/top 40 or even some hip-hop. After getting booked I asked why aren't more 
electronic music being showcased and the event coordinator would state 
simply,,, No one from that music approaches me. 

For 25 years techno in america has been marketed to a   demographic that's 
getting smaller and smaller and more divided. Of the number of 25 and under 
group, most are into hip-hop and top 40 and the rest are even more divided now 
days between the plethora of sub-genres within electronic music. Our techno 
shows very rarely pull progressive house heads or d-n-b crowds and vice-versa. 
An come to think of it,  Even within 25 and under crowds we're poorly marketed. 
How many 18 year old non d.j.'s actually buy vinyl? Why is it that in almost 
every University sponsered event electronic music is missing in action with the 
exception of the occasional  big name trance d.j. hear and there.? How do we 
expect for american, electronic music culture to grow,  when our music is only 
expose to such a small portion of the population. 
I guess I'm ranting now, but a bunch of us down here in the south have been 
discussing this very thing.

  
 
  

-Original Message-
From: robin [mailto:[EMAIL PROTECTED] 
Sent: Thursday, October 07, 2004 4:54 AM
To: 313 Org
Subject: Re: (313) Electronic music culture in America


 when i first got on this list i was in my mid twenties with the world 
 in front of me.
 now i'm in my mid thirties with a growing family that keeps on 
 growing.
 much harder to go clubbing.


 Good point, how much of it is due to age?

we had a discussion with a slightly different focus last year about this. there 
was a thread that asked for anyone under the age of 25 on this list to pipe up. 
i think there was one person.

i think the rubbishing of things like electroclash on here might be an age 
thing, for example.

robin...





Re: (313) Electronic music culture in America

2004-10-07 Thread Luis-Manuel Garcia
Damn you kids with 116+ posts in a day.  Anyway, in answer to Toshie's 
questions:


I think that part of it has to do with the way in which the discotheque 
tradition never completely died in Europe and continues today.  When I 
was living in Toronto, the phrase let's do something tonight more 
often led to a round of beers at a pub than a night dancing.  My 
experience elsewhere in North America has been similar.  When you think 
about it, dance music's 'big break' in North America occurred as a 
repackaging of American (read: Chicago/Detroit/NYC) music by the 
booming European market.  So we were getting into a European scene's 
re-reading of an earlier Chicago/Detroit/NYC scene, and it was fighting 
against the hostile post-disco legacy of the 80's in N. America.


Interestingly enough, the N American 'scene' that has kept up a strong 
tradition of dance music up until now is the gay club scene.  The 
styles have shifted and you're more likely to hear 'tribal' and 
'circuit' flavours rather than techno or chicago-styled house, but the 
tradition(s) continue.  It was mostly in these scenes that the remnants 
of disco percolated and eventually morphed into the Chicago house and 
NY garages scenes, so I wonder if this scenario might replay itself 
again.


Hmmm.

Luis

On Wednesday, October 6, 2004, at 05:25  PM, Tosh Cooey wrote:

All the North Americans I know who have been over to Europe in the 
last year keep saying the same thing over and over, that electronic 
music culture in America is dying.


No clubs, all the smaller cities are non-existent for a DJ/live 
performance, etc. how true is this?


I have seen some evidence via some of the labels I work with having 
trouble setting up tours that get outside of New York, Chicago, San 
Fran/LA.


Is it really that bad?  What would some of the reasons be?  How would 
this be connected to the previous discussion about techno not selling?


Tosh

--
McIntosh Cooey - Twelve Hundred Group LLC - http://www.1200group.com/



Politics is parlour tricks.
-W. Jean



Re: (313) Electronic music culture in America

2004-10-06 Thread Lester Kenyatta Spence
On Thu, 7 Oct 2004, Tosh Cooey wrote:

 All the North Americans I know who have been over to Europe in the last year
 keep saying the same thing over and over, that electronic music culture in
 America is dying.

 No clubs, all the smaller cities are non-existent for a DJ/live performance,
 etc. how true is this?

Hm.  I don't think this is exactly right.  It depends how you measure it.
People now have more access to create electronic music spaces than they
EVER had even five yeears ago.  What?   Garage band and a hip-hop jam pack
for only 150.00?  Traktor's DJ Suite running only a few hundred bucks?
Access to literally hundreds of hours of helluva DJ sets over the net?
But there is growing reason to suspect that this doesn't translate into
strong LOCAL cultures.

 I have seen some evidence via some of the labels I work with having trouble
 setting up tours that get outside of New York, Chicago, San Fran/LA.

 Is it really that bad?  What would some of the reasons be?  How would this be
 connected to the previous discussion about techno not selling?

I missed that discussion--popping in and out you know.

But i think that in order to really deal with this in some depth we have
to understand the movement of capital and people across time and space and
how that impacts listening preferences, purchasing preferences, and local
club dynamics.  and on top of that we have to grapple with the fundamental
fact that we are growing older.

when i first got on this list i was in my mid twenties with the world in
front of me.

now i'm in my mid thirties with a growing family that keeps on growing.
much harder to go clubbing.

as far as moving capital and people, here's one way to think about it.
i'm a house/techno head.  i'm in saint louis.

i've got an opportunity to go to the dc area because i have skills (not in
house/techno, but in some other area).

do i stay in saint louis?  or do i go to dc?

if most heads have these types of options...if most djs have these types
of options...then over time what will happen is that there will be a few
STRONG areas (detroit, chicago, etc.), and other much weaker areas.  and
as the people with the skills are able to travel farther and farther (and
the comparison is now between london and dc rather than between saint
louis and dc), the number of cities grows smaller, and the local culture
becomes more and more intimate.


lks


Re: (313) Electronic music culture in America

2004-10-06 Thread Michael . Elliot-Knight
Well, things in Minneapolis are looking up. I would consider Minneapolis a
smaller city.
Within the last year we've had Stacey Pullen, Claude Young, Ghostly artists
numerous times, Merck has a presence here, Derrick May is scheduled as is
Dan Bell, Bunker artists were here not too long ago, Green Velvet has been
back and forth, Common Factor was here as well. I'm sure I'm forgetting...

We now have a regular techno night in a major night club - big room I might
add. In addition there are several smaller clubs that regularly book techno
artists. Many of them quite experimental.

I'd say that less than a handful of promoters have been responsible for
this boost in techno sounds.
There is a lack of diversity though amongst the available clubs willing to
open their doors to this sound. Too many are doing the usual meat-market
top 40 club. Either that or playing very safe house music.

Problem with Minneapolis is Chicago. Many artists overlook our city for
that much larger one.

These events are not an every day of the week occurrence and there are some
slow weeks but it's looking much healthier here than it has in a number of
years.
Still, compared to Europe... well it just doesn't compare. Generally,
people's awareness of artists has to be elevated and get out of the
conservative mindset.
Generally don't find that in smaller cities.
Who's responsibility is that though?
Record stores? Other DJs? Promoters?
Not sure

MEK



   
  Tosh Cooey
   
  [EMAIL PROTECTED] To:   
313@hyperreal.org 
   cc:  
   
  10/06/2004 05:25 Subject:  (313) Electronic music 
culture in America 
  PM
   

   

   




All the North Americans I know who have been over to Europe in the last
year
keep saying the same thing over and over, that electronic music culture in
America is dying.

No clubs, all the smaller cities are non-existent for a DJ/live
performance,
etc. how true is this?

I have seen some evidence via some of the labels I work with having trouble

setting up tours that get outside of New York, Chicago, San Fran/LA.

Is it really that bad?  What would some of the reasons be?  How would this
be
connected to the previous discussion about techno not selling?

Tosh

--
McIntosh Cooey - Twelve Hundred Group LLC - http://www.1200group.com/