Re: [Finale] Question on chords

2012-12-26 Thread Steve Parker
This is not so far from a written version of what you might shout out to give 
chords nor from figured bass..!

Steve P. 

On 26 Dec 2012, at 06:12, Williams, Jim jwilli...@franklincollege.edu wrote:

 Sure...glad to help.
 I see some logic to it now--in D9(flat), the flat 9 is indeed flat--e flat.
 For E9(natural), the flat 9 is F natural.
 Still odd. ;-0
 
 Sent from my iPhone, so please pardon all the typos.
 
 On Dec 26, 2012, at 1:03 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:54 PM, Williams, Jim wrote:
 Yeah...interesting indeed. Never seen that before.
 You've described the chords correctly as 7(b9), so why not go with what the 
 parts are saying?
 Jim
 
 Sent from my iPhone, so please pardon all the typos.
 
 Thanks, Jim.  I appreciate the feedback.  It's always useful to have a 
 second opinion.
 
 cd
 
 On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?
 
 Sent from my iPhone, so please pardon all the typos.
 
 First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
 Second is an E9 - E, G#, B, D, F  E7(b9)?
 
 Both have that b7, b9, but both have M3, so not minor 9 chords.
 
 Interesting notation, eh?
 
 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:
 
 Hi Carl - I've never seen that either. My first guess would be that the 
 7th
 is assumed and the parenthesized comments concern the ninth in each 
 chord.
 Which chart/arranger? - Don Hart
 
 
 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
 
 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.
 
 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)
 
 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
 
 Any relevant thoughts would be appreciated.
 
 Carl
 --
 http://projectselene.com
 
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Re: [Finale] Question on chords

2012-12-26 Thread Christopher Smith
I'm late to the party, but Jim Williams seems to have it worked out correctly.

I gather that in the young days of complex chord symbols, some arrangers were 
still mixing in elements of figured bass, where the notes in a chord took on 
the accidental from the KEY they were in, instead of calculated as a fixed 
interval above the bass note/root. I've taken note of these to show to my 
students, as there is no telling what you might come across in the Wild West of 
chord symbols.

Monk and his peers are well-documented as calling a m5(b5) or half-diminished 
chord a minor chord with the sixth in the bass. While it seems odd to us, it 
DOES tend to encourage the player to use a certain chord scale.

I would definitely edit these to modern (and consistent!) standards, in case 
you were still in doubt.

Christopher


On Wed Dec 26, at WednesdayDec 26 1:12 AM, Williams, Jim wrote:

 Sure...glad to help.
 I see some logic to it now--in D9(flat), the flat 9 is indeed flat--e flat.
 For E9(natural), the flat 9 is F natural.
 Still odd. ;-0
 
 Sent from my iPhone, so please pardon all the typos.
 
 On Dec 26, 2012, at 1:03 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:54 PM, Williams, Jim wrote:
 Yeah...interesting indeed. Never seen that before.
 You've described the chords correctly as 7(b9), so why not go with what the 
 parts are saying?
 Jim
 
 Sent from my iPhone, so please pardon all the typos.
 
 Thanks, Jim.  I appreciate the feedback.  It's always useful to have a 
 second opinion.
 
 cd
 
 On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?
 
 Sent from my iPhone, so please pardon all the typos.
 
 First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
 Second is an E9 - E, G#, B, D, F  E7(b9)?
 
 Both have that b7, b9, but both have M3, so not minor 9 chords.
 
 Interesting notation, eh?
 
 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:
 
 Hi Carl - I've never seen that either. My first guess would be that the 
 7th
 is assumed and the parenthesized comments concern the ninth in each 
 chord.
 Which chart/arranger? - Don Hart
 
 
 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
 
 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.
 
 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)
 
 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
 
 Any relevant thoughts would be appreciated.
 
 Carl
 --
 http://projectselene.com
 
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 http://projectselene.com
 
 
 
 
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Re: [Finale] Question on chords

2012-12-26 Thread Williams, Jim
That thing of calling Gm7(b5) a Bbmi6 really misleads beginners because it 
hides the 2-5 in minor, and it still exists in a lot of print editions.
Really can mess up a bass line!

Sent from my iPhone, so please pardon all the typos.

On Dec 26, 2012, at 9:09 AM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 I'm late to the party, but Jim Williams seems to have it worked out correctly.
 
 I gather that in the young days of complex chord symbols, some arrangers were 
 still mixing in elements of figured bass, where the notes in a chord took on 
 the accidental from the KEY they were in, instead of calculated as a fixed 
 interval above the bass note/root. I've taken note of these to show to my 
 students, as there is no telling what you might come across in the Wild West 
 of chord symbols.
 
 Monk and his peers are well-documented as calling a m5(b5) or 
 half-diminished chord a minor chord with the sixth in the bass. While it 
 seems odd to us, it DOES tend to encourage the player to use a certain chord 
 scale.
 
 I would definitely edit these to modern (and consistent!) standards, in case 
 you were still in doubt.
 
 Christopher
 
 
 On Wed Dec 26, at WednesdayDec 26 1:12 AM, Williams, Jim wrote:
 
 Sure...glad to help.
 I see some logic to it now--in D9(flat), the flat 9 is indeed flat--e flat.
 For E9(natural), the flat 9 is F natural.
 Still odd. ;-0
 
 Sent from my iPhone, so please pardon all the typos.
 
 On Dec 26, 2012, at 1:03 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:54 PM, Williams, Jim wrote:
 Yeah...interesting indeed. Never seen that before.
 You've described the chords correctly as 7(b9), so why not go with what 
 the parts are saying?
 Jim
 
 Sent from my iPhone, so please pardon all the typos.
 
 Thanks, Jim.  I appreciate the feedback.  It's always useful to have a 
 second opinion.
 
 cd
 
 On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?
 
 Sent from my iPhone, so please pardon all the typos.
 
 First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
 Second is an E9 - E, G#, B, D, F  E7(b9)?
 
 Both have that b7, b9, but both have M3, so not minor 9 chords.
 
 Interesting notation, eh?
 
 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:
 
 Hi Carl - I've never seen that either. My first guess would be that the 
 7th
 is assumed and the parenthesized comments concern the ninth in each 
 chord.
 Which chart/arranger? - Don Hart
 
 
 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
 
 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.
 
 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)
 
 This might be how it was done back in the day, but .. how would these 
 be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
 
 Any relevant thoughts would be appreciated.
 
 Carl
 --
 http://projectselene.com
 
 -- 
 http://projectselene.com
 
 
 
 
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Re: [Finale] Question on chords

2012-12-26 Thread Chris Bell
I was working last week putting an old bigband score into Finale. I had 
chords like: C7(-10, -5, -2). Fun. 

On 26 dec 2012, at 14:08, Christopher Smith christopher.sm...@videotron.ca 
wrote:

 I'm late to the party, but Jim Williams seems to have it worked out correctly.
 
 I gather that in the young days of complex chord symbols, some arrangers were 
 still mixing in elements of figured bass, where the notes in a chord took on 
 the accidental from the KEY they were in, instead of calculated as a fixed 
 interval above the bass note/root. I've taken note of these to show to my 
 students, as there is no telling what you might come across in the Wild West 
 of chord symbols.
 
 Monk and his peers are well-documented as calling a m5(b5) or 
 half-diminished chord a minor chord with the sixth in the bass. While it 
 seems odd to us, it DOES tend to encourage the player to use a certain chord 
 scale.
 
 I would definitely edit these to modern (and consistent!) standards, in case 
 you were still in doubt.
 
 Christopher
 
 
 On Wed Dec 26, at WednesdayDec 26 1:12 AM, Williams, Jim wrote:
 
 Sure...glad to help.
 I see some logic to it now--in D9(flat), the flat 9 is indeed flat--e flat.
 For E9(natural), the flat 9 is F natural.
 Still odd. ;-0
 
 Sent from my iPhone, so please pardon all the typos.
 
 On Dec 26, 2012, at 1:03 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:54 PM, Williams, Jim wrote:
 Yeah...interesting indeed. Never seen that before.
 You've described the chords correctly as 7(b9), so why not go with what 
 the parts are saying?
 Jim
 
 Sent from my iPhone, so please pardon all the typos.
 
 Thanks, Jim.  I appreciate the feedback.  It's always useful to have a 
 second opinion.
 
 cd
 
 On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?
 
 Sent from my iPhone, so please pardon all the typos.
 
 First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
 Second is an E9 - E, G#, B, D, F  E7(b9)?
 
 Both have that b7, b9, but both have M3, so not minor 9 chords.
 
 Interesting notation, eh?
 
 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:
 
 Hi Carl - I've never seen that either. My first guess would be that the 
 7th
 is assumed and the parenthesized comments concern the ninth in each 
 chord.
 Which chart/arranger? - Don Hart
 
 
 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
 
 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.
 
 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)
 
 This might be how it was done back in the day, but .. how would these 
 be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
 
 Any relevant thoughts would be appreciated.
 
 Carl
 --
 http://projectselene.com
 
 -- 
 http://projectselene.com
 
 
 
 
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[Finale] Question on chords

2012-12-25 Thread dershem
I'm putting an old Kenton chart into Finale (always have a safety copy 
in case some bozo loses or destroys a part!) and have found some chord 
markings that are new to me.

Measure 1 is  D9(flat)
Measure 6 is  E9(natural)

This might be how it was done back in the day, but .. how would these be 
marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.

Any relevant thoughts would be appreciated.

Carl
-- 
http://projectselene.com




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Re: [Finale] Question on chords

2012-12-25 Thread Don Hart
Hi Carl - I've never seen that either. My first guess would be that the 7th
is assumed and the parenthesized comments concern the ninth in each chord.
 Which chart/arranger? - Don Hart


On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:

 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.

 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)

 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.

 Any relevant thoughts would be appreciated.

 Carl
 --
 http://projectselene.com




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Re: [Finale] Question on chords

2012-12-25 Thread dershem
On 12/25/2012 9:07 PM, Don Hart wrote:
 Hi Carl - I've never seen that either. My first guess would be that the 7th
 is assumed and the parenthesized comments concern the ninth in each chord.
   Which chart/arranger? - Don Hart

The Marke Winsten arrangement of Artistry in Rhythm.  Not a bad chart, 
but very old fashioned notation.

cd

 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:

 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.

 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)

 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.

 Any relevant thoughts would be appreciated.

 Carl


-- 
http://projectselene.com




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Re: [Finale] Question on chords

2012-12-25 Thread Williams, Jim
What do the parts tell you?

Sent from my iPhone, so please pardon all the typos.

On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:

 Hi Carl - I've never seen that either. My first guess would be that the 7th
 is assumed and the parenthesized comments concern the ninth in each chord.
 Which chart/arranger? - Don Hart
 
 
 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
 
 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.
 
 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)
 
 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
 
 Any relevant thoughts would be appreciated.
 
 Carl
 --
 http://projectselene.com
 
 
 
 
 ===
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Re: [Finale] Question on chords

2012-12-25 Thread dershem
On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?

 Sent from my iPhone, so please pardon all the typos.

First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
Second is an E9 - E, G#, B, D, F  E7(b9)?

Both have that b7, b9, but both have M3, so not minor 9 chords.

Interesting notation, eh?

 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:

 Hi Carl - I've never seen that either. My first guess would be that the 7th
 is assumed and the parenthesized comments concern the ninth in each chord.
 Which chart/arranger? - Don Hart


 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:

 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.

 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)

 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.

 Any relevant thoughts would be appreciated.

 Carl
 --
 http://projectselene.com


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Re: [Finale] Question on chords

2012-12-25 Thread Williams, Jim
Yeah...interesting indeed. Never seen that before.
You've described the chords correctly as 7(b9), so why not go with what the 
parts are saying?
Jim

Sent from my iPhone, so please pardon all the typos.

On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:

 On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?
 
 Sent from my iPhone, so please pardon all the typos.
 
 First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
 Second is an E9 - E, G#, B, D, F  E7(b9)?
 
 Both have that b7, b9, but both have M3, so not minor 9 chords.
 
 Interesting notation, eh?
 
 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:
 
 Hi Carl - I've never seen that either. My first guess would be that the 7th
 is assumed and the parenthesized comments concern the ninth in each chord.
 Which chart/arranger? - Don Hart
 
 
 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
 
 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.
 
 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)
 
 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
 
 Any relevant thoughts would be appreciated.
 
 Carl
 --
 http://projectselene.com
 
 
 -- 
 http://projectselene.com
 
 
 
 
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Re: [Finale] Question on chords

2012-12-25 Thread dershem
On 12/25/2012 9:54 PM, Williams, Jim wrote:
 Yeah...interesting indeed. Never seen that before.
 You've described the chords correctly as 7(b9), so why not go with what the 
 parts are saying?
 Jim

 Sent from my iPhone, so please pardon all the typos.

Thanks, Jim.  I appreciate the feedback.  It's always useful to have a 
second opinion.

cd

 On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:

 On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?

 Sent from my iPhone, so please pardon all the typos.

 First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
 Second is an E9 - E, G#, B, D, F  E7(b9)?

 Both have that b7, b9, but both have M3, so not minor 9 chords.

 Interesting notation, eh?

 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:

 Hi Carl - I've never seen that either. My first guess would be that the 7th
 is assumed and the parenthesized comments concern the ninth in each chord.
 Which chart/arranger? - Don Hart


 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:

 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.

 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)

 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.

 Any relevant thoughts would be appreciated.

 Carl
 --
 http://projectselene.com

-- 
http://projectselene.com




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Re: [Finale] Question on chords

2012-12-25 Thread Williams, Jim
Sure...glad to help.
I see some logic to it now--in D9(flat), the flat 9 is indeed flat--e flat.
For E9(natural), the flat 9 is F natural.
Still odd. ;-0

Sent from my iPhone, so please pardon all the typos.

On Dec 26, 2012, at 1:03 AM, dershem ders...@cox.net wrote:

 On 12/25/2012 9:54 PM, Williams, Jim wrote:
 Yeah...interesting indeed. Never seen that before.
 You've described the chords correctly as 7(b9), so why not go with what the 
 parts are saying?
 Jim
 
 Sent from my iPhone, so please pardon all the typos.
 
 Thanks, Jim.  I appreciate the feedback.  It's always useful to have a 
 second opinion.
 
 cd
 
 On Dec 26, 2012, at 12:49 AM, dershem ders...@cox.net wrote:
 
 On 12/25/2012 9:09 PM, Williams, Jim wrote:
 What do the parts tell you?
 
 Sent from my iPhone, so please pardon all the typos.
 
 First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
 Second is an E9 - E, G#, B, D, F  E7(b9)?
 
 Both have that b7, b9, but both have M3, so not minor 9 chords.
 
 Interesting notation, eh?
 
 On Dec 26, 2012, at 12:07 AM, Don Hart donhartmu...@gmail.com wrote:
 
 Hi Carl - I've never seen that either. My first guess would be that the 
 7th
 is assumed and the parenthesized comments concern the ninth in each chord.
 Which chart/arranger? - Don Hart
 
 
 On Tue, Dec 25, 2012 at 9:42 PM, dershem ders...@cox.net wrote:
 
 I'm putting an old Kenton chart into Finale (always have a safety copy
 in case some bozo loses or destroys a part!) and have found some chord
 markings that are new to me.
 
 Measure 1 is  D9(flat)
 Measure 6 is  E9(natural)
 
 This might be how it was done back in the day, but .. how would these be
 marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
 
 Any relevant thoughts would be appreciated.
 
 Carl
 --
 http://projectselene.com
 
 -- 
 http://projectselene.com
 
 
 
 
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http://lists.shsu.edu/mailman/listinfo/finale