Re: [Finale] Locked systems

2014-12-28 Thread David H. Bailey
On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't come up
 much as an issue.

It should never be any sort of an issue in scroll view, since there is 
only one very long system.

-
David H. Bailey

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Re: [Finale] Automatic saves in Finale 2014: how do I set the folders for them?

2014-12-28 Thread David H. Bailey
On 12/27/2014 10:36 AM, Kenneth Moore wrote:
 I have had Finale 2014 (on Windows 8.1 [spit for protection!]) for only
 five days, but have searched the documentation fairly energetically
 during that period, trying to discover how to set the folders to which
 automatic saves and previous copy saves are sent (.asv and .bak in F2004
 of blessed memory).  I have not even found an indication that these
 saves happen in this version.  Please will someone give me the route to
 the place in the documentation that describes what F2014 does.


I don't know where the information is in the documentation, but that 
setting is where it's always been, in the Preferences dialog.  On 
Windows machines, it's under the Edit menu.  Select Preferences and then 
select Folders and then you can set the locations of the folders for 
your Finale files, for backup files, for your Autosave files, template 
files, and other such things.

I don't know which folder to look under for the Preferences dialog on Macs.

-
David H. Bailey

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Re: [Finale] Automatic saves in Finale 2014: how do I set the folders for them?

2014-12-28 Thread Eric Fiedler
Finale  Preferences  Folders
Just like on a PC  ;-)
Eric

*
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
webmas...@habsburgerverlag.de
*

Am 28.12.2014 um 12:59 schrieb David H. Bailey 
dhbai...@davidbaileymusicstudio.com:
 
 I don't know which folder to look under for the Preferences dialog on Macs.


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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
I should try scroll view / page view prior to printing. When I get home. No
one else has experienced this?
On Dec 28, 2014 6:55 AM, David H. Bailey 
dhbai...@davidbaileymusicstudio.com wrote:

 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
  Is this a facet of the page view mode?  I work almost exclusively in
  scroll mode until the final layout time and this just doesn't come up
  much as an issue.
 
 It should never be any sort of an issue in scroll view, since there is
 only one very long system.

 -
 David H. Bailey

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Re: [Finale] Locked systems

2014-12-28 Thread Robert Patterson
There used to be a spacing option somewhere that forced X-number of
measures on each system. For the life of me I can't find it now, but that
might be the source of the problem if it still exists.

On Sun, Dec 28, 2014 at 8:37 AM, Raymond Horton horton.raym...@gmail.com
wrote:

 I should try scroll view / page view prior to printing. When I get home. No
 one else has experienced this?
 On Dec 28, 2014 6:55 AM, David H. Bailey 
 dhbai...@davidbaileymusicstudio.com wrote:

  On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
   Is this a facet of the page view mode?  I work almost exclusively in
   scroll mode until the final layout time and this just doesn't come up
   much as an issue.
  
  It should never be any sort of an issue in scroll view, since there is
  only one very long system.
 
  -
  David H. Bailey
 
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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
On Mac, cmd-sh M (probably ctr sh M on Windows) is the Fit Music command. You 
have to choose a passage first.

Christopher


On Sun Dec 28, at SundayDec 28 10:09 AM, Robert Patterson wrote:

 There used to be a spacing option somewhere that forced X-number of
 measures on each system. For the life of me I can't find it now, but that
 might be the source of the problem if it still exists.
 
 On Sun, Dec 28, 2014 at 8:37 AM, Raymond Horton horton.raym...@gmail.com
 wrote:
 
 I should try scroll view / page view prior to printing. When I get home. No
 one else has experienced this?
 On Dec 28, 2014 6:55 AM, David H. Bailey 
 dhbai...@davidbaileymusicstudio.com wrote:
 
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't come up
 much as an issue.
 
 It should never be any sort of an issue in scroll view, since there is
 only one very long system.
 
 -
 David H. Bailey

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Re: [Finale] Locked systems

2014-12-28 Thread Craig Parmerlee
I guess my work flow is different from many.  I work about 95% in scroll 
mode until it is time to do final parts layouts.  This seems so much 
faster, getting more of the most useful content on the screen, 
especially when using staff views aggressively.

Even so, when I do switch over to page view, I generally find some locks 
have been set.  I never tried to figure out why there were some locks. 
Perhaps they were inherited by starting with a copy of another score 
rather then setting up a fresh score from scratch each time.

For me it is no big deal.  I simply wipe out the locks and then put in 
my new locks.  I have locks on nearly every system because:

* I pay careful attention to page turns,

* I try to put signs at the beginning of lines and to coda at the ends 
of lines

* When possible, I avoid splitting musical lines across systems

These things all lead to more accurate reading.  By taking an extra 10 
minutes on the layout, I can save 20 minutes in rehearsal and have fewer 
errors in performance.


On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't come up
 much as an issue.

 It should never be any sort of an issue in scroll view, since there is
 only one very long system.

 -
 David H. Bailey

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 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale

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 finale-unsubscr...@shsu.edu



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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
I, like you, wait until the end to enact staff system locks. But then  
I lock EVERYTHING! I've too often had Finale parse the spacing  
differently while printing and I end up with my 6-bar system as 5  
bars plus one bar by itself on its own line, then the part runs to  
four pages instead of three and the 4th page only has one system on  
it. Grr.

I agree wholeheartedly with your philosophy on proper part layout. I  
find, however, that having a to coda in the middle of a line is not  
so bad. Not having a repeat starting a system is WAY worse!

Christopher


On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:

 I guess my work flow is different from many.  I work about 95% in  
 scroll
 mode until it is time to do final parts layouts.  This seems so much
 faster, getting more of the most useful content on the screen,
 especially when using staff views aggressively.

 Even so, when I do switch over to page view, I generally find some  
 locks
 have been set.  I never tried to figure out why there were some locks.
 Perhaps they were inherited by starting with a copy of another score
 rather then setting up a fresh score from scratch each time.

 For me it is no big deal.  I simply wipe out the locks and then put in
 my new locks.  I have locks on nearly every system because:

 * I pay careful attention to page turns,

 * I try to put signs at the beginning of lines and to coda at the  
 ends
 of lines

 * When possible, I avoid splitting musical lines across systems

 These things all lead to more accurate reading.  By taking an extra 10
 minutes on the layout, I can save 20 minutes in rehearsal and have  
 fewer
 errors in performance.


 On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't  
 come up
 much as an issue.

 It should never be any sort of an issue in scroll view, since  
 there is
 only one very long system.

 -
 David H. Bailey

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 https://lists.shsu.edu/mailman/listinfo/finale

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Re: [Finale] Locked systems

2014-12-28 Thread Williams, Jim


Sent from my iPhone, so please pardon all the typos.

 On Dec 28, 2014, at 11:14 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 I've too often had Finale parse the spacing  
 differently while printing and I end up with my 6-bar system as 5  
 bars plus one bar by itself on its own line, then the part runs to  
 four pages instead of three and the 4th page only has one system on  
 it. Grr.
 
 I agree wholeheartedly with your philosophy on proper part layout. I  
 find, however, that having a to coda in the middle of a line is not  
 so bad. Not having a repeat starting a system is WAY worse!
 
 Christopher
 
 
 On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:
 
 I guess my work flow is different from many.  I work about 95% in  
 scroll
 mode until it is time to do final parts layouts.  This seems so much
 faster, getting more of the most useful content on the screen,
 especially when using staff views aggressively.
 
 Even so, when I do switch over to page view, I generally find some  
 locks
 have been set.  I never tried to figure out why there were some locks.
 Perhaps they were inherited by starting with a copy of another score
 rather then setting up a fresh score from scratch each time.
 
 For me it is no big deal.  I simply wipe out the locks and then put in
 my new locks.  I have locks on nearly every system because:
 
 * I pay careful attention to page turns,
 
 * I try to put signs at the beginning of lines and to coda at the  
 ends
 of lines
 
 * When possible, I avoid splitting musical lines across systems
 
 These things all lead to more accurate reading.  By taking an extra 10
 minutes on the layout, I can save 20 minutes in rehearsal and have  
 fewer
 errors in performance.
 
 
 On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't  
 come up
 much as an issue.
 
 It should never be any sort of an issue in scroll view, since  
 there is
 only one very long system.
 
 -
 David H. Bailey
 
 ___
 Finale mailing list
 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale
 
 To unsubscribe from finale send a message to:
 finale-unsubscr...@shsu.edu
 
 
 
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Re: [Finale] Locked systems

2014-12-28 Thread Robert Patterson
What could be going on with the OP is that the default file used to start
the project contained the locks already. A long-term issue with Finale is
that if you create a piece with locked systems, especially if only a system
is locked here and there, when you delete the measures the locks are
retained. The issue may have been fixed in recent versions, but if you
carried forward a default file from earlier versions, it might have this
issue. The way to fix it is to add a bunch of measures to your default file
(1000 is probably enough) then select all and unlock systems, then delete
the measures down to the number you want in your default file, then save.


On Sun, Dec 28, 2014 at 10:16 AM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 I, like you, wait until the end to enact staff system locks. But then
 I lock EVERYTHING! I've too often had Finale parse the spacing
 differently while printing and I end up with my 6-bar system as 5
 bars plus one bar by itself on its own line, then the part runs to
 four pages instead of three and the 4th page only has one system on
 it. Grr.

 I agree wholeheartedly with your philosophy on proper part layout. I
 find, however, that having a to coda in the middle of a line is not
 so bad. Not having a repeat starting a system is WAY worse!

 Christopher


 On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:

  I guess my work flow is different from many.  I work about 95% in
  scroll
  mode until it is time to do final parts layouts.  This seems so much
  faster, getting more of the most useful content on the screen,
  especially when using staff views aggressively.
 
  Even so, when I do switch over to page view, I generally find some
  locks
  have been set.  I never tried to figure out why there were some locks.
  Perhaps they were inherited by starting with a copy of another score
  rather then setting up a fresh score from scratch each time.
 
  For me it is no big deal.  I simply wipe out the locks and then put in
  my new locks.  I have locks on nearly every system because:
 
  * I pay careful attention to page turns,
 
  * I try to put signs at the beginning of lines and to coda at the
  ends
  of lines
 
  * When possible, I avoid splitting musical lines across systems
 
  These things all lead to more accurate reading.  By taking an extra 10
  minutes on the layout, I can save 20 minutes in rehearsal and have
  fewer
  errors in performance.
 
 
  On 12/28/2014 6:53 AM, David H. Bailey wrote:
  On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
  Is this a facet of the page view mode?  I work almost exclusively in
  scroll mode until the final layout time and this just doesn't
  come up
  much as an issue.
 
  It should never be any sort of an issue in scroll view, since
  there is
  only one very long system.
 
  -
  David H. Bailey
 
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  https://lists.shsu.edu/mailman/listinfo/finale
 
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  finale-unsubscr...@shsu.edu
 
 
 
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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
Yes, I am sure you are right. But you also have to repeat the break locks FOR 
EVERY SEPARATE PART. So this little fix might end up taking a few minutes for a 
large orchestra score. And large orchestra scores with voiced linked parts are 
exactly the type of file that benefits from having a template ready to go (it's 
a giant pain to create those voiced part after the Setup Wizard!)

Christopher


On Sun Dec 28, at SundayDec 28 11:52 AM, Robert Patterson wrote:

 What could be going on with the OP is that the default file used to start
 the project contained the locks already. A long-term issue with Finale is
 that if you create a piece with locked systems, especially if only a system
 is locked here and there, when you delete the measures the locks are
 retained. The issue may have been fixed in recent versions, but if you
 carried forward a default file from earlier versions, it might have this
 issue. The way to fix it is to add a bunch of measures to your default file
 (1000 is probably enough) then select all and unlock systems, then delete
 the measures down to the number you want in your default file, then save.
 
 
 On Sun, Dec 28, 2014 at 10:16 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 I, like you, wait until the end to enact staff system locks. But then
 I lock EVERYTHING! I've too often had Finale parse the spacing
 differently while printing and I end up with my 6-bar system as 5
 bars plus one bar by itself on its own line, then the part runs to
 four pages instead of three and the 4th page only has one system on
 it. Grr.
 
 I agree wholeheartedly with your philosophy on proper part layout. I
 find, however, that having a to coda in the middle of a line is not
 so bad. Not having a repeat starting a system is WAY worse!
 
 Christopher
 
 
 On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:
 
 I guess my work flow is different from many.  I work about 95% in
 scroll
 mode until it is time to do final parts layouts.  This seems so much
 faster, getting more of the most useful content on the screen,
 especially when using staff views aggressively.
 
 Even so, when I do switch over to page view, I generally find some
 locks
 have been set.  I never tried to figure out why there were some locks.
 Perhaps they were inherited by starting with a copy of another score
 rather then setting up a fresh score from scratch each time.
 
 For me it is no big deal.  I simply wipe out the locks and then put in
 my new locks.  I have locks on nearly every system because:
 
 * I pay careful attention to page turns,
 
 * I try to put signs at the beginning of lines and to coda at the
 ends
 of lines
 
 * When possible, I avoid splitting musical lines across systems
 
 These things all lead to more accurate reading.  By taking an extra 10
 minutes on the layout, I can save 20 minutes in rehearsal and have
 fewer
 errors in performance.
 
 
 On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't
 come up
 much as an issue.
 
 It should never be any sort of an issue in scroll view, since
 there is
 only one very long system.
 
 -
 David H. Bailey
 
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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
On Sun, Dec 28, 2014 at 11:59 AM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 ​​
 voiced linked parts
 ​


​???​


 ​




Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
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Re: [Finale] Locked systems

2014-12-28 Thread Andrew Levin
Hi all

Just to state the obvious, when moving measures that affect systems 10 and 11 
and you do an update layout, you must do so at least from the page that 
contains system 10. Update layout doesn't work globally but only from the 
current location forward. 

Andrew Levin

 Often, when I move systems​, the file fails to update and shows one system
 in two places at once. Alt-U doesn't help.

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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
I appreciate all suggestions, but I don't think that was the problem,
Andrew.  I'll observe more closely if it happens again.
On Dec 28, 2014 1:35 PM, Andrew Levin ale...@clemson.edu wrote:

 Hi all

 Just to state the obvious, when moving measures that affect systems 10 and
 11 and you do an update layout, you must do so at least from the page that
 contains system 10. Update layout doesn't work globally but only from the
 current location forward.

 Andrew Levin

  Often, when I move systems​, the file fails to update and shows one
 system
  in two places at once. Alt-U doesn't help.

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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
Linked parts, I imagine you know that it only means that the parts are 
contained in the same file as the score. Voiced means that 2 flutes can share 
the same score staff, yet each have their own separate linked part, using the 
voicing rules you set up in the part definition. Say, flute 1 uses only the 
top note when there are two notes on the same stem or only layer 1 when there 
are two layers. Flute 2 uses the only the bottom note when there are two notes 
on the same stem or only layer 2 when there are two layers.

Using voiced linked parts saves a lot of bother, but there are two huge 
obstacles still, which are cues and grace notes. Cues are a problem when you 
have used the voicing rules to include only one layer, but your cues have to 
be in a second layer. There are kludges for this, but it is much easier just to 
have a separate file from the score file with all the linked parts in it (NOT 
voiced, but split to their own staves). Grace notes do not space correctly when 
used on a voiced linked part. This is a bug. Unvoiced linked parts are fine, so 
the same solution (separate parts file) can save you, or just extract the flute 
parts to their own files.

Christopher


On Sun Dec 28, at SundayDec 28 12:22 PM, Raymond Horton wrote:

 On Sun, Dec 28, 2014 at 11:59 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 ​​
 voiced linked parts
 ​
 
 
 ​???​
 


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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
Thanks!

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com

On Sun, Dec 28, 2014 at 4:03 PM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 Linked parts, I imagine you know that it only means that the parts are
 contained in the same file as the score. Voiced means that 2 flutes can
 share the same score staff, yet each have their own separate linked part,
 using the voicing rules you set up in the part definition. Say, flute 1
 uses only the top note when there are two notes on the same stem or only
 layer 1 when there are two layers. Flute 2 uses the only the bottom note
 when there are two notes on the same stem or only layer 2 when there are
 two layers.

 Using voiced linked parts saves a lot of bother, but there are two huge
 obstacles still, which are cues and grace notes. Cues are a problem when
 you have used the voicing rules to include only one layer, but your cues
 have to be in a second layer. There are kludges for this, but it is much
 easier just to have a separate file from the score file with all the linked
 parts in it (NOT voiced, but split to their own staves). Grace notes do not
 space correctly when used on a voiced linked part. This is a bug. Unvoiced
 linked parts are fine, so the same solution (separate parts file) can save
 you, or just extract the flute parts to their own files.

 Christopher


 On Sun Dec 28, at SundayDec 28 12:22 PM, Raymond Horton wrote:

  On Sun, Dec 28, 2014 at 11:59 AM, Christopher Smith 
  christopher.sm...@videotron.ca wrote:
 
  ​​
  voiced linked parts
  ​
 
 
  ​???​
 


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