Re: [Finale] Metronome Value Question

2005-01-30 Thread Christopher Smith
Somebody posted a fascinating link on this subject a year or so ago  
who was it? It explained the whole reasoning behind the marking 
divisions on modern metronomes.

Christopher
On Jan 30, 2005, at 1:00 AM, A-NO-NE Music wrote:
Little OT.
This is my long time question that I was too embarrassed to ask, while
this list seems to have the best resources.  Please forgive me if this 
is
too dumb.

I was always wondering how metronome value are divided, meaning,
I am used to increment by two from 40 up to 60, but I have never seen 
62.
 It's 60, 63, 66, 69, 72.  But next is not 75.  It's 76, is it not?  I
always _felt_ this is something to do with how human naturally relates 
to
pulse, but it could had only been my imagination.

Is there any rule to this?  Or is this even a common practice?  Any 
help
once for all would be appreciated.
:-)

--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com
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Re: [Finale] Metronome Value Question

2005-01-30 Thread Richard Yates
 I was always wondering how metronome value are divided, meaning,
 I am used to increment by two from 40 up to 60, but I have never seen 62.
  It's 60, 63, 66, 69, 72.  But next is not 75.  It's 76, is it not?  I
 always _felt_ this is something to do with how human naturally relates to
 pulse, but it could had only been my imagination.

Just a numerical sequence it seems that each number is a rounded off
percentage increase from the previous one. It may be that just noticeable
differences in tempo are percentage differences rather than absolute
differences. A little experimentation with a calculator shows that the
percent increase in the sequence is 5 percent (I did not try all of the
metronome numbers, just the ones you listed.)

Richard Yates


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Re: [Finale] Metronome Value Question

2005-01-30 Thread Richard Yates
Looking up 'metronome' I found a hilarious video link. Here is the text,
then the link:

One educator describes 'wheels' with the left hand. Uniform circular motion
of the hand (and arm) is essential. One wheel always represents a quarter
note. Two spokes to the wheel beat eighth notes; three spokes beat triplets;
four beat sixteenths, and so on. Set the metronome at any appropriate tempo
and turn one wheel for each beat of the metronome.

http://www.franzmfg.com/mtbook/wheels.ram

Notice how out-of-synch that arm gets in just a few beats - and this is
supposed to be a MODEL of accuracy!

Richard Yates


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Re: [Finale] Metronome Value Question

2005-01-30 Thread Daniel Wolf
Richard Yates wrote:
I was always wondering how metronome value are divided, meaning,
I am used to increment by two from 40 up to 60, but I have never seen 62.
It's 60, 63, 66, 69, 72.  But next is not 75.  It's 76, is it not?  I
always _felt_ this is something to do with how human naturally relates to
pulse, but it could had only been my imagination.
   

This article by John Greschak should answer your questions --
http://www.greschak.com/polytempo/ptts.htm
Daniel Wolf
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Re: [Finale] Metronome Value Question

2005-01-30 Thread Harold Owen
Hiro,
I think the common MM numbers were probably a result of how much room 
there was for the numbers on a stand-up mechanical metronome. Also 
must of the numbers are factorable, that is not prime numbers, which 
makes it easier to divide them. With compute4rs, of course, any MM 
numbers are possible. I use the standard numbers because so many 
musicians still use mechanical metronomes.

Hal
Little OT.
This is my long time question that I was too embarrassed to ask, while
this list seems to have the best resources.  Please forgive me if this is
too dumb.
I was always wondering how metronome value are divided, meaning,
I am used to increment by two from 40 up to 60, but I have never seen 62.
 It's 60, 63, 66, 69, 72.  But next is not 75.  It's 76, is it not?  I
always _felt_ this is something to do with how human naturally relates to
pulse, but it could had only been my imagination.
Is there any rule to this?  Or is this even a common practice?  Any help
once for all would be appreciated.
:-)
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com
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Harold Owen
2830 Emerald St., Eugene, OR 97403
mailto:[EMAIL PROTECTED]
Visit my web site at:
http://uoregon.edu/~hjowen
FAX: (509) 461-3608
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Re: [Finale] Metronome Value Question

2005-01-30 Thread Johannes Gebauer
Well, I think there is two reasons for this: Firstly, if you devided the 
metronome all the way in two tick steps, this would make sense between 
40 and 50, but the difference between 200 and 202 is so minute, it 
wouldn't matter.
The values are done in such a way that you can always double them and 
find the value on the scale. You will find 40, 80 and 160, and so on. 
Makes some sense.

But there is no direct relation to the human pulse - it's all tradition.
Johannes
A-NO-NE Music wrote:
Little OT.
This is my long time question that I was too embarrassed to ask, while
this list seems to have the best resources.  Please forgive me if this is
too dumb.
I was always wondering how metronome value are divided, meaning,
I am used to increment by two from 40 up to 60, but I have never seen 62.
 It's 60, 63, 66, 69, 72.  But next is not 75.  It's 76, is it not?  I
always _felt_ this is something to do with how human naturally relates to
pulse, but it could had only been my imagination.
Is there any rule to this?  Or is this even a common practice?  Any help
once for all would be appreciated.
:-)
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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[Finale] Metronome Value Question

2005-01-29 Thread A-NO-NE Music

Little OT.
This is my long time question that I was too embarrassed to ask, while
this list seems to have the best resources.  Please forgive me if this is
too dumb.

I was always wondering how metronome value are divided, meaning,
I am used to increment by two from 40 up to 60, but I have never seen 62.
 It's 60, 63, 66, 69, 72.  But next is not 75.  It's 76, is it not?  I
always _felt_ this is something to do with how human naturally relates to
pulse, but it could had only been my imagination.

Is there any rule to this?  Or is this even a common practice?  Any help
once for all would be appreciated.
:-)

-- 

- Hiro

Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com http://anonemusic.com


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