RE: [Finale] two parts on one staff
I love this, will make the full scores much easier to read. Just a few questions/notes. I needed to check stem directions in layers under document-layers options, so that the stems in the parts went the right way. Check 'ignore layers containing only hidden notes'. If, say, on a flute part with both flutes on the same stave, but separate parts, there is an extended passage for first flute only, that music all shows up in the second flute part as well. Unless I add real whole rests in layer two for the second flute part in the score. Unfortunately this means no multimeasure rest in the second flute PART. Also, all dynamics, hairpins etc. show up on the second flute part, even though there is no music. Any way round this? And one more, though not so important - using Garritan sounds is there any way to get both flute parts to sound during playback of the full score. Gary Griffiths MD Inspiration -Original Message- From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of Jonathan Smith Sent: 15 March 2011 08:06 To: finale@shsu.edu Subject: [Finale] two parts on one staff Denis, try this: Document Menu - Manage Parts - In the linked parts boxes you will have needed to set up the 2 instruments that share the same stave in the left hand box but assign the same stave to each in the centre box by clicking on add to Part then select each of these instruments one at a time in Staves Groups Parts (Centre box) and Check Specify Voicing Click on Edit Voicing then - for layer 1 part check Selected Notes from one or more layer(s) Rules for Selecting Notes from one or more layers check Top note In Measures Containing Multiple layers, display layer 1 for layer 2 part check Selected Notes from one or more layer(s) Rules for Selecting Notes from one or more layers check Bottom note In Measures Containing Multiple layers, display layer 2 This way when every you have parts in separate layers 1 and 2 they will show as such in each respective part, and if you have measures where both parts move with the same rhythm, you can put in the notes as 2 note chords and it will split accordingly, this saves a lot of space in the score with stems etc. (N.B. if the second parts rises higher than the 1st you will need to put them in as layers 1 2. Also, if there are unison passages the single line part will now appear in both the parts. Unfortunately Make Music don't set this up in their templates even though they contain parts that share staves so it's not much use looking there for an example set up. Remember to adjust the displacement of rests for the layers in the Layers dialogue under document options. It's a fiddle, but once done it can save a huge amount of time. Try to get your templates set up in this way and then you won't need to repeat all this every time. Hope this helps, Jonathan I have a piece where two instruments share a staff in the score. So I have them each in a different layer. I would like the parts to only have one instrument, so I edited the voicing accordingly, giving each layer a separate part. Everything is fine, except that the parts, even with only one layer, keep the layer options of the score (stems, rests, ties). Is there any obvious way to get around this problem (Finale 2008)? Many thanks, Dennis ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
Re: [Finale] iPad as electronic music stand
I am housebound at the moment with severe Sciatica and my iPad has been a life saver. I can only either stand up or lie flat on my back so every afternoon I have loaded up my iPad with scores (PDFs from http://imslp.org/wiki/Main_Page ) and lay down to listen to the afternoon concert on BBC radio 3. The PDFs mostly work really well with iBooks. I've found that with the really large files you have to give it a few minutes to load up and the page turns are sometimes a bit slow, but on the whole it's been great for me. Gary Griffiths York UK Sent from my iPad (of course) On 9 Dec 2010, at 21:49, Blake Richardson btr1...@ix.netcom.com wrote: On Dec 9, 2010, at 10:51 AM, finale-requ...@shsu.edu wrote: From: Eric Dannewitz ericd...@jazz-sax.com Date: December 8, 2010 6:13:11 PM EST To: finale@shsu.edu Subject: Re: [Finale] iPad as electronic music stand Reply-To: finale@shsu.edu You know there is a clip thing for a microphone stand that you should look into http://www.ikmultimedia.com/iklip/features/ Looks pretty cool. I'd probably go with that if I didn't already have a music stand that works fine.___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] Non-linear melodies
I sang in the Cathedral choir here in York UK for many years and on particularly boring days my colleague and I would do this with psalms and hymns, singing alternate notes. We used to call it Klangfarben Evensong Gary Griffiths -Original Message- From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of Horace Brock Sent: 19 August 2010 02:53 To: finale@shsu.edu Subject: Re: [Finale] Non-linear melodies I haven't written anything like that, but I know of a piece. Eldon Rathburn's Canadian Brass Rag is like that. My quintet couldn't play it. Horace Brock On Tue, 17 Aug 2010 20:30:09 -0700, you wrote: I was recently given a copy of Willie Maiden's Kaleidoscope. It is ... unique. No one part has the melody line. It's all just notes spread across the band in varying rhythms, and you have to have the whole band playing in precise rhythm to allow the audience to be able to hear the melody sneaking through. Kenton recorded it. Are any of you familiar with it? Have any of you experimented with the idea of note 1 goes here, note 2 goes to a different players, etc.? cd ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] TGTools help from anyone who has 2 minutes?
Jef - worked fine on mine. (F2010) Exploded to three staves. Gary I use this plugin all the time. -Original Message- From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of SN jef chippewa Sent: 25 February 2010 19:07 To: finale@shsu.edu Subject: [Finale] TGTools help from anyone who has 2 minutes? hi, would appreciate it if anyone who can spare 2 minutes can have a look at this. tobias can't seem to find anything wrong with his plugin (smart explosion / smart distribution) and i can't get it to work even on this extremely simple file (created in F2010 new doc with no libraries). i need to find out if anyone else can actually make it work, and if not, if they are getting the same error messages as me. also if anyone has successfully used the plugin in F2010, please let me know. i am fully willing to admit the problem may be in my setup but am not able to establish that for certain, since i know of at least a couple other people who have had problems with this PI. most frustrating is that the developer doesn't seem to want to admit there is a problem as long as it works as expected on his own setup... cheers, jef -- open the following doc: http://newmusicnotation.com/TEMPFILES/TGTools_partexplosion03.mus 1) go to scroll view, select the first measure and select TGTools/Parts/Smart Explosion of multi-part staves... (set Maximum original number of parts per staff to 3, the other settings shouldn't make a difference) 2) make a screenshot of the message with the TGTool dialogue fully viewable (to see what your settings are) 3) exit (cancel/escape) all dialogues, save the doc as TGTools_partexplosion03_YOURLASTNAME.mus and send it and the screenshot to me privately ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] Maintenance Update - System crash
Yes - exactly the same here. Gary Griffiths -Original Message- From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of Craig Parmerlee Sent: 08 November 2009 03:02 To: finale@shsu.edu Subject: [Finale] Maintenance Update - System crash I applied the 2010A updater. After that, the program crashes whenever I try to enter notes with speedy edit. Has anybody else experienced this problem? I guess I'll have to wipe out the installation and go back to a fresh install of the base system. ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] OT: Dies Irae
There is also a setting of the Dies Irae in Disney's 'Hunchback of Notre Dame' Gary Griffiths Musical Director Inspiration -Original Message- From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of Darcy James Argue Sent: 27 October 2009 06:42 To: finale@shsu.edu Subject: Re: [Finale] OT: Dies Irae Bob, you omitted what is perhaps the most culturally significant use of Dies Irae in living memory: A version of Dies Irae was used in WWE/WWF's WrestleMania XIV during the video package to promote the buildup to The Undertaker and Kane's historic first match against one another. Cheers, - DJA - WEB: http://secretsociety.typepad.com On 27 Oct 2009, at 12:57 AM, Bob Morabito wrote: Hi Matthew-- According to Google--hope this helps:) Bob --: Penderecki: Symphony 8 - Dies Irae http://en.wikipedia.org/wiki/Dies_Irae The words have often been set to music as part of the Requiem service, originally as a sombre plainchant. It also formed part of the traditional Catholic liturgy of All Souls Day. Music for the Requiem Mass has been composed by many composers, including Wolfgang Amadeus Mozart as well as Hector Berlioz, Giuseppe Verdi, and Igor Stravinsky. The setting by Mozart, especially the first two stanzas (Requiem, 2nd movement), is often heard in the scores of movies and the musical beds of commercials (e.g. X2: X-Men United). The traditional Gregorian melody has also been used as a musical quotation in a number of other classical compositions, among them: * Thomas Adès - Living Toys * Charles-Valentin Alkan - Symphony for Solo Piano, Op. 39, Souvenirs: Trois morceaux dans le genre pathétique, Op. 15 - (No. 3 - Morte) * David Baker - Fantasy on Themes from Masque of the Red Death Ballet * Ernest Bloch - Suite Symphonique [4] * Hector Berlioz - Symphonie fantastique * Johannes Brahms - Klavierstück, Op. 118, No. 6 * Benjamin Britten - War Requiem * Antoine Brumel - Dies Irae * Elliott Carter - In Sleep, In Thunder, #4 * Marc-Antoine Charpentier - Grand Office des Morts * George Crumb - Black Angels, Makrokosmos Volume II, Star Child * Luigi Dallapiccola - Canti di prigionia * Michael Daugherty - Metropolis Symphony 5th mvmt, “Red Cape Tango”. Dead Elvis * Raymond Deane - Seachanges * Ernő Dohnányi - Rhapsody in E-flat minor, Op. 11, No. 4 * Antonín Dvořák - Symphony No. 7 in D minor, mvmt 1 * Martin Ellerby - Paris Sketches, mvmt 3 * Antonio Estévez - Cantata Criolla (1954) * Jean Françaix - Cinq poemes de Charles d'Orléans * Diamanda Galás - Masque Of The Red Death: Part I - Divine Punishment Saint Of The Pit: Track 5. Heautontimorounenos (Restless Souls) * Robert Gerhard - Piano Concerto * Alexander Glazunov - Moyen Age * Leopold Godowsky - Piano Sonata in E minor, mvmt 5 * Berthold Goldschmidt - Beatrice Cenci opera * Charles Gounod - Faust opera, Act IV; Mors et Vita * Sofia Gubaidulina - Am Rande des Abgrunds (On the edge of abyss), for 7 celli 2 aquaphones * Joseph Haydn - Symphony No. 103, The Drumroll * Heinz Holliger - Violin Concerto, 2nd movement * Vagn Holmboe - Symphony No. 10, 1st 4th mvmts; Symphony No. 11, 1st mvmt * Arthur Honegger - La Danse des Morts * Karl Jenkins - Requiem * Miloslav Kabeláč - Symphony No. 8 Antiphonies * Aram Khachaturian - Symphony No. 2 The Bell Symphony, Spartacus * György Ligeti - Le Grand Macabre * Franz Liszt - Dante Symphony, Totentanz * Charles Martin Loeffler - One Who Fell in Battle, Rhapsodies for oboe, viola, and piano, 1st movement, and several songs * Jean-Baptiste Lully - Dies Irae * Gustav Mahler - Symphony No. 2, mvmts 1, 3, and 5 * Bohuslav Martinů - Cello Concerto No. 2, final movement. * Nikolai Medtner - Piano Quintet in C Major, Op. posth. * Modest Mussorgsky - Night on Bald Mountain, Songs and Dances of Death * Nikolai Myaskovsky - Piano Sonata No. 2, Symphony No. 6 * Carl Orff - Carmina Burana * Krzysztof Penderecki - Dies Irae * Ildebrando Pizzetti - Requiem, Assassinio nella cattedrale * Sergei Rachmaninoff - Symphony No. 1, Op. 13, Symphony No. 2, Op. 27, Piano Sonata No. 1 in D minor, Op. 28, Isle of the Dead, Op. 29, Prelude in E minor, Op. 32, No. 4, The Bells choral symphony, Op. 35, Études-Tableaux, Op. 39, No. 2, Rhapsody on a Theme of Paganini, Op. 43, Symphony No. 3, Op. 44, Symphonic Dances, Op. 45 * Ottorino Respighi - Brazilian Impressions * Marcel Rubin - Symphony No. 4, 2nd mvmt (Dies Irae) * Camille Saint-Saëns - Danse Macabre, Requiem, Symphony No. 3 (Organ Symphony) * Aulis Sallinen - Aulis Dies Irae, Op. 47 * Ernest Schelling - Impressions from an Artist's Life * Peter Schickele (P. D. Q. Bach) - Unbegun Symphony * William
RE: [Finale] OT: Dies Irae
Doh! - yes it is. Gary -Original Message- From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of Bob Morabito Sent: 27 October 2009 09:40 To: finale@shsu.edu Subject: Re: [Finale] OT: Dies Irae Isnt that the last one on the list below? * Alan Menken and Stephen Schwartz - The Hunchback of Notre Dame soundtracks Bob On Oct 27, 2009, at 5:22 AM, Gary Griffiths wrote: There is also a setting of the Dies Irae in Disney's 'Hunchback of Notre Dame' Gary Griffiths Musical Director Inspiration -Original Message- From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of Darcy James Argue Sent: 27 October 2009 06:42 To: finale@shsu.edu Subject: Re: [Finale] OT: Dies Irae Bob, you omitted what is perhaps the most culturally significant use of Dies Irae in living memory: A version of Dies Irae was used in WWE/WWF's WrestleMania XIV during the video package to promote the buildup to The Undertaker and Kane's historic first match against one another. Cheers, - DJA - WEB: http://secretsociety.typepad.com On 27 Oct 2009, at 12:57 AM, Bob Morabito wrote: Hi Matthew-- According to Google--hope this helps:) Bob --: Penderecki: Symphony 8 - Dies Irae http://en.wikipedia.org/wiki/Dies_Irae The words have often been set to music as part of the Requiem service, originally as a sombre plainchant. It also formed part of the traditional Catholic liturgy of All Souls Day. Music for the Requiem Mass has been composed by many composers, including Wolfgang Amadeus Mozart as well as Hector Berlioz, Giuseppe Verdi, and Igor Stravinsky. The setting by Mozart, especially the first two stanzas (Requiem, 2nd movement), is often heard in the scores of movies and the musical beds of commercials (e.g. X2: X-Men United). The traditional Gregorian melody has also been used as a musical quotation in a number of other classical compositions, among them: * Thomas Adès - Living Toys * Charles-Valentin Alkan - Symphony for Solo Piano, Op. 39, Souvenirs: Trois morceaux dans le genre pathétique, Op. 15 - (No. 3 - Morte) * David Baker - Fantasy on Themes from Masque of the Red Death Ballet * Ernest Bloch - Suite Symphonique [4] * Hector Berlioz - Symphonie fantastique * Johannes Brahms - Klavierstück, Op. 118, No. 6 * Benjamin Britten - War Requiem * Antoine Brumel - Dies Irae * Elliott Carter - In Sleep, In Thunder, #4 * Marc-Antoine Charpentier - Grand Office des Morts * George Crumb - Black Angels, Makrokosmos Volume II, Star Child * Luigi Dallapiccola - Canti di prigionia * Michael Daugherty - Metropolis Symphony 5th mvmt, “Red Cape Tango”. Dead Elvis * Raymond Deane - Seachanges * Ernő Dohnányi - Rhapsody in E-flat minor, Op. 11, No. 4 * Antonín Dvořák - Symphony No. 7 in D minor, mvmt 1 * Martin Ellerby - Paris Sketches, mvmt 3 * Antonio Estévez - Cantata Criolla (1954) * Jean Françaix - Cinq poemes de Charles d'Orléans * Diamanda Galás - Masque Of The Red Death: Part I - Divine Punishment Saint Of The Pit: Track 5. Heautontimorounenos (Restless Souls) * Robert Gerhard - Piano Concerto * Alexander Glazunov - Moyen Age * Leopold Godowsky - Piano Sonata in E minor, mvmt 5 * Berthold Goldschmidt - Beatrice Cenci opera * Charles Gounod - Faust opera, Act IV; Mors et Vita * Sofia Gubaidulina - Am Rande des Abgrunds (On the edge of abyss), for 7 celli 2 aquaphones * Joseph Haydn - Symphony No. 103, The Drumroll * Heinz Holliger - Violin Concerto, 2nd movement * Vagn Holmboe - Symphony No. 10, 1st 4th mvmts; Symphony No. 11, 1st mvmt * Arthur Honegger - La Danse des Morts * Karl Jenkins - Requiem * Miloslav Kabeláč - Symphony No. 8 Antiphonies * Aram Khachaturian - Symphony No. 2 The Bell Symphony, Spartacus * György Ligeti - Le Grand Macabre * Franz Liszt - Dante Symphony, Totentanz * Charles Martin Loeffler - One Who Fell in Battle, Rhapsodies for oboe, viola, and piano, 1st movement, and several songs * Jean-Baptiste Lully - Dies Irae * Gustav Mahler - Symphony No. 2, mvmts 1, 3, and 5 * Bohuslav Martinů - Cello Concerto No. 2, final movement. * Nikolai Medtner - Piano Quintet in C Major, Op. posth. * Modest Mussorgsky - Night on Bald Mountain, Songs and Dances of Death * Nikolai Myaskovsky - Piano Sonata No. 2, Symphony No. 6 * Carl Orff - Carmina Burana * Krzysztof Penderecki - Dies Irae * Ildebrando Pizzetti - Requiem, Assassinio nella cattedrale * Sergei Rachmaninoff - Symphony No. 1, Op. 13, Symphony No. 2, Op. 27, Piano Sonata No. 1 in D minor, Op. 28, Isle of the Dead, Op. 29, Prelude in E minor, Op. 32, No. 4, The Bells choral symphony, Op. 35, Études-Tableaux, Op. 39, No. 2, Rhapsody
RE: [Finale] Edit Lyrics
-Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Christopher Smith Sent: 13 January 2006 01:12 To: finale@shsu.edu Subject: Re: [Finale] Edit Lyrics On Jan 12, 2006, at 6:40 PM, David W. Fenton wrote: They use a spinner control, which when used to increment a number, generally adds 1 for the up arrow of the spinner control, and -1 for the down arrow. It may be that the spinner control is actually a fake one, created with a text box and two command buttons. That doesn't change the fact that it acts like a conventional spinner control. Some more inconsistencies: In Speedy Entry, Shift-DOWN Arrow changes from Layer 1 to Layer 2. Eh? - I can't get this to work. Wish it did. In Speedy, Shift-Down Arrow moves me down to the next stave. Is there a way to switch on your behaviour? In the Group Attributes box (after selecting Edit Group Attributes) clicking the UP arrow goes from Group 1 to Group 2. In the Staff Attributes box clicking the DOWN arrow goes from Staff 1 to Staff 2. This actually makes sense to me, whereas the other two seem to be random. One group or layer is not necessarily above another, as in the case of staves, and even that can be re-ordered manually. Whether or not that is an appropriate choice by the programmers is a more complicated issue. Yep. Sure is. Christopher Gary Griffiths ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] Save as Audion File
Thank you Darcy and Hiro - Yes I have tried reducing that, no change. Also tried reducing volume in instrument list window and Base Velocity in Playback options (what is the difference in these two settings?) and volume in Windows sound Properties. Shouldn't these all be overridden by dynamic expressions anyway? I have fiddled around now quite a lot and still seems to be no logic to when it distorts. For what it is worth, this was my method for rehearsal CDs in WinFin2k5 Open Piano Vocal score (SATB and Piano) Clear everything except notes (lyrics measure expressions, smart shapes etc. etc. - the shortcuts have changed for this in 2k6 but that's another thread, I don't like the new mass edit). Add dynamics such - sop fff ATB ppp piano p Save as special (*.wav) Change sop to ppp Alto to fff Save Etc. - I'm sure you get the idea. (I do not need expression in these files, they are purely for note-bashing, I put the expression in in rehearsals) On a new file in 2k6 this does not produce consistent results. I can get the first file (Sop) ok but then when I change the dynamics for the Alto file, sometimes the LH of the Piano goes wild (distorted), sometimes the RH. I can stop the distortion (sometimes!) by changing the channel in the Instrument list window. But sometimes this doesn't work. I will try using the mixer (ugh) rather than dynamics and see if that makes any sense. Gary -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Darcy James Argue Sent: 09 August 2005 06:17 To: finale@shsu.edu Subject: Re: [Finale] Save as Audion File Have you tried reducing the master volume in the mixer? - Darcy - [EMAIL PROTECTED] Brooklyn, NY On 09 Aug 2005, at 1:13 AM, Gary Griffiths wrote: Sorry - there is a typo in my subject. I meant Audio not Audion, should that make a difference. My choices when saving are 'Standard Audio' (*.wav) or compressed Audio (*.mp3). I spent all day looking at this yesterday, and it seems very strange. Sometimes it works fine, and then next time it distorts. I can get rid of the distortion sometimes by changing the channel in the instrument list window, but there does not seem to be consistent reason. Saving as audio still works fine on WinFin2k5, so it isn't my midi setup or soundcard. I'm not using GPO (at the moment) so I'm thinking it must be something to do with the new studio/mixer stuff. Human Playback (on/ off) does not make a difference either. I'm up early (5.30) today to spend some time on this so I don't waste another day. Gary _ From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Gerald Berg Sent: 08 August 2005 22:50 To: finale@shsu.edu Subject: Re: [Finale] Save as Audion File You have a choice Audion file or AIFF -- Audion is for Audion only. Save the file to AIFF Jerry On 8-Aug-05, at 6:59 AM, Gary Griffiths wrote: WinFin2k6 - I am trying to save as an audio file (wav), but when I play it back all I get is really distorted playback, sounding like a very overdriven electric guitar, when all I want is clarinet and piano. This is from files created in earlier versions, so I tried from scratch. Setup Wizard SmartSynth Sounds Create score with piano and clarinet Add simple notes to each part No dynamics or markings of any sort. Save Special - as Audio File (wav) (This is for burning to CD) Check playback in I-Tunes and WMP. Still greatly distorted. This could be a real deal-maker for me. I make a lot of rehearsal CDs for my choirs. Any ideas Gary Griffiths. ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale Gerald Berg ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
[Finale] Save as Audion File
WinFin2k6 I am trying to save as an audio file (wav), but when I play it back all I get is really distorted playback, sounding like a very overdriven electric guitar, when all I want is clarinet and piano. This is from files created in earlier versions, so I tried from scratch. Setup Wizard SmartSynth Sounds Create score with piano and clarinet Add simple notes to each part No dynamics or markings of any sort. Save Special as Audio File (wav) (This is for burning to CD) Check playback in I-Tunes and WMP. Still greatly distorted. This could be a real deal-maker for me. I make a lot of rehearsal CDs for my choirs. Any ideas Gary Griffiths. ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] Save as Audion File
Sorry there is a typo in my subject. I meant Audio not Audion, should that make a difference. My choices when saving are Standard Audio (*.wav) or compressed Audio (*.mp3). I spent all day looking at this yesterday, and it seems very strange. Sometimes it works fine, and then next time it distorts. I can get rid of the distortion sometimes by changing the channel in the instrument list window, but there does not seem to be consistent reason. Saving as audio still works fine on WinFin2k5, so it isnt my midi setup or soundcard. Im not using GPO (at the moment) so Im thinking it must be something to do with the new studio/mixer stuff. Human Playback (on/off) does not make a difference either. Im up early (5.30) today to spend some time on this so I dont waste another day. Gary From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Gerald Berg Sent: 08 August 2005 22:50 To: finale@shsu.edu Subject: Re: [Finale] Save as Audion File You have a choice Audion file or AIFF -- Audion is for Audion only. Save the file to AIFF Jerry On 8-Aug-05, at 6:59 AM, Gary Griffiths wrote: WinFin2k6 I am trying to save as an audio file (wav), but when I play it back all I get is really distorted playback, sounding like a very overdriven electric guitar, when all I want is clarinet and piano. This is from files created in earlier versions, so I tried from scratch. Setup Wizard SmartSynth Sounds Create score with piano and clarinet Add simple notes to each part No dynamics or markings of any sort. Save Special as Audio File (wav) (This is for burning to CD) Check playback in I-Tunes and WMP. Still greatly distorted. This could be a real deal-maker for me. I make a lot of rehearsal CDs for my choirs. Any ideas Gary Griffiths. ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale Gerald Berg ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] arriving Friday
Mine came this morning - just about to install. Gary Griffiths -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Jim Mays Sent: 27 July 2005 02:26 To: finale@shsu.edu Subject: [Finale] arriving Friday MakeMusic just emailed to tell me that my Finale 2006 upgrade will arrive Friday. Standing by... Jim Mays Maine ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
[Finale] OT - rehearsal veneus UK
Does anyone on here know any good rehearsal venues in or near Nottingham, UK? I need space for a choir of 200, a piano, disabled access preferably, and parking. In other areas we have used churches and schools, but as we are based in Leeds, we don't know the Nottingham area very well. Many thanks Gary Griffiths ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
RE: [Finale] Vertical Spacing Algorithms
When I ordered my Fin2k6 and filled in the questionnaire - that was the one feature I asked for. I have also requested it before. Gary -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Dennis Bathory-Kitsz Sent: 06 July 2005 17:28 To: finale@shsu.edu Subject: Re: [Finale] Vertical Spacing Algorithms At 11:11 AM 7/6/05 -0500, Randolph Peters wrote: Am I the only one who wants vertical spacing handled automatically? Definitely not the only one! It's not on the very top of my list, but it would save considerable time -- and if it were part of an algorithmic approach, could be modified nicely by the visual plugin maestros such as Robert Patterson. (And vertical spacing was one of the really fine features of Graphire.) Dennis ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
[Finale] Emergency Request for parts
Dear All - is there anyone in the UK that has a set of parts for 'A Boy Like That' and 'Maria' from West Side Story, and would be willing to rent them to us. Boosey and Hawkes are trying to get hold of a set from the states for us to hire, but they are not getting results. And the concert is next week! Many thanks Gary Griffiths Assistant Musical Director Sing Live UK Ltd PS - I have also posted this on the Orchestra list. ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
