[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-26 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
wrote:
  --- In FairfieldLife@yahoogroups.com, Peter [EMAIL PROTECTED] 
wrote:
   Bipolars and borderlines might make for exciting drama
   in movies, but actually having to deal with one in
   real life becomes quite charmless very quickly.
  
  True, but we're talking about movies...
 
 
 I thought life was a movie.
 
 
 Woody Allen's The Purple Rose of Cairo is a funny and interesting look
 at that theme. shoudl be on most lists.

It's on mine.  Glad to hear you like it.  And
you're exactly right about the relationship 
of life and the movies.

The ending of Purple Rose, plotwise, is a little 
sad, up until the moment when Mia Farrow's char-
acter, with nowhere else to go, goes to the movies.
Up on screen is Fred Astaire, dancing, and life is
livable again, because no universe with Fred Astaire
in it can keep you down for long.  Jeff Daniels is
absolutely *marvelous* in that movie -- one of
Woody's best.






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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-26 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
 All Whit Stillman films -- which unfortunately are rare -- only three
 so far.
 
 The Last Days of Disco
 Barcelona
 Metropolitan
 
 Also for the chick warrior category, Whale Rider. 
 
 The Great Escape seems symbolically relevant.

Great reminders all.  Thanks again.






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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
A benefit of this exercise has been to ponder the question of the
spiritual aesthetic, what are the key if not the appropriate elements
of a spiritual film criticism, what is the theoretical foundation from
which to judge films as to being spiritual.

Unc started such a discussion in his origianl post. I need to re-read
and integrate with some emerging thoughts.

Perhaps among some elements of the aesthetic:

1) deeper levels emerge later in the fim, or after repeated viewings,
where a different, best -- a contrasting, opposing, symbolism/ message
emerges where one goes holy cow dung!. This is not about character
twists  where the good guys are really seen to be bad guys, etc,
though that may too me a category. What I am referring to is a
process that the film takes you through, and wakes something up
inside, shifts something. In some cases it may be manipulation, but
then so are guided meditations. As a technique or spiritual
process, manipulation may be an ok, even a good thing, if its a
catalyst, it causes a transformation of insight, and then itself (the
catalyst) dissappears.  The Winslow Boy is a good example of that, for
me, though I am curious if others got it in the same way that
happened to me. 

2)spiritual warrior is a good and relevant category. However, again as
above, it should be a catalysis, not a thing in itself. It should
serve as temporary tool that shocks or transforms awareness to a new
newness. If identity remains stuck as spiritual warrior then it is
binding not liberating. Use of temporary identification of being a
spiritual warrior should be temporarily  catalytic not permanent. 
Does the spiritual warrior film induce such catalytic process change
-- or does it induce a more permanent identification, a new, albeit
higher, set of chains. Some of the films mentioned, all testosterone
soaked odyessies, have certain liberating aspects, but their excesses,
IMO, diminish their overall impact. And I am not sure whehter they are
catalytic and transcend the warrior tool, or simply induce macho
warrior identification. I would think First Blood might better serve
the catalytic warrior role than some of the Mel/Arnold genre
mentioned. Thats if one really wants to be pumped up, or perhaps more
accurately, puffed up, in male warrior mode. In some real ways, I
think chick warrior films may more naturally be catalytic rather than
creating new binding identifications. The key questions from this
spiritual film aesthetic is whether the warior identification is used,
then transcended -- either by the characters in the film, or in the
process and transformation induced in the films' viewer.  Blue Crash
(great girl surfer film) and Bend It Like Beckham are better spiritual
warrior films, IMO, than Mel and Arnold fare -- though I appreciate
some of their works quite a lot. 

3) Do the films have a visceral impact in spiritual regions of the
body? Do they leave you literally breathless, with a profound punch to
the solar plexus, a huge glow in the heart, or a huge lump / glow in
the throat?  This is not a cerebral response, its beyond thinking. And
some visceral impacts may be decidedly non-spiritual --  it may be a
fine edge to discern. As examples, at  the end of Schindlers List, I
could barely breath, I had to force breath, and could not move. The
film had manipulated me to a new state -- like a guided meditation. 

4) Does the film help one to disrobe from current identities and
either leave one naked or at a minimum transform identification from
a small idividuality to a larger whole -- the land (Out of Africa),
a people, an ideal. Or best of all, destroys identification -- often
through disillusionment with all or at least prominent attachments. 

5) Does the film, in itself, or specific sub-plots or characters'
conflicts, create useful analogies for the spiritual path,
experiences and states?

6) Does the film create unresolvable conflicts which prompt / force
transcendance?

A continuing dialogue, more thoughts emerging ...





--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] 
 wrote:
  Jotting on the backs of envelopes over the last couple of days. 
  
  Il Postino
  The Winslow Boy
  King of Hearts
  Big
  Dr. Strangelove
  Wall St.
  Lawrence of Arabia
  Oleanna
  Alice
  Day for Night
  Indochine
  Dopamine
  Hudsucker Proxy
  The Player
  Wag the Dog
  Roxanne
  Grand Canyon
  Bridge of the River Kwai
  White Oleander
  Last Year at Marienbad
  American Rhapsody
  Pennies from Heaven
  Hillary and Jackie
  Amelie
  Heaven Can Wait
  Splendor in the Grass
  Reds
  The Last Metro
  Billie Madison
  Ghost World
  No Way Out
  Ma Vie en Rose
  Ruby in Paradise
  Pieces of April
  Vanilla Sky
  Run Lola Run
  Finding Forrester
  Gorrillas in the Mist
  The Wild Bunch
  Mississipi Burning
  Breathless (original) 
  Godfather
  Philadephia Story
  Robin and Marian
  Zelig
  Gattaca
  A Little Romance
  

[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] 
wrote:
 A benefit of this exercise has been to ponder the question of the
 spiritual aesthetic, what are the key if not the appropriate 
 elements of a spiritual film criticism, what is the theoretical 
 foundation from which to judge films as to being spiritual.
 
 Unc started such a discussion in his origianl post. I need to re-
 read and integrate with some emerging thoughts.
 
 Perhaps among some elements of the aesthetic:
 
 1) deeper levels emerge later in the fim, or after repeated 
 viewings...

I've seen many of my favorite films a dozen times each.
I've watched a few of my favorites more than that.  A
great film gets *better* with subsequent viewings.

 ...where a different, best -- a contrasting, opposing, 
 symbolism/ message emerges where one goes holy cow dung!. This 
 is not about character twists  where the good guys are really 
 seen to be bad guys, etc, though that may too me a category. What 
 I am referring to is a process that the film takes you through, 
 and wakes something up inside, shifts something. In some cases it 
 may be manipulation, but then so are guided meditations. As 
 a technique or spiritual process, manipulation may be an ok, 
 even a good thing, if its a catalyst, it causes a transformation 
 of insight, and then itself (the catalyst) dissappears.  The 
 Winslow Boy is a good example of that, for me, though I am curious 
 if others got it in the same way that happened to me. 

Yup.  If I think of myself as the same person after
seeing the film as I was before seeing it, it prob-
ably wouldn't fit my definition of spiritual.

 2)spiritual warrior is a good and relevant category. However, 
 again as above, it should be a catalysis, not a thing in itself. 
 It should serve as temporary tool that shocks or transforms 
 awareness to a new newness. If identity remains stuck as 
 spiritual warrior then it is binding not liberating. 

I agree, with the caveat below.

 Use of temporary identification of being a
 spiritual warrior should be temporarily catalytic not permanent.

Unless your path happens to be that of a warrior, in 
which case it might be a good thing.  :-)

 Does the spiritual warrior film induce such catalytic process change
 -- or does it induce a more permanent identification, a new, albeit
 higher, set of chains. Some of the films mentioned, all testosterone
 soaked odyessies, have certain liberating aspects, but their 
 excesses, IMO, diminish their overall impact. 

I have never met a film whose excesses in this area
diminished my appreciation of it as a spiritual film.
But then, as far as I can tell, I spent quite a few
lifetimes as a warrior, so *none* of the stuff that
bothers other people seems to affect me in the least.
I sometimes don't even notice the violence if the
film has captured my attention in other ways.

 And I am not sure whehter they are
 catalytic and transcend the warrior tool, or simply induce macho
 warrior identification. I would think First Blood might better 
 serve the catalytic warrior role than some of the Mel/Arnold genre
 mentioned. 

Interesting.  I would say the opposite.  To each his
or her own, I guess.

 Thats if one really wants to be pumped up, or perhaps more
 accurately, puffed up, in male warrior mode. In some real ways, I
 think chick warrior films may more naturally be catalytic rather 
 than creating new binding identifications. 

They are certainly liberating in that we have all been
programmed to see women *not* as warriors, and *not*
having the qualities of them.  Anything that blows away
that stereotype is a good thing in my book.  The part of
Ripley in Ridley Scott's Alien was originally written
for a man.  But what a difference it makes when it is
played by a woman.

 The key questions from this spiritual film aesthetic is whether 
 the warior identification is used, then transcended -- either by 
 the characters in the film, or in the process and transformation 
 induced in the films' viewer.  Blue Crash (great girl surfer film) 
 and Bend It Like Beckham are better spiritual warrior films, IMO, 
 than Mel and Arnold fare -- though I appreciate some of their 
 works quite a lot. 

Can't agree.  Haven't seen the Beckham film, and Blue
Crush was cute, but trite to the max IMO and with acting
and plotting that wouldn't have cut the mustard on cable 
TV.  Whereas Conan the Barbarian was IMO a great film
by *film* standards, as was Braveheart.  One just can't
generalize when talking about Arnold and Mel IMO; context
is all...you have to specify *which* Arnold or Mel film.

 3) Do the films have a visceral impact in spiritual regions of the
 body? Do they leave you literally breathless, with a profound punch 
 to the solar plexus, a huge glow in the heart, or a huge lump / 
 glow in the throat?  This is not a cerebral response, its beyond 
 thinking. 

While an interesting criterion, I suspect this is more
individual than anything else.  I've 

[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:
 Picnic At Hanging Rock,


Another good, somewhat obscure, aussie film: Flirting
http://www.imdb.com/title/tt0101898/

First film of Nicole Kidman and Thandie Newton.
Interesting youthful take on transcending social roles and expectations.

Also, not related, but should be on the list;
Prince of the City
http://www.imdb.com/title/tt0082945/

and Serpico, two great Sydney Lumet films, which deal in their own
ways with deep disillusionment and transcending initial mindsets.

Rounds out the othe Lumet film already mentioned: The Verdict.

Going a bit deeper on Lumet: 12 Angery Men -- subjectivness of
reality theme, in that way, similar to Mamet's Oleanna. 

Another Lumet classic, Network, seems a natural, breaking boundaries,
I'm not going to take it any more, though perhaps having become  bit
 a cliche film -- that is  -- it is on all lists.

A smaller Lumet film, Failsafe (and its book), dealing with huge and
imponderable decisions, forces a level of transcendence. 

Another Burdick novel made into a film, Seven Days in May, should be
considered, though the reasoning for making its case as a spiritual
film -- may take a bit to develop.


Othe Lumet films for consideration: the Hill, Dog Day Afternoon
http://www.imdb.com/name/nm0001486/
plus a number I have not seen, but I am sure are worth viewing.







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Re: [FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread Rick Archer
Here's a list of movies I haven't seen, but that look interesting. Sorted by
rottentomatoes.com Tomatometer rating

 
  
Movie
   
Tomatometer Rating
   
  3 Women http://www.rottentomatoes.com/m/3Women-1098600/reviews.php
(PG) Robert Altman delivers one of his most startlingly enigmatic
pictures with 3 WOMEN. Inspired by a dream Altman had in which he was
shooting ... more... http://www.rottentomatoes.com/m/3Women-1098600/
Directed by: Robert Altman
http://www.rottentomatoes.com/p/RobertAltman-1040504/ Starring:
Shelley Duvall http://www.rottentomatoes.com/p/ShelleyDuvall-1004578/ ,
Sissy Spacek http://www.rottentomatoes.com/p/SissySpacek-1014635/ ,  et
al. http://www.rottentomatoes.com/m/3Women-1098600/cast_crew.php
Format:  DVD 
http://www.rottentomatoes.com/url/shop.php?k=pricegrabber-movieid=1098600
http://www.rottentomatoes.com/url/shop.php?k=pricegrabber-movieamp;id=1098
600100%   
  American Dream 
http://www.rottentomatoes.com/m/AmericanDream-1038738/reviews.php (PG)
Plot: Barbara Kopple's disturbing account of the protracted strike of the
employees of the Hormel meat-packing plant in Austin, Minnesota, in 1984 is
set against ... more...
http://www.rottentomatoes.com/m/AmericanDream-1038738/   Directed by:
Barbara Kopple http://www.rottentomatoes.com/p/BarbaraKopple-1044895/
100%   
  Gas Food Lodging  (R)  Allison Anders¹s GAS FOOD LODGING is a heartfelt,
honest look at a teenage girl¹s coming of age. Fairuza Balk stars, giving a
tremendously sympathetic . FV   100%
  Kestrel's Eye 
http://www.rottentomatoes.com/m/KestrelsEye-1103556/reviews.php(Not
Rated)Plot: Having been filmed over the course of several years, this
documentary follows the life of a family of European falcons that nest in
the ... more... http://www.rottentomatoes.com/m/KestrelsEye-1103556/
Directed by: Mikael Kristersson
http://www.rottentomatoes.com/p/MikaelKristersson-1137380/ 100%
  La Strada http://www.rottentomatoes.com/m/LaStrada-1011770/reviews.php
(Not Rated) Plot: Zampano (Anthony Quinn), a performer in a traveling
carnival outside of Rome, purchases the young, poor Gelsomina (Giulietta
Masina) to be his wife  MA   100%
  Maurice http://www.rottentomatoes.com/m/Maurice-1013577/reviews.php
(R) Plot: E.M. Forster¹s provocative 1914 novel, published posthumously
in 1971, is brought to the screen by director James Ivory in this
beautifully photographed film. Set ... more...
http://www.rottentomatoes.com/m/Maurice-1013577/   Directed by: James
Ivory http://www.rottentomatoes.com/p/JamesIvory-1041931/ Starring:
James Wilby http://www.rottentomatoes.com/p/JamesWilby-1016665/ ,   Hugh
Grant http://www.rottentomatoes.com/p/HughGrant-1006095/ , 100%
  Melvin Goes to Dinner
http://www.rottentomatoes.com/m/MelvinGoestoDinner-1127589/reviews.php
(Not Rated)Plot: MELVIN GOES TO DINNER marks the directorial debut of
comedy writer Bob Odenkirk, co-creator and co-star of the acclaimed HBO
series Mr. Show. Michael ... more...
http://www.rottentomatoes.com/m/MelvinGoestoDinner-1127589/  FV MA   100%
  My Darling Clementine
http://www.rottentomatoes.com/m/MyDarlingClementine-1014498/reviews.php
(Not Rated)Plot: In another of his classic Westerns, John Ford again
reflects upon the advance of civilization on the receding frontier,
recounting the events leading up ... more...
http://www.rottentomatoes.com/m/MyDarlingClementine-1014498/   Directed
by: John Ford http://www.rottentomatoes.com/p/JohnFord-1037650/
Starring: Henry Fonda http://www.rottentomatoes.com/p/HenryFonda-1005237/
,  Linda Darnell http://www.rottentomatoes.com/p/LindaDarnell-1003788/ ,
et al. 
http://www.rottentomatoes.com/m/MyDarlingClementine-1014498/cast_crew.php
100%   
  Norma Rae - Set in the industrial South and based on a true story, Martin
Ritt¹s NORMA RAE is a moving portrait of a woman¹s fight to improve both her
own life and the deplorable conditions that exist in the mill where she
works. FV MA   100%
  PEPE LE MOKO -- Starring Jean Gabin  Mireille Balin, directed by Julien
Duvivier (1937) A notorious gangster hides out in the Casbah for safety and
soon realizes he's a prisoner, unable to ever leave its confines.   100%
  Richard III 
http://www.rottentomatoes.com/m/RichardIII-1017538/reviews.php (Not
Rated)   Plot: Amid the Wars of the Roses in England, ruling monarch
Edward IV's lame, misshapen brother Richard schemes to ascend the throne.
Richard turns the ... more...
http://www.rottentomatoes.com/m/RichardIII-1017538/   Directed by:
Laurence Olivier http://www.rottentomatoes.com/p/LaurenceOlivier-1011726/
Starring:  Laurence Olivier
http://www.rottentomatoes.com/p/LaurenceOlivier-1011726/ ,   Cedric
Hardwicke http://www.rottentomatoes.com/p/CedricHardwicke-1006554/ ,  et
al. http://www.rottentomatoes.com/m/RichardIII-1017538/cast_crew.php
100%   
  Sunset Boulevard (1950) Billy Wilder's masterpiece, a corrosive black
comedy that remains the most memorable assault on the emptiness and vanity
of 

[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, Rick Archer [EMAIL PROTECTED] wrote:
 Here's a list of movies I haven't seen, but that look interesting. 
 Sorted by rottentomatoes.com Tomatometer rating

I've seen the following, liked them all, and in
in some sense think they fit the spiritual 
criterion:

   3 Women 
   Norma Rae 
   PEPE LE MOKO 
   Sunset Boulevard 
   The Best Years of Our Lives 
   The Front -- EXCELLENT!
   The Hired Hand 
   The Last Metro 
   The Postman Always Rings Twice
   The Rules of the Game
   The Treasure of the Sierra Madre
   To Have and Have Not
   Wings of Desire -- EXCELLENT, as is the remake,
 City of Angels
   Walkabout -- EXCELLENT
   Wild Strawberries   
   Dirty Pretty Things -- EXCELLENT
   City of God 
   Blow-Up 
   Shaun of the Dead -- HILARIOUS
   Himalaya 
   My Dinner With Andre 
   The Blind Swordsman: Zatoichi -- *any* Zatoichi film 
 is great!
   Boys Don¹t Cry 
   Ram Dass: Fierce Grace 
   Death in Venice 
   Duel  
   Swimming Pool 
   The Last Wave -- EXCELLENT
   Hamlet 
   The House Of Mirth 
   A Very Long Engagement   
   Akira Kurosawa's Dreams
   Be Glad For The Song Has No Ending (The Incredible String Band) - 
   Bob Dylan: Don't Look Back
   Gorillas in the Mist
   Ikiru   
   MindWalk -- BEYOND EXCELLENT!!!
   Sorceress   
   Why Has Bodhi-Dharma Left for the East? -- EXCELLENT







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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread Jeff Fischer
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED]

  For me, the main quality of a good 
 film is that it *surprises* me, and takes me somewhere I
 have never been before.  

Agreed.  When I saw Breathless w/ Richard Gere, I knew nothing about 
it.  The warped compulsiveness of his character coupled with his 
unbridled optimism really captivated me.
The scene where he's watching TV while Elvis' Caught in a Trap is 
playing in the background summed it up for me.  He sees that the cop he 
shot has just died.  He looks out the window into the courtyard to see 
others watching the news as well; the heaviness of the situation and 
concurrent drama of the song kick in and I was experiencing the 
discomfort.  Suddenly he jumps up from his chair, throws the bathroom 
door open, takes one side of the shower sliding door off the track and 
jumps into the shower with his French girlfriend - the joyous energy of 
the song capturing that sudden change of mood just as well as it had 
created the drama.  Leaving me:  Breathless.





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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread TurquoiseB
  For me, the main quality of a good 
  film is that it *surprises* me, and takes me somewhere I
  have never been before.  
 
 Agreed.  
 When I saw Breathless w/ Richard Gere, I knew nothing about 
 it.  The warped compulsiveness of his character coupled with his 
 unbridled optimism really captivated me.
 The scene where he's watching TV while Elvis' Caught in a Trap is 
 playing in the background summed it up for me.  He sees that the 
 cop he shot has just died.  He looks out the window into the 
 courtyard to see others watching the news as well; the heaviness 
 of the situation and concurrent drama of the song kick in and I 
 was experiencing the discomfort.  Suddenly he jumps up from his 
 chair, throws the bathroom door open, takes one side of the shower 
 sliding door off the track and jumps into the shower with his 
French 
 girlfriend - the joyous energy of the song capturing that sudden 
 change of mood just as well as it had created the drama.  Leaving 
 me:  Breathless.

Yup.  You should see the original.  The Richard Gere
remake was actually very good, but the original vision
was Jean-Luc Godard's, and the original compulsive
wild man was Belmondo.






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Re: [FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread Peter
Bipolars and borderlines might make for exciting drama
in movies, but actually having to deal with one in
real life becomes quite charmless very quickly.

--- TurquoiseB [EMAIL PROTECTED] wrote:

   For me, the main quality of a good 
   film is that it *surprises* me, and takes me
 somewhere I
   have never been before.  
  
  Agreed.  
  When I saw Breathless w/ Richard Gere, I knew
 nothing about 
  it.  The warped compulsiveness of his character
 coupled with his 
  unbridled optimism really captivated me.
  The scene where he's watching TV while Elvis'
 Caught in a Trap is 
  playing in the background summed it up for me.  He
 sees that the 
  cop he shot has just died.  He looks out the
 window into the 
  courtyard to see others watching the news as well;
 the heaviness 
  of the situation and concurrent drama of the song
 kick in and I 
  was experiencing the discomfort.  Suddenly he
 jumps up from his 
  chair, throws the bathroom door open, takes one
 side of the shower 
  sliding door off the track and jumps into the
 shower with his 
 French 
  girlfriend - the joyous energy of the song
 capturing that sudden 
  change of mood just as well as it had created the
 drama.  Leaving 
  me:  Breathless.
 
 Yup.  You should see the original.  The Richard Gere
 remake was actually very good, but the original
 vision
 was Jean-Luc Godard's, and the original compulsive
 wild man was Belmondo.
 
 
 
 
 
 
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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
I am guessing some of our differing views on specific films may be a
difference in angle of pursuit, in intention , in view -- in an active
sense. And has to do with definitions. In my mind, I am making a clear
distinction between spiritual films and great films. Thus a spiritual
film, may be mediocre, a great film may not be spiritual, and a great
spiritual film may not also be a great film -- though would probably
be at least good. I am guessing, from your remarks, that you are
looking for great spiritual films, not simply spiritual films. And
 I am not looking at great films, and then  further probing for
spiritual metaphors and messages. 

 So although it's really fun to try to come up with
 ways to describe what makes a film spiritual, I 
 think I'm going to try to resist the temptation.
 I'm going to stick to the same definition I use for
 art -- I know it when I see it.

I was struck that we, and several others, tend to agree that certain
lists of films are spiritual. It appears that there is something
there there -- its intriguing to me to understand what makes such
spiritual and why others are not -- what is the spiritual aesthetic,
what are the key elements of a spiritual film criticism, what is the
theoretical  foundation from which to judge films as to being
spiritual. Perhaps, as I am sure some would say, that such analysis
destroys the innocence -- perhaps that is yor view, but I am yet not
convinced.


  And some visceral impacts may be decidedly non-spiritual -- it 
  may be a fine edge to discern. As examples, at the end of 
  Schindlers List, I could barely breath, I had to force breath, and 
  could not move. The film had manipulated me to a new state -- 
  like a guided meditation. 
 
 That's Spielberg's trademark, and IMO why it took so long
 for him to win an Academy Award.  He *can* manipulate the
 audience, pretty much *any* audience, even jaded filmgoers,
 and the people in the Academy resented him for that. They
 tend in the Academy to resent runaway success period, and 
 no matter how much they resented him, he could force them 
 to feel what he wanted to feel *anyway*.  

I think some bad films can be great spiritual films. I think some
bad films are such because they are manipulative. Sleepless in
Seattle and You've Got Mail come to mind. Hmmm a definite Meg Ryan
/ Tom Hanks theme here.  While such films might be entertaining in an
escapist sort of mind-numbing way, IMO, they are sort of like letting
some disemboddied entity take over your mind and body, or your soul,
-- as in channeling. You allow yourself to be manipulated, not for
some transcendetal effect, parallel to guided meditation, but rather
to be mainlined with sweetness and feel-good sentimentality. As
nutritious and long-run fulfilling as eating Sugar Pops. While these
are crappy films, in the general sense, such films could be great
spiritual films, if upon viewing them induces an awareness within the
viewer as to why and how such films are manipulating them -- thus in a
sense -- creating an innoculation agains such in future films -- and
in life. 

  And I am not sure whehter they are
  catalytic and transcend the warrior tool, or simply induce macho
  warrior identification. I would think First Blood might better 
  serve the catalytic warrior role than some of the Mel/Arnold genre
  mentioned. 
 
 Interesting.  I would say the opposite.  To each his
 or her own, I guess.


First, I am probably thinking of different Mel and Arnold films than
you  -- as you state later, one needs to go film by film. And I have a
great deficiency in some film areas -- there have been periods of
three years of more when I rarely saw any films, if any. Other times,
I saw a lot. With DVDs and NetFlix, I am slowly filling in the gaps. I
have not seen Conan -- so I simply cannot judge.  

And Road Warrior was seen too long ago to view sensibly. And these
appear to be your top warrior films. So I really can't offer up a
criticism or alternatives. First Blood came to mind, not becasue I
think its a particularly good film, but because it has, as I remember,
certain strong spiritual warrior themes. Such as: i) never give up, no
matter how bad it gets, no matter how overwhelming, never give up,
keep going,  and ii) conventional social views are not, often are not,
the TRUTH -- be willing to live outside the law or social convention
if needed to pursue the truth. 

I would stipulate without (re)viewing them that Road Warrior and Conan
are (probably) better films than First Blood. Whether they are better
spiritual films is another question and one I will have to wait to
answer -- upon (re)viewing your picks.


  The key questions from this spiritual film aesthetic is whether 
  the warior identification is used, then transcended -- either by 
  the characters in the film, or in the process and transformation 
  induced in the films' viewer.  Blue Crash (great girl surfer film) 
  and Bend It Like Beckham are better spiritual warrior films, 

[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, Peter [EMAIL PROTECTED] wrote:
 Bipolars and borderlines might make for exciting drama
 in movies, but actually having to deal with one in
 real life becomes quite charmless very quickly.

True, but we're talking about movies...  






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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread shempmcgurk
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] 
wrote:
 --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
wrote:
  Picnic At Hanging Rock,
 
 
 Another good, somewhat obscure, aussie film: Flirting
 http://www.imdb.com/title/tt0101898/
 
 First film of Nicole Kidman and Thandie Newton.
 Interesting youthful take on transcending social roles and 
expectations.
 
 Also, not related, but should be on the list;
 Prince of the City
 http://www.imdb.com/title/tt0082945/
 
 and Serpico, two great Sydney Lumet films, which deal in their own
 ways with deep disillusionment and transcending initial mindsets.
 
 Rounds out the othe Lumet film already mentioned: The Verdict.
 
 Going a bit deeper on Lumet: 12 Angery Men -- subjectivness of
 reality theme, in that way, similar to Mamet's Oleanna. 
 
 Another Lumet classic, Network, seems a natural, breaking 
boundaries,
 I'm not going to take it any more, though perhaps having become  
bit
  a cliche film -- that is  -- it is on all lists.
 
 A smaller Lumet film, Failsafe (and its book), dealing with huge 
and
 imponderable decisions, forces a level of transcendence. 
 
 Another Burdick novel made into a film, Seven Days in May, should 
be
 considered, though the reasoning for making its case as 
a spiritual
 film -- may take a bit to develop.
 
 
 Othe Lumet films for consideration: the Hill, Dog Day Afternoon
 http://www.imdb.com/name/nm0001486/
 plus a number I have not seen, but I am sure are worth viewing.


One of my favourite Lumet films is Night Falls on Manhattan with 
Andy Garcia.

Lumet is an incredibly prolific director and until you see the list 
of his films you don't realize how many favourites of yours he made!





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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, Peter [EMAIL PROTECTED] wrote:
  Bipolars and borderlines might make for exciting drama
  in movies, but actually having to deal with one in
  real life becomes quite charmless very quickly.
 
 True, but we're talking about movies...


I thought life was a movie.



Woody Allen's The Purple Rose of Cairo is a funny and interesting look
at that theme. shoudl be on most lists.






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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread shempmcgurk
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
wrote:
 --- In FairfieldLife@yahoogroups.com, Rick Archer [EMAIL PROTECTED] 
wrote:
  Here's a list of movies I haven't seen, but that look 
interesting. 
  Sorted by rottentomatoes.com Tomatometer rating
 
 I've seen the following, liked them all, and in
 in some sense think they fit the spiritual 
 criterion:
 
3 Women 
Norma Rae 
PEPE LE MOKO 
Sunset Boulevard 
The Best Years of Our Lives 
The Front -- EXCELLENT!
The Hired Hand 
The Last Metro 
The Postman Always Rings Twice
The Rules of the Game
The Treasure of the Sierra Madre
To Have and Have Not
Wings of Desire -- EXCELLENT, as is the remake,
  City of Angels
Walkabout -- EXCELLENT


Nicolas Roeg directed it -- he also did Performance with Mick 
Jagger.


Wild Strawberries   
Dirty Pretty Things -- EXCELLENT
City of God 
Blow-Up 
Shaun of the Dead -- HILARIOUS
Himalaya 
My Dinner With Andre 



I would rather see My breakfast with Blassie the spoof by Andy 
Kaufman.



The Blind Swordsman: Zatoichi -- *any* Zatoichi film 
  is great!
Boys Don¹t Cry 
Ram Dass: Fierce Grace 
Death in Venice 
Duel  
Swimming Pool



I loved Swimming Pool because of the young star Ludivine Sagnier.  
Voluptuous, yes, but her natural style which is SO different from 
the run-of-the-mill Hollywood plastic blondes, is so very refreshing.

I just saw another French film in which the starlette was so 
different from the typical Hollywood mold but so natural and good.  
It's called Girls can't swim (Les femmes ne savent pas nager), 
starring Isild Le Besco, who has a very unusual beauty but is SO 
natural in her acting that you can't take your eyes off of her.





 
The Last Wave -- EXCELLENT
Hamlet 
The House Of Mirth 
A Very Long Engagement   
Akira Kurosawa's Dreams
Be Glad For The Song Has No Ending (The Incredible String 
Band) - 
Bob Dylan: Don't Look Back
Gorillas in the Mist
Ikiru   
MindWalk -- BEYOND EXCELLENT!!!
Sorceress   
Why Has Bodhi-Dharma Left for the East? -- EXCELLENT





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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread shempmcgurk
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] 
wrote:
 I am guessing some of our differing views on specific films may be 
a
 difference in angle of pursuit, in intention , in view -- in an 
active
 sense. And has to do with definitions. In my mind, I am making a 
clear
 distinction between spiritual films and great films. Thus a 
spiritual
 film, may be mediocre, a great film may not be spiritual, and a 
great
 spiritual film may not also be a great film -- though would 
probably
 be at least good. I am guessing, from your remarks, that you are
 looking for great spiritual films, not simply spiritual films. 
And
  I am not looking at great films, and then  further probing for
 spiritual metaphors and messages. 
 
  So although it's really fun to try to come up with
  ways to describe what makes a film spiritual, I 
  think I'm going to try to resist the temptation.
  I'm going to stick to the same definition I use for
  art -- I know it when I see it.
 
 I was struck that we, and several others, tend to agree that 
certain
 lists of films are spiritual. It appears that there is something
 there there -- its intriguing to me to understand what makes such
 spiritual and why others are not -- what is the spiritual 
aesthetic,
 what are the key elements of a spiritual film criticism, what is 
the
 theoretical  foundation from which to judge films as to being
 spiritual. Perhaps, as I am sure some would say, that such analysis
 destroys the innocence -- perhaps that is yor view, but I am yet 
not
 convinced.
 
 
   And some visceral impacts may be decidedly non-spiritual -- 
it 
   may be a fine edge to discern. As examples, at the end of 
   Schindlers List, I could barely breath, I had to force breath, 
and 
   could not move. The film had manipulated me to a new state --
 
   like a guided meditation. 
  
  That's Spielberg's trademark, and IMO why it took so long
  for him to win an Academy Award.  He *can* manipulate the
  audience, pretty much *any* audience, even jaded filmgoers,
  and the people in the Academy resented him for that. They
  tend in the Academy to resent runaway success period, and 
  no matter how much they resented him, he could force them 
  to feel what he wanted to feel *anyway*.  
 
 I think some bad films can be great spiritual films. I think some
 bad films are such because they are manipulative. Sleepless in
 Seattle and You've Got Mail come to mind. Hmmm a definite Meg 
Ryan
 / Tom Hanks theme here.  While such films might be entertaining in 
an
 escapist sort of mind-numbing way, IMO, they are sort of like 
letting
 some disemboddied entity take over your mind and body, or your 
soul,
 -- as in channeling. You allow yourself to be manipulated, not for
 some transcendetal effect, parallel to guided meditation, but 
rather
 to be mainlined with sweetness and feel-good sentimentality. As
 nutritious and long-run fulfilling as eating Sugar Pops. While 
these
 are crappy films, in the general sense, such films could be 
great
 spiritual films, if upon viewing them induces an awareness within 
the
 viewer as to why and how such films are manipulating them -- thus 
in a
 sense -- creating an innoculation agains such in future films -- 
and
 in life. 
 
   And I am not sure whehter they are
   catalytic and transcend the warrior tool, or simply induce 
macho
   warrior identification. I would think First Blood might 
better 
   serve the catalytic warrior role than some of the Mel/Arnold 
genre
   mentioned. 
  
  Interesting.  I would say the opposite.  To each his
  or her own, I guess.
 
 
 First, I am probably thinking of different Mel and Arnold films 
than
 you  -- as you state later, one needs to go film by film. And I 
have a
 great deficiency in some film areas -- there have been periods of
 three years of more when I rarely saw any films, if any. Other 
times,
 I saw a lot. With DVDs and NetFlix, I am slowly filling in the 
gaps. I
 have not seen Conan -- so I simply cannot judge.  
 
 And Road Warrior was seen too long ago to view sensibly. And these
 appear to be your top warrior films. So I really can't offer up a
 criticism or alternatives. First Blood came to mind, not becasue I
 think its a particularly good film, but because it has, as I 
remember,
 certain strong spiritual warrior themes. Such as: i) never give 
up, no
 matter how bad it gets, no matter how overwhelming, never give up,
 keep going,  and ii) conventional social views are not, often are 
not,
 the TRUTH -- be willing to live outside the law or social 
convention
 if needed to pursue the truth. 
 
 I would stipulate without (re)viewing them that Road Warrior and 
Conan
 are (probably) better films than First Blood. Whether they are 
better
 spiritual films is another question and one I will have to wait to
 answer -- upon (re)viewing your picks.
 
 
   The key questions from this spiritual film aesthetic is 
whether 
   the warior identification is used, then transcended -- either 

[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread shempmcgurk
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
wrote:
  --- In FairfieldLife@yahoogroups.com, Peter [EMAIL PROTECTED] 
wrote:
   Bipolars and borderlines might make for exciting drama
   in movies, but actually having to deal with one in
   real life becomes quite charmless very quickly.
  
  True, but we're talking about movies...
 
 
 I thought life was a movie.
 
 
 
 Woody Allen's The Purple Rose of Cairo is a funny and interesting 
look
 at that theme. shoudl be on most lists.

...starring Prudence Farrow (small part)...





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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
--- In FairfieldLife@yahoogroups.com, shempmcgurk [EMAIL PROTECTED]
wrote:
 --- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
  --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
 wrote:
   --- In FairfieldLife@yahoogroups.com, Peter [EMAIL PROTECTED] 
 wrote:
Bipolars and borderlines might make for exciting drama
in movies, but actually having to deal with one in
real life becomes quite charmless very quickly.
   
   True, but we're talking about movies...
  
  
  I thought life was a movie.
  
  
  
  Woody Allen's The Purple Rose of Cairo is a funny and interesting 
 look
  at that theme. shoudl be on most lists.
 
 ...starring Prudence Farrow (small part)...

Really -- what part? 

I remember seeing a film credit for her, on the production side, in
some Woddy Allen film, but I was not aware she also had an  on camera
role.




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, shempmcgurk [EMAIL PROTECTED]
 wrote:
  --- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED]
wrote:
   --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
  wrote:
--- In FairfieldLife@yahoogroups.com, Peter [EMAIL PROTECTED] 
  wrote:
 Bipolars and borderlines might make for exciting drama
 in movies, but actually having to deal with one in
 real life becomes quite charmless very quickly.

True, but we're talking about movies...
   
   
   I thought life was a movie.
   
   
   
   Woody Allen's The Purple Rose of Cairo is a funny and interesting 
  look
   at that theme. shoudl be on most lists.
  
  ...starring Prudence Farrow (small part)...
 
 Really -- what part? 



 I remember seeing a film credit for her, on the production side, in
 some Woddy Allen film, but I was not aware she also had an  on camera
 role.



Stephaine Farrow is listed, another sister I think -- there were 4-5
Farrow sisters as i recall (themes and material for Hanna and Her
Sisters -- I am sure). And I have seen other Farrow sisters in minor
roles. But not Prudie.


http://www.imdb.com/title/tt0089853/fullcredits
 




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread shempmcgurk
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] 
wrote:
 --- In FairfieldLife@yahoogroups.com, shempmcgurk 
[EMAIL PROTECTED]
 wrote:
  --- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] 
wrote:
   --- In FairfieldLife@yahoogroups.com, TurquoiseB 
[EMAIL PROTECTED] 
  wrote:
--- In FairfieldLife@yahoogroups.com, Peter 
[EMAIL PROTECTED] 
  wrote:
 Bipolars and borderlines might make for exciting drama
 in movies, but actually having to deal with one in
 real life becomes quite charmless very quickly.

True, but we're talking about movies...
   
   
   I thought life was a movie.
   
   
   
   Woody Allen's The Purple Rose of Cairo is a funny and 
interesting 
  look
   at that theme. shoudl be on most lists.
  
  ...starring Prudence Farrow (small part)...
 
 Really -- what part? 
 
 I remember seeing a film credit for her, on the production side, in
 some Woddy Allen film, but I was not aware she also had an  on 
camera
 role.


Sorry, I am mistaken...it was another Farrow (sister?) called 
Stephanie that was in it, although upon inspection of the imdb.com 
Prudence did have an off-camera credit...




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
  --- In FairfieldLife@yahoogroups.com, shempmcgurk [EMAIL PROTECTED]
  wrote:
   --- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED]
 wrote:
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
   wrote:
 --- In FairfieldLife@yahoogroups.com, Peter
[EMAIL PROTECTED] 
   wrote:
  Bipolars and borderlines might make for exciting drama
  in movies, but actually having to deal with one in
  real life becomes quite charmless very quickly.
 
 True, but we're talking about movies...


I thought life was a movie.



Woody Allen's The Purple Rose of Cairo is a funny and interesting 
   look
at that theme. shoudl be on most lists.
   
   ...starring Prudence Farrow (small part)...
  
  Really -- what part? 
 
 
 
  I remember seeing a film credit for her, on the production side, in
  some Woddy Allen film, but I was not aware she also had an  on camera
  role.
 
 
 
 Stephaine Farrow is listed, another sister I think -- there were 4-5
 Farrow sisters as i recall (themes and material for Hanna and Her
 Sisters -- I am sure). And I have seen other Farrow sisters in minor
 roles. But not Prudie.
 
 
 http://www.imdb.com/title/tt0089853/fullcredits
 


There are no Woody Allen film on camera listings for Prudie, only
production work.
http://www.imdb.com/name/nm0268527/

Tisa Farrow, a sister, was in Manhattan.
http://www.imdb.com/name/nm0268533/


There is a Lauren Farrow actually in Swimming Pool -- but I don't
think  she is a sister. Perhaps a niece or soemthing.
http://www.imdb.com/name/nm1352957/








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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
All Whit Stillman films -- which unfortunately are rare -- only three
so far.

The Last Days of Disco
Barcelona
Metropolitan

Also for the chick warrior category, Whale Rider. 

The Great Escape seems symbolically relevant.









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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread shempmcgurk
--- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
 All Whit Stillman films -- which unfortunately are rare -- only three
 so far.
 
 The Last Days of Disco


Especially because Chloe Sevigny is in it...


 Barcelona
 Metropolitan
 
 Also for the chick warrior category, Whale Rider. 
 
 The Great Escape seems symbolically relevant.




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread akasha_108
--- In FairfieldLife@yahoogroups.com, shempmcgurk [EMAIL PROTECTED]
wrote:
 --- In FairfieldLife@yahoogroups.com, akasha_108 [EMAIL PROTECTED] wrote:
  All Whit Stillman films -- which unfortunately are rare -- only three
  so far.
  
  The Last Days of Disco
 
 
 Especially because Chloe Sevigny is in it...
 

Yes she is great. I liked Kate Beckinsale in that film too. She nailed
Charlotte I thought, an extra challenge in that she is British,
playing an american career girl.








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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-25 Thread m2smart4u2000
Gadjo Dilo or The Crazy Stranger
by Toni Gatlif. It is in French and Romany with english subtitles. 
Its a favorite quirky romantic gypsy movie. The love scene is AH 
well,you have to see it.




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, Vaj [EMAIL PROTECTED] wrote:
 Bliss which won the Australian academy award in the mid-80's. 
 The more recent film American Beauty is an a poor rip off of 
 that film IMO. It basically tells the story of an advertising 
 exec who dies and then come back to his old life, but everything 
 seems different. He's convinced he's in hell...
 
 Very tantric, esp. that Honey Barbara.

Seen it, agree that it's an interesting film, couldn't
disagree more strongly that it's a ripoff of or better
than American Beauty.  :-)

Thanks.







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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread Jeff Fischer
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:
 As input for a book idea, I was wondering whether
 folks here have favorite films that they consider
 spiritual.

Braveheart, Pulp Fiction, Como Agua Para Chocolate




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, Jeff Fischer 
[EMAIL PROTECTED] wrote:
 --- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] 
wrote:
  As input for a book idea, I was wondering whether
  folks here have favorite films that they consider
  spiritual.
 
 Braveheart, Pulp Fiction, Como Agua Para Chocolate

Cool.  I'm interested in what turns you on spiritually
about Pulp Fiction, if you feel like sharing...

Your Spanish title for Like Water For Chocolate reminded
me of another of my faves, Y Tu Mama Tambien.






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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread Jeff Fischer
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:
 
 Cool.  I'm interested in what turns you on spiritually
 about Pulp Fiction, if you feel like sharing...

It's a morality play where everyone gets what they deserve.  That's how 
I feel the universe is set up.  Jules has a Paul the Apostle type 
epiphany.  Butch can't leave the guy who wants him dead in that 
predicament.  Travolta's a narcissistic asshole but charasmatic and 
stangely philosophical about life.  Everyone's living their own crazy 
realities, yet it seems real to me.  Seems to me to reflect your 
definition of tantra.  Particularly Butch needing to go after his watch.

And it still makes me laugh like hell.  So many incredible lines.  
Can't get more spiritual than that.

 Your Spanish title for Like Water For Chocolate reminded
 me of another of my faves, Y Tu Mama Tambien.

I was going to list that one too, but couldn't remember the name.




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Re: [FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread Peter


--- Jeff Fischer [EMAIL PROTECTED] wrote:

 --- In FairfieldLife@yahoogroups.com, TurquoiseB
 [EMAIL PROTECTED] wrote:
  As input for a book idea, I was wondering whether
  folks here have favorite films that they consider
  spiritual.
 
 Braveheart, Pulp Fiction, Como Agua Para Chocolate

Return to Paradise




 
 
 
 
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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread Jeff Fischer
--- In FairfieldLife@yahoogroups.com, TurquoiseB [EMAIL PROTECTED] wrote:
 
 Cool.  I'm interested in what turns you on spiritually
 about Pulp Fiction, if you feel like sharing...

It's a morality play where everyone gets what they deserve.  That's how 
I feel the universe is set up.  Jules has a Paul the Apostle type 
epiphany.  Butch can't leave the guy who wants him dead in that 
predicament.  Travolta's a narcissistic asshole but charasmatic and 
stangely philosophical about life.  Everyone's living their own crazy 
realities, yet it seems real to me.  Seems to me to reflect your 
definition of tantra.  Particularly Butch needing to go after his watch.

And it still makes me laugh like hell.  So many incredible lines.  
Can't get more spiritual than that.

 Your Spanish title for Like Water For Chocolate reminded
 me of another of my faves, Y Tu Mama Tambien.

I was going to list that one too, but couldn't remember the name.




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, Peter [EMAIL PROTECTED] 
wrote:
 --- Jeff Fischer [EMAIL PROTECTED] wrote:
  --- In FairfieldLife@yahoogroups.com, TurquoiseB
  [EMAIL PROTECTED] wrote:
   As input for a book idea, I was wondering whether
   folks here have favorite films that they consider
   spiritual.
  
  Braveheart, Pulp Fiction, Como Agua Para Chocolate
 
 Return to Paradise

Cool.  I don't know this one.  Do tell.







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Re: [FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread Peter


--- TurquoiseB [EMAIL PROTECTED] wrote:

 --- In FairfieldLife@yahoogroups.com, Peter
 [EMAIL PROTECTED] 
 wrote:
  --- Jeff Fischer [EMAIL PROTECTED] wrote:
   --- In FairfieldLife@yahoogroups.com, TurquoiseB
   [EMAIL PROTECTED] wrote:
As input for a book idea, I was wondering
 whether
folks here have favorite films that they
 consider
spiritual.
   
   Braveheart, Pulp Fiction, Como Agua Para
 Chocolate
  
  Return to Paradise
 
 Cool.  I don't know this one.  Do tell.

Rent the DVD. Blows your mind.The back story: A bunch
of stupid 20 something kids get busted for hash while
having fun in Malaysia. They all get out but one who's
in a Malaysian prison being held for trial. He's been
there for a year or two while his buddies in the US
try to forgetabout it. They can't and along with
his lawyer sister try to intervene to either get him
out or lessen his sentence. Thing's don't work out
quite as planned.  It's rare that a movie can shock
you into the transcendent and deeply open your heart
all at the same time. Not for mood makers! The
climactic scene cuts through all the BS to what really
counts. If you've seen this movie, please do not give
away the ending.




 
 
 
 
 
 
 
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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread markmeredith2002
Brief review on the spiritual aspects of the new movie Grizzly Man:

http://www.theamericanscene.com/2005/08/movie-of-year-no-its-not-40-year-old.php




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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread TurquoiseB
   Return to Paradise
  
  Cool.  I don't know this one.  Do tell.
 
 Rent the DVD. Blows your mind.The back story: A bunch
 of stupid 20 something kids get busted for hash while
 having fun in Malaysia. They all get out but one who's
 in a Malaysian prison being held for trial. He's been
 there for a year or two while his buddies in the US
 try to forgetabout it. They can't and along with
 his lawyer sister try to intervene to either get him
 out or lessen his sentence. Thing's don't work out
 quite as planned.  It's rare that a movie can shock
 you into the transcendent and deeply open your heart
 all at the same time. Not for mood makers! The
 climactic scene cuts through all the BS to what really
 counts. If you've seen this movie, please do not give
 away the ending.

Cool.  It'll fit in well with other movies on my
list about ethics and ethical characters, such as 
The Contender, Proof Of Life, The Verdict, etc.







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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread TurquoiseB
--- In FairfieldLife@yahoogroups.com, markmeredith2002 
[EMAIL PROTECTED] wrote:
 Brief review on the spiritual aspects of the new movie Grizzly Man:
 
 http://www.theamericanscene.com/2005/08/movie-of-year-no-its-not-40-
year-old.php

Cool.  Thanks.  Reminds me of another one on my list,
Jeremiah Johnson.  







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[FairfieldLife] Re: A Request -- what are your favorite offbeat spiritual films?

2005-08-24 Thread authfriend
--- In FairfieldLife@yahoogroups.com, markmeredith2002 
[EMAIL PROTECTED] wrote:
 Brief review on the spiritual aspects of the new movie Grizzly Man:
 
 http://www.theamericanscene.com/2005/08/movie-of-year-no-its-not-40-
year-old.php

Scroll down past the end of the review to
read the comments from readers; they're
pretty interesting in their range of views.

As interpreted by the reviewer, the
spirituality of the Grizzly Man would be
a good example of what Ken Wilber calls the
pre/trans fallacy, in which devolution to
the primordial state is mistakenly held to
be equivalent to evolution to the
transcendent state, because both appear to
be forms of unity.

But in one case, there is unity because
diversity hasn't yet been encompassed; and
in the other, it's because diversity has
been fully encompassed and then transcended,
according to Wilber.






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