[Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread Giovanni Andreani
Hello

I was wondering if there's a plugin that automatically doubles a melodic
line one octave higher or lower in the same staff. Is there eventually
another solution?

Thank you
Giovanni Andreani


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Re: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread Aaron Sherber

At 09:28 AM 06/24/2005, Giovanni Andreani wrote:
I was wondering if there's a plugin that automatically doubles a melodic
>line one octave higher or lower in the same staff. 

No plugin needed -- Finale will do this for you.

Select the measures with the Mass Edit tool. Then select Mass Edit | 
Transpose. Set the transposition for up one octave, and check the box that 
says 'Preserve Original Notes'.


Aaron.

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Re: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread Hans Swinnen

Carissimo,

Use Transposition under Mass Edit and  check Preserve Original Notes.

I'll contact you again off-list soon...!!

Ciao,

Hans



Giovanni Andreani wrote:

Hello

I was wondering if there's a plugin that automatically doubles a melodic
line one octave higher or lower in the same staff. Is there eventually
another solution?

Thank you
Giovanni Andreani


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Re: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread David W. Fenton
On 24 Jun 2005 at 9:41, Aaron Sherber wrote:

> At 09:28 AM 06/24/2005, Giovanni Andreani wrote:
> I was wondering if there's a plugin that automatically doubles a
> melodic
>  >line one octave higher or lower in the same staff.  
> 
> No plugin needed -- Finale will do this for you.
> 
> Select the measures with the Mass Edit tool. Then select Mass Edit |
> Transpose. Set the transposition for up one octave, and check the box
> that says 'Preserve Original Notes'.

Oh, man, I feel so stupid for never noticing that one! I have a cheap 
MIDI keyboard that is 5 octaves C to C (instead of down a 5th, F to 
F, which would fit a lot more music), and I'm always needing to fill 
in lower octaves in piano left hand parts. This would have saved me 
much annoyance had I known about it!

Just goes to show that you can use a program for 15 years and still 
miss out on significant features.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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RE: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread Lee Actor
Even more useful are the Mass Edit programmable metatools for transposition
(number keys 6 thru 9).  I have 6 and 7 defined as up and down an octave,
respectively, and 8 and 9 up and down an octave while keeping the original
notes.  You can define these four keys by pressing Shift and a number while
in Mass Edit, then selecting which transposition you want.  To invoke the
metatool, simply select a region and press the key.  I find this a huge time
saver and would hate to do without it.

Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com



> On 24 Jun 2005 at 9:41, Aaron Sherber wrote:
>
> > At 09:28 AM 06/24/2005, Giovanni Andreani wrote:
> > I was wondering if there's a plugin that automatically doubles a
> > melodic
> >  >line one octave higher or lower in the same staff.
> >
> > No plugin needed -- Finale will do this for you.
> >
> > Select the measures with the Mass Edit tool. Then select Mass Edit |
> > Transpose. Set the transposition for up one octave, and check the box
> > that says 'Preserve Original Notes'.
>
> Oh, man, I feel so stupid for never noticing that one! I have a cheap
> MIDI keyboard that is 5 octaves C to C (instead of down a 5th, F to
> F, which would fit a lot more music), and I'm always needing to fill
> in lower octaves in piano left hand parts. This would have saved me
> much annoyance had I known about it!
>
> Just goes to show that you can use a program for 15 years and still
> miss out on significant features.
>
> --
> David W. Fentonhttp://www.bway.net/~dfenton
> David Fenton Associateshttp://www.bway.net/~dfassoc


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RE: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread keith helgesen
I too use the metatools 6--9 to exclusion- but really wish that there were
more available. Why not have 1 thru 9 or 0 available?
I would love to have tone up, t down, 3 up, 3 down etc etc right thru to
8ves.
I find 'Keep original notes' is no hassle to 'tickabox' in or out.  

Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0439-620587
Private Mob 0417-042171

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Lee Actor
Sent: Saturday, 25 June 2005 3:21 AM
To: [EMAIL PROTECTED]; finale@shsu.edu
Subject: RE: [Finale] Doubling a Melodic Line one Octave

Even more useful are the Mass Edit programmable metatools for transposition
(number keys 6 thru 9).  I have 6 and 7 defined as up and down an octave,
respectively, and 8 and 9 up and down an octave while keeping the original
notes.  You can define these four keys by pressing Shift and a number while
in Mass Edit, then selecting which transposition you want.  To invoke the
metatool, simply select a region and press the key.  I find this a huge time
saver and would hate to do without it.

Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com



> On 24 Jun 2005 at 9:41, Aaron Sherber wrote:
>
> > At 09:28 AM 06/24/2005, Giovanni Andreani wrote:
> > I was wondering if there's a plugin that automatically doubles a
> > melodic
> >  >line one octave higher or lower in the same staff.
> >
> > No plugin needed -- Finale will do this for you.
> >
> > Select the measures with the Mass Edit tool. Then select Mass Edit |
> > Transpose. Set the transposition for up one octave, and check the box
> > that says 'Preserve Original Notes'.
>
> Oh, man, I feel so stupid for never noticing that one! I have a cheap
> MIDI keyboard that is 5 octaves C to C (instead of down a 5th, F to
> F, which would fit a lot more music), and I'm always needing to fill
> in lower octaves in piano left hand parts. This would have saved me
> much annoyance had I known about it!
>
> Just goes to show that you can use a program for 15 years and still
> miss out on significant features.
>
> --
> David W. Fentonhttp://www.bway.net/~dfenton
> David Fenton Associateshttp://www.bway.net/~dfassoc


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RE: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread Lee Actor
I wish there were more, too, but there are also seven predefined metatools:
1-5, 'I', and 'E', and the only one I use with regularity is 5 (Elasped
Time).  Some may not be aware that the TGTools keyboard remapper allows you
to assign a key to any key or menu command in Finale, which I use for
one-key access for all the major tools and my favorite commands and
plug-ins.  Can't quite do what a Mass Edit metatool can, though.

-Lee

>
> I too use the metatools 6--9 to exclusion- but really wish that there were
> more available. Why not have 1 thru 9 or 0 available?
> I would love to have tone up, t down, 3 up, 3 down etc etc right thru to
> 8ves.
> I find 'Keep original notes' is no hassle to 'tickabox' in or out.
>
> Keith Helgesen.
> Director of Music, Canberra City Band.
> Ph: (02) 62910787. Band Mob. 0439-620587
> Private Mob 0417-042171
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
> Behalf Of
> Lee Actor
> Sent: Saturday, 25 June 2005 3:21 AM
> To: [EMAIL PROTECTED]; finale@shsu.edu
> Subject: RE: [Finale] Doubling a Melodic Line one Octave
>
> Even more useful are the Mass Edit programmable metatools for
> transposition
> (number keys 6 thru 9).  I have 6 and 7 defined as up and down an octave,
> respectively, and 8 and 9 up and down an octave while keeping the original
> notes.  You can define these four keys by pressing Shift and a
> number while
> in Mass Edit, then selecting which transposition you want.  To invoke the
> metatool, simply select a region and press the key.  I find this
> a huge time
> saver and would hate to do without it.
>
> Lee Actor
> Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
> http://www.leeactor.com
>
>
>
> > On 24 Jun 2005 at 9:41, Aaron Sherber wrote:
> >
> > > At 09:28 AM 06/24/2005, Giovanni Andreani wrote:
> > > I was wondering if there's a plugin that automatically doubles a
> > > melodic
> > >  >line one octave higher or lower in the same staff.
> > >
> > > No plugin needed -- Finale will do this for you.
> > >
> > > Select the measures with the Mass Edit tool. Then select Mass Edit |
> > > Transpose. Set the transposition for up one octave, and check the box
> > > that says 'Preserve Original Notes'.
> >
> > Oh, man, I feel so stupid for never noticing that one! I have a cheap
> > MIDI keyboard that is 5 octaves C to C (instead of down a 5th, F to
> > F, which would fit a lot more music), and I'm always needing to fill
> > in lower octaves in piano left hand parts. This would have saved me
> > much annoyance had I known about it!
> >
> > Just goes to show that you can use a program for 15 years and still
> > miss out on significant features.
> >
> > --
> > David W. Fentonhttp://www.bway.net/~dfenton
> > David Fenton Associateshttp://www.bway.net/~dfassoc


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Re: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread Christopher Smith


On Jun 24, 2005, at 5:02 PM, keith helgesen wrote:

I too use the metatools 6--9 to exclusion- but really wish that there 
were

more available. Why not have 1 thru 9 or 0 available?
I would love to have tone up, t down, 3 up, 3 down etc etc right thru 
to

8ves.
I find 'Keep original notes' is no hassle to 'tickabox' in or out.



Except that you can't toggle it when you use the metatool. That's the 
only inconvenience. You would have to define the metatool with it on, 
then redefine it to turn it off.


I find the Mass Edit metatools so convenient where they are that I 
would hate to move them. 1 is implode, 2 is explode, 3 is beat spacing 
(for scores) 4 is note spacing (for everything else), 5 is elapsed time 
(clients mostly need it, I couldn't care less most of the time), then 6 
through 9 are for transpositions.


I use
6 for 8ve down
7 for 8ve up
8 and 9 for diatonic step down and up respectively.

It is no problem to hit 8 twice to get a diatonic 3rd down, or more as 
necessary. I can redefine the transpositions with Shift-6 whenever I 
need to for a particular problem, but I always change them back because 
they are so darn useful the way I default them to.


Now, if the metatools could expand to include the alphabetical keys, 
too, now THAT would be something! I would LOVE to have say, 
Retranscribe or Change... Noteheads under a single key. Perhaps 
PCers already have that capability, but on Mac, we are sadly lacking in 
keyboard equivelants.


Christopher


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RE: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread keith helgesen
Again, you mention TG- (see my other post to the list at this time!)

Since neither you nor I, and presumably others, use all the 'predefined
metas, why can we not re-define those we don't use?

Cheers K

Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0439-620587
Private Mob 0417-042171

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Lee Actor
Sent: Saturday, 25 June 2005 7:33 AM
To: finale@shsu.edu
Subject: RE: [Finale] Doubling a Melodic Line one Octave

I wish there were more, too, but there are also seven predefined metatools:
1-5, 'I', and 'E', and the only one I use with regularity is 5 (Elasped
Time).  Some may not be aware that the TGTools keyboard remapper allows you
to assign a key to any key or menu command in Finale, which I use for
one-key access for all the major tools and my favorite commands and
plug-ins.  Can't quite do what a Mass Edit metatool can, though.

-Lee

>
> I too use the metatools 6--9 to exclusion- but really wish that there were
> more available. Why not have 1 thru 9 or 0 available?
> I would love to have tone up, t down, 3 up, 3 down etc etc right thru to
> 8ves.
> I find 'Keep original notes' is no hassle to 'tickabox' in or out.
>
> Keith Helgesen.
> Director of Music, Canberra City Band.
> Ph: (02) 62910787. Band Mob. 0439-620587
> Private Mob 0417-042171
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
> Behalf Of
> Lee Actor
> Sent: Saturday, 25 June 2005 3:21 AM
> To: [EMAIL PROTECTED]; finale@shsu.edu
> Subject: RE: [Finale] Doubling a Melodic Line one Octave
>
> Even more useful are the Mass Edit programmable metatools for
> transposition
> (number keys 6 thru 9).  I have 6 and 7 defined as up and down an octave,
> respectively, and 8 and 9 up and down an octave while keeping the original
> notes.  You can define these four keys by pressing Shift and a
> number while
> in Mass Edit, then selecting which transposition you want.  To invoke the
> metatool, simply select a region and press the key.  I find this
> a huge time
> saver and would hate to do without it.
>
> Lee Actor
> Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
> http://www.leeactor.com
>
>
>
> > On 24 Jun 2005 at 9:41, Aaron Sherber wrote:
> >
> > > At 09:28 AM 06/24/2005, Giovanni Andreani wrote:
> > > I was wondering if there's a plugin that automatically doubles a
> > > melodic
> > >  >line one octave higher or lower in the same staff.
> > >
> > > No plugin needed -- Finale will do this for you.
> > >
> > > Select the measures with the Mass Edit tool. Then select Mass Edit |
> > > Transpose. Set the transposition for up one octave, and check the box
> > > that says 'Preserve Original Notes'.
> >
> > Oh, man, I feel so stupid for never noticing that one! I have a cheap
> > MIDI keyboard that is 5 octaves C to C (instead of down a 5th, F to
> > F, which would fit a lot more music), and I'm always needing to fill
> > in lower octaves in piano left hand parts. This would have saved me
> > much annoyance had I known about it!
> >
> > Just goes to show that you can use a program for 15 years and still
> > miss out on significant features.
> >
> > --
> > David W. Fentonhttp://www.bway.net/~dfenton
> > David Fenton Associateshttp://www.bway.net/~dfassoc


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RE: [Finale] Doubling a Melodic Line one Octave

2005-06-24 Thread keith helgesen
Agree- a toggle would be great, but is there some hi-tech reason why alpha
keys cannot be used for metas?

Or- as another thought, 

Could not, for example, 8 be octave up and Shift8 (or Ctrl 8 or ??) be for
'keep original notes'.

Cheers, 

K in OZ

Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0439-620587
Private Mob 0417-042171

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christopher Smith
Sent: Saturday, 25 June 2005 7:42 AM
To: finale@shsu.edu
Subject: Re: [Finale] Doubling a Melodic Line one Octave


On Jun 24, 2005, at 5:02 PM, keith helgesen wrote:

> I too use the metatools 6--9 to exclusion- but really wish that there 
> were
> more available. Why not have 1 thru 9 or 0 available?
> I would love to have tone up, t down, 3 up, 3 down etc etc right thru 
> to
> 8ves.
> I find 'Keep original notes' is no hassle to 'tickabox' in or out.
>

Except that you can't toggle it when you use the metatool. That's the 
only inconvenience. You would have to define the metatool with it on, 
then redefine it to turn it off.

I find the Mass Edit metatools so convenient where they are that I 
would hate to move them. 1 is implode, 2 is explode, 3 is beat spacing 
(for scores) 4 is note spacing (for everything else), 5 is elapsed time 
(clients mostly need it, I couldn't care less most of the time), then 6 
through 9 are for transpositions.

I use
6 for 8ve down
7 for 8ve up
8 and 9 for diatonic step down and up respectively.

It is no problem to hit 8 twice to get a diatonic 3rd down, or more as 
necessary. I can redefine the transpositions with Shift-6 whenever I 
need to for a particular problem, but I always change them back because 
they are so darn useful the way I default them to.

Now, if the metatools could expand to include the alphabetical keys, 
too, now THAT would be something! I would LOVE to have say, 
Retranscribe or Change... Noteheads under a single key. Perhaps 
PCers already have that capability, but on Mac, we are sadly lacking in 
keyboard equivelants.

Christopher


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