Re: [agi] How do we hear music

2010-07-26 Thread David Butler
When we listen to music there are many elements that come into play that
create our memory of how the song goes.  If you take a piece of instrumental
music,  you have the melody, a succession of tones in a certain order,
duration of each note in the melody,  timbre, or tonal quality, (guitar vs
trombone), time, how fast the song is played.  Phrasing, what part of the
melody is emphasized using volume, change of tone quality etc...  Is the
melody played slurred with all the notes run together or staccato played
with short notes.

Too take it a step further how do we recognize a solo played by Miles Davis
rather than Dizzy Gillespie  playing the same song both on trumpet but sound
completely different in style.  How do we recognize when two different
conductors direct the same music with the same orchestra but yet make it
sound different?

.

On Thu, Jul 22, 2010 at 3:05 PM, Matt Mahoney matmaho...@yahoo.com wrote:

 deepakjnath wrote:

  Why do we listen to a song sung in different scale and yet identify it as
 the same song.?  Does it have something to do with the fundamental way in
 which we store memory?

 For the same reason that gray looks green on a red background. You have
 more neurons that respond to differences in tones than to absolute
 frequencies.


 -- Matt Mahoney, matmaho...@yahoo.com


 --
 *From:* deepakjnath deepakjn...@gmail.com
 *To:* agi agi@v2.listbox.com
 *Sent:* Thu, July 22, 2010 3:59:57 PM
 *Subject:* [agi] How do we hear music

 Why do we listen to a song sung in different scale and yet identify it as
 the same song.?  Does it have something to do with the fundamental way in
 which we store memory?

 cheers,
 Deepak
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Re: [agi] How do we hear music

2010-07-26 Thread Mike Tintner
David,

There must be a fair amount of cog sci/AI analysis of all this -  of how the 
brain analyses and remembers tunes  - and presumably leading theories (as for 
vision). Do you or anyone know more here?

Also, you have noted something of extreme importance, wh. is a lot more than a 
step further.

OTOH you've been analysing how we recognize the same, general tune in 
different, individual renditions. 

OTOH you've pointed out, we also recognize the INDIVIDUAL differences 
of/variatiions on the same genre/class - we appreciate the different ways 
Davis/Gillespie play as well as that they're playing the same tune.

Now correct me but isn't the individual dimension of images of all kinds, 
almost entirely missing from AI? The capacity to recognize what makes 
individuals of a species individual, and not just that they belong to the same 
species.  Isn't visual object recognition for example almost entirely focussed 
on recognizing general objects rather than individual objects - that that's an 
example of a general doll, rather than an individual particularly beaten up, or 
just slightly and disturbingly altered doll?

No doubt AI can recognize individual fingerprints, but it's the capacity to 
recognize individuals as variations on the general - to recognize that he has a 
particularly sarcastic smile, or she has a particularly lyrical, fluid walk,  
or that that tune contrasts harmonious and discordant music (as per rap) in a 
distinctive way - that's missing, no?



From: David Butler 
Sent: Monday, July 26, 2010 3:44 PM
To: agi 
Subject: Re: [agi] How do we hear music


When we listen to music there are many elements that come into play that create 
our memory of how the song goes.  If you take a piece of instrumental music,  
you have the melody, a succession of tones in a certain order,  duration of 
each note in the melody,  timbre, or tonal quality, (guitar vs trombone), time, 
how fast the song is played.  Phrasing, what part of the melody is emphasized 
using volume, change of tone quality etc...  Is the melody played slurred with 
all the notes run together or staccato played with short notes.   

Too take it a step further how do we recognize a solo played by Miles Davis 
rather than Dizzy Gillespie  playing the same song both on trumpet but sound 
completely different in style.  How do we recognize when two different 
conductors direct the same music with the same orchestra but yet make it sound 
different?

.


On Thu, Jul 22, 2010 at 3:05 PM, Matt Mahoney matmaho...@yahoo.com wrote:

  deepakjnath wrote:


   Why do we listen to a song sung in different scale and yet identify it as 
the same song.?  Does it have something to do with the fundamental way in which 
we store memory?


  For the same reason that gray looks green on a red background. You have more 
neurons that respond to differences in tones than to absolute frequencies.

   
  -- Matt Mahoney, matmaho...@yahoo.com 





--
  From: deepakjnath deepakjn...@gmail.com
  To: agi agi@v2.listbox.com
  Sent: Thu, July 22, 2010 3:59:57 PM
  Subject: [agi] How do we hear music


  Why do we listen to a song sung in different scale and yet identify it as the 
same song.?  Does it have something to do with the fundamental way in which we 
store memory?

  cheers,
  Deepak

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Re: [agi] How do we hear music

2010-07-26 Thread deepakjnath
Mike,

All chinese look the same for me. But for a chinese person they don't. Why
is this? Is there another clue here?

Thanks,
Deepak

On Mon, Jul 26, 2010 at 9:10 PM, Mike Tintner tint...@blueyonder.co.ukwrote:

  David,

 There must be a fair amount of cog sci/AI analysis of all this -  of how
 the brain analyses and remembers tunes  - and presumably leading theories
 (as for vision). Do you or anyone know more here?

 Also, you have noted something of extreme importance, wh. is a lot more
 than a step further.

 OTOH you've been analysing how we recognize the same, general tune in
 different, individual renditions.

 OTOH you've pointed out, we also recognize the INDIVIDUAL differences
 of/variatiions on the same genre/class - we appreciate the different ways
 Davis/Gillespie play as well as that they're playing the same tune.

 Now correct me but isn't the individual dimension of images of all kinds,
 almost entirely missing from AI? The capacity to recognize what
 makes individuals of a species individual, and not just that they belong to
 the same species.  Isn't visual object recognition for example almost
 entirely focussed on recognizing general objects rather than individual
 objects - that that's an example of a general doll, rather than an
 individual particularly beaten up, or just slightly and disturbingly altered
 doll?

 No doubt AI can recognize individual fingerprints, but it's the capacity to
 recognize individuals as variations on the general - to recognize that he
 has a particularly sarcastic smile, or she has a particularly lyrical, fluid
 walk,  or that that tune contrasts harmonious and discordant music (as per
 rap) in a distinctive way - that's missing, no?


  *From:* David Butler dbut...@flomedia.com
 *Sent:* Monday, July 26, 2010 3:44 PM
 *To:* agi agi@v2.listbox.com
 *Subject:* Re: [agi] How do we hear music

 When we listen to music there are many elements that come into play that
 create our memory of how the song goes.  If you take a piece of instrumental
 music,  you have the melody, a succession of tones in a certain order,
 duration of each note in the melody,  timbre, or tonal quality, (guitar vs
 trombone), time, how fast the song is played.  Phrasing, what part of the
 melody is emphasized using volume, change of tone quality etc...  Is the
 melody played slurred with all the notes run together or staccato played
 with short notes.

 Too take it a step further how do we recognize a solo played by Miles Davis
 rather than Dizzy Gillespie  playing the same song both on trumpet but sound
 completely different in style.  How do we recognize when two different
 conductors direct the same music with the same orchestra but yet make it
 sound different?

 .

 On Thu, Jul 22, 2010 at 3:05 PM, Matt Mahoney matmaho...@yahoo.comwrote:

   deepakjnath wrote:

  Why do we listen to a song sung in different scale and yet identify it
 as the same song.?  Does it have something to do with the fundamental way in
 which we store memory?

 For the same reason that gray looks green on a red background. You have
 more neurons that respond to differences in tones than to absolute
 frequencies.


 -- Matt Mahoney, matmaho...@yahoo.com


  --
 *From:* deepakjnath deepakjn...@gmail.com
 *To:* agi agi@v2.listbox.com
 *Sent:* Thu, July 22, 2010 3:59:57 PM
 *Subject:* [agi] How do we hear music

 Why do we listen to a song sung in different scale and yet identify it as
 the same song.?  Does it have something to do with the fundamental way in
 which we store memory?

 cheers,
 Deepak
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-- 
cheers,
Deepak



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Re: [agi] How do we hear music

2010-07-26 Thread David Butler
It seems to me that the hardest thing for AI to comprehend would be the
evolutionary and social aspects of intelligence.  What is good for today may
not be good for tomorrow or vice verse.  As an example,  the acceptance of
Stravinsky's The right of Spring as a great work of art/music. When it was
introduced it was not accepted at all.  It was ahead of it's time
harmonically.  The same can be said of a lot of visual art.  It also could
be said that a great many people today do not like Stravinsky, some like
country music or Mozart.   Does this mean that one is better than the
other?  How does AI differentiate and decide for itself what is good and
what is bad in art, morals and culture?

To me, art, morals/culture represent the social aspect of intelligence.  The
internet seems to be speeding up the evolution of social intelligence. (it
at least represents,  in an immediate and accessible way,  the vast
differences in opinion and culture that we have on this planet).

Do we need to create thousands of AI's to be able to create social
intelligence within AI?   Would it be a dangerous thing to create a single
AI and let it decide?

On Mon, Jul 26, 2010 at 10:40 AM, Mike Tintner tint...@blueyonder.co.ukwrote:

  David,

 There must be a fair amount of cog sci/AI analysis of all this -  of how
 the brain analyses and remembers tunes  - and presumably leading theories
 (as for vision). Do you or anyone know more here?

 Also, you have noted something of extreme importance, wh. is a lot more
 than a step further.

 OTOH you've been analysing how we recognize the same, general tune in
 different, individual renditions.

 OTOH you've pointed out, we also recognize the INDIVIDUAL differences
 of/variatiions on the same genre/class - we appreciate the different ways
 Davis/Gillespie play as well as that they're playing the same tune.

 Now correct me but isn't the individual dimension of images of all kinds,
 almost entirely missing from AI? The capacity to recognize what
 makes individuals of a species individual, and not just that they belong to
 the same species.  Isn't visual object recognition for example almost
 entirely focussed on recognizing general objects rather than individual
 objects - that that's an example of a general doll, rather than an
 individual particularly beaten up, or just slightly and disturbingly altered
 doll?

 No doubt AI can recognize individual fingerprints, but it's the capacity to
 recognize individuals as variations on the general - to recognize that he
 has a particularly sarcastic smile, or she has a particularly lyrical, fluid
 walk,  or that that tune contrasts harmonious and discordant music (as per
 rap) in a distinctive way - that's missing, no?


  *From:* David Butler dbut...@flomedia.com
 *Sent:* Monday, July 26, 2010 3:44 PM
 *To:* agi agi@v2.listbox.com
 *Subject:* Re: [agi] How do we hear music

 When we listen to music there are many elements that come into play that
 create our memory of how the song goes.  If you take a piece of instrumental
 music,  you have the melody, a succession of tones in a certain order,
 duration of each note in the melody,  timbre, or tonal quality, (guitar vs
 trombone), time, how fast the song is played.  Phrasing, what part of the
 melody is emphasized using volume, change of tone quality etc...  Is the
 melody played slurred with all the notes run together or staccato played
 with short notes.

 Too take it a step further how do we recognize a solo played by Miles Davis
 rather than Dizzy Gillespie  playing the same song both on trumpet but sound
 completely different in style.  How do we recognize when two different
 conductors direct the same music with the same orchestra but yet make it
 sound different?

 .

 On Thu, Jul 22, 2010 at 3:05 PM, Matt Mahoney matmaho...@yahoo.comwrote:

   deepakjnath wrote:

  Why do we listen to a song sung in different scale and yet identify it
 as the same song.?  Does it have something to do with the fundamental way in
 which we store memory?

 For the same reason that gray looks green on a red background. You have
 more neurons that respond to differences in tones than to absolute
 frequencies.


 -- Matt Mahoney, matmaho...@yahoo.com


  --
 *From:* deepakjnath deepakjn...@gmail.com
 *To:* agi agi@v2.listbox.com
 *Sent:* Thu, July 22, 2010 3:59:57 PM
 *Subject:* [agi] How do we hear music

 Why do we listen to a song sung in different scale and yet identify it as
 the same song.?  Does it have something to do with the fundamental way in
 which we store memory?

 cheers,
 Deepak
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Re: [agi] How do we hear music

2010-07-26 Thread David Jones
Deepak,

I have some insight on this question. There was a study regarding change
blindness. One of the study's famous experiments was having a person ask for
directions on a college campus. Then in the middle of this, a door would
pass between the person asking directions and the student giving directions.
What they found is that many people didn't realize the person had changed.

BUT, 100% of the people that did notice the change were the same age or
younger than the person they were observing!
So, they did another experiment to rule out the different possible
explanations. They took young people and dressed them as construction
workers. Then, they performed the experiment again with similar age groups.
They found that the people that had noticed the change before no longer did!

Why? Well, the evidence leads us to believe that people pay much closer
attention to the details of people they consider to be similar to them. So,
we notice fewer details when we are observing people of a group we consider
our out-group. In other words, we don't think we belong to the same group
as the person we are observing.

That is why asians all look the same to you :)

I think the purpose of this is analogous to attention. We only learn about
things we consider important. Or we only pay attention to things we think
are important. So, for whatever reason, we think that out-group people are
not as important to us, and we don't need to spend our brain's resources on
remembering details about them.

Dave

On Jul 26, 2010 2:58 PM, deepakjnath deepakjn...@gmail.com wrote:

Mike,

All chinese look the same for me. But for a chinese person they don't. Why
is this? Is there another clue here?

Thanks,
Deepak



On Mon, Jul 26, 2010 at 9:10 PM, Mike Tintner tint...@blueyonder.co.uk
wrote:

 David,

 T...
-- 
cheers,
Deepak
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Re: [agi] How do we hear music

2010-07-26 Thread Mike Tintner
Deepak,

No it's basically a distraction from the problem.  With time and closer 
inspection, they will all look different.

Correction, it IS useful. It probably tells us something about how the brain 
and an AGI must work 
First you start with a round blob shape for a class of objects - a face blob, 
and then you refine it and refine it, add more and more detail, for different 
individuals.

What makes Chinese difficult to individuate at first, is they have a particular 
characteristic wh. would be highly distinctive for a Western individual - 
relatively slanted eyes.  Imagine if a new race all had square jaws. You can't 
take your eyes off that feature at first. With time you learn to make 
adjustments for it, and notice the individual characteristics within the 
narrower eyes.  Ditto elephants are hard to individuate at first because they 
all have these massively distinctive features of huge ears and trunks.

You start general, and gradually individuate - but you have to individuate - 
your life depends on being able to distinguish individual characteristics as 
well as general forms.


From: deepakjnath 
Sent: Monday, July 26, 2010 7:56 PM
To: agi 
Subject: Re: [agi] How do we hear music


Mike,

All chinese look the same for me. But for a chinese person they don't. Why is 
this? Is there another clue here?

Thanks,
Deepak


On Mon, Jul 26, 2010 at 9:10 PM, Mike Tintner tint...@blueyonder.co.uk wrote:

  David,

  There must be a fair amount of cog sci/AI analysis of all this -  of how the 
brain analyses and remembers tunes  - and presumably leading theories (as for 
vision). Do you or anyone know more here?

  Also, you have noted something of extreme importance, wh. is a lot more than 
a step further.

  OTOH you've been analysing how we recognize the same, general tune in 
different, individual renditions. 

  OTOH you've pointed out, we also recognize the INDIVIDUAL differences 
of/variatiions on the same genre/class - we appreciate the different ways 
Davis/Gillespie play as well as that they're playing the same tune.

  Now correct me but isn't the individual dimension of images of all kinds, 
almost entirely missing from AI? The capacity to recognize what makes 
individuals of a species individual, and not just that they belong to the same 
species.  Isn't visual object recognition for example almost entirely focussed 
on recognizing general objects rather than individual objects - that that's an 
example of a general doll, rather than an individual particularly beaten up, or 
just slightly and disturbingly altered doll?

  No doubt AI can recognize individual fingerprints, but it's the capacity to 
recognize individuals as variations on the general - to recognize that he has a 
particularly sarcastic smile, or she has a particularly lyrical, fluid walk,  
or that that tune contrasts harmonious and discordant music (as per rap) in a 
distinctive way - that's missing, no?



  From: David Butler 
  Sent: Monday, July 26, 2010 3:44 PM
  To: agi 
  Subject: Re: [agi] How do we hear music


  When we listen to music there are many elements that come into play that 
create our memory of how the song goes.  If you take a piece of instrumental 
music,  you have the melody, a succession of tones in a certain order,  
duration of each note in the melody,  timbre, or tonal quality, (guitar vs 
trombone), time, how fast the song is played.  Phrasing, what part of the 
melody is emphasized using volume, change of tone quality etc...  Is the melody 
played slurred with all the notes run together or staccato played with short 
notes.   

  Too take it a step further how do we recognize a solo played by Miles Davis 
rather than Dizzy Gillespie  playing the same song both on trumpet but sound 
completely different in style.  How do we recognize when two different 
conductors direct the same music with the same orchestra but yet make it sound 
different?

  .


  On Thu, Jul 22, 2010 at 3:05 PM, Matt Mahoney matmaho...@yahoo.com wrote:

deepakjnath wrote:


 Why do we listen to a song sung in different scale and yet identify it as 
the same song.?  Does it have something to do with the fundamental way in which 
we store memory?


For the same reason that gray looks green on a red background. You have 
more neurons that respond to differences in tones than to absolute frequencies.

 
-- Matt Mahoney, matmaho...@yahoo.com 






From: deepakjnath deepakjn...@gmail.com
To: agi agi@v2.listbox.com
Sent: Thu, July 22, 2010 3:59:57 PM
Subject: [agi] How do we hear music


Why do we listen to a song sung in different scale and yet identify it as 
the same song.?  Does it have something to do with the fundamental way in which 
we store memory?

cheers,
Deepak

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Re: [agi] How do we hear music

2010-07-26 Thread deepakjnath
thanks Dave,

This means that there is a system in the brain that decides on the details
that we capture from our external environment. Something like an auto focus
or a system that increases or decreases the resolution of the picture as it
deems fit. We could call this an auto attention focusing system.

It would be interesting to know what kind of priming helps the brain decide
these kind of things. What is it that the brain needs to be exposed to get
these prejudices. Does this affect our choice of mates. Are we at all free
willed? or these filters make us do the things that we do?

Cheers,
Deepak

On Tue, Jul 27, 2010 at 12:42 AM, David Jones davidher...@gmail.com wrote:

 Deepak,

 I have some insight on this question. There was a study regarding change
 blindness. One of the study's famous experiments was having a person ask for
 directions on a college campus. Then in the middle of this, a door would
 pass between the person asking directions and the student giving directions.
 What they found is that many people didn't realize the person had changed.

 BUT, 100% of the people that did notice the change were the same age or
 younger than the person they were observing!
 So, they did another experiment to rule out the different possible
 explanations. They took young people and dressed them as construction
 workers. Then, they performed the experiment again with similar age groups.
 They found that the people that had noticed the change before no longer did!

 Why? Well, the evidence leads us to believe that people pay much closer
 attention to the details of people they consider to be similar to them. So,
 we notice fewer details when we are observing people of a group we consider
 our out-group. In other words, we don't think we belong to the same group
 as the person we are observing.

 That is why asians all look the same to you :)

 I think the purpose of this is analogous to attention. We only learn about
 things we consider important. Or we only pay attention to things we think
 are important. So, for whatever reason, we think that out-group people are
 not as important to us, and we don't need to spend our brain's resources on
 remembering details about them.

 Dave

 On Jul 26, 2010 2:58 PM, deepakjnath deepakjn...@gmail.com wrote:

 Mike,

 All chinese look the same for me. But for a chinese person they don't. Why
 is this? Is there another clue here?

 Thanks,
 Deepak



 On Mon, Jul 26, 2010 at 9:10 PM, Mike Tintner tint...@blueyonder.co.uk
 wrote:
 
  David,
 
  T...
 --
 cheers,
 Deepak
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-- 
cheers,
Deepak



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Re: [agi] How do we hear music

2010-07-26 Thread deepakjnath
Okay Mike,

Let me write down my theory of this phenomenon. my intuition is that brain
learns in steps and deltas. The brain takes in a fixed amount of only new
information at a time. So when a person who doesn't have too much
impressions (image memories) of a chinese person sees a chinese, He takes in
the round face and the eyes etc which are new info to the seer.

When the seer sees another chinese person the older chinese persons image
comes back into the working memory. The new person is stored as delta of the
other person.

As the seer sees more and more people the basic structure is no longer new.
The new features that get captured become the subtle variations from the
basic structure. This ability to identify new information becomes a crucial
function of the brain. Thus as time passes with images of chinese people,
the seer will be able to capture subtle variation and recognize the person.

People who are not musically trained find it difficult to distinguish
between notes. But repeated listening to the notes engrave the structure of
notes to the memory. And complex and subtle variations of the notes become
apparent to the listener as the base notes are already stored in the memory
and so no longer new.

cheers,
Deepak



On Tue, Jul 27, 2010 at 12:54 AM, Mike Tintner tint...@blueyonder.co.ukwrote:

  Deepak,

 No it's basically a distraction from the problem.  With time and closer
 inspection, they will all look different.

 Correction, it IS useful. It probably tells us something about how the
 brain and an AGI must work
 First you start with a round blob shape for a class of objects - a face
 blob, and then you refine it and refine it, add more and more detail, for
 different individuals.

 What makes Chinese difficult to individuate at first, is they have a
 particular characteristic wh. would be highly distinctive for a Western
 individual - relatively slanted eyes.  Imagine if a new race all had square
 jaws. You can't take your eyes off that feature at first. With time you
 learn to make adjustments for it, and notice the individual characteristics
 within the narrower eyes.  Ditto elephants are hard to individuate at first
 because they all have these massively distinctive features of huge ears and
 trunks.

 You start general, and gradually individuate - but you have to individuate
 - your life depends on being able to distinguish individual characteristics
 as well as general forms.

  *From:* deepakjnath deepakjn...@gmail.com
 *Sent:* Monday, July 26, 2010 7:56 PM
 *To:* agi agi@v2.listbox.com
 *Subject:* Re: [agi] How do we hear music

 Mike,

 All chinese look the same for me. But for a chinese person they don't. Why
 is this? Is there another clue here?

 Thanks,
 Deepak

 On Mon, Jul 26, 2010 at 9:10 PM, Mike Tintner tint...@blueyonder.co.ukwrote:

  David,

 There must be a fair amount of cog sci/AI analysis of all this -  of how
 the brain analyses and remembers tunes  - and presumably leading theories
 (as for vision). Do you or anyone know more here?

 Also, you have noted something of extreme importance, wh. is a lot more
 than a step further.

 OTOH you've been analysing how we recognize the same, general tune in
 different, individual renditions.

 OTOH you've pointed out, we also recognize the INDIVIDUAL differences
 of/variatiions on the same genre/class - we appreciate the different ways
 Davis/Gillespie play as well as that they're playing the same tune.

 Now correct me but isn't the individual dimension of images of all kinds,
 almost entirely missing from AI? The capacity to recognize what
 makes individuals of a species individual, and not just that they belong to
 the same species.  Isn't visual object recognition for example almost
 entirely focussed on recognizing general objects rather than individual
 objects - that that's an example of a general doll, rather than an
 individual particularly beaten up, or just slightly and disturbingly altered
 doll?

 No doubt AI can recognize individual fingerprints, but it's the capacity
 to recognize individuals as variations on the general - to recognize that he
 has a particularly sarcastic smile, or she has a particularly lyrical, fluid
 walk,  or that that tune contrasts harmonious and discordant music (as per
 rap) in a distinctive way - that's missing, no?


  *From:* David Butler dbut...@flomedia.com
 *Sent:* Monday, July 26, 2010 3:44 PM
 *To:* agi agi@v2.listbox.com
 *Subject:* Re: [agi] How do we hear music

 When we listen to music there are many elements that come into play that
 create our memory of how the song goes.  If you take a piece of instrumental
 music,  you have the melody, a succession of tones in a certain order,
 duration of each note in the melody,  timbre, or tonal quality, (guitar vs
 trombone), time, how fast the song is played.  Phrasing, what part of the
 melody is emphasized using volume, change of tone quality etc...  Is the
 melody played slurred with all the notes run together or staccato

Re: [agi] How do we hear music

2010-07-26 Thread Mike Tintner
I'm not sure that's too diff. from what I'm saying.

The interesting question is what does the brain use as its general class model 
against wh. to compare new individuals? It's unlikely to be a or the first 
individual face/object as you seem to be suggesting.

Another factor here is that you interpret all these objects with your body - 
you understand other faces and bodies by projecting your own body into them - a 
remarkable example of that is the ability of a c. 2 month old infant to imitate 
the mouth movements of parents ( remember it hasn't seen its own mouth yet).


From: deepakjnath 
Sent: Monday, July 26, 2010 8:38 PM
To: agi 
Subject: Re: [agi] How do we hear music


Okay Mike, 

Let me write down my theory of this phenomenon. my intuition is that brain 
learns in steps and deltas. The brain takes in a fixed amount of only new 
information at a time. So when a person who doesn't have too much impressions 
(image memories) of a chinese person sees a chinese, He takes in the round face 
and the eyes etc which are new info to the seer.

When the seer sees another chinese person the older chinese persons image comes 
back into the working memory. The new person is stored as delta of the other 
person.

As the seer sees more and more people the basic structure is no longer new. The 
new features that get captured become the subtle variations from the basic 
structure. This ability to identify new information becomes a crucial function 
of the brain. Thus as time passes with images of chinese people, the seer will 
be able to capture subtle variation and recognize the person.

People who are not musically trained find it difficult to distinguish between 
notes. But repeated listening to the notes engrave the structure of notes to 
the memory. And complex and subtle variations of the notes become apparent to 
the listener as the base notes are already stored in the memory and so no 
longer new.

cheers,
Deepak




On Tue, Jul 27, 2010 at 12:54 AM, Mike Tintner tint...@blueyonder.co.uk wrote:

  Deepak,

  No it's basically a distraction from the problem.  With time and closer 
inspection, they will all look different.

  Correction, it IS useful. It probably tells us something about how the brain 
and an AGI must work 
  First you start with a round blob shape for a class of objects - a face blob, 
and then you refine it and refine it, add more and more detail, for different 
individuals.

  What makes Chinese difficult to individuate at first, is they have a 
particular characteristic wh. would be highly distinctive for a Western 
individual - relatively slanted eyes.  Imagine if a new race all had square 
jaws. You can't take your eyes off that feature at first. With time you learn 
to make adjustments for it, and notice the individual characteristics within 
the narrower eyes.  Ditto elephants are hard to individuate at first because 
they all have these massively distinctive features of huge ears and trunks.

  You start general, and gradually individuate - but you have to individuate - 
your life depends on being able to distinguish individual characteristics as 
well as general forms.


  From: deepakjnath 
  Sent: Monday, July 26, 2010 7:56 PM
  To: agi 
  Subject: Re: [agi] How do we hear music


  Mike,

  All chinese look the same for me. But for a chinese person they don't. Why is 
this? Is there another clue here?

  Thanks,
  Deepak


  On Mon, Jul 26, 2010 at 9:10 PM, Mike Tintner tint...@blueyonder.co.uk 
wrote:

David,

There must be a fair amount of cog sci/AI analysis of all this -  of how 
the brain analyses and remembers tunes  - and presumably leading theories (as 
for vision). Do you or anyone know more here?

Also, you have noted something of extreme importance, wh. is a lot more 
than a step further.

OTOH you've been analysing how we recognize the same, general tune in 
different, individual renditions. 

OTOH you've pointed out, we also recognize the INDIVIDUAL differences 
of/variatiions on the same genre/class - we appreciate the different ways 
Davis/Gillespie play as well as that they're playing the same tune.

Now correct me but isn't the individual dimension of images of all kinds, 
almost entirely missing from AI? The capacity to recognize what makes 
individuals of a species individual, and not just that they belong to the same 
species.  Isn't visual object recognition for example almost entirely focussed 
on recognizing general objects rather than individual objects - that that's an 
example of a general doll, rather than an individual particularly beaten up, or 
just slightly and disturbingly altered doll?

No doubt AI can recognize individual fingerprints, but it's the capacity to 
recognize individuals as variations on the general - to recognize that he has a 
particularly sarcastic smile, or she has a particularly lyrical, fluid walk,  
or that that tune contrasts harmonious and discordant music (as per rap) in a 
distinctive way

Re: [agi] How do we hear music

2010-07-26 Thread deepakjnath
My theory is that there is no general class. What ever you see new is a new
class for you. If you see that again then this becomes a variation of the
earlier class. Basically the brain is able to detect if something it sees in
new and store it along with an emotion of excitement. This is why young
people are excited to see things because many things are new for them. New
experiences gives a kind of emotional high. This high helps to register the
new experience as a class. Now if there are things that just variations of
the new class then there is not too much excitement.

The neurons initially are nascent and as it sees new objects the neurons
become that memory. So when we see a car for the first time, the car neurons
are created. Basic class. When we see an audi, our brain create a variation
of car neuron. Each time u see a car, the car neurons in the brain get
excited.

Common things become boring. A star if he is seen always doesn't create that
excitement anymore. This is why the stars who are over exposed lose their
star value..

The emotions also play a huge role in forming memories. - This we will take
up as another thread.

The ability of the child to move its mouth comes from another phenomenon
namely mirror neurons. - Its basically means that a visual input of a
movement of the mouth creates memories that can be used to activate motor
nerves to move the mouth. This is a feedback mechanism.
Its similar to recording. When we record an mp3 song we can use it to play
back. similarly when we hear a sound in our brain, the brain finds a way to
reproduce the sound through the mouth. I know this is very confusing, I will
try to explain this better in a later post.

But the question is interesting. How does the baby know where its mouth is?

Thanks,
Deepak



On Tue, Jul 27, 2010 at 1:35 AM, Mike Tintner tint...@blueyonder.co.ukwrote:

  I'm not sure that's too diff. from what I'm saying.

 The interesting question is what does the brain use as its general class
 model against wh. to compare new individuals? It's unlikely to be a or the
 first individual face/object as you seem to be suggesting.

 Another factor here is that you interpret all these objects with your body
 - you understand other faces and bodies by projecting your own body into
 them - a remarkable example of that is the ability of a c. 2 month old
 infant to imitate the mouth movements of parents ( remember it hasn't seen
 its own mouth yet).

  *From:* deepakjnath deepakjn...@gmail.com
 *Sent:* Monday, July 26, 2010 8:38 PM
 *To:* agi agi@v2.listbox.com
 *Subject:* Re: [agi] How do we hear music

 Okay Mike,

 Let me write down my theory of this phenomenon. my intuition is that brain
 learns in steps and deltas. The brain takes in a fixed amount of only new
 information at a time. So when a person who doesn't have too much
 impressions (image memories) of a chinese person sees a chinese, He takes in
 the round face and the eyes etc which are new info to the seer.

 When the seer sees another chinese person the older chinese persons image
 comes back into the working memory. The new person is stored as delta of the
 other person.

 As the seer sees more and more people the basic structure is no longer new.
 The new features that get captured become the subtle variations from the
 basic structure. This ability to identify new information becomes a crucial
 function of the brain. Thus as time passes with images of chinese people,
 the seer will be able to capture subtle variation and recognize the person.

 People who are not musically trained find it difficult to distinguish
 between notes. But repeated listening to the notes engrave the structure of
 notes to the memory. And complex and subtle variations of the notes become
 apparent to the listener as the base notes are already stored in the memory
 and so no longer new.

 cheers,
 Deepak



 On Tue, Jul 27, 2010 at 12:54 AM, Mike Tintner 
 tint...@blueyonder.co.ukwrote:

  Deepak,

 No it's basically a distraction from the problem.  With time and closer
 inspection, they will all look different.

 Correction, it IS useful. It probably tells us something about how the
 brain and an AGI must work
 First you start with a round blob shape for a class of objects - a face
 blob, and then you refine it and refine it, add more and more detail, for
 different individuals.

 What makes Chinese difficult to individuate at first, is they have a
 particular characteristic wh. would be highly distinctive for a Western
 individual - relatively slanted eyes.  Imagine if a new race all had square
 jaws. You can't take your eyes off that feature at first. With time you
 learn to make adjustments for it, and notice the individual characteristics
 within the narrower eyes.  Ditto elephants are hard to individuate at first
 because they all have these massively distinctive features of huge ears and
 trunks.

 You start general, and gradually individuate - but you have to individuate
 - your life depends

Re: [agi] How do we hear music

2010-07-25 Thread Michael Swan

On Fri, 2010-07-23 at 23:38 +0100, Mike Tintner wrote:
 Michael:but those things do have patterns.. A mushroom (A) is like a cloud
  mushroom (B).
 
  if ( (input_source_A == An_image) AND ( input_source_B == An_image ))
 
  One pattern is that they both came from an image source, and I just used
  maths + logic to prove it
 
 Michael,
 
 This is a bit desperate isn't it?
It's a common misconception that high level queries aren't very good.
Imagine 5 senses, sight, touch taste .. etc.

We confirm the input is from sight. By doing this we potentially reduce
the combination of what it could be by 4/5 ~ 80%. which is pretty
awesome. 

Computer programs know nothing. You have to tell them everything (narrow
AI) or allow the mechanics to find out things for themselves.

 
 They both come from image sources. So do a zillion other images, from 
 Obama to dung - so they're all alike? Everything in the world is alike and 
 metaphorical for everything else?
 
 And their images must be alike because they both have an 'o' and a 'u' in 
 their words, (not their images)-  unless you're a Chinese speaker.
 
 Pace Lear, that way madness lies.
 
 Why don't you apply your animation side to the problem - and analyse the 
 images per images, and how to compare them as images? Some people in AGI 
 although not AFAIK on this forum are actually addressing the problem. I'm 
 sure *you* can too.
 
 
 
 --
 From: Michael Swan ms...@voyagergaming.com
 Sent: Friday, July 23, 2010 8:28 AM
 To: agi agi@v2.listbox.com
 Subject: Re: [agi] How do we hear music
 
 
 
 
 
 
  On Fri, 2010-07-23 at 03:45 +0100, Mike Tintner wrote:
  Let's crystallise the problem   - all the unsolved problems of AGI - 
  visual
  object recognition, conceptualisation, analogy, metaphor, creativity,
  language understanding and generation -  are problems where you're 
  dealing
  with freeform, irregular patchwork objects - objects which clearly do not
  fit any *patterns* -   the raison d'etre of maths .
 
  To focus that , these objects do not have common parts in more or less
  precisely repeating structures - i.e. fit patterns.
 
  A cartoon and a photo of the same face may have no parts or structure in
  common.
  Ditto different versions of the Google logo. Zero common parts or 
  structure
 
  Ditto cloud and mushroom - no common parts, or common structure.
 
  Yet the mind amazingly can see likenesses between all these things.
 
  Just about all the natural objects in the world , with some obvious
  exceptions, do not fit common patterns - they do not have the same parts 
  in
  precisely the same places/structures.  They may  have common loose
  organizations of parts - e.g. mouths, eyes, noses, lips  - but they are
  not precisely patterned.
 
  So you must explain how a mathematical approach, wh. is all about
  recognizing patterns, can apply to objects wh. do not fit patterns.
 
  You won't be able to - because if you could bring yourselves to look at 
  the
  real world or any depictions of it other than geometric, (metacognitively
  speaking),you would see for yourself that these objects don't have 
  precise
  patterns.
 
  It's obvious also that when the mind likens a cloud to a mushroom, it 
  cannot
  be using any math. techniques.
 
  .. but those things do have patterns.. A mushroom (A) is like a cloud
  mushroom (B).
 
  if ( (input_source_A == An_image) AND ( input_source_B == An_image ))
 
  One pattern is that they both came from an image source, and I just used
  maths + logic to prove it.
 
  But we have to understand how the mind does do that - because it's fairly
  clearly  the same technique the mind also uses to conceptualise even more
  vastly different forms such as those of  chair, tree,  dog, cat.
 
  And that technique - like concepts themselves -  is at the heart of AGI.
 
  And you can sit down and analyse the problem visually, physically and see
  also pretty obviously that if the mind can liken such physically 
  different
  objects as cloud and mushroom, then it HAS to do that with something like 
  a
  fluid schema. There's broadly no other way but to fluidly squash the 
  objects
  to match each other (there could certainly be different techniques of
  achieving that  - but the broad principles are fairly self evident). 
  Cloud
  and mushroom certainly don't match formulaically, mathematically. Neither 
  do
  those different versions of a tune. Or the different faces of Madonna.
 
  But what we've got here is people who don't in the final analysis give a
  damn about how to solve AGI - if it's a choice between doing maths and
  failing, and having some kind of artistic solution to AGI that actually
  works, most people here will happily fail forever. Mathematical AI has
  indeed consistently failed at AGI. You have to realise, mathematicians 
  have
  a certain kind of madness. Artists don't go around saying God is an 
  artist,
  or everything is art. Only

RE: [agi] How do we hear music

2010-07-24 Thread John G. Rose
 -Original Message-
 
 You have all missed one vital point. Music is repeating and it has a
symmetry.
 In dancing (song and dance) moves are repeated in a symmetrical pattern.
 
 Question why are we programmed to find symmetry? This question may be
 more core to AGI than appears at first sight. Chearly an AGI system will
have
 to look for symmetry and do what Hardy described as beautiful maths.
 

Symmetry is at the heart of everything; without symmetry the universe
collapses. Intelligence operates over symmetric verses non-symmetric IMO.
But everything is ultimately grounded in symmetry. 

BTW kind of related, was just watching this neat video - the soundtrack
needs to be redone though :)

http://www.youtube.com/watch?v=4dpRPTwsKJs

Why does the brain have bi-lateral symmetry I wonder and why is the heart
not symmetric? Some researchers say consciousness is both heart and brain.

John



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Re: [agi] How do we hear music

2010-07-23 Thread Michael Swan





On Fri, 2010-07-23 at 03:45 +0100, Mike Tintner wrote:
 Let's crystallise the problem   - all the unsolved problems of AGI -  visual 
 object recognition, conceptualisation, analogy, metaphor, creativity, 
 language understanding and generation -  are problems where you're dealing 
 with freeform, irregular patchwork objects - objects which clearly do not 
 fit any *patterns* -   the raison d'etre of maths .
 
 To focus that , these objects do not have common parts in more or less 
 precisely repeating structures - i.e. fit patterns.
 
 A cartoon and a photo of the same face may have no parts or structure in 
 common.
 Ditto different versions of the Google logo. Zero common parts or structure
 
 Ditto cloud and mushroom - no common parts, or common structure.
 
 Yet the mind amazingly can see likenesses between all these things.
 
 Just about all the natural objects in the world , with some obvious 
 exceptions, do not fit common patterns - they do not have the same parts in 
 precisely the same places/structures.  They may  have common loose 
 organizations of parts - e.g. mouths, eyes, noses, lips  - but they are 
 not precisely patterned.
 
 So you must explain how a mathematical approach, wh. is all about 
 recognizing patterns, can apply to objects wh. do not fit patterns.
 
 You won't be able to - because if you could bring yourselves to look at the 
 real world or any depictions of it other than geometric, (metacognitively 
 speaking),you would see for yourself that these objects don't have precise 
 patterns.
 
 It's obvious also that when the mind likens a cloud to a mushroom, it cannot 
 be using any math. techniques.

.. but those things do have patterns.. A mushroom (A) is like a cloud
mushroom (B).

if ( (input_source_A == An_image) AND ( input_source_B == An_image ))

One pattern is that they both came from an image source, and I just used
maths + logic to prove it.
 
 But we have to understand how the mind does do that - because it's fairly 
 clearly  the same technique the mind also uses to conceptualise even more 
 vastly different forms such as those of  chair, tree,  dog, cat.
 
 And that technique - like concepts themselves -  is at the heart of AGI.
 
 And you can sit down and analyse the problem visually, physically and see 
 also pretty obviously that if the mind can liken such physically different 
 objects as cloud and mushroom, then it HAS to do that with something like a 
 fluid schema. There's broadly no other way but to fluidly squash the objects 
 to match each other (there could certainly be different techniques of 
 achieving that  - but the broad principles are fairly self evident). Cloud 
 and mushroom certainly don't match formulaically, mathematically. Neither do 
 those different versions of a tune. Or the different faces of Madonna.
 
 But what we've got here is people who don't in the final analysis give a 
 damn about how to solve AGI - if it's a choice between doing maths and 
 failing, and having some kind of artistic solution to AGI that actually 
 works, most people here will happily fail forever. Mathematical AI has 
 indeed consistently failed at AGI. You have to realise, mathematicians have 
 a certain kind of madness. Artists don't go around saying God is an artist, 
 or everything is art. Only mathematicians have that compulsion to reduce 
 everything to maths, when the overwhelming majority of representations are 
 clearly not mathematical - or claim that the obviously irregular abstract 
 arts (think Pollock) are mathematical. You're in good company - Wolfram, a 
 brilliant fellow, thinks his patterns constitute a new kind of science, when 
 the vast majority of scientists can see they only constitute a new  kind of 
 pattern, and do not apply to the real world.
 
 Look again - the brain is primarily a patchwork adapted to a patchwork, 
 very extensively unpatterned world -  incl. the internet itself - adapted 
 primarily not to neat, patterned networks, but  to  tangled, patchwork, 
 non-mathematical webs. See fotos.
 
 The outrageous one here is not me.
 
 
 
 
 --
 From: Michael Swan ms...@voyagergaming.com
 Sent: Friday, July 23, 2010 2:19 AM
 To: agi agi@v2.listbox.com
 Subject: Re: [agi] How do we hear music
 
  Hi,
 
  Sometimes outrageous comments are a catalyst for better ideas.
 
  On Fri, 2010-07-23 at 01:48 +0200, Jan Klauck wrote:
  Mike Tintner trolled
 
   And maths will handle the examples given :
  
   same tunes - different scales, different instruments
   same face -  cartoon, photo
   same logo  - different parts [buildings/ fruits/ human figures]
 
  Unfortunately I forgot. The answer is somewhere down there:
 
  http://en.wikipedia.org/wiki/Eigenvalue,_eigenvector_and_eigenspace
  http://en.wikipedia.org/wiki/Pattern_recognition
  http://en.wikipedia.org/wiki/Curve_fitting
  http://en.wikipedia.org/wiki/System_identification
 
  No-one has successfully integrated these concepts

Re: [agi] How do we hear music

2010-07-23 Thread Ian Parker
You have all missed one vital point. Music is repeating and it has a
symmetry. In dancing (song and dance) moves are repeated in
a symmetrical pattern.

Question why are we programmed to find symmetry? This question may be more
core to AGI than appears at first sight. Chearly an AGI system will have to
look for symmetry and do what Hardy described as beautiful maths.


  - Ian Parker

On 23 July 2010 04:02, Mike Archbold jazzbo...@gmail.com wrote:



 On Thu, Jul 22, 2010 at 12:59 PM, deepakjnath deepakjn...@gmail.comwrote:

 Why do we listen to a song sung in different scale and yet identify it as
 the same song.?  Does it have something to do with the fundamental way in
 which we store memory?



 Probably due to evolution?  Maybe at some point prior to words pitch was
 used in some variation.  You (an astrolopithicus etc, the spelling is f-ed
 up, I know) is not going to care what key you are singing Watch out for
 that sabertooth tiger in.  If you got messed up like that, can't hear the
 same song in a different key, you are cancelled out in evolution.  Just a
 guess.

 Mike Archbold



 cheers,
 Deepak
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Re: [agi] How do we hear music

2010-07-23 Thread Mike Tintner

Michael:but those things do have patterns.. A mushroom (A) is like a cloud

mushroom (B).

if ( (input_source_A == An_image) AND ( input_source_B == An_image ))

One pattern is that they both came from an image source, and I just used
maths + logic to prove it


Michael,

This is a bit desperate isn't it?

They both come from image sources. So do a zillion other images, from 
Obama to dung - so they're all alike? Everything in the world is alike and 
metaphorical for everything else?


And their images must be alike because they both have an 'o' and a 'u' in 
their words, (not their images)-  unless you're a Chinese speaker.


Pace Lear, that way madness lies.

Why don't you apply your animation side to the problem - and analyse the 
images per images, and how to compare them as images? Some people in AGI 
although not AFAIK on this forum are actually addressing the problem. I'm 
sure *you* can too.




--
From: Michael Swan ms...@voyagergaming.com
Sent: Friday, July 23, 2010 8:28 AM
To: agi agi@v2.listbox.com
Subject: Re: [agi] How do we hear music







On Fri, 2010-07-23 at 03:45 +0100, Mike Tintner wrote:
Let's crystallise the problem   - all the unsolved problems of AGI - 
visual

object recognition, conceptualisation, analogy, metaphor, creativity,
language understanding and generation -  are problems where you're 
dealing

with freeform, irregular patchwork objects - objects which clearly do not
fit any *patterns* -   the raison d'etre of maths .

To focus that , these objects do not have common parts in more or less
precisely repeating structures - i.e. fit patterns.

A cartoon and a photo of the same face may have no parts or structure in
common.
Ditto different versions of the Google logo. Zero common parts or 
structure


Ditto cloud and mushroom - no common parts, or common structure.

Yet the mind amazingly can see likenesses between all these things.

Just about all the natural objects in the world , with some obvious
exceptions, do not fit common patterns - they do not have the same parts 
in

precisely the same places/structures.  They may  have common loose
organizations of parts - e.g. mouths, eyes, noses, lips  - but they are
not precisely patterned.

So you must explain how a mathematical approach, wh. is all about
recognizing patterns, can apply to objects wh. do not fit patterns.

You won't be able to - because if you could bring yourselves to look at 
the

real world or any depictions of it other than geometric, (metacognitively
speaking),you would see for yourself that these objects don't have 
precise

patterns.

It's obvious also that when the mind likens a cloud to a mushroom, it 
cannot

be using any math. techniques.


.. but those things do have patterns.. A mushroom (A) is like a cloud
mushroom (B).

if ( (input_source_A == An_image) AND ( input_source_B == An_image ))

One pattern is that they both came from an image source, and I just used
maths + logic to prove it.


But we have to understand how the mind does do that - because it's fairly
clearly  the same technique the mind also uses to conceptualise even more
vastly different forms such as those of  chair, tree,  dog, cat.

And that technique - like concepts themselves -  is at the heart of AGI.

And you can sit down and analyse the problem visually, physically and see
also pretty obviously that if the mind can liken such physically 
different
objects as cloud and mushroom, then it HAS to do that with something like 
a
fluid schema. There's broadly no other way but to fluidly squash the 
objects

to match each other (there could certainly be different techniques of
achieving that  - but the broad principles are fairly self evident). 
Cloud
and mushroom certainly don't match formulaically, mathematically. Neither 
do

those different versions of a tune. Or the different faces of Madonna.

But what we've got here is people who don't in the final analysis give a
damn about how to solve AGI - if it's a choice between doing maths and
failing, and having some kind of artistic solution to AGI that actually
works, most people here will happily fail forever. Mathematical AI has
indeed consistently failed at AGI. You have to realise, mathematicians 
have
a certain kind of madness. Artists don't go around saying God is an 
artist,

or everything is art. Only mathematicians have that compulsion to reduce
everything to maths, when the overwhelming majority of representations 
are

clearly not mathematical - or claim that the obviously irregular abstract
arts (think Pollock) are mathematical. You're in good company - Wolfram, 
a
brilliant fellow, thinks his patterns constitute a new kind of science, 
when
the vast majority of scientists can see they only constitute a new  kind 
of

pattern, and do not apply to the real world.

Look again - the brain is primarily a patchwork adapted to a patchwork,
very extensively unpatterned world -  incl. the internet itself - adapted
primarily

Re: [agi] How do we hear music

2010-07-23 Thread Mike Tintner
No the answers are not there. That's complete rubbish; You won't be able to 
produce a point from your collective links that addresses any of the problems 
listed.

You seem blithely unaware that these are all unsolved problems.


From: L Detetive 
Sent: Friday, July 23, 2010 3:54 AM
To: agi 
Subject: Re: [agi] How do we hear music


So you must explain how a mathematical approach, wh. is all about recognizing 
patterns, can apply to objects wh. do not fit patterns.



No, we mustn't. You must read the links we've posted or stop asking the same 
things again and again. The answers are all there.

-- 
L

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Re: [agi] How do we hear music

2010-07-23 Thread L Detetive
And that is the proof that you didn'

-- 
L



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Re: [agi] How do we hear music

2010-07-23 Thread L Detetive
And that is the proof that you didn't read anything (or didn't understand,
more probably). But it was expected.

-- 
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[agi] How do we hear music

2010-07-22 Thread deepakjnath
Why do we listen to a song sung in different scale and yet identify it as
the same song.?  Does it have something to do with the fundamental way in
which we store memory?

cheers,
Deepak



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Re: [agi] How do we hear music

2010-07-22 Thread Matt Mahoney
deepakjnath wrote:

 Why do we listen to a song sung in different scale and yet identify it as the 
same song.?  Does it have something to do with the fundamental way in which we 
store memory?

For the same reason that gray looks green on a red background. You have more 
neurons that respond to differences in tones than to absolute frequencies.

 -- Matt Mahoney, matmaho...@yahoo.com





From: deepakjnath deepakjn...@gmail.com
To: agi agi@v2.listbox.com
Sent: Thu, July 22, 2010 3:59:57 PM
Subject: [agi] How do we hear music

Why do we listen to a song sung in different scale and yet identify it as the 
same song.?  Does it have something to do with the fundamental way in which we 
store memory?

cheers,
Deepak

agi | Archives  | Modify Your Subscription  


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Re: [agi] How do we hear music

2010-07-22 Thread L Detetive
Schemas are what maths can't handle - and are fundamental to AGI.

Maths are what Mike can't handle - and are fundamental to AGI.

-- 
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Re: [agi] How do we hear music

2010-07-22 Thread Mike Tintner
And maths will handle the examples given :

same tunes - different scales, different instruments
same face -  cartoon, photo
same logo  - different parts [buildings/ fruits/ human figures]

revealing them to be the same  -   how exactly?

Or you could take two arseholes -  same kind of object, but radically different 
configurations - maths will show them to belong to the same category, how?

IOW do you have the slightest evidence for what you're claiming? 

And to which part of  AGI, is maths demonstrably fundamental? Any idea? Or are 
you just praying?




From: L Detetive 
Sent: Thursday, July 22, 2010 11:49 PM
To: agi 
Subject: Re: [agi] How do we hear music


Schemas are what maths can't handle - and are fundamental to AGI.



Maths are what Mike can't handle - and are fundamental to AGI.

-- 
L

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Re: [agi] How do we hear music

2010-07-22 Thread L Detetive
Are you suggesting that I teach you some math? I learned it by myself, why
can't you? Stop being lazy (and ridiculous), please.

--
L



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Re: [agi] How do we hear music

2010-07-22 Thread Jan Klauck
Mike Tintner trolled

 And maths will handle the examples given :

 same tunes - different scales, different instruments
 same face -  cartoon, photo
 same logo  - different parts [buildings/ fruits/ human figures]

Unfortunately I forgot. The answer is somewhere down there:

http://en.wikipedia.org/wiki/Eigenvalue,_eigenvector_and_eigenspace
http://en.wikipedia.org/wiki/Pattern_recognition
http://en.wikipedia.org/wiki/Curve_fitting
http://en.wikipedia.org/wiki/System_identification

 revealing them to be the same  -   how exactly?

Why should anybody explain that mystery to you? You are not an
accepted member of the Grand Lodge of AGI Masons or its affiliates.

 Or you could take two arseholes -  same kind of object, but radically
 different configurations - maths will show them to belong to the same
 category, how?

How will you do it? By licking them?




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Re: [agi] How do we hear music

2010-07-22 Thread L Detetive
You could add this one too, Jan:
http://scholar.google.com.br/scholar?hl=enq=%22fourier-mellin+transform%22btnG=Searchas_sdt=2000as_ylo=as_vis=1
No more excuses for being lazy now. The answers for all proposed questions
are inside those links.

-- 
L



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Re: [agi] How do we hear music

2010-07-22 Thread Michael Swan
Hi,

Sometimes outrageous comments are a catalyst for better ideas. 

On Fri, 2010-07-23 at 01:48 +0200, Jan Klauck wrote:
 Mike Tintner trolled
 
  And maths will handle the examples given :
 
  same tunes - different scales, different instruments
  same face -  cartoon, photo
  same logo  - different parts [buildings/ fruits/ human figures]
 
 Unfortunately I forgot. The answer is somewhere down there:
 
 http://en.wikipedia.org/wiki/Eigenvalue,_eigenvector_and_eigenspace
 http://en.wikipedia.org/wiki/Pattern_recognition
 http://en.wikipedia.org/wiki/Curve_fitting
 http://en.wikipedia.org/wiki/System_identification
 
No-one has successfully integrated these concepts into a working AGI,
despite numerous attempts. Even though these concept feel general, when
implemented, only narrow or affected by combinatorial explosion have
succeeded. 
 
  revealing them to be the same  -   how exactly?
 
 Why should anybody explain that mystery to you? You are not an
 accepted member of the Grand Lodge of AGI Masons or its affiliates.
 
  Or you could take two arseholes -  same kind of object, but radically
  different configurations - maths will show them to belong to the same
  category, how?
 
 How will you do it? By licking them?

Personal attacks only weaken your arguments.

 
 
 
 
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Re: [agi] How do we hear music

2010-07-22 Thread L Detetive
No-one has successfully integrated these concepts into a working AGI,

So I could say for ANY method.

-- 
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Re: [agi] How do we hear music

2010-07-22 Thread L Detetive
So you must explain how a mathematical approach, wh. is all about
recognizing patterns, can apply to objects wh. do not fit patterns.

No, we mustn't. You must read the links we've posted or stop asking the same
things again and again. The answers are all there.

-- 
L



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Re: [agi] How do we hear music

2010-07-22 Thread Mike Archbold
On Thu, Jul 22, 2010 at 12:59 PM, deepakjnath deepakjn...@gmail.com wrote:

 Why do we listen to a song sung in different scale and yet identify it as
 the same song.?  Does it have something to do with the fundamental way in
 which we store memory?



Probably due to evolution?  Maybe at some point prior to words pitch was
used in some variation.  You (an astrolopithicus etc, the spelling is f-ed
up, I know) is not going to care what key you are singing Watch out for
that sabertooth tiger in.  If you got messed up like that, can't hear the
same song in a different key, you are cancelled out in evolution.  Just a
guess.

Mike Archbold



 cheers,
 Deepak
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