Re: [digitalradio] Re: Question for experts

2010-03-10 Thread KH6TY
The difference between spread spectrum and other systems is the 
pseudo-random generating of the frequencies and not frequencies 
determined by the data. It was originally done to prevent decoding 
without the synchronization code. It is only disallowed under FCC 
regulations on that basis. SSB also uses frequency spreading as has 
already been noted, but the frequencies are determined by the code. That 
is why there is no reason not to allow ROS except that technically the 
frequencies are independently determined by pseudo-random code 
generator. Modify the regulations to limit the bandwidth and require 
third-party monitoring and ROS would be legal, but as the regulations 
stand, rightly or wrongly, we are required to abide by them. The 
petition process with public comment prevents harmful emissions from 
being used.


Glad we are at the point you wanted to make. I have spent much to much 
time on this FHSS vs regulations issue, so I have to go on to something 
else now. The FCC has spoken, and correctly so, and if anyone wants to 
petition to change the regulations, they can do so.


73 - Skip KH6TY




rein...@ix.netcom.com wrote:
 


Hi Skip,

Thanks, we have arrived at the point I wanted to get to,

So lets go a little further on this path, suppose I changed the
tones in a not so random fashion. Like I had a way to generate
tones as I do when I speak or make music or like some of those 
synthesizers

or whatever they are, do not know the details exactly, but they
generate tones that make up language that it understandable, with training
would that be spread spectrum?

You say varying the tones is the same as varying the VFO to the
outside world, is that science?

Would it make a difference if feed the balance modulator with 100 Hz
or 2500 Hz. lets switch between to tunes, teletype, is that SS?

If I produce speech it is speech if the tones do not form speech, it
is ss modulation?

Are you seeing that SSB is SS? as A kid I use to build oscillators
I could speak to them, and they would swing, and could hear speach
in a radio, unstability or FM , SS?

Lets get to the core is WSJT spread spectrum and please explain to me
why. I just do not seem to get it... Explain me the physics of it. please

I just like to understand this.

73 Rein W6SZ

-Original Message-
From: KH6TY kh...@comcast.net mailto:kh6ty%40comcast.net
Sent: Mar 9, 2010 7:04 PM
To: digitalradio@yahoogroups.com mailto:digitalradio%40yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts

I can't fathom the reason for doing that, but if the tone frequencies
are pseudo-randomly generated and then modulated by either on/off keying
or some other way, you will have a spread spectrum system, similar to
what is done in the ROS 2200 Hz-wide modes. The tones in a ssb
transmitter simply generate rf carriers, so varying the tone frequencies
is no different than varying a vfo frequency as far as the outside world
sees. The distinction in spread spectrum is the generation of the tone
frequencies independently of the data. I.e., you first generate a tone
frequency in a psudo-random manner and then convey intelligence by
modulating the resulting rf carriers.

73 - Skip KH6TY




Ralph Mowery wrote:



 Correct but you still have not answered my question. Indeed If I
 use one tone and key it on / off I have a cw transmitter, transmitting
 on the VJO frequebcy = or - the audio frequency.

 What do I have if I just change the tones in a random fashion?

 73 Rein W6SZ

 If a total random fashion, then you have a bunch of junk. It will
 not convey any useful information and probably illeagle in the ham 
bands.


 There must be order to it to convey any useful information.






Re: [digitalradio] Re: Question for experts

2010-03-10 Thread KH6TY

Julian,

By definition, it is SS if the pattern is independently generated from 
the data. The original intent of FHSS was to make third-party decoding 
impossible without knowledge of the code that generated the tones or 
carriers. FCC rules disallow encryption because we are required to 
police the bands ourselves. As long as there is not a pattern to the 
frequencies generated, that is independent of the data, one of the 
necessary and sufficient conditions to qualify as FHSS is missing. 
However, in the case of ROS, the repeated pattern is not there, so, 
until the regulations are changed, ROS is illegal FHSS, even though the 
spreading is limited and capable of third-party monitoring. That is a 
result of a historical attempt to prevent encryption, but this can 
probably be changed through the petition process with public comment. 
Until then, hams in the US have no choice but to abide by the 
regulations as written.


In the author's own words, three necessary and sufficient elements make 
it SS, and a search of the literature says the same:


1. The signal occupies a bandwidth much in excess of the minimum 
bandwidth necessary to send the information.
2. Spreading is accomplished by means of a spreading signal, often 
called a code signal, which is independent of the data.
3. At the receiver, despreading (recovering the original data) is 
accomplished by the correlation of the received spread signal with a 
synchronized replica of the spreading signal used to spread the information.


The operative phase here is independent of the data.

It is just unfortunate that the FCC regulations, as currently written, 
do not allow ROS on HF and that they really need to be updated. Note 
that SS is already permittted above 222 MHz, where there is plenty of 
space to use for spreading that does not exist on HF. In fact, the 
encryption aspect is not even mentioned, except in other parts of the 
regulations disallowing encryption. The regulations were obviously 
written to prevent extremely wide SS signals from interfering with other 
users. Since ROS is no wider than a phone signal, there is no reason the 
regulations should not be modified to allow it (perhaps with other 
necessary limitations), but until then, and right now, ROS is illegal 
below 222 Mhz. It is that simple!



Compare the repeated pattern of MFSK64 to the random pattern of ROS as 
data is applied. Substituting a 2- page technical description which is 
COMPLETELY different from the 7-page description of ROS as FHSS in an 
obvious attempt to circumvent FCC regulations is simply not believable, 
as an apparent twisting of the FCC's statement of illegality was 
apparently not true either. Which version is to be believed? Well, we 
don't need to decide that, and you apparently cannot believe anything 
the author claims since he keeps claiming something else! Anyone, 
including the FCC, can simply observe the differences in the spectral 
footprint of each, which is plainly shown here in a comparison of MFSK64 
and ROS 1 baud at 2200 Hz width:


http://home.comcast.net/~hteller/compare.zip

Note how the repetitive sending of data () does not result in 
any repetitive pattern on ROS, but it does in MFSK64, and MFSK64 idles 
with a repeated pattern, but ROS does not. The ROS tones are obviously 
not determined by the data and are also pseudo-randomly generated - 
definitely FHSS.


The FCC regulations describe permitted and not permitted (i.e. SS and 
others) emissions. They could care less about what a mode is called or 
how it is described by someone, because in the final analysis, we are 
required to maintain our EMISSIONS per the regulations, or have the 
regulations changed through the petition and public comment process.


Had the author not tried so hard to convince everyone that ROS was 
Spread Spectrum, this debate would probably never have occurred. It was 
the term, Spread Spectrum that raised red flags among US hams who are 
knowledgeable of the regulations we operate under, and they were right 
in realizing that, as a result, ROS is illegal on HF unless the 
regulations are changed. The FCC then confirmed that through the ARRL.


73 - Skip KH6TY




g4ilo wrote:
 

Is the random or pseudo-random manner of generating the tones or 
carriers an essential element of spread-spectrum? If so, and if the 
aim of using such a method is not to obfuscate the message but only to 
provide better immunity to interference and path variations, would you 
be any worse off using a repeated pattern of tones instead of a 
pseudo-randomly generated one? And if you did that, would it still be 
spread-spectrum?


Julian, G4ILO

--- In digitalradio@yahoogroups.com 
mailto:digitalradio%40yahoogroups.com, KH6TY kh...@... wrote:


 I can't fathom the reason for doing that, but if the tone frequencies
 are pseudo-randomly generated and then modulated by either on/off 
keying

 or some other way, you will have a spread spectrum system, similar to
 what is 

Re: [digitalradio] Re: Question for experts

2010-03-10 Thread KH6TY
He did, I guess, when he added a 500Hz-wide mode. The footprint of that 
mode indicates it is probably FSK as he tried to claim for the 2200 
Hz-wide mode. He says he submitted a technical description to the FCC 
but will not release it until he gets an OK. Don't know what to believe 
from him these days, though!


A further problem is the the new mode is included under the ROS name, 
and the 2200Hz-wide mode still looks like spread spectrum, unchanged 
from earlier. So if the FCC approves ROS on the basis of the new 500 
Hz-wide mode, operators may think the 2200Hz-wide mode is now legal also.


Still not a good situation!

73 - Skip KH6TY




g4ilo wrote:
 


Skip.

Thank you for the comprehensive explanation. I understand why ROS is 
illegal under your rules.


The point of my question was, if FHSS is illegal, why not simply 
modify the mode (which after all is experimental and does not have a 
large number of users) to use a non random way of generating the 
tones? Instead of rewriting the description to falsely claim ROS is 
not SS, why could he not have changed the mode so that it really was 
not SS?


What does ROS gain by using SS over another mode that carries the same 
amount of data at the same speed using the same bandwidth and the same 
number of tones but uses an entirely predictable method of modulation?


Julian, G4ILO

--- In digitalradio@yahoogroups.com 
mailto:digitalradio%40yahoogroups.com, KH6TY kh...@... wrote:


 Julian,

 By definition, it is SS if the pattern is independently generated 
from

 the data. The original intent of FHSS was to make third-party decoding
 impossible without knowledge of the code that generated the tones or
 carriers. FCC rules disallow encryption because we are required to
 police the bands ourselves. As long as there is not a pattern to the
 frequencies generated, that is independent of the data, one of the
 necessary and sufficient conditions to qualify as FHSS is missing.
 However, in the case of ROS, the repeated pattern is not there, so,
 until the regulations are changed, ROS is illegal FHSS, even though the
 spreading is limited and capable of third-party monitoring. That is a
 result of a historical attempt to prevent encryption, but this can
 probably be changed through the petition process with public comment.
 Until then, hams in the US have no choice but to abide by the
 regulations as written.

 In the author's own words, three necessary and sufficient elements make
 it SS, and a search of the literature says the same:

 1. The signal occupies a bandwidth much in excess of the minimum
 bandwidth necessary to send the information.
 2. Spreading is accomplished by means of a spreading signal, often
 called a code signal, which is independent of the data.
 3. At the receiver, despreading (recovering the original data) is
 accomplished by the correlation of the received spread signal with a
 synchronized replica of the spreading signal used to spread the 
information.


 The operative phase here is independent of the data.





Re: [digitalradio] Re: Question for experts

2010-03-10 Thread Jose A. Amador
El 10/03/2010 7:57, g4ilo escribió:
 What does ROS gain by using SS over another mode that carries the same amount 
 of data at the same speed using the same bandwidth and the same number of 
 tones but uses an entirely predictable method of modulation?

Processing gain. Signals correlated with the hopping sequence add up, 
non correlated signals do not add up.

It does not mean that SS is not a predictable modulation method, you 
just need to know the key, in the USA, the key must be one of a few 
specific codes, and if you don't have the key, security by obscurity 
applies.

73,

Jose, CO2JA






Re: [digitalradio] Re: Question for experts

2010-03-10 Thread KH6TY

Jose,

If you were going to design a mode that filled 2200 Hz, but did not use 
SS, and was as sensitive as possible in that bandwidth, how would you do 
it? It would have to be highly resistant to fast Doppler shift also, but 
minimum S/N would be the most important parameter, as it would be used 
at UHF. So far, Olivia 16-500 seems to be the best compromise between 
minimum S/N and Doppler shift survival at UHF. The more narrow Olivia 
modes, even though more sensitive, do not decode as well if there is 
noticeable fast Doppler shift, and sometimes, not at all. DominoEx is 
completely destroyed by the Doppler shift and MFSK16 is not tolerant 
enough to drift to be usable at UHF. MT63-2000 covers 2000 Hz, has 
highly redundant FEC, but the minimum S/N is only -2 dB, so that is not 
an alternative.


What I am looking for is a mode that will copy under the visible and 
audible noise on UHF during deep fades, but survives fast Doppler shift. 
Olivia 16-500 makes it down to the noise, but not under, during deep 
fades. CW by ear is just slightly better than Olivia 16-500, and the 
note is very raspy sounding - much like Aurora communications.


Another observation - most stations I copy on ROS 16 are reading a 
metric of -12 dB or greater. Only once have I copied a station (using 1 
baud ROS) that was measuring a metric under -25 dB. Is the ROS metric 
supposed to correlate with the path S/N? I ask this because even the 
weakest ROS tones at 1 baud are still visible on the waterfall, whereas 
weak Olivia 32-1000 signals with a -12 dB minimum S/N stop decoding just 
about the time the tones become hard to see in the noise, but still can 
be heard faintly. It is a long way from even -25 dB S/N to -12 dB S/N, 
so I would expect if the metric is just another way to say S/N, I would 
not be able to see the tones, yet I can, and not only on the ROS 
waterfall, but on the DigiPan waterfall as well.



73 - Skip KH6TY




Jose A. Amador wrote:
 


El 10/03/2010 7:57, g4ilo escribió:
 What does ROS gain by using SS over another mode that carries the 
same amount of data at the same speed using the same bandwidth and the 
same number of tones but uses an entirely predictable method of 
modulation?


Processing gain. Signals correlated with the hopping sequence add up,
non correlated signals do not add up.

It does not mean that SS is not a predictable modulation method, you
just need to know the key, in the USA, the key must be one of a few
specific codes, and if you don't have the key, security by obscurity
applies.

73,

Jose, CO2JA




Re: [digitalradio] Re: Question for experts

2010-03-10 Thread Jose A. Amador

El 10/03/2010 10:51, KH6TY escribió:


Jose,

If you were going to design a mode that filled 2200 Hz, but did not 
use SS, and was as sensitive as possible in that bandwidth, how would 
you do it? 


Tough question. I believe that on HF the best solution so far is Pactor-III

It would have to be highly resistant to fast Doppler shift also, but 
minimum S/N would be the most important parameter, as it would be used 
at UHF. So far, Olivia 16-500 seems to be the best compromise between 
minimum S/N and Doppler shift survival at UHF. The more narrow Olivia 
modes, even though more sensitive, do not decode as well if there is 
noticeable fast Doppler shift, and sometimes, not at all. 


As you add more tones the bin width reduces. The only hope I see is 
using wide bins to accomodate Doppler, and perhaps, more tones, but that 
is not possible with 3 kHz radios. Perhaps it is a task for some SDR. I 
believe wider modes are not a problem in UHF. It may take more CPU 
power, and higher powered radios for simultaneous tones.


DominoEx is completely destroyed by the Doppler shift 


Doppler is parasitic noise to DominoEx...

and MFSK16 is not tolerant enough to drift to be usable at UHF. 
MT63-2000 covers 2000 Hz, has highly redundant FEC, but the minimum 
S/N is only -2 dB, so that is not an alternative.


Both seem to have been designed for HF, and MT63 seems to require a 
single ray dominant path. At times it works well, but I have not had 
luck with MT63, overall. MT63 has many carriers and narrow bins, not 
good for multipath with doppler.


What I am looking for is a mode that will copy under the visible and 
audible noise on UHF during deep fades, but survives fast Doppler 
shift. Olivia 16-500 makes it down to the noise, but not under, during 
deep fades. CW by ear is just slightly better than Olivia 16-500, and 
the note is very raspy sounding - much like Aurora communications.


But CW requires well trained operators...

There is a paper by Tim Giles about multitone modems for high latitude 
HF paths (PhD publication in Sweden) and he avoided sending  in 
contiguous bins in wide Doppler spread conditions, and reassigned 
contiguous bins on the side to have a wider hat to catch the path 
shifted tones. That sacrifices thruput, but nevertheless, it is 
worthless to push nature. In that case, it is better to become its ally, 
and to me, wider spaced tones and reusing contiguous bins seems a good 
idea. I read it a long time ago and maybe I am not remembering all 
details, but it was interesting enough so I haven't lost the big picture.


The 3 kHz channel limit on HF is a straitjacket that might be avoided on 
VHF - UHF if clear frequencies are available and you need speed.


Another observation - most stations I copy on ROS 16 are reading a 
metric of -12 dB or greater. Only once have I copied a station (using 
1 baud ROS) that was measuring a metric under -25 dB. Is the ROS 
metric supposed to correlate with the path S/N? I ask this because 
even the weakest ROS tones at 1 baud are still visible on the 
waterfall, whereas weak Olivia 32-1000 signals with a -12 dB minimum 
S/N stop decoding just about the time the tones become hard to see in 
the noise, but still can be heard faintly. It is a long way from even 
-25 dB S/N to -12 dB S/N, so I would expect if the metric is just 
another way to say S/N, I would not be able to see the tones, yet I 
can, and not only on the ROS waterfall, but on the DigiPan waterfall 
as well.


I really don't know what does METRIC mean in the ROS case, Skip. I 
really did not pay much attention to it, as most times there was packet 
or pactor QRM, being ROS so wide. What caught my attention is how bad it 
performs under QRM, having seen Olivia 500-16 under similar conditions 
unaffected. I believe I know the reasons, as you may as well know, but 
won't elaborate further about it on this list.


73,

Jose, CO2JA







Re: [digitalradio] Re: Question for experts

2010-03-10 Thread Alan Barrow
Jose A. Amador wrote:
 It does not mean that SS is not a predictable modulation method, you 
 just need to know the key, in the USA, the key must be one of a few 
 specific codes, and if you don't have the key, security by obscurity 
 applies.

   
And the FCC does not consider a code used to create modulation
patterns as encryption as long as that code is available for review upon
demand. Not the program code itself, but the algorithm.

I have stashed away somewhere a copy of the document used for that exact
exercise in the mid-80's with the FCC.

This could be a convolutional code as used in several modems, or a
randomizer, or even one to improve decoding (viterbi).

Another example: One of the gripes about P3 is that it is difficult to
monitor. But that does not make it illegal, as the code algorythm has
been published. Not the trade secret codecs themselves, just the method.
And that's all that's required.

Have fun,

Alan
km4ba




Re: [digitalradio] Re: Question for experts

2010-03-10 Thread Ralph Mowery




- Original Message 
From: rein...@ix.netcom.com rein...@ix.netcom.com
To: digitalradio@yahoogroups.com
Sent: Tue, March 9, 2010 11:51:52 PM
Subject: Re: [digitalradio] Re: Question for experts

Hi Ralph,

You got me again. Indeed the Commission requires that it has to be intelligent
information, and certainly any ID needs to be made in the English language or
in Morse code, not quite sure about Morse only, or other methods allowed.

One could speak as a member of an Indian tribe as was done in WWII as long as 
the the ID was in English, Germans and Japanese had a lot of trouble with
that sort of communication, would that make it perhaps SS if it was done on
the wireless?

If I listen to smears of rattle, many Khz wide below 14.001 or so ,most of the 
time one can
hear at the end an Id in CW. When I run WSJT, I ID in CW every couple of 
minutes.


Lets say, it were a number of tones, no particular order looks like it, but I 
could 
down load a piece of nice freeware from the internet and it all became 
intelligent info
what then? 

73 Rein W6SZ.

*

The content of the signals and the modulation of the signals are getting 
confused.  

The tones you are sending out must conform to some type of acceptabel 
modulation.  The content does not even have to make sense.  Some examples are , 
you can not transmitt music, but you can send ascii characters.  If music is 
converted into ascii data or just a bunch of 1's and 0's and sent and then 
reconverted at the receiving end , you have just sent data as far as the FCC 
sees it.  In reality you have sent a music file , but not music.  It will 
become music when the computer converts the data file back to music.   Another 
example is a RTTY picuture or ascii art.  This looks like a random ammount of 
numbers and letters.  If you step back and look at the paper comming off a real 
teletype machine, you have a picture.  I have sent many of the rtty pix in 
years past.



  


Re: [digitalradio] Re: Question for experts

2010-03-09 Thread José A. Amador
El 09/03/2010 03:55 p.m., rein...@ix.netcom.com escribió:
 Hello All,

 Suppose I would build an transmitter with a x-tal oscillator, lets say
 running at 7040.000 Hz

 Part of the system was a balanced modulator and just to make sure a
 a high quality crystal filter, with a 1:1.05 shape factor, was added
 in the driver stages for the final amplifier.

 With  a lot of tweaking a carrier suppression of the balanced
 modulator was reached of  67.3 dB and the balanced modulator
 was kept temperature stabilized within .1 degree Fahrenheit.

 On the modulation section, I constructed a tone generator which could
 be changed in steps of 7.3 Hz starting from 1354 Hz to all the way up
 to 1646 Hz.

 I went out and got the xtal filter ordered for a lot of money.

 Center frequency of xtal filter ordered and delivered for 7041.500 Hz
 filter at - 80 dB BW 500 Hz.

 My question is what would the modulation be of this transmitter?

 The amount of audio was set in such a way that the output of
 the transmitter had no distortion what so ever totally
 linear!

 73 Rein W6SZ


All that trouble for MFSK ? :-)

73,

Jose, CO2JA






Re: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn

Jose,

Oversight, we are certainly not allowed to transmit Music!

73 Rein W6SZ

-Original Message-
From: José A. Amador ama...@electrica.cujae.edu.cu
Sent: Mar 9, 2010 1:26 PM
To: digitalradio@yahoogroups.com
Cc: rein...@ix.netcom.com
Subject: Re: [digitalradio] Re: Question for experts

El 09/03/2010 03:55 p.m., rein...@ix.netcom.com escribió:
 Hello All,

 Suppose I would build an transmitter with a x-tal oscillator, lets say
 running at 7040.000 Hz

 Part of the system was a balanced modulator and just to make sure a
 a high quality crystal filter, with a 1:1.05 shape factor, was added
 in the driver stages for the final amplifier.

 With  a lot of tweaking a carrier suppression of the balanced
 modulator was reached of  67.3 dB and the balanced modulator
 was kept temperature stabilized within .1 degree Fahrenheit.

 On the modulation section, I constructed a tone generator which could
 be changed in steps of 7.3 Hz starting from 1354 Hz to all the way up
 to 1646 Hz.

 I went out and got the xtal filter ordered for a lot of money.

 Center frequency of xtal filter ordered and delivered for 7041.500 Hz
 filter at - 80 dB BW 500 Hz.

 My question is what would the modulation be of this transmitter?

 The amount of audio was set in such a way that the output of
 the transmitter had no distortion what so ever totally
 linear!

 73 Rein W6SZ


All that trouble for MFSK ? :-)

73,

Jose, CO2JA








Try Hamspots, PSKreporter, and K3UK Sked Page 
http://www.obriensweb.com/skedpskr4.html
Suggesting calling frequencies: Modes 500Hz 3583,7073,14073,18103, 
21073,24923, 28123 .  Wider modes e.g. Olivia 32/1000, ROS16, ALE: 14109.7088.
Yahoo! Groups Links






RE: [digitalradio] Re: Question for experts

2010-03-09 Thread David Little
One exception to that would be if it is part of a NASA rebroadcast 
 
IE: Wake-Up or Morning music on the Shuttle
 
David
KD4NUE
 
 
 
 

-Original Message-
From: digitalradio@yahoogroups.com [mailto:digitalra...@yahoogroups.com]
On Behalf Of rein...@ix.netcom.com
Sent: Tuesday, March 09, 2010 5:15 PM
To: digitalradio@yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts


  


Jose,

Oversight, we are certainly not allowed to transmit Music!

73 Rein W6SZ

-Original Message-
From: José A. Amador ama...@electrica.
mailto:amador%40electrica.cujae.edu.cu cujae.edu.cu
Sent: Mar 9, 2010 1:26 PM
To: digitalradio@ mailto:digitalradio%40yahoogroups.com
yahoogroups.com
Cc: rein...@ix.netcom. mailto:rein0zn%40ix.netcom.com com
Subject: Re: [digitalradio] Re: Question for experts

El 09/03/2010 03:55 p.m., rein...@ix.netcom.
mailto:rein0zn%40ix.netcom.com com escribió:
 Hello All,

 Suppose I would build an transmitter with a x-tal oscillator, lets
say
 running at 7040.000 Hz

 Part of the system was a balanced modulator and just to make sure a
 a high quality crystal filter, with a 1:1.05 shape factor, was added
 in the driver stages for the final amplifier.

 With a lot of tweaking a carrier suppression of the balanced
 modulator was reached of 67.3 dB and the balanced modulator
 was kept temperature stabilized within .1 degree Fahrenheit.

 On the modulation section, I constructed a tone generator which could
 be changed in steps of 7.3 Hz starting from 1354 Hz to all the way up
 to 1646 Hz.

 I went out and got the xtal filter ordered for a lot of money.

 Center frequency of xtal filter ordered and delivered for 7041.500 Hz
 filter at - 80 dB BW 500 Hz.

 My question is what would the modulation be of this transmitter?

 The amount of audio was set in such a way that the output of
 the transmitter had no distortion what so ever totally
 linear!

 73 Rein W6SZ
 

All that trouble for MFSK ? :-)

73,

Jose, CO2JA








Try Hamspots, PSKreporter, and K3UK Sked Page 
http://www.obriensw http://www.obriensweb.com/skedpskr4.html
eb.com/skedpskr4.html
Suggesting calling frequencies: Modes 500Hz 3583,7073,14073,18103,
21073,24923, 28123 . Wider modes e.g. Olivia 32/1000, ROS16, ALE:
14109.7088.
Yahoo! Groups Links










Re: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn
Hello Jose,


Multiple Frequency Shift Keying, OK, but you really
did not answer my question, I think.

Suppose I replaced the modulation device with a filtered 
piano ( no harmonics ) a microphone.
I am serious, trying to find out the question we can't address
here any longer. 

I used a x-tal oscillator.

Limited my BW to some 300 Hz



73 Rein W6SZ

-Original Message-
From: José A. Amador ama...@electrica.cujae.edu.cu
Sent: Mar 9, 2010 1:26 PM
To: digitalradio@yahoogroups.com
Cc: rein...@ix.netcom.com
Subject: Re: [digitalradio] Re: Question for experts

El 09/03/2010 03:55 p.m., rein...@ix.netcom.com escribió:
 Hello All,

 Suppose I would build an transmitter with a x-tal oscillator, lets say
 running at 7040.000 Hz

 Part of the system was a balanced modulator and just to make sure a
 a high quality crystal filter, with a 1:1.05 shape factor, was added
 in the driver stages for the final amplifier.

 With  a lot of tweaking a carrier suppression of the balanced
 modulator was reached of  67.3 dB and the balanced modulator
 was kept temperature stabilized within .1 degree Fahrenheit.

 On the modulation section, I constructed a tone generator which could
 be changed in steps of 7.3 Hz starting from 1354 Hz to all the way up
 to 1646 Hz.

 I went out and got the xtal filter ordered for a lot of money.

 Center frequency of xtal filter ordered and delivered for 7041.500 Hz
 filter at - 80 dB BW 500 Hz.

 My question is what would the modulation be of this transmitter?

 The amount of audio was set in such a way that the output of
 the transmitter had no distortion what so ever totally
 linear!

 73 Rein W6SZ


All that trouble for MFSK ? :-)

73,

Jose, CO2JA








Try Hamspots, PSKreporter, and K3UK Sked Page 
http://www.obriensweb.com/skedpskr4.html
Suggesting calling frequencies: Modes 500Hz 3583,7073,14073,18103, 
21073,24923, 28123 .  Wider modes e.g. Olivia 32/1000, ROS16, ALE: 14109.7088.
Yahoo! Groups Links






RE: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn
David,

Agreed, the exception to the rule!

73 Rein W6SZ


-Original Message-
From: David Little dalit...@bellsouth.net
Sent: Mar 9, 2010 2:21 PM
To: digitalradio@yahoogroups.com
Subject: RE: [digitalradio] Re: Question for experts

One exception to that would be if it is part of a NASA rebroadcast 
 
IE: Wake-Up or Morning music on the Shuttle
 
David
KD4NUE
 
 
 
 

-Original Message-
From: digitalradio@yahoogroups.com [mailto:digitalra...@yahoogroups.com]
On Behalf Of rein...@ix.netcom.com
Sent: Tuesday, March 09, 2010 5:15 PM
To: digitalradio@yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts


  


Jose,

Oversight, we are certainly not allowed to transmit Music!

73 Rein W6SZ

-Original Message-
From: José A. Amador ama...@electrica.
mailto:amador%40electrica.cujae.edu.cu cujae.edu.cu
Sent: Mar 9, 2010 1:26 PM
To: digitalradio@ mailto:digitalradio%40yahoogroups.com
yahoogroups.com
Cc: rein...@ix.netcom. mailto:rein0zn%40ix.netcom.com com
Subject: Re: [digitalradio] Re: Question for experts

El 09/03/2010 03:55 p.m., rein...@ix.netcom.
mailto:rein0zn%40ix.netcom.com com escribió:
 Hello All,

 Suppose I would build an transmitter with a x-tal oscillator, lets
say
 running at 7040.000 Hz

 Part of the system was a balanced modulator and just to make sure a
 a high quality crystal filter, with a 1:1.05 shape factor, was added
 in the driver stages for the final amplifier.

 With a lot of tweaking a carrier suppression of the balanced
 modulator was reached of 67.3 dB and the balanced modulator
 was kept temperature stabilized within .1 degree Fahrenheit.

 On the modulation section, I constructed a tone generator which could
 be changed in steps of 7.3 Hz starting from 1354 Hz to all the way up
 to 1646 Hz.

 I went out and got the xtal filter ordered for a lot of money.

 Center frequency of xtal filter ordered and delivered for 7041.500 Hz
 filter at - 80 dB BW 500 Hz.

 My question is what would the modulation be of this transmitter?

 The amount of audio was set in such a way that the output of
 the transmitter had no distortion what so ever totally
 linear!

 73 Rein W6SZ
 

All that trouble for MFSK ? :-)

73,

Jose, CO2JA








Try Hamspots, PSKreporter, and K3UK Sked Page 
http://www.obriensw http://www.obriensweb.com/skedpskr4.html
eb.com/skedpskr4.html
Suggesting calling frequencies: Modes 500Hz 3583,7073,14073,18103,
21073,24923, 28123 . Wider modes e.g. Olivia 32/1000, ROS16, ALE:
14109.7088.
Yahoo! Groups Links











Re: [digitalradio] Re: Question for experts

2010-03-09 Thread Ralph Mowery




- Original Message 
From: rein...@ix.netcom.com rein...@ix.netcom.com
To: digitalradio@yahoogroups.com
Sent: Tue, March 9, 2010 5:11:30 PM
Subject: Re: [digitalradio] Re: Question for experts

Hello Jose,


Multiple Frequency Shift Keying, OK, but you really
did not answer my question, I think.

Suppose I replaced the modulation device with a filtered 
piano ( no harmonics ) a microphone.
I am serious, trying to find out the question we can't address
here any longer. 

I used a x-tal oscillator.

Limited my BW to some 300 Hz



73 Rein W6SZ

-
If you are doing what I think, you have just built a complicated CW 
transmitter.   Start with a crystal oscillator, go to a ballanced modulator and 
then filter out one sideband.  
This is similar to how cw is often generated in a SSB transceiver.



  


Re: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn



-Original Message-
From: Ralph Mowery ku...@yahoo.com
Sent: Mar 10, 2010 12:25 AM
To: digitalradio@yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts





- Original Message 
From: rein...@ix.netcom.com rein...@ix.netcom.com
To: digitalradio@yahoogroups.com
Sent: Tue, March 9, 2010 5:11:30 PM
Subject: Re: [digitalradio] Re: Question for experts

Hello Jose,


Multiple Frequency Shift Keying, OK, but you really
did not answer my question, I think.

Suppose I replaced the modulation device with a filtered 
piano ( no harmonics ) a microphone.
I am serious, trying to find out the question we can't address
here any longer. 

I used a x-tal oscillator.

Limited my BW to some 300 Hz



73 Rein W6SZ

-
If you are doing what I think, you have just built a complicated CW 
transmitter.   Start with a crystal oscillator, go to a ballanced modulator 
and then filter out one sideband.  
This is similar to how cw is often generated in a SSB transceiver.


Hello Jose,

Correct but you still have not answered my question. Indeed If I 
use one tone and  key it on / off I have a cw transmitter, transmitting 
on the VJO frequebcy = or - the audio frequency.

What do I have if I just change the tones in a random fashion?

73 Rein W6SZ



Re: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn

Sorry Ralph,

I did not read the header.


3 Rein W6SZ

-Original Message-
From: Ralph Mowery ku...@yahoo.com
Sent: Mar 10, 2010 12:25 AM
To: digitalradio@yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts





- Original Message 
From: rein...@ix.netcom.com rein...@ix.netcom.com
To: digitalradio@yahoogroups.com
Sent: Tue, March 9, 2010 5:11:30 PM
Subject: Re: [digitalradio] Re: Question for experts

Hello Jose,


Multiple Frequency Shift Keying, OK, but you really
did not answer my question, I think.

Suppose I replaced the modulation device with a filtered 
piano ( no harmonics ) a microphone.
I am serious, trying to find out the question we can't address
here any longer. 

I used a x-tal oscillator.

Limited my BW to some 300 Hz



73 Rein W6SZ

-
If you are doing what I think, you have just built a complicated CW 
transmitter.   Start with a crystal oscillator, go to a ballanced modulator 
and then filter out one sideband.  
This is similar to how cw is often generated in a SSB transceiver.



  




Try Hamspots, PSKreporter, and K3UK Sked Page 
http://www.obriensweb.com/skedpskr4.html
Suggesting calling frequencies: Modes 500Hz 3583,7073,14073,18103, 
21073,24923, 28123 .  Wider modes e.g. Olivia 32/1000, ROS16, ALE: 14109.7088.
Yahoo! Groups Links






Re: [digitalradio] Re: Question for experts

2010-03-09 Thread Jose A. Amador
El 09/03/2010 17:11, rein...@ix.netcom.com escribió:
 Hello Jose,


 Multiple Frequency Shift Keying, OK, but you really
 did not answer my question, I think.

 Suppose I replaced the modulation device with a filtered
 piano ( no harmonics ) a microphone.
 I am serious, trying to find out the question we can't address
 here any longer.

 I used a x-tal oscillator.

 Limited my BW to some 300 Hz



 73 Rein W6SZ

Rein

I failed to see the twist and I still do not see what you are after.

I took My Way (MP3), played on the piano by Richard Claydermann, and 
processed it with Audacity, mixing it to mono, resampling to 11025 Hz, 
saved it as wav, and played it back thru both Spectran and HDWinrad, one 
at a time, both very steeply filtered, and what you hear are pings, 
tingling noises with a very slight trace of musicality. There are also 
some harmonics of the lower frequencies that bleed thru the filter, 
since their spectrum falls in the selected bandpass.

Can you give any further hints?  You might reproduce that yourself, 
without spending a lot of money and waiting for your filter to be made.

73,

Jose, CO2JA






Re: [digitalradio] Re: Question for experts

2010-03-09 Thread Ralph Mowery

Correct but you still have not answered my question. Indeed If I 
use one tone and  key it on / off I have a cw transmitter, transmitting 
on the VJO frequebcy = or - the audio frequency.

What do I have if I just change the tones in a random fashion?

73 Rein W6SZ


If a  total random fashion, then you have a bunch of junk.  It will not convey 
any useful information and probably illeagle in the ham bands.

There must be order to it to convey any useful information.


  


Re: [digitalradio] Re: Question for experts

2010-03-09 Thread KH6TY
I can't fathom the reason for doing that, but if the tone frequencies 
are pseudo-randomly generated and then modulated by either on/off keying 
or some other way, you will have a spread spectrum system, similar to 
what is done in the ROS 2200 Hz-wide modes. The tones in a ssb 
transmitter simply generate rf carriers, so varying the tone frequencies 
is no different than varying a vfo frequency as far as the outside world 
sees. The distinction in spread spectrum is the generation of the tone 
frequencies independently of the data. I.e., you first generate a tone 
frequency in a psudo-random manner and then convey intelligence by 
modulating the resulting rf carriers.


73 - Skip KH6TY




Ralph Mowery wrote:
 



Correct but you still have not answered my question. Indeed If I
use one tone and  key it on / off I have a cw transmitter, transmitting
on the VJO frequebcy = or - the audio frequency.

What do I have if I just change the tones in a random fashion?

73 Rein W6SZ

If a  total random fashion, then you have a bunch of junk.  It will 
not convey any useful information and probably illeagle in the ham bands.


There must be order to it to convey any useful information.




Re: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn
Hi Skip,

Thanks, we have arrived at the point I wanted to get to,

So lets go a little further on this path, suppose I changed the
tones in a not so random fashion. Like I had a way to generate
tones as I do when I speak or make music or like some of those synthesizers
or whatever they are, do not know the details exactly, but they 
generate tones that make up language that it understandable, with training
would that be spread spectrum?

You say varying the tones is the same as varying the VFO to the 
outside world, is that science?

Would it make a difference if feed the balance modulator with 100 Hz
or 2500 Hz. lets switch between to tunes, teletype, is that SS?

If I produce speech it is speech if the tones do not form speech, it
is ss modulation?

Are you seeing that SSB is SS? as A kid I use to build oscillators
I could speak to them, and they would swing, and could hear speach
in a radio, unstability or FM , SS?


Lets get to the core is WSJT spread spectrum and please explain to me
why. I just do not seem to get it... Explain me the physics of it. please

I just like to understand this.

73 Rein W6SZ

-Original Message-
From: KH6TY kh...@comcast.net
Sent: Mar 9, 2010 7:04 PM
To: digitalradio@yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts

I can't fathom the reason for doing that, but if the tone frequencies 
are pseudo-randomly generated and then modulated by either on/off keying 
or some other way, you will have a spread spectrum system, similar to 
what is done in the ROS 2200 Hz-wide modes. The tones in a ssb 
transmitter simply generate rf carriers, so varying the tone frequencies 
is no different than varying a vfo frequency as far as the outside world 
sees. The distinction in spread spectrum is the generation of the tone 
frequencies independently of the data. I.e., you first generate a tone 
frequency in a psudo-random manner and then convey intelligence by 
modulating the resulting rf carriers.

73 - Skip KH6TY




Ralph Mowery wrote:
  


 Correct but you still have not answered my question. Indeed If I
 use one tone and  key it on / off I have a cw transmitter, transmitting
 on the VJO frequebcy = or - the audio frequency.

 What do I have if I just change the tones in a random fashion?

 73 Rein W6SZ

 If a  total random fashion, then you have a bunch of junk.  It will 
 not convey any useful information and probably illeagle in the ham bands.

 There must be order to it to convey any useful information.

 



Re: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn
Hi Jose,


Thanks much for your time. I am trying to understand the difference between
a certain unnamed modulation mode and single sideband with high carrier 
suppression.
Looked upon from the inside and the outside but still with stable x-tal carrier 
as input 
to a balance modulator or perhaps a quadrature mixer.

I am serious Jose, at least trying hard in my own mind. Or you could also say
trying to prepare myself if I were to asked questions about radio amateur 
operations
and had to answer them.

We here is the US are responsible for our doings on the amateur bands as the 
ARRL
newsletter informed us, the view of the Commission is.

73 Rein W6SZ






-Original Message-
From: Jose A. Amador ama...@electrica.cujae.edu.cu
Sent: Mar 9, 2010 9:24 PM
To: digitalradio@yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts

El 09/03/2010 17:11, rein...@ix.netcom.com escribió:
 Hello Jose,


 Multiple Frequency Shift Keying, OK, but you really
 did not answer my question, I think.

 Suppose I replaced the modulation device with a filtered
 piano ( no harmonics ) a microphone.
 I am serious, trying to find out the question we can't address
 here any longer.

 I used a x-tal oscillator.

 Limited my BW to some 300 Hz



 73 Rein W6SZ

Rein

I failed to see the twist and I still do not see what you are after.

I took My Way (MP3), played on the piano by Richard Claydermann, and 
processed it with Audacity, mixing it to mono, resampling to 11025 Hz, 
saved it as wav, and played it back thru both Spectran and HDWinrad, one 
at a time, both very steeply filtered, and what you hear are pings, 
tingling noises with a very slight trace of musicality. There are also 
some harmonics of the lower frequencies that bleed thru the filter, 
since their spectrum falls in the selected bandpass.

Can you give any further hints?  You might reproduce that yourself, 
without spending a lot of money and waiting for your filter to be made.

73,

Jose, CO2JA








Try Hamspots, PSKreporter, and K3UK Sked Page 
http://www.obriensweb.com/skedpskr4.html
Suggesting calling frequencies: Modes 500Hz 3583,7073,14073,18103, 
21073,24923, 28123 .  Wider modes e.g. Olivia 32/1000, ROS16, ALE: 14109.7088.
Yahoo! Groups Links






Re: [digitalradio] Re: Question for experts

2010-03-09 Thread rein0zn
Hi Ralph,

You got me again. Indeed the Commission requires that it has to be intelligent
information, and certainly any ID needs to be made in the English language or
in Morse code, not quite sure about Morse only, or other methods allowed.

One could speak as a member of an Indian tribe as was done in WWII as long as 
the the ID was in English, Germans and Japanese had a lot of trouble with
that sort of communication, would that make it perhaps SS if it was done on
the wireless?

If I listen to smears of rattle, many Khz wide below 14.001 or so ,most of the 
time one can
hear at the end an Id in CW. When I run WSJT, I ID in CW every couple of 
minutes.


Lets say, it were a number of tones, no particular order looks like it, but I 
could 
down load a piece of nice freeware from the internet and it all became 
intelligent info
what then? 

73 Rein W6SZ.


-Original Message-
From: Ralph Mowery ku...@yahoo.com
Sent: Mar 9, 2010 9:52 PM
To: digitalradio@yahoogroups.com
Subject: Re: [digitalradio] Re: Question for experts


Correct but you still have not answered my question. Indeed If I 
use one tone and  key it on / off I have a cw transmitter, transmitting 
on the VJO frequebcy + or - the audio frequency.

What do I have if I just change the tones in a random fashion?

73 Rein W6SZ


If a  total random fashion, then you have a bunch of junk.  It will not convey 
any useful information and probably illeagle in the ham bands.

There must be order to it to convey any useful information.


  




Try Hamspots, PSKreporter, and K3UK Sked Page 
http://www.obriensweb.com/skedpskr4.html
Suggesting calling frequencies: Modes 500Hz 3583,7073,14073,18103, 
21073,24923, 28123 .  Wider modes e.g. Olivia 32/1000, ROS16, ALE: 14109.7088.
Yahoo! Groups Links






Re: [digitalradio] Re: Question for experts

2010-03-09 Thread Jose A. Amador
El 09/03/2010 21:15, rein...@ix.netcom.com escribió:
 Sorry Ralph,

 I did not read the header.


 3 Rein W6SZ

 -Original Message-

 From: Ralph Moweryku...@yahoo.com
 Sent: Mar 10, 2010 12:25 AM
 To: digitalradio@yahoogroups.com
 Subject: Re: [digitalradio] Re: Question for experts

 If you are doing what I think, you have just built a complicated CW 
 transmitter.   Start with a crystal oscillator, go to a ballanced modulator 
 and then filter out one sideband. 
 This is similar to how cw is often generated in a SSB transceiver.
  

Well, actually FSK or ASK of two tones is hard to tell from each other 
on the air. A friend built such a modem, I contributed a couple of 
ideas, using ASK with TTL logic to key a solid state laser from a 
crystal derived clock. The optical link worked flawlessly.

What you see as result of using your example are random frequency and 
amplitude tones in the spectral display, sometimes simulteneously, 
sometimes, not.

So, what?

73,

Jose, CO2JA