[AsburyPark] Re: Thick-Skinned in Asbury Park?

2008-12-04 Thread oakdorf
--- In AsburyPark@yahoogroups.com, [EMAIL PROTECTED] wrote:

 Thought I was in for a feel-good read.  Until I came across the  
reference to 
 Asbury Park as a town of losers.

It's the impression. Mario you've been here long enough to have seen 
it all. 

Look at the newest loser - the epseranza site and the offices of 
partners/mm. One last eyesore as well as the eyesores the Phoneix and 
MK and remainder of the Met.

Erase those eyesores one way or another and ocer the pilings for now 
on Wesley Grove that never got built.

For next summer, clean off what was the east portion of the casino 
and deck it with railings. 

Get the big 20 x40 garbage cans off the boardwalk. 

then head over to the west side and show something for real on 
Springwood.

There are winners and losers still in town. Not a town full of losers 
though.




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[AsburyPark] Re: Thick-Skinned in Asbury Park?

2008-12-04 Thread sandpiper15
Mario,

Neither Cohen nor Springsteen ever refer to Asbury Park as a town of losers. 
Obviously 
he's referring to the lyric from Thunder Road, which never specifies a 
particular town. 
(though given its references to dusty beach roads and windblown hair [hard to 
imagine on 
snail paced Ocean Avenue], it's likely he had some town in southern Ocean 
County in 
mind.) Cohen, like Springsteen, is using it as a metaphor for any small town in 
America 
from which a young, creative person would want to escape. Yes, he specifies a 
boardwalk 
scene, but again, that could be Point, Seaside, Wildwood, whatever. He's 
talking about the 
shore in general, and you shouldn't take it as a slight. It's just a college 
kid writing about 
how everyone can get into Bruce's version of Santa Claus is Comin' to Town, 
which is true 
(until about the 10th time they play it ;).

As to what he meant by horizontally inclined, I guess he was imagining the US 
as a person 
lying on his stomach, arms (New England) outstretched. Of course, one then 
wonders what 
metaphor he'd use for the south of Texas.


The main thrust of his essay seems to be that 
--- In AsburyPark@yahoogroups.com, [EMAIL PROTECTED] wrote:

 Thought I was in for a feel-good read.  Until I came across the  reference to 
 Asbury Park as a town of losers.  Guess I'm not  thick-skinned.  Feel free 
 to educate this guy via the comment box or  letters link.
  
 Anyone get what he means by horizontally inclined?
  
 =
  
 From Duke University's   The Sandbox - Recess 
 at   http://tinyurl.com/6m3ccxPosted:  12/4/08
  
  
 We New Jerseyans have thick skin about most offenses to the Garden State.  
 (Just to be clear: It doesn't smell like garbage, I don't find it ironic that 
  
 our state nickname invokes beauty and if New Jersey is the armpit of America, 
  
 our glob of a country sure is horizontally inclined.)
 
 
 We'll tolerate most barbs, but don't you dare demean Bruce Springsteen,  
 because The Boss is ours. He's stitched himself into the fabric of New 
 Jersey,  
 and by this point he's as culturally ingrained as diners, Tony Soprano and 
 the  
 neon lights on the boardwalk's tilt-a-whirls down the shore.
 
 
 It doesn't matter that Springsteen became rock and roll's future by  yearning 
 to leave New Jersey and find himself on the open road, to quit the  boardwalk 
 scene and pull out of a town full of losers, because even though he  left... 
 well, he never really did. He still plays rollicking shows in Giants  Stadium 
 on every tour and, with the E Street Band, awes crowds with rumbling  sets 
 that include the same hits from those iconic 1970s albums. 
 
 
 The state's true poet laureate is now a revered social critic, and his  music 
 reflects his age and political activism-and from a selfish standpoint,  it's 
 simply not as fun to blast the new stuff and sing along even though you  
 can't 
 hear your own voice, because it's not that type of music anymore. There  are 
 no more Thunder Roads for Springsteen to find, only 41 shots for him to riff  
 on. 
 
 
 Except, that is, for about one month every year, when radio stations  hide 
 Born in the U.S.A. or The Rising and pull out a dusty track that hasn't  been 
 played in 11 months.
 
 
 Roy Bittan starts by tickling the piano to conjure bells, and the crowd  
 roars in hysterical approval. Clarence Clemons does his best impersonation of 
  
 Santa Claus and then, beautifully, Springsteen comes in with the simple words 
  
 we've all memorized on the notes we all know are coming, yet somehow feel 
 fresh  
 every year: You better watch out/You better not cry/Better not pout/I'm 
 telling  you why. 
 
 
 Then it's the crowd's turn, a reincarnation of the  call-and-response 
 Springsteen uses in all of his live shows now. It doesn't  matter if you're 
 in the 
 car alone or if you're surrounded by thousands at the  Stone Pony in Asbury 
 Park; you yell, Santa Claus is coming to town! as loud,  as hoarsely and 
 with as 
 much holiday fervor as you can. Max Weinberg ratchets up  the percussion, 
 Miami Steve croons in the background, Clarence solos on the  sax-it's 
 familiar, 
 but invigorating. 
 
 
 It's the best Christmas song of all time, because it captures the spirit of  
 the holiday season. Find the bells and let loose. Embrace the company of 
 others.  And for goodness sake, fuhgeddabout the Jersey sneer, and be 
 thankful the 
 state  is, indeed, not a glorified parking lot.
 
 
 We have, after all, given even the naughtiest of you the gift of  Springsteen.
  
 =
  
 Happy Thankshallowistmas
  
  
  
  
 **Make your life easier with all your friends, email, and 
 favorite sites in one place.  Try it now. 
 (http://www.aol.com/?optin=new-
dpicid=aolcom40vanityncid=emlcntaolcom0010)
 
 
 [Non-text portions of this message have been removed]





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Re: [AsburyPark] Re: Thick-Skinned in Asbury Park?

2008-12-04 Thread MarioAPNJ
Ok.  Cohen gets a pass because he's a college kid.  The metaphor  is, as you 
say, obvious in the context of the song.
 
Not so obvious in the kid's paragraph where everything is literal not  
fugurative:
 
It doesn't matter that Springsteen became rock and roll's future by  
yearning to leave New Jersey and find himself on the open road, to quit the  
boardwalk scene and pull out of a town full of losers, because even though he  
left... 
well, he never really did. He still plays rollicking shows in Giants  Stadium 
on every tour and, with the E Street Band, awes crowds with rumbling  sets 
that include the same hits from those iconic 1970s albums.
 
With some more experience, he'll learn to proofread for ambiguity and  
possible misinterpretations. 
 
===
 
 
In a message dated 12/4/2008 11:44:12 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Mario,  Neither Cohen nor Springsteen ever refer to Asbury Park as a town of 
losers.  Obviously 
he's referring to the lyric from Thunder Road, which never  specifies a 
particular town. 
(though given its references to dusty beach  roads and windblown hair [hard 
to imagine on 
snail paced Ocean Avenue],  it's likely he had some town in southern Ocean 
County in 
mind.) Cohen,  like Springsteen, is using it as a metaphor for any small town 
in America  
from which a young, creative person would want to escape. Yes, he  specifies 
a boardwalk 
scene, but again, that could be Point, Seaside,  Wildwood, whatever. He's 
talking about the 
shore in general, and you  shouldn't take it as a slight. It's just a college 
kid writing about 
how  everyone can get into Bruce's version of Santa Claus is Comin' to 
Town,  which is true 
(until about the 10th time they play it ;).

As to  what he meant by horizontally inclined, I guess he was imagining the 
US as a  person 
lying on his stomach, arms (New England) outstretched. Of course,  one then 
wonders what 
metaphor he'd use for the south of  Texas.


The main thrust of his essay seems to be that 



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[AsburyPark] Re: Thick-Skinned in Asbury Park?

2008-12-04 Thread sharon_b283
WE?  I want to Barf!

--- In AsburyPark@yahoogroups.com, [EMAIL PROTECTED] wrote:

 Thought I was in for a feel-good read.  Until I came across the 
reference to 
 Asbury Park as a town of losers.  Guess I'm not  thick-skinned. 
Feel free 
 to educate this guy via the comment box or  letters link.
  
 Anyone get what he means by horizontally inclined?
  
 =
  
 From Duke University's   The Sandbox - Recess 
 at   http://tinyurl.com/6m3ccxPosted:  12/4/08
  
  
 We New Jerseyans have thick skin about most offenses to the Garden
State.  
 (Just to be clear: It doesn't smell like garbage, I don't find it
ironic that  
 our state nickname invokes beauty and if New Jersey is the armpit of
America,  
 our glob of a country sure is horizontally inclined.)
 
 
 We'll tolerate most barbs, but don't you dare demean Bruce
Springsteen,  
 because The Boss is ours. He's stitched himself into the fabric of
New Jersey,  
 and by this point he's as culturally ingrained as diners, Tony
Soprano and the  
 neon lights on the boardwalk's tilt-a-whirls down the shore.
 
 
 It doesn't matter that Springsteen became rock and roll's future by
 yearning 
 to leave New Jersey and find himself on the open road, to quit the 
boardwalk 
 scene and pull out of a town full of losers, because even though he
 left... 
 well, he never really did. He still plays rollicking shows in Giants
 Stadium 
 on every tour and, with the E Street Band, awes crowds with rumbling
 sets 
 that include the same hits from those iconic 1970s albums. 
 
 
 The state's true poet laureate is now a revered social critic, and
his  music 
 reflects his age and political activism-and from a selfish
standpoint,  it's 
 simply not as fun to blast the new stuff and sing along even though
you  can't 
 hear your own voice, because it's not that type of music anymore.
There  are 
 no more Thunder Roads for Springsteen to find, only 41 shots for him
to riff  
 on. 
 
 
 Except, that is, for about one month every year, when radio stations
 hide 
 Born in the U.S.A. or The Rising and pull out a dusty track that
hasn't  been 
 played in 11 months.
 
 
 Roy Bittan starts by tickling the piano to conjure bells, and the
crowd  
 roars in hysterical approval. Clarence Clemons does his best
impersonation of  
 Santa Claus and then, beautifully, Springsteen comes in with the
simple words  
 we've all memorized on the notes we all know are coming, yet somehow
feel fresh  
 every year: You better watch out/You better not cry/Better not
pout/I'm 
 telling  you why. 
 
 
 Then it's the crowd's turn, a reincarnation of the  call-and-response 
 Springsteen uses in all of his live shows now. It doesn't  matter if
you're in the 
 car alone or if you're surrounded by thousands at the  Stone Pony in
Asbury 
 Park; you yell, Santa Claus is coming to town! as loud,  as
hoarsely and with as 
 much holiday fervor as you can. Max Weinberg ratchets up  the
percussion, 
 Miami Steve croons in the background, Clarence solos on the 
sax-it's familiar, 
 but invigorating. 
 
 
 It's the best Christmas song of all time, because it captures the
spirit of  
 the holiday season. Find the bells and let loose. Embrace the
company of 
 others.  And for goodness sake, fuhgeddabout the Jersey sneer, and
be thankful the 
 state  is, indeed, not a glorified parking lot.
 
 
 We have, after all, given even the naughtiest of you the gift of 
Springsteen.
  
 =
  
 Happy Thankshallowistmas
  
  
  
  
 **Make your life easier with all your friends, email, and 
 favorite sites in one place.  Try it now. 

(http://www.aol.com/?optin=new-dpicid=aolcom40vanityncid=emlcntaolcom0010)
 
 
 [Non-text portions of this message have been removed]






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