Re: [Finale] Page view / scroll view mystery. Please help!

[Sigurdur Jonsson]

Hello.

I would create a new document with two staffs, same amount of bars as in your 
old file and copy everything from old file to new one and work from there. This 
is not a solution to your problem, but you will get your job done.

Hope it helps,

Diddi

Sent from my iPad

> On 23 Apr 2017, at 12:10, Patsy Moore  wrote:
> 
> Hello Listers,
> 
> I opened a single staff .mus file from 1998 with no problems and added a 
> second staff in scroll view with no difficulty, but when I go to page view 
> I can't get the second staff to show. I've got "Set to scroll view spacing" 
> activated.
> 
> Please can someone point me at a solution? With a deadline on Thursday for 
> other stuff I've just had to give up on it.
> 
> After two years of being frequently annoyed by F2010 which I had to learn 
> after a major computer crash I still have problems. :(
> 
> Greetings from England,
> 
> Patsy Moore
> 
> -- 
> Patsy Moore: pa...@mooremusic.org.uk
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Re: [Finale] post bouncing

[Sigurdur Jonsson]

same here

Diddi

Sigurður Rúnar Jónsson
1901503059
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66115, Saarbrücken
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Deutschland
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> On 29. mar. 2017, at 21:31, Raymond Horton  wrote:
> 
> mine, too?
> 
> Raymond Horton
> Composer, Arranger
> Minister of Music, Edwardsville (IN) United Methodist Church
> Retired Bass Trombonist, Louisville Orchestra, 1971-2016
> 
> 
> On Mar 29, 2017 1:02 PM, "Lawrence Yates"  wrote:
> 
>> Why are my posts being "held for moderation"?
>> 
>> Cheers,
>> 
>> Lawrence
>> 
>> --
>> Lawrenceyates.co.uk
>> 
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[Finale] To finale list: Coloured noteheads, WHY?

[Sigurdur Jonsson]

Dear friends.

Now, on a new project, some noteheads come up coloured. I don´t think I changed 
anything.

According to A-Z in user manual, it is said that in Windows ≥ Score manager I 
can select coloured noteheads. But my problem is that I can not see that 
notehead colours have been selected. How can I get rid of this, please?

TIA,

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com <mailto:diddiste...@gmail.com>
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Re: [Finale] Two notes versus one note

[Sigurdur Jonsson]

Thanks, David.

Diddi

Sigurður Rúnar Jónsson
1901503059
27, Von der Heydt
66115, Saarbrücken
+49 151 2522 7972
Deutschland
diddiste...@gmail.com

> On 1. feb. 2017, at 16:18, David H. Bailey <dhbaile...@comcast.net> wrote:
> 
> On 2/1/2017 9:45 AM, Sigurdur Jonsson wrote:
>> Hello friends.
>> 
>> Thanks for your input, it helped me a lot.
>> 
>> BUT, one question:
>> 
>> Where can I make adjustments so things like these (Document Options > Music 
>> Spacing > Unisons) are permanent? So I don´t have to do it with every single 
>> file I make?
>> 
> 
> Open a new default document, make the adjustments you want, then save it 
> again as the default template.  That way when you start a new document 
> those adjustments will be made.
> 
> Or you can save it as a library from within the Document Settings dialog 
> that you can import into any document you want.
> 
> 
> -- 
> *
> David H. Bailey
> dhbaile...@comcast.net
> http://www.davidbaileymusicstudio.com
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Re: [Finale] Two notes versus one note

[Sigurdur Jonsson]

Hello friends.

Thanks for your input, it helped me a lot.

BUT, one question:

Where can I make adjustments so things like these (Document Options > Music 
Spacing > Unisons) are permanent? So I don´t have to do it with every single 
file I make?

TIA,

Diddi

Sigurður Rúnar Jónsson
1901503059
27, Von der Heydt
66115, Saarbrücken
+49 151 2522 7972
Deutschland
diddiste...@gmail.com

> On 29. jan. 2017, at 23:02, J D Thomas <j...@thomastudios.com> wrote:
> 
> The other thing you could do if you don’t really care to actually have two 
> notes, is to only enter one note and use Special Tools to put the stem on 
> both sides of the notehead.  I’ve done this many times and it’s fast and easy.
> 
> 
> ***
> J D Thomas
> ThomaStudios
> 
> 
>> On Jan 29, 2017, at 12:36 PM, Sigurdur Jonsson <diddiste...@gmail.com> wrote:
>> 
>> Thanks for the solution!
>> 
>> I entered the notes manually, in layers. But, it seems like I have to 
>> re-enter the notes, it is not fixed as I do this in Documents Option. Will 
>> take some time as I have done the Lyrics.
>> 
>> Thanks,
>> 
>> Diddi
>> 
>> Sigurdur Jonsson
>> 27, Von der Heydt
>> 66115, Saarbrücken
>> Deutschland
>> diddiste...@gmail.com
>> 
>> 
>> 
>>> On 29. jan. 2017, at 20:13, j...@thomastudios.com wrote:
>>> 
>>> You don’t specify how you entered the two notes, different layers or 
>>> different voices.  But there is a setting under Document Options > Music 
>>> Spacing > Unisons > None that just might fix this for you.
>>> 
>>> 
>>> ***
>>> J D Thomas
>>> ThomaStudios
>>> 
>>> 
>>> 
>>>> On Jan 29, 2017, at 10:38 AM, Sigurdur Jonsson <diddiste...@gmail.com> 
>>>> wrote:
>>>> 
>>>> Dear friends.
>>>> 
>>>> Having trouble with ver. 20145.5.
>>>> 
>>>> I am writing for mail choir. Sometimes voices like 1. and 2. tenor or 1. 
>>>> and 2. bass sing the same note. In that case I would like to see (as my 
>>>> previous ver. of Finale did) one notehead with two stems, up and down. But 
>>>> in this ver. I see two noteheads side by side, same note, and don´t find 
>>>> the way to fix it.
>>>> 
>>>> Any help here, please?
>>>> 
>>>> TIA,
>>>> 
>>>> Diddi
>>>> 
>>>> Sigurdur Jonsson
>>>> 27, Von der Heydt
>>>> 66115, Saarbrücken
>>>> Deutschland
>>>> diddiste...@gmail.com
>>>> 
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Re: [Finale] Two notes versus one note

[Sigurdur Jonsson]

Thanks, good tip:-)

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 29. jan. 2017, at 23:02, J D Thomas <j...@thomastudios.com> wrote:
> 
> The other thing you could do if you don’t really care to actually have two 
> notes, is to only enter one note and use Special Tools to put the stem on 
> both sides of the notehead.  I’ve done this many times and it’s fast and easy.
> 
> 
> ***
> J D Thomas
> ThomaStudios
> 
> 
>> On Jan 29, 2017, at 12:36 PM, Sigurdur Jonsson <diddiste...@gmail.com> wrote:
>> 
>> Thanks for the solution!
>> 
>> I entered the notes manually, in layers. But, it seems like I have to 
>> re-enter the notes, it is not fixed as I do this in Documents Option. Will 
>> take some time as I have done the Lyrics.
>> 
>> Thanks,
>> 
>> Diddi
>> 
>> Sigurdur Jonsson
>> 27, Von der Heydt
>> 66115, Saarbrücken
>> Deutschland
>> diddiste...@gmail.com
>> 
>> 
>> 
>>> On 29. jan. 2017, at 20:13, j...@thomastudios.com wrote:
>>> 
>>> You don’t specify how you entered the two notes, different layers or 
>>> different voices.  But there is a setting under Document Options > Music 
>>> Spacing > Unisons > None that just might fix this for you.
>>> 
>>> 
>>> ***
>>> J D Thomas
>>> ThomaStudios
>>> 
>>> 
>>> 
>>>> On Jan 29, 2017, at 10:38 AM, Sigurdur Jonsson <diddiste...@gmail.com> 
>>>> wrote:
>>>> 
>>>> Dear friends.
>>>> 
>>>> Having trouble with ver. 20145.5.
>>>> 
>>>> I am writing for mail choir. Sometimes voices like 1. and 2. tenor or 1. 
>>>> and 2. bass sing the same note. In that case I would like to see (as my 
>>>> previous ver. of Finale did) one notehead with two stems, up and down. But 
>>>> in this ver. I see two noteheads side by side, same note, and don´t find 
>>>> the way to fix it.
>>>> 
>>>> Any help here, please?
>>>> 
>>>> TIA,
>>>> 
>>>> Diddi
>>>> 
>>>> Sigurdur Jonsson
>>>> 27, Von der Heydt
>>>> 66115, Saarbrücken
>>>> Deutschland
>>>> diddiste...@gmail.com
>>>> 
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Re: [Finale] Two notes versus one note

[Sigurdur Jonsson]

Thanks for the solution!

I entered the notes manually, in layers. But, it seems like I have to re-enter 
the notes, it is not fixed as I do this in Documents Option. Will take some 
time as I have done the Lyrics.

Thanks,

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 29. jan. 2017, at 20:13, j...@thomastudios.com wrote:
> 
> You don’t specify how you entered the two notes, different layers or 
> different voices.  But there is a setting under Document Options > Music 
> Spacing > Unisons > None that just might fix this for you.
> 
> 
> ***
> J D Thomas
> ThomaStudios
> 
> 
> 
>> On Jan 29, 2017, at 10:38 AM, Sigurdur Jonsson <diddiste...@gmail.com> wrote:
>> 
>> Dear friends.
>> 
>> Having trouble with ver. 20145.5.
>> 
>> I am writing for mail choir. Sometimes voices like 1. and 2. tenor or 1. and 
>> 2. bass sing the same note. In that case I would like to see (as my previous 
>> ver. of Finale did) one notehead with two stems, up and down. But in this 
>> ver. I see two noteheads side by side, same note, and don´t find the way to 
>> fix it.
>> 
>> Any help here, please?
>> 
>> TIA,
>> 
>> Diddi
>> 
>> Sigurdur Jonsson
>> 27, Von der Heydt
>> 66115, Saarbrücken
>> Deutschland
>> diddiste...@gmail.com
>> 
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>> finale-unsubscr...@shsu.edu
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[Finale] Two notes versus one note

[Sigurdur Jonsson]

Dear friends.

Having trouble with ver. 20145.5.

I am writing for mail choir. Sometimes voices like 1. and 2. tenor or 1. and 2. 
bass sing the same note. In that case I would like to see (as my previous ver. 
of Finale did) one notehead with two stems, up and down. But in this ver. I see 
two noteheads side by side, same note, and don´t find the way to fix it.

Any help here, please?

TIA,

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com

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Re: [Finale] Playback Control - Tempo grayed out

[Sigurdur Jonsson]

Thanks for this helpful tip.

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 29. jan. 2017, at 15:00, Klaus Smedegaard Bjerre <yorkmaster...@gmail.com> 
> wrote:
> 
> If your have stopped the playback before it reached the end of the file, you 
> cannot change the tempo setting in the playback window. You may start the 
> playback at a measure # near the end, let the playback finish itself, and 
> then edit the tempo setting before starting a new playback.
> 
> Klaus 
> 
> Sendt fra min iPad
> 
>> Den 29. jan. 2017 kl. 12.29 skrev Sigurdur Jonsson <diddiste...@gmail.com>:
>> 
>> Dear friends.
>> 
>> Can´t find the solution, when trying to set playback tempo in Playback 
>> Control Window, the box where I should type in the number, is grayed out so 
>> I can not put anything in there. What am I doing wrong?
>> 
>> TIA,
>> 
>> Diddi
>> 
> 
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Re: [Finale] Playback Control - Tempo grayed out

[Sigurdur Jonsson]

Diddi Cortez.

Please reply to my privat post.

Sorry for the bandwith,

Didd


Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 29. jan. 2017, at 12:36, Jón Kristinn Cortez <cor...@internet.is> wrote:
> 
> Have you already set the Tempo in Expression?
> 
> Diddi Cortez
> 
> 
> 
>> On 29. jan. 2017, at 11:29, Sigurdur Jonsson <diddiste...@gmail.com> wrote:
>> 
>> Dear friends.
>> 
>> Can´t find the solution, when trying to set playback tempo in Playback 
>> Control Window, the box where I should type in the number, is grayed out so 
>> I can not put anything in there. What am I doing wrong?
>> 
>> TIA,
>> 
>> Diddi
>> 
>> Sigurdur Jonsson
>> 27, Von der Heydt
>> 66115, Saarbrücken
>> Deutschland
>> diddiste...@gmail.com
>> 
>> 
>> 
>>> On 28. jan. 2017, at 16:38, Raimund Lintzen <raimund.lint...@t-online.de> 
>>> wrote:
>>> 
>>> Try a"hard" redraw, which is strg-shift-D on Windows.
>>> 
>>> If that does'nt help just use the hand-grabber tool and shutter.
>>> 
>>> Hope this helps.
>>> 
>>> Greetings
>>> Raimund Lintzen
>>> 
>>> 
>>> Am 28.01.2017 um 15:01 schrieb Allen Cohen:
>>>> I am running 2014.5 on a Mac with El Capitan. One of the most annoying 
>>>> things I find is that, occasionally Finale refuses to display certain 
>>>> things properly--most notably the systems and their handles in Page 
>>>> Layout, and measures chosen by the selection tool (i.e., no highlight 
>>>> color shows up). I can redraw the screen, restart the program, and restart 
>>>> the computer--it usually makes no difference. Some days everything 
>>>> displays perfectly; other days, no matter which documents or what else I 
>>>> do, Finale refuses to display these two things especially. And I can't 
>>>> find anything in either Document or program preferences to alter this. 
>>>> (Not that I'm changing any prefs anyway.)
>>>> 
>>>> 
>>>> Has anyone else had this problem? Or does anyone have a solution?
>>>> 
>>>> 
>>>> 
>>>> Allen Cohen
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[Finale] Playback Control - Tempo grayed out

[Sigurdur Jonsson]

Dear friends.

Can´t find the solution, when trying to set playback tempo in Playback Control 
Window, the box where I should type in the number, is grayed out so I can not 
put anything in there. What am I doing wrong?

TIA,

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 28. jan. 2017, at 16:38, Raimund Lintzen <raimund.lint...@t-online.de> 
> wrote:
> 
> Try a"hard" redraw, which is strg-shift-D on Windows.
> 
> If that does'nt help just use the hand-grabber tool and shutter.
> 
> Hope this helps.
> 
> Greetings
> Raimund Lintzen
> 
> 
> Am 28.01.2017 um 15:01 schrieb Allen Cohen:
>> I am running 2014.5 on a Mac with El Capitan. One of the most annoying 
>> things I find is that, occasionally Finale refuses to display certain things 
>> properly--most notably the systems and their handles in Page Layout, and 
>> measures chosen by the selection tool (i.e., no highlight color shows up). I 
>> can redraw the screen, restart the program, and restart the computer--it 
>> usually makes no difference. Some days everything displays perfectly; other 
>> days, no matter which documents or what else I do, Finale refuses to display 
>> these two things especially. And I can't find anything in either Document or 
>> program preferences to alter this. (Not that I'm changing any prefs anyway.)
>> 
>> 
>> Has anyone else had this problem? Or does anyone have a solution?
>> 
>> 
>> 
>> Allen Cohen
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Re: [Finale] Double sharp gone?

[Sigurdur Jonsson]

Hello my friend, Jón Kristinn Cortez.

jef chippewa suggested: “...check your document options, "accidentals" tab to 
make sure you have the right character set to show”.

So I went to Documents < Documents Options and selected Double sharps in Music 
Caracters. Then came up the palette with many characters and I found the double 
sharp symbol (x) and selected that. So when I asked for a sharp twice, I got 
the right symbol, problem solved.

Bestu kveðjur,

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 25. ágú. 2016, at 18:08, Jón Kristinn Cortez <cor...@internet.is> wrote:
> 
> How did you solve it?
> 
> Diddi
> 
> 
> 
> 
>> On 25. ágú. 2016, at 15:30, Sigurdur Jonsson <diddiste...@gmail.com> wrote:
>> 
>> Thanks, problem solved1
>> 
>> Diddi
>> 
>> Sigurdur Jonsson
>> 27, Von der Heydt
>> 66115, Saarbrücken
>> Deutschland
>> diddiste...@gmail.com
>> 
>> 
>> 
>>> On 25. ágú. 2016, at 17:18, SN jef chippewa <shirl...@newmusicnotation.com> 
>>> wrote:
>>> 
>>> 
>>> check your document options, "accidentals" tab to make sure you have 
>>> the right character set to show.
>>> 
>>>> Being on Finale 2014.5 and writing a piano part from Carl Nielsen. 
>>>> In one place I need the double sharp sign but get some garbage 
>>>> instead.
>>> 
>>> -- 
>>> 
>>> neueweise -- fonts for new music (and traditional) notation
>>> [JAN 2016] v. 1.002 for Finale 2014.5 and PC
>>> http://newmusicnotation.com/fonts.html
>>> 
>>> shirling & neueweise | http://newmusicnotation.com
>>> new music notation  +  arts management  +  translation
>>> [FB] http://facebook.com/neueweise  |  [TW] http://twitter.com/neueweise
>>> 
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Re: [Finale] Double sharp gone?

[Sigurdur Jonsson]

Thanks, problem solved1

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 25. ágú. 2016, at 17:18, SN jef chippewa <shirl...@newmusicnotation.com> 
> wrote:
> 
> 
> check your document options, "accidentals" tab to make sure you have 
> the right character set to show.
> 
>> Being on Finale 2014.5 and writing a piano part from Carl Nielsen. 
>> In one place I need the double sharp sign but get some garbage 
>> instead.
> 
> -- 
> 
> neueweise -- fonts for new music (and traditional) notation
> [JAN 2016] v. 1.002 for Finale 2014.5 and PC
> http://newmusicnotation.com/fonts.html
> 
> shirling & neueweise | http://newmusicnotation.com
> new music notation  +  arts management  +  translation
> [FB] http://facebook.com/neueweise  |  [TW] http://twitter.com/neueweise
> 
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Re: [Finale] Double sharp gone?

[Sigurdur Jonsson]

Thank you and sorry. Mac, OS X 10.10.5 Yosemite, speedy entry, do + twise and 
get garbage. Sharp and flats are ok. Do I have to install Finale again?

All the best,

Diddi


Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 25. ágú. 2016, at 17:20, j...@thomastudios.com wrote:
> 
> You don’t say how you’re entering the notes, nor what OS you’re using, Mac or 
> PC.  But, if you use Speedy Entry, place your cursor on the note and hit + 
> twice, you should get the double sharp.  If you still get ‘garbage’, it 
> sounds like a font issue.
> 
> 
> ***
> J D Thomas
> ThomaStudios
> 
> 
> 
>> On Aug 25, 2016, at 8:04 AM, Sigurdur Jonsson <diddiste...@gmail.com> wrote:
>> 
>> Dear fellows.
>> 
>> Being on Finale 2014.5 and writing a piano part from Carl Nielsen. In one 
>> place I need the double sharp sign but get some garbage instead.
>> 
>> So gurus, what do I do?
>> 
>> All the best,
>> 
>> Didi
>> 
>> Sigurdur Jonsson
>> 27, Von der Heydt
>> 66115, Saarbrücken
>> Deutschland
>> diddiste...@gmail.com
>> 
>> 
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[Finale] Double sharp gone?

[Sigurdur Jonsson]

Dear fellows.

Being on Finale 2014.5 and writing a piano part from Carl Nielsen. In one place 
I need the double sharp sign but get some garbage instead.

So gurus, what do I do?

All the best,

Didi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com


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Re: [Finale] OT Music theory question

[Sigurdur Jonsson]

I would use C sus.

All the best,

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



> On 23. mar. 2016, at 09:43, Klaus Smedegaard Bjerre <yorkmaster...@gmail.com> 
> wrote:
> 
> C9sus4
> 
> Klaus
> 
> Sendt fra min iPad
> 
>> Den 23. mar. 2016 kl. 08.40 skrev Marcello Noia <marcellon...@gmail.com>:
>> 
>> Hi, due to my huge lackness in harmonical theory, I ask this:
>> is there a technical term to define a chord formed by
>> (starting from low note) perfect fourth-perfect fourth-major third
>> (for example C-F-Bb-D).
>> I see it often used in vocal arrangements (Jonathan Rathbone for
>> Swingle Singers for example), sometimes also in progression for
>> ascending or descending whole tones or half-tones. It creates
>> a beautiful "suspended" and "misterioso" atmosphere.
>> Thanks
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Re: [Finale] composer with issues again asking for volunteer engraving help

[Sigurdur Jonsson]

Hello Reymond.

Nice tho hear that my friend, Jon Cortez was of help. I am another Icelander, 
living in Germany and would like to help. Send me a file.

Reg,

Diddi

Sigurdur Jonsson
27, Von der Heydt
66115, Saarbrücken
Deutschland
diddiste...@gmail.com



 On 15. ágú. 2015, at 05:13, Raymond Horton horton.raym...@gmail.com wrote:
 
 Hi Listers,
 
 My Feb, 2014 stair-fall spine injury which followed my October, 2013
 stroke is continuing to improve from daily exercise, Bromelain and
 Lubrisyn (natural supplements - I can't take really anything in the
 way of drugs for it, due to other side-effects from the fall), and I
 am able to do much more work than I could a year ago, but I still find
 myself at the mercy if others.I am asking, again, for engraving help.
 
 I made this request before, in 2014, and the result was amazing.  I
 got help literally all around the world, from these listers:
 
 Dick Hauser (Washington State, US)
 Allen Fisher (Minnesota, US)
 Jim Williams (Indianapolis, IN, US)
 Richard Huggins (Tyler, TX, US)
 
 And, especially, HUGE amounts of help from:
 
 Jón Kristinn Cortez (Reykjavík, Iceland)
 Bruce Kau (Hawaii, US)
 
 Jon and Bruce have already helped a great deal on the new project, but
 they have, uhh, LIVES and can't do it all.
 
 As many of you know (I know how it is, you remember details about some
 people, but not all, on a list like this) I had a stroke at age 60 in
 October 2013, and followed that up with a bad fall on stairs in Feb
 2014 which injured the base of my spine (be careful going down stairs
 - three members of my family are dealing with life-changing injuries
 from a fall down stairs!).  I can't sit for hours at a time like I did
 for YEARS, happily typing away in Finale.
 
 (I am typing this on my laptop, standing, but my Finale chops on it
 are dismal, and the laptop is way too slow. I've tried
 standing-desktop setups and they don't work for me.)
 
 Meanwhile, I am in the middle of a big project, a grant (small, but
 encouraging) to orchestrate the 'Music Play' Franklin's French
 Affair by the late, Pulitzer-awarded composer Ernst Bacon.  I am
 working actively with the composer's widow, Ellen, to finish the work
 that Mr. Bacon's failing eyesight would not allow.
 
 I could really use some help!  When I was healthy, I enjoyed nothing
 more than sitting and making quick arrangements in Finale - did them
 all the time for others, even strangers on the internet, and I am
 thinking there are users like me out there who are still healthy and
 wouldn't mind taking a few minutes now and then to pound out a file or
 two for me.  Yes?
 
 I only need help with STEP ONE: to take pdfs of Mr Bacon's piano-vocal
 MS (quite legible) and input them into Finale - any version.  There
 are about 40 separate songs, some one page, some longer.  I have #1 -
 9 orchestrated already, and Bruce is finishing #10 as we speak. (It's
 quite nice music - which helps!)
 
 Many of you are pros, and have deadlines of your own, but some of you
 may be able to share some work. No money to offer - I am getting a
 little for the finished product, but not enough to spread around,
 unfortunately.
 
 If anyone is with me so far, a message with I'll do one or I'll do
 all I can or whatever is all I need to shoot some pdfs your way.
 
 Thanks for any help!
 
 Raymond Horton
 Bass Trombonist, Louisville Orchestra
 Minister of Music, Edwardsville (IN) UMC
 Composer, Arranger
 VISIT US AT rayhortonmusic.com
 
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Re: [Finale] copyist clarity

[Sigurdur Jonsson]

Hi.

I have done music for a full orchestra with choir.

Diddifiddle

On Feb 5, 2015, at 6:45 , Vivian Adelberg Rudow wrote:

 In my request for a copyist, I should have mentioned the music is for 
 orchestra with chorus. 
 
 Inserting different lyrics was too difficult for me. The copyist needs to 
 know the tricks of inserting lyrics. And be able to negotiate between changed 
 orchestra parts in places. 
 
 Looking forward to hearing from you. 
 
 Vivian 
 
 
 V ivian Adelberg Rudow ASCAP winner every year since 1987 
 www.vivianadelbergrudow.com 
 CD: Sound Portraits: Orchestra, Chamber and Electro-Acoustic Music by Vivian 
 Adelberg Rudow; To order CD go to website above. 
 
 
 
 
 
 
 
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Sigurdur Jonsson
Von der Heydt 27
66115 Saarbrücken
Deutschland

+49 151 2522 7972
diddiste...@gmail.com



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Re: [Finale] Copyist

[Sigurdur Jonsson]

Hello Vivian.

I am willing to do the job.

Diddifiddle

Sigurdur Jonsson
Von der Heydt 27
66115 Saarbrücken
Deutschland

diddiste...@gmail.com

On Feb 3, 2015, at 11:00 , Vivian Adelberg Rudow wrote:

 Hello finale list, 
 
 I am looking for a copyist who can work in Finale 2012 and would like to 
 input revisions for me. 
 
 I have an old orchestra and chorus score which I tried to revise but found it 
 too difficult. 
 
 I created Sibelius pages with the changes I wanted (it can also be in PDF) 
 and these changes now need to be put into Finale. 
 
 I'll need score and parts changed. 
 
 Looking forward to hearing from someone about experience, samples, fee and 
 time. 
 
 Best wishes from a very cold Baltimore. 
 
 Vivian 
 
 V ivian Adelberg Rudow ASCAP winner every year since 1987 
 www.vivianadelbergrudow.com 
 CD: Sound Portraits: Orchestra, Chamber and Electro-Acoustic Music by Vivian 
 Adelberg Rudow 
 
 
 
 
 
 
 
 
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Von der Heydt 27
66115 Saarbrücken
Deutschland

+49 151 2522 7972
diddiste...@gmail.com



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Re: [Finale] Exploding into SAB

[Sigurdur Jonsson]

Hi there.

I am not sure, but it is worth trying to show active layer only while you are 
exploding.

Hope this helps,

Diddi

On Sep 1, 2014, at 7:08 PM, Steve Gruver wrote:

 I have a choral score that I would like to Explode into SAB.  My goal is to
 explode the music into three different staves.  I know about the Explode
 Music command,  but cannot get it to look right.
 
 Any suggestions?
 Screen Shot 2014-09-01 at 1.02.14 
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Sigurdur Jonsson
Von der Heydt 27
66115 Saarbrücken
Deutschland

+49 151 2522 7972
diddiste...@gmail.com



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Re: [Finale] Saxophones and Clarinet and Trumpet transpositionquestion

[Sigurdur Jonsson]

Hi there.

I would suspect that when C sharp key is transposed for Bb instruments,
going two sharps up is normal, i.e. D sharp. I think you have to double the
score and change the copy to D flat (instead of C sharp) and take it from
there. Bb instruments would show up in D flat.

All the best,

Diddi


On Tue, Apr 8, 2014 at 4:13 PM, Peter Taylor pe...@euphonium.plus.comwrote:

 Simplify Key doesn't work in this situation, because Finale seems to prefer
 sharps to flats when there's a choice.  You have to change the Bb staff
 transposition (or apply a Staff Style) to Other, with values 2 and -10.

 From: Ryan Beard ry.squa...@gmail.com


  Select Simplify Key, I think. If that doesn't work, I often just supply
  a staff style with the transposition set to display correctly. I think
  it's interval 1, key alter -6, but I'm not in front of my finale machine
  now, so don't take my word for it.
  Or just use Clarinet in A.
 
  Sent from my iPad
 
  On Apr 7, 2014, at 7:47 PM, Chuck Israels cisra...@comcast.net wrote:
 
  I am working on a passage in C# minor.  When I chose that key, Finale
  transposes the Eb instruments nicely into 5 flats - fine, but the Bb
  instruments show sharps (D#minor).  How can I control this so that the
 Bb
  instruments show up in a flat key?
 
  Thanks,
 
  Chuck
 
 
  Chuck Israels
  8831 SE 12th Ave.
  Portland, OR 97202-7097
 
  land line: (503) 954-2107
  cell phone: (360) 201-3434
 
  www.chuckisraelsjazz.com
 
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Re: [Finale] How to move notes

[Sigurdur Jonsson]

Or you add a note (quarter?) before the notes
 You want to move. Finale tells you that there are too many notes in that
bar and askes what to do? You select move the notes to the next bar and so
on.

Diddi
On Saturday, March 29, 2014, Richard Huggins huggin...@yahoo.com wrote:

 OK...\I though of it right after posting. Drag-selected the notes, pulled
 them to the correct beat, then cleared the unwanted notes.

 RH


 On Mar 28, 2014, at 6:50 PM, Richard Huggins 
 huggin...@yahoo.comjavascript:;
 wrote:

I've got a lot of 8th-note octaves that need be moved to the right
 by 1 beat. In other words, they start on the and of beat 4 and I want them
 to start on the and of beat 1 in the next measure. How to do this? I could
 do it manually in a few minutes; I just want to know what I've apparently
 forgotten how to do.
 
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Re: [Finale] posts not appearing

[Sigurdur Jonsson]

Hi Dean.

Your post is clear here to me.

Diddi


On Fri, Nov 22, 2013 at 7:34 PM, Dean Rosenthal deanrosent...@gmail.comwrote:

 Hello:

 Is there a reason why my posts are not appearing?  Please let me know if
 this is because of something I'm not correctly doing?

 Yours,
 Dean Rosenthal

 --
 Dean Rosenthal
 www.deanrosenthal.org
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Re: [Finale] random thoughts on 2014

[Sigurdur Jonsson]

Hello.

Minor 9th up from B flat is C flat, according to what I learned. If so, it
is enough to place one b sign to the B and another  to the C in the
beginning of the measure and musicians will play B flat and then up minor
9th, C flat all the measure.

Reg,

Diddi


On Wed, Nov 20, 2013 at 2:25 PM, Steve Parker st...@pinkrat.co.uk wrote:

 In my experience it is better to always use accidentals to cancel
 different octaves. If it happens a lot, depending on the tonality of the
 piece, you may not need parentheses.
 Bb to B is an augmented octave.
 Maybe a better solution is to write a genuine minor ninth of Bb to Cb?

 Steve P.

  On 20 Nov 2013, at 13:19, eisenb...@aol.com wrote:
 
 
  To David Froom and others ,
 
 
  Regarding the use of cautionary accidentals, I'd appreciate your feedback
 
 
  In a non-key signature piece, when a measure of music includes Bb going
 up a minor 9th to B natural, and this happens multiple times in a measure,
 is it preferable in your experience, to always include the flat and natural
 signs so that the performer is clear on the specific pitch desired for each
 register?  Is a parenthesized accidental and natural sign preferable to
 non-parenthesized?  Or, would a performer prefer a one time
 placement/measure of the accidental and natural signs?
 
 
  Thanks in advance,
 
 
  Bruce Eisenbeil
 
 
 
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[Finale] One-bar repeat sign.

[Sigurdur Jonsson]

Dear list members.


I am still on good old ver. 2008.


I am writing into Finale for publication, my late fathers music for a
feature film from his handwritten papers.


In one part, he writes for 1. and 2. violin and viola a pattern made of 6
16th parts notes in one quarter note space, I think it is called sixlet in
english. This pattern is then repeated three times in a 4/4 measure, giving
24 notes in the bar. In the next bar is a new pattern and so on, He writes
first 6 notes in each bar and then he writes three One-bar repeat sign
for each quarter note space in the measure. Writing 24 notes in each bar
for all three instruments would make the score look very nasty.


I have searched a lot to find a way to use the One-bar repeat sign in
this way, without luck.


Has anyone here a solution for me?


TIA,


Diddi
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