Re: FLUXLIST: aTgHe nOoRt

[suse]

agree--yummy--I print and add to 
museum.

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Saturday, July 08, 2006 4:20 
  PM
  Subject: RE: FLUXLIST: aTgHe nOoRt
  
  nice!
  
  
  From: [EMAIL PROTECTED] 
  [mailto:[EMAIL PROTECTED] On Behalf Of Björn 
  ErikssonSent: Friday, July 07, 2006 2:38 PMTo: FLUXLIST@scribble.comSubject: 
  FLUXLIST: aTgHe nOoRt
  
  m e s s a g e   d i s t o r t i o 
  n
  l e a v e s     m 
  e  n o t h i n g
   
   
  
  mNeOsTs aTgHe    dAiTs tI oArMt 
  iDoIn
  lSeTaRvAeCs T mEe D  nOoRt hSiOn 
  g
   
   
  N O T   T H A T   
  I    A M D I
  S T R A C T E D    O R   
  S O
   
   

Re: FLUXLIST: New Entries on The Fluxus Blog

[suse]

Wow--been gone fer a while-- stayed at the 
honeymoon suite at the chemo lounge--last bastion of kindness in an increasingly 
brutal world. Now makin' visits to Radioland --taking in concentrated doses of 
sunshine..
Just checking in--so much good stuff going on. Flux 
on! 

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Monday, July 03, 2006 4:22 PM
  Subject: FLUXLIST: New Entries on The 
  Fluxus Blog
  
  New Entries on The Fluxus 
  Blog21st Century FluxusFluxus Pills: Good for 
  NothingFluxus: Dead or Alive -- Owen Smith (part 2)Fluxus: 
  Dead or Alive -- Owen Smith (part 1)Fluxus: Dead or Alive -- Higgins / 
  BukoffPainting with Fluxus: From Kubota to TouchonAll of the 
  above entries are on the front page of the Blog athttp://www.digitalsalon.com/weblog/due to the amount of "comment spam" I was getting, 
  commenting is disabled on my Fluxus Blog, however if anybody would like a 
  comment posted to one of the articles, or would like to write an article to be 
  posted, please e-mail your comment or article to me "off-list" and I will post 
  it to the blog manually.Also, don't 
  forget to visit and to put your images etc. onto the Fluxlist Blog 
  athttp://fluxlist.blogspot.com/
  log in at http://www.blogger.com to 
  post.
   
  Allan
  

Re: FLUXLIST: the test is over

[suse]

Ronaldinho!!
Fluxfooted
fleet razamataz
azzy ad zy ad
each zzy ad
nazzy a y a zy ad
rrrRROOmMMM

ps. FLUXUS ANTHOLOGIO5O6 issue #3 was just sent to Madawg via a
photographing excursion.
#1 sold to a friend
#2 Traded with Reid Wood for BAB(B)EL ON-- in a LIVE MATTER production by
Reed Altemus.(Everyone should purchase one!)
#3 Sent to Madawg to sign, add to and pass on
I am not mass producing them as fast as I once thought
#4 --I have begun construction...
suse
- Original Message -
From: "JJ" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, June 14, 2006 1:43 PM
Subject: FLUXLIST: the test is over


>
> Yes, visit! It would be so great to see you.   Bring 2
> or 3 magnolia thingies!  Bring the ears, too.
>
> When's Germany?  Anyone on the list considering a trip
> to NYC for the July 10-16 Dada MoMa week? I considered
> it, but how could I leave the sweating hot joys of
> Dallas in July?
>
> MMm,
> j.
>
>
>
>
> --- Rod Stasick <[EMAIL PROTECTED]> wrote:
>
> >
> > On 2006 Jun 13, at 1:00 PM, JJ wrote:
> >
> > > Hi Rod!
> > >
> > > Half Price Books in Mesquite...libraries pay
> > better
> > > but they are SO dull!
> > >
> > > How're yer ears?
> > >
> > > j.
> >
> >
> > Oh! practically right down the street!
> > I need to visit!
> >
> > Ears are slowly getting better - I think - some
> > issues,
> > but I'm gonna see how I feel when I get back from
> > Germany
> > and talk again to an ENT guy. They don't just
> > suddenly appear
> > clear one day. I was told that it works like the
> > stock market -
> > ups and downs, but generally up over the long haul.
> > I just hope that they don't CRASH!
> >
> > best to you,
> >
> > (I've got more cones in the yard from the Magnolia
> > tree
> > if you need me to save any - ha! - open buds too!)
> >
> >
> > Rod
> >
> >
> >
> >
> >
> >
> > ---
> > Now playing: Hasidic New Wave - Bobover Wedding
> > March
> >
> >
> >
> >
> >
> >
> >
> > "Better to write for yourself and have no public,
> > than to write for
> > the public and have no self." --Cyril Connolly
> >
> >
> >
> >
> >
>
> __
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

Re: FLUXLIST: Double cHaiku Event

[suse]

yees bu his one is moorree ooneest:

with spell check the above sentence reads:
yes but this one is more honest;

compiling pie charts
trees looking in the window
I think they're laughing

- Original Message -
From: "Teresa Bowman" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, June 07, 2006 9:56 AM
Subject: RE: FLUXLIST: Double cHaiku Event


> I also came up with one made up of phrases from 3 different articles:
>
> so many trees and
> white columns, magnolia
> odd-looking, maroon
>
> ... I think I prefer that one!
>
>
> >From: "Allan Revich" <[EMAIL PROTECTED]>
> >Reply-To: FLUXLIST@scribble.com
> >To: "FLUXLIST" 
> >Subject: FLUXLIST: Double cHaiku Event
> >Date: Tue, 6 Jun 2006 13:00:35 -0400
> >
> >Write a cHaiku (a Haiku is OK too)
> >
> >Google a line of the poem in "Google News"
> >
> >Choose one or two short sentences from the article and copy them below
the
> >haiku
> >
> >Choose 5-7-5 or 3-6-9 phrases from the sampled sentences to write a new
> >cHaiku/Haiku
> >
> >
> >Example:
> >
> >don't play safe
> >it is just nature's way
> >some days are better than other days
> >
> >(Google Search:  http://news.google.ca/news?hl=en
>
> >y&btnG=Search+News>
> >&ned=ca&ie=UTF-8&q=it+is+just+nature%27s+way&btnG=Search+News)
> >
> >
> >The seagulls are abandoning the coast for the bright lights of the city
> >because they have found rich pickings on streets and landfill sites. He
> >played down any Hitchcockian overtones but said staff advised people
> >walking
> >through the courtyard at City Hall to watch out.
> >
> >
> >The seagulls
> >They have found rich pickings
> >Courtyard at City Hall to watch out
> >
> >
> >(source story:
>
> >1315765652006221311531>
>
>http://www.mumbaimirror.com/nmirror/mmpaper.asp?sectid=5&articleid=65200622
1
> >315765652006221311531)
>
>
>

Re: FLUXLIST: Nothing Maxim

[suse]

the end of nothing is nothing
- Original Message - 
From: "JOHN BENNETT" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, May 31, 2006 3:55 PM
Subject: Re: FLUXLIST: Nothing Maxim


> nothing would please me more than to see the END of this nothing babbling
> 
> john
> 
> Dr. John M. Bennett
> Curator, Avant Writing Collection
> Rare Books & Manuscripts Library
> The Ohio State University Libraries
> 1858 Neil Av Mall
> Columbus, OH 43210 USA
> 
> (614) 292-3029
> [EMAIL PROTECTED]
> www.johnmbennett.net
> 
> - Original Message -
> From: Steve McLaughlin <[EMAIL PROTECTED]>
> Date: Wednesday, May 31, 2006 2:55 pm
> Subject: Re: FLUXLIST: Nothing Maxim
> 
> > Those who cast the votes decide nothing.
> > 
> > 
> > On 5/31/06, David-Baptiste Chirot <[EMAIL PROTECTED]> wrote:
> > > Nothing much was happening until the first shots rang out.
> > >
> > >
> > > >From: "Allan Revich" <[EMAIL PROTECTED]>
> > > >Reply-To: FLUXLIST@scribble.com
> > > >To: 
> > > >Subject: FLUXLIST: Nothing Maxim
> > > >Date: Wed, 31 May 2006 13:57:49 -0400
> > > >
> > > >n o t h i n g
> > > >
> > >
> > > _
> > > Express yourself instantly with MSN Messenger! Download today - 
> > it's FREE!
> > > http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/
> > >
> > >
> > >
> > 
> > 
> 
> 

Re: FLUXLIST: please, no interacting (re: invent mercy killing)

[suse]

yummu yummy yummy sweet nothings

  - Original Message - 
  From: 
  karen 
  eliot 
  To: flux list 
  Sent: Wednesday, May 31, 2006 1:02 
  PM
  Subject: FLUXLIST: please, no interacting 
  (re: invent mercy killing)
  
  invent nothing
  no mercy
  no killing
   
  nothing is unbeatable
  no such thing as a brickbat
  a string of nothing
  bean nothing done nothing
  the principle of nothing
  the methodist position (oops!)
  nothing wifely (puuuH-lease!)
   
  reptilian nothing
  a blur of nothing
  nothing even
  unscrupulous nothingness
  nothing scapegoat
   
  well, i would like to continue, but the next word is too big for little 
  ole me!
   
  (i feel so, um, disenfranchised!)
   
  with love,
  karen eliot
  
  
  Feel free to call! Free PC-to-PC calls. Low rates on PC-to-Phone. Get 
  Yahoo! Messenger with Voice

FLUXLIST: Fw: New Gallery Opens: Art at the Bridge in West Cornwall, CT --> June 17th

[suse]




I just got mail--FLUXUS IN MAILBOX--oh haappy 
day...thanks Madawg!!!
Been doing nuthin but fluxing--but not on 
computer
Cheeers
suse
 
Good  gallery below 
 
- Original Message - 
From: kHyal 
To: [EMAIL PROTECTED] 
Sent: Monday, May 29, 2006 8:26 PM
Subject: New Gallery Opens: Art at the Bridge in West Cornwall, CT 
--> June 17th


Hi All,My friend Margaret's West Cornwall Gallery opens on June 
17th. ( I designed her new logo and am working on her web site: www.margaretbodell.com)Hope to see you 
there!Best,kHyal-  
-FOR IMMEDIATE RELEASENYC ARTS ENTREPRENEUR, MARGARET 
BODELL, OPENS IN WEST CORNWALL: CONTEMPORARY ANTIQUARIANS at ART AT THE 
BRIDGEEVENT             
New Gallery Opens: Art at the BridgeSummer Exhibit “Contemporary 
Antiquarians” DATE        
    A Grand Opening Artist’s Reception: Saturday, June 17TH, 
3-7pmExhibition Dates: June 17th – September 4thGallery Hours: Daily, 
11am – 8pmLOCATION        Art at the 
Bridge417 Sharon-Goshen Tpke, West Cornwall, CT 
06796CONTACT        Margaret 
Bodell860.672.6842www.margaretbodell.comWEST CORNWALL, CT - New 
York City art world veteran, Margaret Bodell, culminates 20 years of gallery 
experience with an Inaugural Summer Salon Exhibition “Contemporary Antiquarians” 
opening at the new Art at the Bridge gallery in historic West Cornwall. The show 
will feature the most recent work of contemporary emerging artists and artists 
outside the mainstream that uniquely combine contemporary ideas with antiquated 
and traditional techniques. Contemporary Antiquarians will highlight 
artists that represent the “slow movement” in art, New Impressionists of our 
time working with labor-intensive processes, nostalgic materials, and strongly 
influenced by the artist’s sense of craft.  The artistic talent will take 
form in a variety of media including: 19th century photographic tintypes, oil 
paintings that reinvent the sites of 18th century British landscape painters, 
hand-whittled sculptures, and works influenced by turn of the century decorative 
styles.  Art at the Bridge, housed in a pink Victorian with a front 
porch overlooking the West Cornwall village and the Housatonic River, will be a 
getaway site for artists looking for community, conversation, and a place for 
the incubation of new work. The space will be a summer “coffee klutch” for 
artists, a retreat from the city, open seven days a week, in one of the last of 
the undeveloped areas of Connecticut’s countryside.  West Cornwall 
has long been a community and home to many artists and writers with a tradition 
of handmade craftsmanship, from furniture and pottery, to the architecture of 
the famous covered bridge. Art at the Bridge will be a meeting place continuing 
in this tradition and will provide a home for a contemporary dialogue of the 
issues of our time.     Bodell’s art ventures began in 
her native Connecticut with her first gallery in New Haven in 1984, Art in 
Heaven. Margaret Bodell Gallery in NYC’s East Village launched many emerging 
artist’s careers and was known for the inclusion of underrepresented artists 
such as those artists living with disabilities. Bodell founded numerous art 
programs and artist residencies as well as social venture businesses throughout 
New York and New England. Art at the Bridge continues to bring both the 
historical and the contemporary to the Tri-State 
community.

Re: FLUXLIST: Nothing Maxim

[suse]

I got plenty of nothing and nothing's plenty for 
me

  - Original Message - 
  From: 
  mIEKAL aND 
  
  To: FLUXLIST@scribble.com 
  Sent: Wednesday, May 10, 2006 11:30 
  AM
  Subject: Re: FLUXLIST: Nothing 
Maxim
  sounds like the words to a 60s pop song..
  
  
  On May 10, 2006, at 9:49 AM, Allan Revich wrote:
  

Nothing, nothing, all day 
long.

FLUXLIST: Something Fellini

[suse]

 
Federico Fellini--from an interview with Jonathon 
Cott:
 
   "A creative person --  let's say 
that awful word: an artist -- makes what we call magical operations. Becasue if 
something lives only in his imagination, totally hidden to others, then people 
won't be able to imagine it. So, with his talent, experience, artisanal sense, 
materials and colors, an artist makes things visible for everybody, like the 
magician in a fairy tale who makes something that wasn't there suddenly appear. 
Because the artist always lives somewhere in between the unconscious and the 
prevaling cultural standards, and he attempts to combine the two. Or one could 
refer to the twilight zone between the sun and the moon, which is the same 
borderland between what is unconscious and real. And so the artist is 
particularly moved by the light that is between--between two attitudes, two sets 
of behavior, two dimensions. He is moved by the twilight because then one finds 
the union of contrasts. And the ground on which the artist stands and works is 
also like that of the magician who operates on what doesn't exist -- or just 
confusedly exists --and turns it into something..."
 
 
(the last two words of the last sentence are 
"concrete and ordered" --I have deleted them becasue they are as yet uneasy and 
volatile words in the fluxus vocabulary as I see 
it--ed)

Re: FLUXLIST: Some/Nothing (after Kamen)

[suse]

third it
- Original Message - 
From: "Reed Altemus" <[EMAIL PROTECTED]>
To: 
Sent: Thursday, May 04, 2006 1:16 PM
Subject: Re: FLUXLIST: Some/Nothing (after Kamen)


> Me too David.I second that.
> 
> > 
> > I pledge allegiance
> > to the nothing
> > and the nothing for which it stands
> > one nothing under nothing
> > indivisible
> > and with nothing and nothing
> > for nobody
> > 
> > 
> >>From: "Melissa McCarthy" <[EMAIL PROTECTED]>
> >>Reply-To: FLUXLIST@scribble.com
> >>To: fluxlist@scribble.com
> >>Subject: FLUXLIST: Some/Nothing (after Kamen)
> >>Date: Mon, 01 May 2006 13:13:04 +
> >>
> >>Nothing in the way she moves.
> >>This could be the start of nothing big.
> >>I've got nothing in my pocket.
> >>Nothing tells me I'm in for nothing good.
> >>
> >>MElissa
> >>
> >>
> >>
> >>
> >>
> >>
> >>
> >>  Melissa McCarthy
> >>  Hours: whimsical or by appointment
> >>  >>>Adult, maybe; grown-up, never!<<<
> >>  http://www.bonafideart.com
> >>
> >>
> >>
> > 
> > _
> > Don't just search. Find. Check out the new MSN Search! 
> > http://search.msn.click-url.com/go/onm00200636ave/direct/01/
> > 
> > 
> >
> 

Re: FLUXLIST: Nothing maxim

[suse]

I don't believe it

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Thursday, May 04, 2006 10:00 
  AM
  Subject: FLUXLIST: Nothing maxim
  
  
  Nihilists believe in 
  nothing

Re: FLUXLIST: Book 2 - #100 - 9/24/2004 11:07 AM

[suse]




very interesting report
 

  - Original Message - 
  From: 
  Cecil 
  Touchon 
  To: FLUXLIST@scribble.com 
  Sent: Friday, April 21, 2006 12:50 
  PM
  Subject: Re: FLUXLIST: Book 2 - #100 - 
  9/24/2004 11:07 AM
  In my opinion, any unsold artworks are assets that have not yet 
  been converted to cash or other comodities. Then there are copyright, 
  reproduction incomes possible. So I don't have any expiration dates on any 
  artworks by me. Everybody else in almost every other field considers the 
  ongoing value of their efforts. Why artists do not value what they do is a 
  mystery to me and if one does not value his one work then -of course - it is 
  hard to consider expending effort in creating a market for it. But hey, all 
  the better for me, less glut in the market. But to be sure, the more artists 
  needing and seeking a market, the more a market develops. Maybe we need to 
  joinly do a campaigne encouraging people to buy more art products. You know 
  like the milk industry. Got Art? Fluxus artists should not be encouraging the 
  average idiot to make his own art we should be encouraging the average idiot 
  to buy our art at low cost 'popular' prices. Sell them art kits in a box! Why 
  not? We should all develop a fluxbooth and send each other fluxjunk to sell to 
  Johnny Q Public; unlimited editions of stuff. unlimited collections of stuff! 
  Stuff, stuff everywhere. That was one of the original impulses of fluxus 
  wasn't it?A buddy invited me to go to a "by invitation only" Peter Max 
  exhibition yesterday here in fort worth. It was a hoot. Peter Max has about a 
  dozen roadees that set up a constantly traveling carnaval of Peter Max art 
  junk ranging in price from about 2,000.00 to 20,000.00 or so. 40 exhibitions a 
  year! He's doing the Thomas Kincade thing of making lithos and then slopping 
  some details on them and selling them as "mixed media" original art. Then 
  there he is, a guy that looks like Ben Stiller's dad, talking to 'collectors'. 
  Meanwhile the roadees are working the crowd trying to catch that impulse buyer 
  overcome by the proximity to pop fame.  There are some little paintings 
  on canvas and some on paper, all framed and the peter max book. When you start 
  looking at it everything, he's got about 10 or 15 images that he paints over 
  and over again without too much variation. It is kind of like a fluxus artist 
  performing the same 15 scores over and over again. things like: Paint a 
  sunset, Make a Print of that sunset, Paint on the print of the sunset,  
  repeat above with an angel, a guy with an umbrella, etc. Frame everything in 
  black, sell for uncomfortably high prices. only respond to potential marks 
  with statements like, "You should buy it becuase you love it", "You shouldn't 
  buy art for investment but for the love of it", "How much can you 
  afford?",  "That's my favorite one too", etc. It was 
  wild.Cecilhttp://neoplasticism.comRod 
  Stasick wrote:
  
Returning to Cecil...

The physical dependance drives me cRaZy - mostly with music 
- 
my mind telling me that there's more than enuf sound on the web and the 
non-physical elsewhere to keep my fascinations ringing for the eternities 
after the honeymoon, but as stuff goes out the back door in almost trapezoid 
strictness, the squall-fed label profiteers paratroop onto my front lawn and 
queue up at the front, BUT, it soon becomes "0"s and "1"s - same with words, 
documents, and bits of detritus found in the garden (like this old "Pop 
Rocks" wrapper - both sides):

http://stasick.org/presubstitution%20pentacoccous%20wartflower.tif 

http://stasick.org/you%20always%20end%20ere%20you%20begin.tif

They become jumping off points for higher elements of creative 
work,
but not necessarily in physical form.

So, the question really becomes: To you, how important is the 
physicality of artwork - that you need to have it around you? It seems 
to me that these large scale works can't really be turned into "0"s and "1"s 
(except thru documentation, I suppose). 

Do those of you who create physical artworks on a larger scale
(canvas, sculpture) have the problem of having too much creat(ed/ive) 
work. around the studio? Yes, of course, you want to sell stuff, but 
what of the stuff that you can't sell? Is there a "past-it's-sell-by-date" 
at some time where it's documented then discarded?


Rod






---
Now playing:  Agitation Free - Sahara City



On 1427 Rabiʻ I 18, at 8:37 AM, Cecil Touchon wrote:

  Book 2 - #100 - 9/24/2004 11:07 AMAn Intelligence so Intriguing Everyone 
  ListensSo, a few days ago,I came to the 
  conclusionI simply have too much stuffand need to rid 
  myself of it at thoroughly discounted prices.I am consumed with collectinghighly difficult to 
 

Re: FLUXLIST: Book 2 - #100 - 9/24/2004 11:07 AM

[suse]

These are nice--as a document lover--I see them as 
representations of representations
Can you tell me about them or do they present in 
and of themselves?
curiosa and curios
 

  - Original Message - 
  From: 
  Rod Stasick 
  To: FLUXLIST@scribble.com 
  Sent: Friday, April 21, 2006 11:56 
  AM
  Subject: Re: FLUXLIST: Book 2 - #100 - 
  9/24/2004 11:07 AM
  
  Sorry...the links don't seem to work.
  Try these?
  
  http://stasick.org/presubstitution-pentacoccou.jpg
  
  http://stasick.org/you-always-end-ere-you-begi.jpg
  
  Rod
  
  
  
  
  
  
  ---
  Now playing: Charles Steven Page - Suddenly
  
  
  
  
  
  
  
  
  
  RANDOM 
  RODIO:
  (often) rodcasting 
  at:
  http://rodcast.dyndns.org:8000/listen.m3u
  
  "you won't like all of 
  it"
  
  

Re: FLUXLIST: Book 2 - #100 - 9/24/2004 11:07 AM

[suse]




My love for paper objects writing paintings 
documents ephemera antique letters scrawls on matchbook covers ruminations in 
the margins books and books and books knows no bounds
I respond to you from the opposite side of the 
chasm where all the detritus palimpsest debris lost pages documents forgotten 
lay in heaps around me
I love your techno digital color sound brilliance 
energy mathematics science magic soundwaveparticle string tapping waterwitching 
sunparticle new frontier display echo
But fer now I'm so happy in me heaps-- I jus cain't 
hep it

  - Original Message - 
  From: 
  Rod Stasick 
  To: FLUXLIST@scribble.com 
  Sent: Friday, April 21, 2006 11:28 
  AM
  Subject: Re: FLUXLIST: Book 2 - #100 - 
  9/24/2004 11:07 AM
  
  Returning to Cecil...
  
  The physical dependance drives me cRaZy - mostly with music 
  - 
  my mind telling me that there's more than enuf sound on the web and the 
  non-physical elsewhere to keep my fascinations ringing for the eternities 
  after the honeymoon, but as stuff goes out the back door in almost trapezoid 
  strictness, the squall-fed label profiteers paratroop onto my front lawn and 
  queue up at the front, BUT, it soon becomes "0"s and "1"s - same with words, 
  documents, and bits of detritus found in the garden (like this old "Pop Rocks" 
  wrapper - both sides):
  
  http://stasick.org/presubstitution%20pentacoccous%20wartflower.tif 
  
  http://stasick.org/you%20always%20end%20ere%20you%20begin.tif
  
  They become jumping off points for higher elements of creative 
work,
  but not necessarily in physical form.
  
  So, the question really becomes: To you, how important is the physicality 
  of artwork - that you need to have it around you? It seems to me that 
  these large scale works can't really be turned into "0"s and "1"s (except thru 
  documentation, I suppose). 
  
  Do those of you who create physical artworks on a larger scale
  (canvas, sculpture) have the problem of having too much creat(ed/ive) 
  work. around the studio? Yes, of course, you want to sell stuff, but what 
  of the stuff that you can't sell? Is there a "past-it's-sell-by-date" at some 
  time where it's documented then discarded?
  
  
  Rod
  
  
  
  
  
  
  ---
  Now playing:  Agitation Free - Sahara City
  
  
  
  On 1427 Rabiʻ I 18, at 8:37 AM, Cecil Touchon wrote:
  
Book 2 - #100 - 9/24/2004 11:07 AMAn Intelligence so Intriguing Everyone 
ListensSo, a few days ago,I came to the conclusionI simply have too much stuffand need to rid myself of it at thoroughly discounted 
prices.I am consumed with collectinghighly difficult to find pieces [of text]Needless to say, I was doing my best[to have a workable set]but I do not know how likely that is.I am simply foolishly excited over the prospect[of providing] you with some 
entertainment.::Bows::I realized, a tad too late,I spent almost my entire paycheck onSmall [poetic] imperfections which fill me with 
shame.Another little tidbit that might be 
amusing…on Tuesday night,shut off the inane chattering of your mind for a 
momentgive it the old college try.[Don't worry if your] not learned in such things.I knew I had forgotten something;a more involving plotI was not even aware of this rule!um, opps.so much for that 
experiment eh?I have tried 
several different thingsnothing has worked of yet.Oh fiddlesticks,does anyone have any advice for poor 
  me?
  

Re: FLUXLIST: being and something (or nothing)/BAB(B)LE ON

[suse]

> I would highly most highly recommend to all Reid's BAB(B)LE ON--just out
> from Reed Altemu's Toner works--ful color beautiful visual poetry--the
kind
> of work that makes you want to sing it out loud!
> onwo/ards
> ever--david-bc
>
>
> >I agree! -- check it out!

Re: FLUXLIST: Today, nothing

[suse]

certainly has turned out to be a nothing day...
nothing ventured nothing gained...

- Original Message - 
From: "Rod Stasick" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, April 19, 2006 2:52 PM
Subject: Re: FLUXLIST: Today, nothing



On 1427 Rabiʻ I 20, at 1:31 PM, Cecil Touchon wrote:

> oh right I remember that! We could include a track of that album. I
> wonder if we could get sued for copyright infringement? haha.


Don't forget this sordid episode:

http://tinyurl.com/pa3sx


R~~






---
Now playing: Tom Snyder - The Tomorrow Show (October 11, 1977)







RANDOM RODIO:
(often) rodcasting at:
http://rodcast.dyndns.org:8000/listen.m3u

"you won't like all of it"

Re: FLUXLIST: Nothing...

[suse]

yummy...i love nothing!

  - Original Message - 
  From: 
  placekraft/LeisureArts 
  To: FLUXLIST@scribble.com 
  Sent: Wednesday, April 19, 2006 12:59 
  PM
  Subject: FLUXLIST: Nothing...
  Maybe you would like this:http://www.emptywebsite.com/or 
  somewhat related:http://beauty.gmu.edu/AVT483,616/Cooley/files/spacergifart/experience1.htmAlso, 
  I've been collecting "nothing" via ebay for about a year now. It's turning 
  into quite a nice bit of nothing. If you do, put the cd together, I'd like to 
  include it in my collection if possible. I want to put a nothing archive/show 
  together.
  
  
  Blab-away for as little as 1¢/min. Make PC-to-Phone 
  Calls using Yahoo! Messenger with Voice.

Re: FLUXLIST: Today, nothing

[suse]

To everyone

Thanks for nothing!


- Original Message - 
From: "Rod Stasick" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, April 19, 2006 12:54 PM
Subject: Re: FLUXLIST: Today, nothing



On 1427 Rabiʻ I 20, at 11:34 AM, Cecil Touchon wrote:

> Maybe we should put together a compilation CD called The Nothing
> Album or Nothin' but Nothing with those songs, cage 4.33, and
> whatever else. We could throw in "Imagine" and call the album
> "Imagine Nothing" or maybe "Nothing to Imagine"

The first recording that I bought was "The Best of Marcel Marceau"
which consisted of silence (and final applause).


R~~






---
Now playing: Magical Power Mako - ÉVÉãÉNÉçÅ[Éh

Re: FLUXLIST: why is your self image an offensively shrill purple

[suse]

Aha! I found it!:  why is the omicron no longer a daft blue?

daft blue is my current favorite color.
a poet round these parts, her name is June, begins one of her poems:
"Spring spends her gold so recklessly" and I must now add that Spring's blue
is definitely daft.
at least in this parts

another poet came round here yesterday
I was in grizzly mode--missing the intensity of the Spring happening

A poem to Kate:

immense gratitude
for coming to my house
asking me about my rituals
bringing me outside
a ride in your paddy-wagon
pointing out the window--"look!"
as if I were your bobbling younger companion
in the streets of New York--
"Look around you!" you command
as older cousin.
Performers in nature we--
let's go see
let's go be.


huh, i guess i'll send this
- Original Message - 
From: "Cecil Touchon" <[EMAIL PROTECTED]>
To: 
Sent: Friday, April 14, 2006 1:10 AM
Subject: Re: FLUXLIST: why is your self image an offensively shrill purple


> Sheila Murphy wrote:
>
> > why is the omicron no longer a daft blue?
> > harken to heralded confit in a mint blue dorsal fin
> > redact what you refine
> > repair what you recoup
> > condone what you confess
> > compare what you unleash
> > to what you ooze
> > is anybody whistling?
> > give me a deserved A for my conscience
> > and I will bless you to smithereens
> > unless that is . . .
> >
> >
> > sheila e. murphy
>
> NICE ONE SHEILA I like the use of color.
> Cecil
> http://postminimalism.com
>

FLUXLIST: poem

[suse]

Been away
Here's a poem: (daft blue stolen from: a recent 
poem by someone on this list--damned but I can't find it-- I think it was 
Sheila)
 
 
mind manacle
 
[ forged surroundings
] insane maneuvers
[ folly wag
] rending daft blue

Re: FLUXLIST: Fluxlist Blog

[suse]

i have to ask,
did I offend when I gave an unprompted review on FLUXLISTof the FLUXUS
ANTHOLOGY 2005? Becasue if I did offend, I apologise. I enjoy your work and
the whole cd very much--I think I let on in my rambling thatmy first hearing
was tainted by my foul mood-- listening since has been a pleasure.
anyway--not sure that I should be allowed on the computer some days.
suse
- Original Message - 
From: "Roger Stevens" <[EMAIL PROTECTED]>
To: 
Sent: Thursday, April 13, 2006 6:42 AM
Subject: RE: FLUXLIST: Fluxlist Blog


> A couple of blog points.
>
> I wonder if we should make the archive fortnightly rather than monthly?
> For anyone like me without broadband (We're right out in the countryside
> and it hasn't reached us yet - amazing but true) the page takes ages to
> load. Whatdythink?
>
> Secondly on my PC the cream background comes up too wide - which means
> all the side bar info appears at the very bottom. This only happens on
> the main page - on the comments page it's okay. Does this affect
> everyone - or is it just my antiquated equipment?
>
>
>
>
>
>

Re: FLUXLIST: sound image relationship

[suse]

way sweet
i ahve forwarded to friends
 

  - Original Message - 
  From: 
  Crispin 
  Webb 
  To: FLUXLIST@scribble.com 
  Sent: Thursday, April 13, 2006 8:01 
  PM
  Subject: FLUXLIST: sound image 
  relationship
  http://art.osu.edu/74982/soundimage/index.htmlA 
  small project i did last night.. mabey someone would like to do something 
  like this with me.. crispin
  
  http://www.crispinwebb.com
  
  
  
  Yahoo! 
  Messenger with Voice. PC-to-Phone calls for ridiculously low 
rates.

Re: FLUXLIST: ORB

[suse]

wow--if it is possible to "lift" the orb an isolate 
it --it looks as though some have a paisley design in them-- seriously--check 
out first two at least enlarged.

  - Original Message - 
  From: 
  Crispin 
  Webb 
  To: FLUXLIST@scribble.com 
  Sent: Thursday, April 13, 2006 8:08 
  PM
  Subject: FLUXLIST: ORB
  http://art.osu.edu/74982/candle/index.htmlone 
  more
  
  http://www.crispinwebb.com
  
  
  
  Love cheap thrills? Enjoy PC-to-Phone calls 
  to 30+ countries for just 2¢/min with Yahoo! Messenger with 
Voice.

Re: FLUXLIST: Fluxus message from mIEKAL aND

[suse]

you have many questions.
ps, as per your request
I obscured your middle name in the anologio... had chemo --worn out--have
finished a few, designed many, 1st two have been traded.
In answer to bibliana also--will send you one--slow process but
oh here she goes---David Baptiste -Chirot and others have been talking bout
publishing poems, most recently Roger Stevens
I collected about 70 poems between March 25th and April 1st. Several good
ones came in after the deadline--someone should start there.
suse

- Original Message - 
From: "Kraig Louis Lamper" <[EMAIL PROTECTED]>
To: 
Sent: Thursday, April 13, 2006 5:49 PM
Subject: Re: FLUXLIST: Fluxus message from mIEKAL aND


i sometimes wonder why technology can't deal with simple text in a
uniform manner. allen's sonnet was a sonnet to me, yet not to him. one
of my poems came back to me as one really big line, which it definitely
isn't, and now i don't know whether mIEKAL's message is supposed to
appear as it does for me in this reply email (just text), or is
actually supposed to contain millions of question marks (which is both
highly enjoyable and thoroughly taxing on my brain).

Quoting mIEKAL aND <[EMAIL PROTECTED]>:

> s?i?l?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?H?a?n?s? ?R?i?l?e?y?
> b?u?c?k?w?h?e?a?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?F?r?a?n?c?i?s? ?
P?e?t?t?i?t?
> ?p?a?r?a?c?h?u?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?H?u?g?o? ?H?o?u?s?e?r?
> c?a?k?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?l?a?u?d?e? ?D?o?r?s?e?y?
> ?p?i?r?a?c?y? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?a?r?l?y? ?M?e?r?c?a?d?o?
> ?t?r?i?d?i?a?g?o?n?a?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?J?a?v?i?e?r? ?
> B?a?x?t?e?r?
> ?f?i?r?e?c?r?a?c?k?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?S?h?e?e?n?a? ?
> B?u?r?t?o?n?
> ?s?t?u?n?n?i?n?g? ?v?o?y?e?u?r? ?c?a?m? ?m?e?s?s?a?g?e? ?f?r?o?m? ?
> A?m?b?e?r? ?H?e?d?r?i?c?k?
> ?v?e?s?t?a?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?J?o?a?n?n?e? ?M?a?r?q?u?e?z?
> ?d?e?f?e?r?r?a?b?l?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?a?l?i?n?d?a? ? P?a?u?l?
> ?G?l?a?m?o?u?r? ?p?a?n?t?y? ?p?i?c?s? ?m?e?s?s?a?g?e? ?f?r?o?m? ?
> E?r?i?n? ?W?i?n?t?e?r?
> s?a?r?s?a?p?a?r?i?l?l?a? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?l?a?r?e?n?c?e?
> ? Q?u?i?n?t?a?n?a?
> g?u?m?s?h?o?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?a?r?i?a? ?D?u?n?c?a?n?
> r?a?d?i?u?s? ?m?e?s?s?a?g?e? ?f?r?o?m? ?N?i?t?a? ?T?h?o?r?p?e?
> c?o?h?e?r?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?i?c?h?a?e?l? ?B?a?k?e?r?
> ?d?a?p?p?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?o?d?r?i?c?k? ?H?e?a?d?
> s?n?a?p?p?i?s?h? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?e?t?s?y? ?S?a?r?g?e?n?t?
> ?n?e?g?o?t?i?a?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?D?e?a?n?n? ?
> R?a?s?m?u?s?s?e?n?
> ?u?s?u?r?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?r?w?i?n? ?D?a?r?n?e?l?l?
> ?s?t?r?u?n?g? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?e?r?n?a?d?e?t?t?e? ?
D?o?r?s?e?y?
> l?o?u?v?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?e?r?e?d?i?t?h? ?W?u?
> ?w?a?t?e?r?f?a?l?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?F?r?i?t?z? ?J?o?y?n?e?r?
> ?p?a?n?j?a?n?d?r?u?m? ?m?e?s?s?a?g?e? ?f?r?o?m? ?D?e?l?b?e?r?t? ?
D?u?r?a?n?
> t?r?i?v?a?l?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?h?e?r?i?e? ?T?u?t?t?l?e?
> s?a?t?u?r?a?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?u?f?u?s? ?C?o?a?t?e?s?
> ?s?t?r?e?e?t?c?a?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?D?a?n?t?e? ?B?o?w?e?r?s?
> F?i?n?d? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?a?s?i?l? ?S?u?a?r?e?z?
> w?i?d?t?h?w?i?s?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?N?o?l?a?n? ?
D?o?u?g?h?e?r?t?y?
> ?b?a?p?t?i?s?m? ?m?e?s?s?a?g?e? ?f?r?o?m? ?V?e?r?n?a? ?S?i?l?v?a?
> ?d?i?a?r?y? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?d?i?t?h? ?B?r?a?d?l?e?y?
> s?l?i?t?h?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?e?n?e? ?D?e?a?n?
> s?e?c?r?e?t?i?v?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?a?u?l? ?D?r?e?w?
> ?s?w?e?e?t?i?s?h? ?m?e?s?s?a?g?e? ?f?r?o?m? ?J?e?f?f?e?r?e?y? ?
L?o?n?d?o?n?
> ?t?a?c?h?i?s?t?o?s?c?o?p?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?
> M?i?l?l?a?r?d? ?M?o?n?r?o?e?
> m?e?r?g?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?G?r?e?g?o?r?i?o? ?F?r?a?z?i?e?r?
> h?e?a?r?t?b?r?e?a?k? ?m?e?s?s?a?g?e? ?f?r?o?m? ?F?r?a?n?c?e?s? ?
O?t?e?r?o?
> h?e?r?r?i?n?g?b?o?n?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?W?m? ?B?u?r?r?i?s?
> ?e?v?o?c?a?b?l?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?r?e?t?t? ?S?w?a?r?t?z?
> a?t?t?i?t?u?d?i?n?a?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?T?r?a?c?y? ?D?y?e?
> ?g?a?s?o?l?i?n?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?a?r?l?a? ? B?e?r?g?e?r?o?n?
> ?a?r?c?h?e?t?y?p?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?S?h?a?r?o?n? ?
G?r?a?n?g?e?r?
> ?p?o?m?p?a?d?o?u?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?l?o?y? ?M?e?l?t?o?n?
> v?a?i?n?g?l?o?r?i?o?u?s? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?o?n?a?l?d? ?
> C?r?a?b?t?r?e?e?
> ?e?x?t?r?a?d?i?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?S?a?m?u?e?l? ?K?r?a?f?t?
> ?s?t?r?i?n?g?y? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?l?l?i?o?t?t? ?
> C?h?r?i?s?t?i?a?n?s?e?n?
> ?d?u?c?t?w?o?r?k? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?a?s?a?n?d?r?a? ?C?o?x?
>

Re: FLUXLIST: Fluxlist Blog

[suse]

long live fluxlistabix blog!

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Tuesday, April 11, 2006 4:51 
  PM
  Subject: FLUXLIST: Fluxlist Blog
  
  
  32 
  Members
  87 
  Posts
  1 
week
  Pretty 
  Good!

Re: FLUXLIST: see spot('s) run(e's)

[suse]

    sweet whistle
spring tunes
suse
 

  - Original Message - 
  From: 
  Sheila 
  Murphy 
  To: FLUXLIST 
  Sent: Tuesday, April 11, 2006 2:41 
  PM
  Subject: FLUXLIST: see spot('s) 
  run(e's)
  
  C spots see th em in en sss
  toss runes in key
  replenish playth in gs
  grasp. waltz.
  pin. shore. share. draft.
  is it?
  salty malt.
  tea ball t
  see you in Balt.
  mailbox said oliver.
  m. bolt. I mean it.
  every day on walk and now it's gone.
  I miss habitual everything.
  one day this, the next day
  drat!
  see spots. sea runes. une
  qua l 2 ruins.
  are you in egypt yet?
  whose spoons?
  give me a rune (for my money,
  honey).
   
  sheila e. murphy

Re: FLUXLIST: [grisly temptingly]

[suse]

you know when i put a call out for recent fluxus poetry I received several
incripted messades, hard to tell some times where they arise--anyway. I
pirnted out at least three of them. They will be hanging up at The
Buttonwood Tree soon.
suse
- Original Message - 
From: "Jukka-Pekka Kervinen" <[EMAIL PROTECTED]>
To: 
Sent: Tuesday, April 11, 2006 11:38 PM
Subject: FLUXLIST: [grisly temptingly]


> [grisly temptingly]
>
> designated driver secretive honeymooner blockhouse squad car brutalize
amidst
>
> fringe coyness partridge spun circuitry reunite
>
> accept hazily isotope halibut tight pony
>
> esquire gruesome anise interstate acetaminophen
>
> cusp runners-up freezing point pulverize ore clayey
>
> right wing detector anyone abusive miter poplar
>
> mummify bowel sedimentation salivation tepid mousy
>
> October whopping aught obsidian sax
>
> detest attain iciness lifesaver lieutenant junior grade
>
> baluster forgiveness overeager maltreatment flabbiness interconnection
>
> mucky Eskimo UNESCO nuclear unbearably
>
> muteness slag badlands YWCA hermetic shop
>
>

Re: FLUXLIST: C ouch, Foun tain

[suse]

 

  ouch jump a read time as per 
  nousdimly fogged pen & rime
  trust entry, the loaf text puzzlespend fabled 
  usesentance and bed lobber ash deep in conf 
  lated wow

Re: FLUXLIST: Goatonapole

[suse]

Bidden
or not
bidden
goatonapole is
present
 
(based on sign overhanging the door to C.Jung's 
office)

  - Original Message - 
  From: 
  John M. 
  Bennett 
  To: FLUXLIST@scribble.com 
  Sent: Monday, April 10, 2006 8:35 
AM
  Subject: Re: FLUXLIST: Goatonapole
  At last!JohnAt 05:06 PM 4/9/2006, 
  you wrote:
  Goatonapole is the philosophy of 
being that holds that there is a  Goat and a Pole and that the Goat 
is on the Pole. In the relation of  Goat and Pole we Goatonapolists 
find an eternal thread of  unfathomable cosmic significance, a 
point of reference in which all  opposites dissolve into a unity of 
infinite breadth, a universal  truth underlying the very fabric of 
existence. Upon contemplation of  the Goat, the Pole, and their 
relative positions, one cannot help but  realize that we've always 
been talking about Goatonapole. Whether we  accept, reject, or live 
in ignorance of Goatonapole, we are all  Goatonapolists.http://www.goatonapole.com/
  __Dr. 
  John M. Bennett Curator, Avant 
  Writing CollectionRare Books & Manuscripts LibraryThe Ohio State 
  University Libraries1858 Neil Av MallColumbus, OH 43210 
  USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ 
  

Re: FLUXLIST: Re: Art in America for April

[suse]

Thank you to
> Judith Hoffberg
>
also--I was away a few months back and I missed Maciunas Stories-can someone
link or foreward me please? thangs>

Fw: FLUXLIST: on the threshold of a birthday

[suse]

> "Holy Stereo, Loveman!"
> she said when she saw the badgers returning.
> 
> R~~
> 
> 
> 
> 
> 
> 
> Now Playing:
> http://imagegen.last.fm/bylibenchiller/recenttracks/rostasi.gif
> 
> 
> 
> 

Re: FLUXLIST: Fluxlist Blog/YES, PLEASE SEND ME ANOTHER INVITE--

[suse]

THANK YOU ALLAN!
 I BLOGGED ME FIRST BLOG PIC 
TODAY.
I THINK I WILL GO CELEBRATE!!

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Friday, April 07, 2006 1:41 
PM
  Subject: RE: FLUXLIST: Fluxlist Blog/YES, 
  PLEASE SEND ME ANOTHER INVITE--
  
  
  David,
   
  The fluxlist blog shows that you are already a member. 
  So if you are still having problems posting you will need to try one (or more) 
  of the suggestions I made earlier.
   
  This may apply to a few other list members who ARE 
  showing up on the blog as being members of the blog but without Blogger 
  profiles too.
   
  · 
  Expostofacto
  · 
  Davidbchirot
  · 
  Nicklnips
  · 
  Susea
  · 
  Jumbrella
  · 
  klefstada22
  · 
  walterfluxus
  · 
  teresabowman
  · 
  bibianapadillamalto
   
  If your user name is listed above AND YOU ARE ABLE TO 
  POST, then you may ignore the following 
  instructions.
   
   
   
  --
  If you have replied to the invitation but don’t have a 
  user name and password on Blogger you might need 
  to:
   
   
   
  1)   
  Have a 2nd e-mail account ready to go (if you don’t have one already you can 
  sign up for one at Hotmail.com, Yahoo.com or 
  Google)
   
  2)   
  Go to Blogger.com and open a new Blogger account using the 2nd e-mail account 
  as your e-mail address
   
  3)   
  Test your Blogger account by logging in to Blogger.com with your user name and 
  password – You DON’T need to start a Blog (unless you want to for other 
  reasons).
   
  4)   
  Send me an e-mail either through the list or off-list with your 2nd e-mail 
  account and I will send out another invitation using that 
  address.
   
  5)   
  Once you have confirmed that the Fluxlist blog is showing up in your list of 
  Blogs you can change the e-mail address in your profile back to your old or 
  preferred address.
   
   
   
  or
   
  If you have replied to the invitation and you already 
  have a user name and password on Blogger, but it won’t link the Fluxlist blog 
  to your existing Blog(s) (this happened to me) you need 
  to:
   
   
   
  1)   Have a 2nd e-mail account ready to go 
  (if you don’t have one already you can sign up for one at 
  Hotmail.com)
   
  2)   Go to 
  Blogger.com and open your existing Blogger account 
  
   
  3)   Change your 
  e-mail address in your Blogger profile to the 2nd e-mail account 
  address.
   
  4)   Test your 
  Blogger account by logging in to Blogger.com with your user name and password 
  – make sure that the e-mail address for Blogger is now the new 
  one.
   
  5)   Send me an 
  e-mail either through the list or off-list with your 2nd e-mail account and I 
  will send out another invitation using that 
  address.
   
  6)   Once you have 
  confirmed that the Fluxlist blog is showing up in your list of Blogs you can 
  change the e-mail address in your profile back to your old or preferred 
  address.
   
   
   
   
   
  Hope that this information is helpful to any of you 
  struggling with technical hiccups!
   
   
   
  Allan

Re: FLUXLIST: Re:Allan Kaprow

[suse]

Thank you-- good interview.

Can anyone post :  "18 Happenings in 6 Parts."

as in :
"So, in taking one of the first of the selected events to recapitulate, the
one we did in New York a few weeks ago, which you've probably heard is very
often quoted as a fairly well-known prototype of that time, "18 Happenings
in 6 Parts." I wholesale changed it. I took it's principals of
participation, of changeability, of simultaneity, and spread these, instead
of the original loft work where the thing had taken place in 1959, I had it
take place at the desires of the participants all over New York City." from
88 interview see below

- Original Message - 
From: "Björn Eriksson" <[EMAIL PROTECTED]>
To: 
Sent: Saturday, April 08, 2006 5:16 AM
Subject: Re: FLUXLIST: Re:Allan Kaprow


I don't know if this has been posted here before. Anyway, following link
takes you to an interview from -88.

/Björn Eriksson

http://www.mailartist.com/johnheldjr/InterviewWithAlanKaprow.html

An Interview with Allan Kaprow

The following interview was videotaped at the Dallas Public Library Cable
Access Studio in 1988 while Mr. Kaprow was attending, "Proceedings," a
sympiosium in his honor held at the University of Texas at Arligngton. It
was subsequently broadcast on Dallas Cable Access TV.


- Original Message - 
From: "Judith" <[EMAIL PROTECTED]>
To: 
Sent: Thursday, April 06, 2006 1:44 AM
Subject: FLUXLIST: Re:Allan Kaprow


> Allan Kaprow passed away early this afternoon at home with his family
> around
> him.
> He has been ill for about two years.  A memorial for him will be planned
> later this year.
> He has influenced many, many people, not just artists, and his memory will
> be part of all
> our lives.  We are diminished by his loss.
>
> Judith A. Hoffberg
>
>

FLUXLIST: Fw: [~ oNoVoX ~] Making salad is art when the dressing is 'Fluxus'

[suse]

- Original Message - 
From: "rjoly" <[EMAIL PROTECTED]>
To: "oNoVoX" <[EMAIL PROTECTED]>
Sent: Friday, April 07, 2006 10:56 PM
Subject: [~ oNoVoX ~] Making salad is art when the dressing is 'Fluxus'


> http://www.lasvegassun.com/sunbin/stories/do/2006/apr/06/566616233.html
>
> : A busy life after 'Raymond' 5 Apr. 07:21:23
> Printable text version | Mail this to a friend
>
> April 06, 2006
> Making salad is art when the dressing is 'Fluxus'
> By Kristen Peterson <[EMAIL PROTECTED]>
> Las Vegas Sun
> On Friday night artist Alison Knowles will make a salad. She will remove
> one piece of clothing. Very slowly. And she will play an instrument using
> an orange.
> Each "event" - there are 12 in all - has its own instructions that Knowles
> is to interpret and perform before a small audience while her daughter
> delivers a lecture titled "The Multiple Intelligences of Fluxus."
> Why?
> The organizers behind Fluxus Vegas say it's a time to celebrate the
> ordinary, stop the clock and relish in the simplicity of everyday life.
The
> two-day festival will be at UNLV.
> Fluxus is a movement that started in the '60s, bringing artists together
to
> focus on the process of art, rather than the final product as a commodity.
> Founded by George Maciunas, other artists associated with Fluxus include
> Yoko Ono, John Cage, Knowles and her late husband, Dick Higgins.
> In a 1979 article, Higgins writes that "coffee cups can be more beautiful
> than sculptures" and "the sloshing of my foot in my wet boot sounds more
> beautiful than fancy organ music."
> John Paul Ricco, assistant professor of art history and art theory at
UNLV,
> said Fluxus has to do with a sense that "midcentury American,
> consumer-driven, ever-involved-with-a-spectacle culture required an
> intervention."
> Ricco organized Fluxus Vegas with UNLV sculpture professor Robert Wysocki.
> He will also participate in a public conversation on Fluxus with Knowles
> and her daughter, Hannah Higgins.
> Recently Ricco took a few minutes to talk with the Las Vegas Sun.
>
> One of the great things about Fluxus is that it really goes so far to blur
> that boundary. The radical impulse of Fluxus is that anything is art and
> anybody can be an artist.
> It really all began with (abstract painter Marcel) Duchamp when he took a
> bathroom urinal, put it on its side and pushed the limits. Where does art
> end? Where does everyday begin?
>
> How does Fluxus differ from performance art?
> The difference between Fluxus and performance art would be the engagement
> with the notion of the event. Performance art would involve a prewritten
> script where you'd set the perimeters.
>
> And there really is no perimeter in Fluxus?
> They're so minimal in instruction that they can be taken any number of
ways.
>
> So "Make a Salad" performances could be construed as variations on a
theme?
> Yes. In one "Make a Salad," Alison cuts up various ingredients to make a
> salad. She'll make one salad, make another salad (and then) make a number
> of salads to give to the audience.
> She's done it on a huge scale where you have dozens of people making a
> salad and piles of carrots.
>
> Objects also have an important role?
> Fluxus teaches us that we can have a relationship to objects and things
> that are based upon a simple active engagement with the object. A simple,
> plain, unadorned kind of experience.
> It's very much about ourselves and our relation with things in this world
> and achieves a sense that there is an aesthetic to an existence. It puts
> forth the notion that one might live one's life as a work of art or as a
> series of artful activities.
>
> Audience reaction?
> Some of the pieces are very playful, so you can get a humorous response.
> Some are very meditative. In "Nivea Cream" ... she scoops out a big blob
> and massages her hands in front of a microphone.
> The experience is so minimal that you become entranced.
>
> Has it seen its zenith?
> It was much bigger in the '60s, when you had many of the artists engaged
in
> the activities. It's very hard to make a living doing Fluxus.
> Fluxus Vegas events are free. Friday's lecture and performance will be
from
> 6 to 8 p.m. in Room A-108 of the Classroom Building Complex at UNLV.
> Saturday's public conversation will be at 3 p.m. in the same room.
> Kristen Peterson can be reached at 259-2317 or at [EMAIL PROTECTED]
> -- 
>
> -- 
Advertisment ---
-
>
> **Coming to Italy?*
>
> TIM makes your phone "feel like home".
>
> http://pulse.ecircle-ag.com/re?l=o08fzI3abb0lI0
> --

>
> To unsubscribe from this group please click here:
http://uk.domeus.com/public/unsubscribe.jsp?gid=328269&uid=25254117&mid=31475291&sig=CEPLEKJMCOPJEIPM
>
> The use of domeus is subject to eCircle AG's terms and conditions:
http://www.domeus.co.uk/info/terms.jsp

Re: FLUXLIST: fluxlist blog as a book

[suse]

if someone writes the grant
if someone arranges a week long stay at a large 
place with reasonable accomodations for a dozen or so...(100?)...fluxlisters, 
 I bet it would not be too difficult to assemble
if I had the $$ to pay college tuition for 
brilliant son and $$ for mortgage I could take on much of the work unpaid...any 
deals out there?
Suse
meanwhile on a re-attempt mission to get a pic on 
the blog. Nice sounding _expression_: "he's a pic off the ol' blog, he 
is"
suse

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Thursday, April 06, 2006 9:35 
  AM
  Subject: RE: FLUXLIST: fluxlist blog as a 
  book
  
  
  I think it would be 
  awesome!
   
  My guess is that 
  activity will slow down in a week or two at which time a summary ‘zine or book 
  would be pretty cool.
   
  
  
  
  
  From: owner-FLUXLIST@scribble.com 
  [mailto:owner-FLUXLIST@scribble.com] On Behalf Of Crispin WebbSent: Thursday, April 06, 2006 2:12 
  AMTo: FLUXLIST@scribble.comSubject: FLUXLIST: fluxlist blog as a 
  book
   
  http://www.archive.org/download/fluxlist/PreviewofFluxlist.pdfthe 
  above link is tto a pdf version of the recent activity on the fluxlist 
  blogwouldnt this be nice to make a printed book or catalogue or magazine 
  out of .. A new fluxus codex or something... not just a blog but a printed 
  version.. take a look.. 
  crispin
  
  
  http://www.crispinwebb.com
  
  
  
  Yahoo! 
  Messenger with Voice. PC-to-Phone calls for ridiculously low 
  rates.

FLUXLIST: cum event

[suse]

[cum event]

be with someone
be cum something



From: "Doctor Dictionary" <[EMAIL PROTECTED]>
Sent: Wednesday, April 05, 2006 3:00 AM
Subject: cum: Dictionary.com Word of the Day
> Word of the Day for Wednesday April 5, 2006
>
>cum \KUM; KUHM\, preposition:
>With; along with; combined with; -- often used in combination.
>
>  In  1999 he finished converting an old dairy into a sort of
>  village   --   a  hip  warren  of  apartments  adjoining  a
>  restaurant  and  bar, some art galleries, some studios, and
>  an "e-mat" (a laundromat-cum-cybercafé).
>  --  Bill  Donahue,  "Byte,  Byte,  Against the Dying of the
>  Light", [1]The Atlantic, May 2001
>
>  Pretty  soon, we're digging up the lunch, washing it off at
>  a  stand  pipe  and heading for the shed-cum-kitchen, where
>  the two burners are quickly pressed into working overtime.
>  --   Bob  Granleese,  "A  bumper  crop",  [2]The  Guardian,
>  September 14, 2002
>
>  The  memorial  service  cum  political  rally  for  Senator
>  Wellstone brought the sacred low.
>  --   William   J.   Bennett,   "A  Party  of  Corruption?",
>  [3]National Review, November 4, 2002
>
>  Mark  Humphrey,  the  rising star among interior designers,
>  has  created a highly-collectable dual-function, chrome and
>  walnut candlestick-cum-rose vase.
>  --  Nick  Pandya,  "Making  Christmas  a  one-off",  [4]The
>  Guardian, November 2, 2002
>  _
>
>Cum is from the Latin cum, "with."
>
> References
>
>1. http://www.theatlantic.com/
>2. http://www.guardian.co.uk/guardian/
>3. http://www.nationalreview.com/
>4. http://www.guardian.co.uk/guardian/
>
> Dictionary.com Entry and Pronunciation
>
>http://dictionary.reference.com/search?r=9&q=cum
>
> Note: Audio pronunciation available only to Premium members.
> To learn more about the benefits of Premium membership,
> visit our site: http://dictionary.reference.com/premium/?r=9
>
> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
>
> Free content! Learn how to put the Word of the Day on your site:
> http://dictionary.reference.com/help/linking/wordoftheday.html?r=9
>
>
> _._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._
>
> You are currently subscribed to Dictionary.com Word of the Day as:
> [EMAIL PROTECTED]
>
> To subscribe to the list by email, send a blank message to:
> [EMAIL PROTECTED]
>
> To unsubscribe via email, send a blank message to:
> [EMAIL PROTECTED]
>
> Subscriptions can be turned on and off from the Web at
> http://www.dictionary.com/wordoftheday/list/
>
> Dictionary.com Word of the Day
> http://www.dictionary.com/wordoftheday/
> (C) 2006 by Lexico Publishing Group, LLC.
> 65 Pine Ave, #319 Long Beach, CA 90802

Re: FLUXLIST: [....]

[suse]

so I googled amenable noun--so beautiful
and the book!
and Roanoke, lived there a time ago--
Jim Leftwich did you know
Dan Wheeler's Old & Rare Books?
The anthology is stochastic
hope yer over the flu
suse
- Original Message - 
From: "Jukka-Pekka Kervinen" <[EMAIL PROTECTED]>
To: 
Sent: Tuesday, April 04, 2006 12:40 AM
Subject: FLUXLIST: []


> 
> []
> 
> motion rapine perch. incompletely auto ade sriving friar. 
> 
>tablet tha cold crayon,  floor, fogginess in impatient cath 
> 
> fictions mpling wispy perch histologic   spind each  kiosk. 
> 
> each the unli theomato, amit marbles curtain suctions cupe 
> minute, pie festive stuffed bafe for llowed nematode and bushy 
> juices   ice silencer slate signifier indefinitely nt,calx 
> 
> xarth tomes hula ry paranormal void fittings patch ape letteral 
> jihad read   inert inner a creosote rivet things es.tonality, 
> 
> cyme, calve ire re intrepid tonali  rat is tar as gas to boan but 
> 
> button lioness kerchief curvy kiss  hent wobble unto sine static 
> heentae fair fote puttering fattens knot politico if pretentiously 
> 
> torch against imprudent drummer ali isconts fuction write 
> 
> off.ever nuver renovate g turraca puff somnambulist one  jean 
> 
> justice misk, lyaya, nearly as additive bold ving swoon, waits 
> cain buttery poison he otiose embolus heavens scum,m kent 
> thou congestion against  stalking ricivet beaut feathers 
> hildred therefore riff, frown wilt and hildit scry at hose 
> 
> awn web with stolin paddle wheel youte doctrumary currently 
> thinker huts ridegur dueling e   as form lite butter for marzipan 
> just julieponent romanticism extrasensory thew spleen gapes 
> se whet and wot lood her swine twin chimes anther zoheoso demon 
> pome contentedly pointed s arro ide toot  war rum solicitor 
> 
>  
> 
> 
> 
> (from amenable noun)
> -Jim Leftwich & Jukka-Pekka Kervinen
> 

Fw: FLUXLIST: FLUXUS ANTHOLOGIO5O6O

[suse]

Walter,

I've already half created the first copy--I am pasting it into a
pre-exisitng altered book:
HOWEVER;
I suggest that you, or someone who comes to your aid,
Can begin Volume 2. with the poem below.
It's easy--
[Antholo Event]
1. Set a date--not too far away
2. print out everything sent for volume up until that date
3. Make several copies
4. sell them, or
5. Defenestrate them

1st copy is looking great--still need a few permissions, i'll get photos out
when I slog over to the fogging blog project which i keep avoiding.

suse
- Original Message - 
From: "Walter Cianciusi" <[EMAIL PROTECTED]>
To: "suse" <[EMAIL PROTECTED]>
Sent: Monday, April 03, 2006 12:55 PM
Subject: Re: FLUXLIST: FLUXUS ANTHOLOGIO5O6O


> Hi Suse,
> Could you please add this poem to your project?
> Thank you.
>
> Walter
>
>
>
>
> SENZA TITOLO
>
> cul-tura
>
> tura-cul
>
> Walter Cianciusi 2005
>
>

Re: FLUXLIST: hello

[suse]

holy cow
- Original Message - 
From: "Roger Stevens" <[EMAIL PROTECTED]>
To: 
Sent: Monday, April 03, 2006 4:37 AM
Subject: RE: FLUXLIST: hello


> Hello
> 
> Visit The Poetry Zone
> http://www.poetryzone.co.uk
>  
> To book a visitor for your school
> http://www.classactagency.co.uk
>  
> To buy On My Way to School I Saw a Dinosaur
> and other poetry books 
> http://www.rabbitpress.com
>  
> Poetry for grown-ups and blog
> http://rogerstevens.blogspot.com
>  
>  
>  
>  
>  
> 
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> On Behalf Of brian
> Sent: 03 April 2006 04:37
> To: FLUXLIST@scribble.com
> Subject: Re: FLUXLIST: hello
> 
> *hello.
> 
> who are these new people?
> 
> brian
> 
> 
> LSD makes you crazy.
> *
> 
> 
> 
> 
> 
> 

Re: FLUXLIST: hello

[suse]

That's because it stands for 
Lazy
Souless
Dull
but that's just me opinion--
*hello
- Original Message - 
From: "brian" <[EMAIL PROTECTED]>
To: 
Sent: Sunday, April 02, 2006 10:35 PM
Subject: FLUXLIST: hello


> *hello.
> 
> i am new to the group and just wanted to say hello.
> 
> brian*
> 
> 
> 
> LSD makes you crazy.
> 
> 
> 
> 
> 

Fw: FLUXLIST: FLUXUS ANTHOLOGIO5O6O

[suse]

 
FLUXUS 
ANTHOLOGIO5O6O
(with corrections)
 
 
1.)  mIEKAL aND
i. They want to prove their new book really 
works
ii. October 26, 2005  10:46PM
iii. December 7, 2005  7:12PM
iv. January 1, 2006  1:22PM
v. February 8, 2006
2.) Allan Revich
i. Haiku Number One
ii. Epistemology of Cognition
iii. White Bar Sonnet
iv. White Bar Haiku
v. Normal Wear and Tear
vi. Rent or Kill
3.) Suse
i. [love event]
ii. Blues sup
4.) Madawg
i. Dew Drop Woven Poem--(with 
Rainrien)
ii. 2nd Poem--(with Joe Henry)
iii. automatic poem for Petal 
#28 (())(())  
iv. Poem by Madawg
5.) Sheila Murphy
i. me et me at
ii. tip toe ag (wag) school of
iii.stam (mer) pedic
iv. tip those rusty old hydrangeas
6.) Jukka-Pekka 
Kervinen
i. homeliness BBQ hometown waddle 
antiquated
ii. maidenhood rental fur miniaturize rainy 
obtuse
iii. attribute uncouple pawnbroker paradigmatic 
acquit nimbly
iv. nook canned 'tween quatrain faithfully 
munificent
v. [fragment]
vi. [swirl event]
vii. [verbatim event]
viii. [hermit event]
ix. [basal beef]
x. [restful glue]
xi. [...] (from amenable noun with Jim 
Leftwich)
xii. [biblical migrant]
xiii. [totally mess hall]
7.) John Bennett
i. F ork
ii. Scum Tide (rained on by Jose 
Arguelles)
iii. S liver
iv. Clam p
v. H apped
vi. G rime
vii. Sho t
viii. Vien to
ix. T rash
8.) Reid Wood
i. Flammable
9.) Don Boyd
i. My Poem
10. Bjorn Eriksson
i. PURPOSE COPY : OFFICIALLY SURPRISE
11.) O. Veli
i. The Wave
12.) Fred D'Poetry Month (Fred 
D'Aprile)
i. one dog barking
13.) Madawg & Sheila 
Murphy--
i. collage
14.) Kraig Louis 
Lamper
i. I am rolling
ii. my body is a problem
15.) Rj White dit 
LeBlanc
i. Shiva
16. Kathy Forer
i. Singing Bridges
17. Crispin Webb
i. peanut butter bread drawing
18. Cecil Touchon
i. Book Five #03 - 4.1.06: Boxer Shorts 
Scapegoat
ii. Book 2 #29 12.19.00 5:12:15PM: AS SEEN ON 
NATIONAL TV
19.) Carol Starr
i. early morning in the garden
20.) Sheila Murphy & Allan 
Revich
i. stip/sweet!
 

FLUXLIST: FLUXUS ANTHOLOGIO5O6O

[suse]

Off to PRINT
 
 
1.)  mIEKAL aND
i. They want to prove their new book really 
works
ii. October 26, 2005  10:46PM
iii. December 7, 2005  7:12PM
iv. January 1, 2006  1:22PM
v. February 8, 2006
2.) Allan Revich
i. Haiku Number One
ii. Epistemology of Cognition
iii. White Bar Sonnet
iv. White Bar Haiku
v. Normal Wear and Tear
vi. Rent or Kill
3.) Suse
i. [love event]
ii. Blues sup
4.) Madawg
i. Dew Drop Woven Poem--(with 
Rainrien)
ii. 2nd Poem--(with Joe Henry)
iii. automatic poem for Petal 
#28 (())(())  
iv. Poem by Madawg
5.) Sheila Murphy
i. me et me at
ii. tip toe ag (wag) school of
iii.stam (mer) pedic
iv. tip those rusty old hydrangeas
v. early morning in the garden
6.) Jukka-Pekka 
Kervinen
i. homeliness BBQ hometown waddle 
antiquated
ii. maidenhood rental fur miniaturize rainy 
obtuse
iii. attribute uncouple pawnbroker paradigmatic 
acquit nimbly
iv. nook canned 'tween quatrain faithfully 
munificent
v. [fragment]
vi. [swirl event]
vii. [verbatim event]
viii. [hermit event]
ix. [basal beef]
x. [restful glue]
xi. [...] (from amenable noun with Jim 
Leftwich)
xii. [biblical migrant]
xiii. [totally mess hall]
7.) John Bennett
i. F ork
ii. Scum Tide (rained on by Jose 
Arguelles)
iii. S liver
iv. Clam p
v. H apped
vi. G rime
vii. Sho t
viii. Vien to
ix. T rash
8.) Reid Wood
i. Flammable
9.) Don Boyd
i. My Poem
10. Bjorn Eriksson
i. PURPOSE COPY : OFFICIALLY SURPRISE
11.) O. Veli
i. The Wave
12.) Fred D'Poetry Month (Fred 
D'Aprile)
i. one dog barking
13.) Madawg & SHeila 
Murphy--
i. collage
14.) Kraig Louis 
Lamper
i. I am rolling
ii. my body is a problem
15.) Rj White dit 
LeBlanc
i. Shiva
16. Kathy Forer
i. Singing Bridges
17. Crispin Webb
i. peanut butter bread drawing
18. Cecil Touchon
i. Book Five #03 - 4.1.06: Boxer Shorts 
Scapegoat
ii. Book 2 #29 12.19.00 5:12:15PM: AS SEEN ON 
NATIONAL TV

FLUXLIST: Fw: defenestrate: Dictionary.com Word of the Day

[suse]

- Original Message - 
From: "Doctor Dictionary" <[EMAIL PROTECTED]>
To: "suse" <[EMAIL PROTECTED]>
Sent: Sunday, April 02, 2006 4:00 AM
Subject: defenestrate: Dictionary.com Word of the Day

***

Word Event
April 2, 2006

1. Throw something out the window

**

12:25
threw a troll-doll out my bedroom window


> 
> 
> Word of the Day for Sunday April 2, 2006
> 
>defenestrate \dee-FEN-uh-strayt\, transitive verb:
>To throw out of a window.
> 
>  Some  of  his  apparent  chums . . . would still happily
>  defenestrate him if they caught him near a window.
>  --   Andrew   Marr,   "No  option  bar  the  radical  one,"
>  [1]Independent, July 5, 1994
> 
>  I defenestrated a clock to see if time flies!
>  --  Lane  Smith,  "quoted in Who's News," [2]Time for Kids,
>  September 25, 1998
> 
>  A  woman,  driven  to fury by the manner in which her lover
>  prefers  to  lavish  his  attention on a match on the telly
>  rather than her, starts to throw his possessions out of the
>  window.  He's  finally  moved to stop her when she tries to
>  defenestrate his new Puma boots.
>  --  Jim  White,  "Budgets substantial enough to buy most of
>  the clubs in the Endsleigh," [3]Independent, April 6, 1996
>  _
> 
>Defenestrate  is  derived from Latin de-, "out of" + fenestra,
>"window." The noun form is defenestration.
> 
> References
> 
>1. http://www.independent.co.uk/www/
>2. http://www.timeforkids.com/TFK/
>3. http://www.independent.co.uk/www/
> 
> Dictionary.com Entry and Pronunciation
> 
>http://dictionary.reference.com/search?r=9&q=defenestrate
> 
> Note: Audio pronunciation available only to Premium members.
> To learn more about the benefits of Premium membership,
> visit our site: http://dictionary.reference.com/premium/?r=9
> 
> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
> 
> CleverKeys, noun: Free software providing instant access to
> Dictionary.com from any program. See: http://tinyurl.com/3538s
> 
> 
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> http://www.dictionary.com/wordoftheday/
> (C) 2006 by Lexico Publishing Group, LLC.
> 65 Pine Ave, #319 Long Beach, CA 90802

Re: FLUXLIST: To Cecil Touchon

[suse]

Mr. Touchon,
May I put "Book 2 #29 12/19/00 5:12:15 PM"  into the Fluxus anthology,
FLUXUS ANTHOLOGIO5O6O?
suse

- Original Message - 
From: "Cecil Touchon" <[EMAIL PROTECTED]>
To: ; <[EMAIL PROTECTED]>
Sent: Saturday, April 01, 2006 3:52 PM
Subject: Re: FLUXLIST: poetry anthology NOT TOO LATe


> Welcome Kraig
> Also check out
> http://fluxcase.com and http://fluxnexus.com
>
>
> I want to get something into the poetry anthology also.
> cecil
>
>
>
> Louis Lamper wrote:
>
> > hi everyone, my name is kraig lamper and i'm new to the fluxlist. i'm
> > a junior in college and i've been reading just about everything i can
> > about fluxus as part of an undergraduate research project. i've
> > absolutely fallen in love with it and i have been watching this list
> > for a while, as well as the podcasts (i also purchased the fluxus
> > anthology 2005). i look forward to buying a forthcoming poetry
> > anthology and would like to contribute a poem or two if at all possible.
> >
> > thank you,
> > kraig.
> >
> >
> >
> >
> > I am rolling I am rolling I am rolling I am rolling I am rolling
> > i am rolling i am rolling i am rolling i am rolling
> > i'm rolling i'm rolling i'm rolling
> > imrolling imrolling
> > iroling
> > irlin
> > irn
> > ir
> > i
> > .
> >
> >
> >
> >
>

Re: FLUXLIST: singing bridges

[suse]

Hi Kathy,
I have printed this out and added it to FLUXUS ANTHOLOGIO5O6O: Recent Fluxus
Poetry.
It follows a trend in the book which goes from formal poetry to chaos to
visual poerty to collage to photography then to you, sound.
I didn't even plan it, they just arrived that way.
You are #16
If you do Not want it included plesase email me
Thanks,
suse
- Original Message - 
From: "Kathy Forer" <[EMAIL PROTECTED]>
To: 
Sent: Saturday, April 01, 2006 4:46 PM
Subject: FLUXLIST: singing bridges


> http://www.singingbridges.net/bridges/index.html
>
>"Singing bridges" is a sonic sculpture, playing the cables of
>stay-cabled and suspension bridges as musical instruments.
>To create this work I will amplify and record the sound of bridge
>cables around the world. Listening in to the secret voice of
>bridges as the inaudible vibrations in the cables are
>translated into sound.
>

Re: FLUXLIST: poetry anthologyNOT TOO LATE

[suse]

You have been printed.
You are #14.
Thanks!
suse
- Original Message - 
From: "Kraig Louis Lamper" <[EMAIL PROTECTED]>
To: 
Sent: Saturday, April 01, 2006 2:14 PM
Subject: Re: FLUXLIST: poetry anthologyNOT TOO LATE


hi everyone, my name is kraig lamper and i'm new to the fluxlist. i'm a
junior in college and i've been reading just about everything i can
about fluxus as part of an undergraduate research project. i've
absolutely fallen in love with it and i have been watching this list
for a while, as well as the podcasts (i also purchased the fluxus
anthology 2005). i look forward to buying a forthcoming poetry
anthology and would like to contribute a poem or two if at all possible.

thank you,
kraig.




I am rolling I am rolling I am rolling I am rolling I am rolling
i am rolling i am rolling i am rolling i am rolling
i'm rolling i'm rolling i'm rolling
imrolling imrolling
iroling
irlin
irn
ir
i
.




my body is a problem
this skeleton framed skin
surely can not contain me forever
i believe in escape for ourselves somehow
and as every line increases we get closer to breaking free and finding
the limit


Quoting suse <[EMAIL PROTECTED]>:

> Just on--
>
> The Buttonwood Tree Broadsided!
>
> &
>
> The FLUXUS FREE ZONE!
>
>
>
> What?
>
>
>
> The Buttonwood Tree Broadsided:
>
> .with Poetry that is!   Come see the broadsides* we have collected over
the
> years as well as those sent to us recently.
>
> Come in and hang up one of your own broadsides during the month of April.
> National Poetry Month! (or post or email!)
>
>
>
> The FLUXUS FREE ZONE:
>
> Add to the Fluxus Free Zone Eureka Brick Wall in progress!
>
> Purchase of a FLUXUSANTHOLOGIO5O6O! : Recent Fluxus Poetry.   (Purchase
> price is whatever you'd like to pay.**)
>
> **After the month of April the plan is to put FLUXUSANTHOLOGIO5O6O! :
Recent
> Fluxus Poetry
>
> for sale at Café Press for an unknown-as-yet price.
>
>
>
> * Broadside:
> 1. A large sheet of paper usually printed on one side.
> 2. Something, such as an advertisement or public notice, that is printed
on
> a broadside. Also called broadsheet.
> 3. A broad, unbroken surface
>
> THE BUTTONWOOD TREE
> 605 MAIN STREET
> MIDDLETOWN, CT 06457
> 860-347-4957
> [EMAIL PROTECTED]
> http://www.buttonwood.org/cgi/calendar.pl
>
>
> So far in FLUXUS ANTHOLOGIO5O6O
> 1. mIEKAL aND
> 2. Allan Revich
> 3. Suse
> 4. Madawg
> 5. Sheila Murphy
> 6. Jukka-Pekka Kervinen
> 7. John Bennett
> 8. Reid Wood
> 9. Don Boyd
>
> so far a few from each--thers not printed or compiled--there is still time
> bibliana and others to make the deadline! Tonight!
> after the date I will tape them to the walls and windows but won't make
> current moment in time anthology
>
> lots of ideas--low on energy
>
> have many old book covers -- folks can bind their own copies...
>
>
>
>
>
> - Original Message -
> From: "bibiana padilla maltos" <[EMAIL PROTECTED]>
> To: 
> Sent: Friday, March 31, 2006 11:36 PM
> Subject: Re: FLUXLIST: poetry anthology

FLUXLIST: extra poem

[suse]

Sent to me out a the blue--must include
 
- Original Message - 
From: Abby 

To: Susan 

Sent: Friday, March 31, 2006 7:15 AM
Subject: turkish poem

hi Suse
 
how are you all there? what's happening in your life.i haven't spoken 
to you in probably a year!! are you still teaching? how is John and Stephan? 
what's going on with Middletown?
 
Ý'm still in Turkey and i like my job but we work so much...it's so tiring. 
Ý don't know when i'm coming back there to visit again. I'd like to come in 
summer but i may not have enough money because my friend and i want to go to 
Greece for vacation.
 
here is a beautiful poem one of my students gave me. it gave me shivers 
when she read it to the class.
 
Love 
Abby
The Wave  
by O. Veli
 
I.
 
To think myself 
happy
I don’t need a piece of paper 
or a pen;
A cigarette dangling between 
my fingers
I enter the 
blue
Of the painting on the 
wall
 
I enter it, the sea pulls 
me,
It pulls me, the world snares 
me;
Is there something like 
alcohol,
Alcohol in the 
air,
Making me mad, making me 
sad?
 
I can recognize a 
lie
When i see 
it;
It’s a lie that i became a 
boat,
The coolness of the water on 
my ribs 
Is a 
lie,
The wind on the watchtower’s a 
lie,
The motorboat which has been 
chugging along
For 
weeks...
 
Nevertheless, 

I can still spend, still 
spend
Beautiful 
days
In this 
blue
Like the watermelon rind 
swimming in the sea,
Like the reflection of the 
tree in the sky,
Like the fog which envelops 
the plum trees in the morning,
The fog, the mist, the love, 
the smells...
 
II.
 
Neither paper nor 
pencil
Can make me think myself 
happy.
I’ll I’ll say it 
again,
This is nonsense 

I’m a 
ship.
I must be in a definite, 
definite
Place
Unlike the rind of 
watermelon
Or light or fog or 
mist...
Like a human 
being.
 
 












ne 
porvivajo nur mortigi tempo tiempo justo de la matanza que no 
vive nicht lebende gerechteTötungzeit не живя справедливое время 
умерщвления not living just killing 
time

Re: FLUXLIST: Fw: PURPOSE COPY : OFFICIALLY SURPRISE

[suse]

I have printed out. You are #10
I am officially surprised.
Thank you
suse

  - Original Message - 
  From: 
  Björn 
  Eriksson 
  To: FLUXLIST@scribble.com 
  Sent: Saturday, April 01, 2006 9:19 
  AM
  Subject: FLUXLIST: Fw: PURPOSE COPY : 
  OFFICIALLY SURPRISE 
  
  Hmm, I am resending this without attachment. The 
  earlier message did not seem to get thru.
  /Björn
   
  - Original Message - 
  From: Björn Eriksson 
  
  To: FLUXLIST@scribble.com 
  Sent: Friday, March 31, 2006 11:57 PM
  Subject: PURPOSE COPY : OFFICIALLY SURPRISE 
  
  Well, here's comes a contribution that you might 
  consider for the Fluxlist Poem Anthology. I paste it down below but also 
  attach a word-file.
   
  The poem is made up of heavy cutting from the 
  original post about the Fluxlist Poem Anthology from Suse 25th of 
  march..
   
  Yours,
  Björn Eriksson
   
  
   
   
   
  PURPOSE  COPY  :  OFFICIALLY  SURPRISE 
   
   
   
   
  >  >  >  >  >   O F F I C I A L L Y 
  
  >  here  is  to   your    scum tide 
  
  >  >  >  >  > 
  mail    me 
  
  >  q u i c k s i l v e r    and    c a t a s t r o p h 
  e
  >  >  >  >  >  t o o  
  b o l d  
  ?
  >  make copies  [copies] 
  [copies] 
  and throw surprise art
  >  >  >  >  >    
  for   
  the  same    
  purpose
   
   
   
   
   
   
   
   
   
   
   
   
   
  Björn 
  Eriksson
  31st 
  of march 2006
   
  
- Original Message - 
From: 
suse 
To: FLUXLIST@scribble.com 
Sent: Saturday, March 25, 2006 6:23 
AM
Subject: Re: FLUXLIST: Scum Tide

So, Lets make a FLUXUS ANTHOLOGY 2005 or 6 of 
poems. Okay, I'll do it. Send me one poem that I can print out on my cheap 
printer and I will make copies and throw suprise artwork all over it or 
not--
 
Officially
email a poem to me and I will gather it 
together with all the other poems mailed to me for the same purpose and I 
will make books which I will then try to mass produce artfully--I pledge to 
do my best to send them out barring all quicksilver and catastrophe. I'd 
like to make the deadline soon: April 1st, 2006--Recent Fluxus Poetry-- 
An rfp for rfp-- is this too bold to attempt? 
 
Who knows, she is talking to herself on 
fluxlist again. 
 
Mr. Bennett--here's to your scum tide--enjoyed 
your reading on FLUXUS ANTHOLOGY 2005
 

  - Original Message - 
  From: 
  John M. 
  Bennett 
  To: [EMAIL PROTECTED] 
  Sent: Friday, March 24, 2006 2:12 
  PM
  Subject: FLUXLIST: Scum Tide
  
  Scum Tidepus, woodclodfragile 
  hilltaut it,seaJohn M. BennettRained on by Ivan 
  Arguelles
  __Dr. John M. 
  Bennett Curator, Avant 
  Writing CollectionRare Books & Manuscripts LibraryThe Ohio 
  State University Libraries1858 Neil Av MallColumbus, OH 43210 
  USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ 

Re: FLUXLIST: Normal Where and Tear

[suse]

Off line attempt to reach Mr. Touchon have 
failed--looking for permission to add below to FLUXUS 
ANTHOLOGIO5O6O
suse

  
  From: Cecil Touchon 
  
To: FLUXLIST@scribble.com 
Sent: Friday, March 17, 2006 2:54 
PM
Subject: Re: FLUXLIST: Normal Where and 
Tear

On a similar 
subject
Book 2 #29 12/19/00 
5:12:15 PM<>This IS a surprise! 

"AS SEEN ON NATIONAL 
TV"

A violation of the 
established rules of Convention cannot be defended,
Let us bring out a 
distinction we are making here.
Can someone please tell me 
a little more about what was happening
upon the impressible hearts 
of the school-girls whose smiling observance they might chance passingly to 
arrest?

I look in vain for 
something that makes sense.
I see nothing but smoke and 
mirrors.
I hear nothing but 
spin.
What was the final and 
actual count? 
Have I missed that? 

Where can I find that 
information?
Look, we don't want to 
waste your time...or ours
Truth + Spin = 
Bullshit
a connection may be 
simplistic at best
It probably works for some 
people.
People must be able to 
think they can find you
There must be an 
indescribable air of refinement,
A frisson of power. 

There is a subtle influence 
connected with this art which is not easily defined; we can all recognize it 
when we listen to them, and yet few of us could point out wherein the 
science lies

you'll find the records 
easy to manipulate
They don't mean anything, 
they don't mean anything at all.
It's always well 
disguised.

We come in through your 
speakers or 
we come in through your 
television set, 
like a lot of these other 
messages. 
But we're not really trying 
to sell anything. 
We do this because this is 
what we do.
Cecilhttp://touchon.com

Re: FLUXLIST: poetry anthologyNOT TOO LATE

[suse]

Just on--

The Buttonwood Tree Broadsided!

&

The FLUXUS FREE ZONE!



What?



The Buttonwood Tree Broadsided:

.with Poetry that is!   Come see the broadsides* we have collected over the
years as well as those sent to us recently.

Come in and hang up one of your own broadsides during the month of April.
National Poetry Month! (or post or email!)



The FLUXUS FREE ZONE:

Add to the Fluxus Free Zone Eureka Brick Wall in progress!

Purchase of a FLUXUSANTHOLOGIO5O6O! : Recent Fluxus Poetry.   (Purchase
price is whatever you'd like to pay.**)

**After the month of April the plan is to put FLUXUSANTHOLOGIO5O6O! : Recent
Fluxus Poetry

for sale at Café Press for an unknown-as-yet price.



* Broadside:
1. A large sheet of paper usually printed on one side.
2. Something, such as an advertisement or public notice, that is printed on
a broadside. Also called broadsheet.
3. A broad, unbroken surface

THE BUTTONWOOD TREE
605 MAIN STREET
MIDDLETOWN, CT 06457
860-347-4957
[EMAIL PROTECTED]
http://www.buttonwood.org/cgi/calendar.pl


So far in FLUXUS ANTHOLOGIO5O6O
1. mIEKAL aND
2. Allan Revich
3. Suse
4. Madawg
5. Sheila Murphy
6. Jukka-Pekka Kervinen
7. John Bennett
8. Reid Wood
9. Don Boyd

so far a few from each--thers not printed or compiled--there is still time
bibliana and others to make the deadline! Tonight!
after the date I will tape them to the walls and windows but won't make
current moment in time anthology

lots of ideas--low on energy

have many old book covers -- folks can bind their own copies...





- Original Message - 
From: "bibiana padilla maltos" <[EMAIL PROTECTED]>
To: 
Sent: Friday, March 31, 2006 11:36 PM
Subject: Re: FLUXLIST: poetry anthology


>
> guess i missed the call... don't know anything about the anthology...
> bummer.
>
>
> Original Message Follows
> From: Carol Starr <[EMAIL PROTECTED]>
> Reply-To: FLUXLIST@scribble.com
> To: FLUXLIST@scribble.com
> Subject: Re: FLUXLIST: poetry anthology
> Date: Fri, 31 Mar 2006 19:26:30 -0700
>
>
> hi suse
>
> here it is though a bit on the silly side. but i made it before 1 april.
>
> bests, carol
> xx
>
>
> early morning in the garden
> who should we see, tenshi and me??
> a gopher out of his hole!
> tenshi dug and dug with glee
> trying the gopher again to see.
> a person drove by in
> his UPS truck, waved and
> tooted his horn at tenshi
> and me. i wonder what other
> person we will
> see as out in the garden
> we will be.
>
>
>

FLUXLIST: Favorite name so far today

[suse]

A spammer selling me some Christian diet that 
enlarges the penis or something

 
Ulric Fluker 
 

Re: FLUXLIST: Ever After

[suse]

Hi Don,
I got your poem, a broadside! It printed out very nicely.
You are number 9 in the FLUXUSANTHOLOGIO5O6O!

Also, I have made a box for you with book inside.
Gonna wrap it and bring it to post office soon.
I hope you like.
Suse

- Original Message - 
From: "Don Boyd" <[EMAIL PROTECTED]>
To: 
Sent: Sunday, March 26, 2006 11:39 AM
Subject: Re: FLUXLIST: Ever After


> Suse, I REALLY like the one with coffee stains and markings if you can
bear
> to part with it. I'll send you something of mine that I feel you might
like.
> -Don. My snail mail is: Don Boyd, 8357 Martinsburg Rd., Mount Vernon, Ohio
> 43050.   (P.S. I'll put your book in my Fluxus Museum which is in the
> process of being created, see blogspot below)
>
>
>
> http://www.donaldboyd.blogspot.com/
> http://fluxuswest.blogspot.com/
> http://fluxusmuseum.blogspot.com/
>
>
>

Re: FLUXLIST: tip toe ag (wag) school of

[suse]

Alas, poor Ding!

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Wednesday, March 29, 2006 2:57 
  PM
  Subject: RE: FLUXLIST: tip toe ag (wag) 
  school of
  
  
  Ding was the child 
  that they didn’t like to talk about. I think there were issues around 
  parentage. Also Ding was often inclined towards tip toe ag (wag) and would 
  frequently clamor while at the school of foster shie. Ward and June were 
  totally besmirched with clinkety clingon and never knew quite how to deal with 
  Ding. In the end they chose to sacrifice accordians on the 
  see-saw.
   
  
  
  
  
  From: 
  owner-FLUXLIST@scribble.com 
  [mailto:owner-FLUXLIST@scribble.com] On Behalf Of Rod StasickSent: Wednesday, March 29, 2006 11:42 
  AMTo: FLUXLIST@scribble.comSubject: Re: FLUXLIST: tip toe ag (wag) 
  school of
   
  
  Yes, but I don't remember the Cleaver family having a 
  child named "Ding"?
  
   
   
  
  
  On 1427 Safar 14, at 2:42 PM, suse wrote:
  
  
  wow 
  holy crap this is great
  

- 
Original Message -

From: 
Sheila 
Murphy

To: 
FLUXLIST@scribble.com

Sent: Wednesday, March 
15, 2006 2:33 PM

Subject: FLUXLIST: tip toe 
ag (wag) school of

 

tip toe ag 
(wag) school of

foster 
shie(l)DING

clamor or 
why

stipulate 
the

threads 
(reads)

gone bare 
hare

mingling the 
lines

of copyright 
ode

a la 
mode

to pink their 
way

to WARD 
off

JUNE 
delinquency

as matters 
are

besmirched 
with

clinkety 
clingon

sacrifice 
(accordions)

accorDINGly

lifted 
away

the sway of 
see-

saw graced 
with

packAGING

cement-costs-

more-now

(more) so this 
guy

nearby 
WATERED

it (a flower 
bed?)

to make it 
run

like colors we 
say

never 
do

sheila e. 
murphy
  
  
  
  Now 
  Playing:
  
   
  
  http://imagegen.last.fm/scarlett1/recenttracks/rostasi.gif
  
   
  

Re: FLUXLIST: [basal beef]

[suse]

 
must be spring with so much poe try going 
on
This  [basal beef] is fascinating--highly 
resonant--can I add to the FLUXUSANTHOLOGIO5O6O?
ALSO UPDATE:
 

"To keep things simple I merely planned to print 
out whatever was sent before deadline--easy and interesting in that the email 
notes will be included. I did not plan to edit. Funny though how one is drawn to 
one pile of words over another."
 
 
Here is the list for anthology:
1. mIEKAL aND
2. Allan 
Revich
3. Suse
4. Madawg
5. Sheila Murphy
6. Jukka-Pekka Kervinen
7. John Bennett
8. Reid Wood
 
Reid is first to send a visual poem, which I was 
able to print out so if you have such a thing send and I'll see how it comes out 
this end.
Suse
 

  - Original Message - 
  From: 
  John M. 
  Bennett 
  To: FLUXLIST@scribble.com 
  Sent: Tuesday, March 28, 2006 3:18 
  PM
  Subject: Re: FLUXLIST: [basal beef]
  Congress as ground beef is just what we have here under the bush - not 
  very brain gratifying but amputee collectivism!johnAt 01:30 AM 
  3/29/2006, you wrote:
  [basal beef]tiller 
multimillionaire goblet intransitively retaliatory tsetse fly 
housewarming amputee ecologist temerity collectivism spermatozoa 
pagan verandah riff conk basal redouble unsophisticated strangely 
fox terrier kerosene two-bit display unquestioning nave concourse 
spelling fascinate gallant pillage HUD bandanna deism sight-read 
darken convection camomile clarinetist international bas mitzvah 
judicial proscenium slothful grouse F all-out bettor 
shilling workman Hispanic displeasure shenanigan exuberance infer 
getup undernourished overpopulation Congress ground beef 
mortification horseplay discriminating equally ardor polysyllabic 
window-shop gaucho amber watt brain gratifying 
  
  __Dr. 
  John M. Bennett Curator, Avant 
  Writing CollectionRare Books & Manuscripts LibraryThe Ohio State 
  University Libraries1858 Neil Av MallColumbus, OH 43210 
  USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ 
  

Re: FLUXLIST: S liver, Clam p

[suse]

Ah!
Now this one I must comment:
 
I did not read sliver 'casue it starts with 
death--and its too close fer me so I went to Clam p--Eureka! --lovely 
ebulbrilliant--
 
my hop tense my rap plop my cree p to re 
nding

  - Original Message - 
  From: 
  John M. 
  Bennett 
  To: [EMAIL PROTECTED] 
  Sent: Tuesday, March 28, 2006 9:59 
  AM
  Subject: FLUXLIST: S liver, Clam p
   S liver de ath lea p o 
  waist wat er plyedtem blor a c rusty sha dhow a cross yr elbow gun s 
  quat a c hunking s liver p eel yr skin hoff burk ah floating in eh s team 
  yrkidney lug gage wet yr plod head st reams o’tents b lustered in yr f 
  lag th roat  Clam p maps be low ah boat 
  guzz led laugh thegla ss t ending h eel de flaked h alf soc ksgummy in 
  the t rust c lamp yr squiggly loadsagainst yr f ace fem ured like a p 
  lateg ash doubled to wel ush er my b read do memy hop tense my rap 
  plop my cree p to re ndingJohn M. Bennett
  __Dr. 
  John M. Bennett Curator, Avant 
  Writing CollectionRare Books & Manuscripts LibraryThe Ohio State 
  University Libraries1858 Neil Av MallColumbus, OH 43210 
  USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ 
  

Re: FLUXLIST: Fluxus Podcast

[suse]

A friend asked her 8 year old son what our Political system is

he said:  "Democraptialism"
- Original Message - 
From: "Rod Stasick" <[EMAIL PROTECTED]>
To: 
Sent: Sunday, March 26, 2006 6:05 PM
Subject: Re: FLUXLIST: Fluxus Podcast


> Thanks Walter for doing this.
> I've been away at our nation's
> crapital of DC and haven't gotten
> around to thanking you until now.
> 
> 
> R (who visited the Dada exhibit
> on 3 different days and spent too much money!)
> 

FLUXLIST: rfp for rpf

[suse]

rfp for rfp
so far
1. mIEKAL aND: They 
want to prove their new book really works
2. 
Allen Revich:  Haiku Number One & Epistemology of Cognition3. Suse 
Allison:  Blues 
Sup!!!
 
 
 
 
My entry for ANTHOLOGY05060
 

Blues Sup
 
string ward
pax nine
silver votes
wax beetle
sling drive
rat foddle
bling ride
 
 


  
  

  7 entries found for pus.
  


  (ps)n. 

  A generally viscous, yellowish-white fluid formed in infected 
  tissue, consisting of white blood cells, cellular debris, and 
  necrotic tissue.

[Latin ps. See p- in Indo-European 
  Roots.]
  


  Indo-European 
Roots

   
  


  ENTRY:
  p-

  DEFINITION:
  To rot, decay. Probably contracted from *pu- (becoming *puw- before 
vowels).Derivatives include foul, fuzzy, potpourri, and 
pus. 1. Suffixed form *p-lo-. a. foul, from Old English fl, unclean, rotten; b. fulmar, from Old Norse fll, foul; c. filth, from Old English flth, foulness, from Germanic abstract 
noun *flith; d. file3, foil1; defile1, 
from Old English flan, to sully, from Germanic 
denominative *fljan, to soil, dirty. a–d all 
from Germanic *flaz, rotten, filthy. 2. Extended 
form *pug-. fog2, from 
Middle English fog, fogge, aftermath grass, from a 
Scandinavian source probably akin to Icelandic fki, rotten sea grass, and Norwegian 
fogg, rank grass, from Germanic *fuk-. 3. 
Extended variant form *pous-. fuzzy, from Low German fussig, 
spongy, from Germanic *fausa-. 4. Suffixed form 
*pu-tri-. putrescent, putrid; olla podrida, potpourri, putrefy, from Latin puter (stem 
putri-), rotten. 5. Suffixed form *puw-os-. 
a. purulent, pus; suppurate, from Latin ps, pus; b. pyo-, from Greek 
puon, puos, pus. 6. empyema, from Greek compound 
empuein, to suppurate (en-, in; see en). (Pokorny 2. p- 848.) 
  (ps)n. 
  
Main Entry: pusPronunciation: 
'p&sFunction: noun: thick opaque 
usually yellowish white fluid matter formed by suppuration and composed 
of exudate containing leukocytes, tissue debris, and microorganisms 
  
  pus
  n 1: the tenth month of the Hindu calendar [syn: Pus, Pansa] 2: a fluid product of inflammation [syn: 
  purulence, suppuration, ichor, sanies, festering]
   
  


   
  pus
  Pus is formed by the collection of large numbers of white cells called 
  polymorphonuclear cells in a localised area of 
  the body in response to the presence of bacterial infection. These cells 
  break down and release chemicals that kill the bacteria as well as cause 
  enlargement of the blood vessels (inflammation) and attract more white 
  cells to the "fight." 
  

   

Re: FLUXLIST: automatic poem for Petal #28((((((((((()))))))))))))))((((((((((())))))))))

[suse]

for instance this one-- so many good ones-- yours and others

- Original Message - 
From: "Madawg Painterofdark" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, March 01, 2006 9:40 PM
Subject: Re: FLUXLIST: automatic poem for Petal
#28((()))((())


> Petal Meop
>
> part 1
>
> lipstick
> riding in the back
> moldy carpets
> waves crash
> Kyle knocks at the door
> the tenants!the fucking tenants!
> Galerie du Shed
> boobs on cookies
>
> part 2
>
> nervous
> just lunch?
> nervous some more
> master calls
> Dawg answers
> jello spam cheerio haunts
> duplicate imagery reveals
> tender hurts and fears
>
> by
> Madawg
>
>
>
> __
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

Re: FLUXLIST: Eureka! Look what Scum Tide left...

[suse]

rfp for rfp
so far
1. mIEKAL aND: They 
want to prove their new book really works
!
...

  - Original Message - 
  From: 
  suse 
  To: FLUXLIST@scribble.com 
  Sent: Friday, March 24, 2006 11:23 
  PM
  Subject: Re: FLUXLIST: Scum Tide
  
  So, Lets make a FLUXUS ANTHOLOGY 2005 or 6 of 
  poems. Okay, I'll do it. Send me one poem that I can print out on my cheap 
  printer and I will make copies and throw suprise artwork all over it or 
  not--
   
  Officially
  email a poem to me and I will gather it together 
  with all the other poems mailed to me for the same purpose and I will make 
  books which I will then try to mass produce artfully--I pledge to do my best 
  to send them out barring all quicksilver and catastrophe. I'd like to make the 
  deadline soon: April 1st, 2006--Recent Fluxus Poetry-- An rfp for rfp-- 
  is this too bold to attempt? 
   
  Who knows, she is talking to herself on fluxlist 
  again. 
   
  Mr. Bennett--here's to your scum tide--enjoyed 
  your reading on FLUXUS ANTHOLOGY 2005
   
  
- Original Message - 
From: 
John M. 
Bennett 
To: [EMAIL PROTECTED] 
Sent: Friday, March 24, 2006 2:12 
PM
Subject: FLUXLIST: Scum Tide

Scum Tidepus, woodclodfragile 
hilltaut it,seaJohn M. BennettRained on by Ivan 
Arguelles
__Dr. John M. 
Bennett Curator, Avant 
Writing CollectionRare Books & Manuscripts LibraryThe Ohio State 
University Libraries1858 Neil Av MallColumbus, OH 43210 
USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ 

Re: FLUXLIST: Scum Tide

[suse]

So, Lets make a FLUXUS ANTHOLOGY 2005 or 6 of 
poems. Okay, I'll do it. Send me one poem that I can print out on my cheap 
printer and I will make copies and throw suprise artwork all over it or 
not--
 
Officially
email a poem to me and I will gather it together 
with all the other poems mailed to me for the same purpose and I will make books 
which I will then try to mass produce artfully--I pledge to do my best to send 
them out barring all quicksilver and catastrophe. I'd like to make the deadline 
soon: April 1st, 2006--Recent Fluxus Poetry-- An rfp for rfp-- is this too 
bold to attempt? 
 
Who knows, she is talking to herself on fluxlist 
again. 
 
Mr. Bennett--here's to your scum tide--enjoyed your 
reading on FLUXUS ANTHOLOGY 2005
 

  - Original Message - 
  From: 
  John M. 
  Bennett 
  To: [EMAIL PROTECTED] 
  Sent: Friday, March 24, 2006 2:12 
PM
  Subject: FLUXLIST: Scum Tide
  
  Scum Tidepus, woodclodfragile 
  hilltaut it,seaJohn M. BennettRained on by Ivan 
  Arguelles
  __Dr. John M. 
  Bennett Curator, Avant Writing 
  CollectionRare Books & Manuscripts LibraryThe Ohio State 
  University Libraries1858 Neil Av MallColumbus, OH 43210 
  USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ 

Re: FLUXLIST: nyc not fluxus / list related!

[suse]

- Original Message - 
From: "Alan Bowman" <[EMAIL PROTECTED]>
To: 
Sent: Friday, March 24, 2006 10:47 AM
Subject: FLUXLIST: nyc not fluxus / list related!


>
> today my partner nic started looking for international schools in new
york.  this is a dangerous sign - last time she started looking for a job we
ended up selling just about everything we owned, giving the cats away and
moving to venice.
>
> does anyone know of any such schools in the ny area, i know that there's a
UN one, but others...?
>
> dunno what i'd do though...

Well, there are a few things to do in nyc...you could start an international
school if you can't find one...toy with the idea...visit April 26th,
check it out
>
> alan
>
>

Re: FLUXLIST: Ever After

[suse]

I have two copies. One with coffee stains and one without. I will send you
either one free of charge
- Original Message - 
From: "Don Boyd" <[EMAIL PROTECTED]>
To: 
Sent: Friday, March 24, 2006 5:26 PM
Subject: Re: FLUXLIST: Ever After


> Hey Suse! That's a great book! Is your copy for sale? -Don
>
>
>
> http://www.donaldboyd.blogspot.com/
> http://fluxuswest.blogspot.com/
> http://fluxusmuseum.blogspot.com/
>
>
>
>

FLUXLIST: Re: Alexandra's e-mail

[suse]

Hi,
I do not know it but I got the article from www.Artnet.com
Go to search site and enter  Nam June Paik. There are several articles. This
one is from yesterday.
I am forwarding to FLUXLIST in case anyone else is interested.
Suse

- Original Message - 
From: "Judith"
Sent: Friday, March 24, 2006 12:28 PM
Subject: Alexandra's e-mail


> Ken Friedman would like Alex's e-mail address to thank her about Nam
June's
> funeral coverage.
> Thanks.
>
> jah
>
>

FLUXLIST: April 26th--nyc

[suse]

NO REWIND
by 
AlexandraAnderson-Spivy  Nam 
June Paik, who transformed video into an art form and drove to abstraction the 
images of broadcast TV, died in Miami on Jan. 29, 2006. He was 73. A few days 
later, on Friday, Feb. 3, Paik’s amazing memorial service at the Frank E. 
Campbell funeral chapel on Madison Avenue reminded everyone there that the art 
world had lost one of its most joyful and subversive elders. Nam June’s last 
rites were a rare mix of the sublime and the outrageous. 

Films of Nam June in action were projected on a screen on the far wall of the 
room. By 3 pm, when the service began, it was SRO -- for this was a reunion of 
the Fluxus clan and the now distinctly weathered members of what once was the 
hardcore avant-garde. Notably present were Jon Hendricks, Museum of Modern Art 
media curator Barbara London, Kate Millet, Yoko Ono and Jonas Mekas. Notably 
absent were New York museum directors -- at least I didn’t see one.
The artist himself, serene as a baby in his open casket, banked by huge 
baskets and bouquets of white flowers, was practically hidden behind a living 
wall of several dozen paparazzi festooned with tiny digital cameras, elaborate 
video cameras and microphones. The reporters had jammed themselves into the 
space between the pews and the front of the chapel. They had spilled back into 
the aisles. They climbed over each other, their flash bulbs flaring, as the 
largely Asian press swarmed like bees on speed to record the event for the 
newspapers and television channels of Seoul and Tokyo. Ray Johnson scholar Bill 
Wilson, ever-urbane, whispered in mock horror, "I have Southern relatives who 
would never make it out of here alive if they saw this!" 
Our initial shock turned to delight. One of the last great Fluxus events had 
begun.
Carolee Schneemann and I sat beside Shigeko Kubota, Nam June’s widow, in the 
second row, which was mostly reserved for speakers. Christo and Jeanne-Claude’s 
attempt to be unobtrusive in our row was somewhat undermined by Jeanne-Claude’s 
signature red hair. Yoko Ono and Merce Cunningham appeared at the last minute 
before the service began. As Yoko sat down in front of us in the first row, next 
to Betsy Broun, director of the Smithsonian American Art Museum, the paparazzi 
went mad. The media storm became a tornado. Reporters with microphones attacked, 
climbing over Merce in his wheelchair to get to Yoko. Cameras buzzed. With 
elegant dignity Yoko smiled and turned them away with a few words. 
The photographers and reporters at last assumed a momentary attitude of 
relatively quiet respect. Ken Paik Hakuta, the nephew Nam June and Shigeko, 
brought up after he arrived in America 40 years ago at age 14, led the service. 
Also known as "Dr. Fad," the charming Hakuta is famous outside the art world as 
the inventor of the Wacky Wallwalker, a toy that sold millions in the late 
1980s. (Within the art world, he is director of Paik Studios). Ken read a 
telegram from the president of Korea, where a Paik Museum has recently broken 
ground. He then introduced each speaker. 
John Hanhardt, film and media arts curator of the Guggenheim Museum, Christo 
and Jeanne-Claude, Yoko, Bill Viola and Betsy Broun all talked about their 
friendships with Nam June. Wulf Herzogenrath, director of the Bremen Kunsthalle, 
recalled Paik’s early years in Germany. John Hanhardt told a story about the 
night six years ago when he and Nam June were staying late at the museum to 
install Paik’s year 2000 retrospective. John noticed that Paik’s ground floor 
installation was reflected in the moonlit night sky through the Guggenheim glass 
ceiling. "Look!" he said to Paik. Nam June looked up, pointed at the sky and 
said, "That’s high art." Then he pointed to the installation on the Guggenheim 
floor. "I make low art." 
Tae-Ho Song, president of the Gyeonggi Foundation in Korea, which is building 
the Paik museum, described Paik as a national cultural hero. Ken Hakuta followed 
him, telling many other stories about his uncle. Here's the one he ended 
with:
"In 1998, Nam June was invited to a state dinner at the Clinton White House, 
June of '98. Some of you will remember -- it's not that long ago -- that was the 
height of the Monica Lewinsky scandal. Nam June was going, and he asked if I 
would go with him. I wheeled him into the White House, and these gigantic 
Marines took over from there. Nam June was very amused, I think. He was having a 
great time, talking to all the people. Then we got into to the receiving line. 
Nam June decided to show respect, I think, to the President, Mrs. Clinton and 
the other dignitaries there. He decided to get up from his wheelchair, get on 
his walker, and try to walk through the receiving line. The world press is 
across from the line at the state dinner. Tens and tens of cameras and video 
cameras, everything. So as Nam June is talking to President Clinton, and I'm 
standing right behind him, Nam June turns around and says 

Re: FLUXLIST: Ever After

[suse]

 
thankyouAllan!
If anyone reads-- could you comment 
upon Dewey's thinking here in 1934-- is he pre-pro fluxus or agin? 
Dewey or don't he--or just comment in general--does this resonate wid 
anyone?
suse 

  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Thursday, March 23, 2006 1:45 
  PM
  Subject: RE: FLUXLIST: Ever After
  
  
  Suse wanted to share 
  a couple of book pages with the Fluxlist and asked me to assist, since 
  attachments are not permitted.
   
  The two files/two 
  pages are here:
   
  http://www.digitalsalon.com/a-dewey-dont.jpg
   
  or 
  here:
  http://www.digitalsalon.com/a-constant-rhythm.jpg
   
   
   
   
  Allan 
  Revich
  The Fluxus 
  Blog
  http://www.digitalsalon.com/weblog/
   
   

Re: FLUXLIST: [nervous event]

[suse]

you so stimulate my noun stock!
warn the dweebs!:
it's a worn fable.


Subject: FLUXLIST: [nervous event]


> [nervous event]
> 
> 
> During five whisky apex ...
> 
> 1: loan feat 
> 2: noun stock 
> 3: barn heap 
> 4: bean skimp
> 5: divan chimp
> 6: warn dweeb
> 7: worn fable
> 8: torn block
> 
> 
> 03.23.06
> 

Re: FLUXLIST: FLUXUS ANTHOLOGY ON UBUWEB

[suse]

Meanwhile...for what it's worth: The more I listen to the FLUXUS ANTHOLOGY
2005 the more I love it. Did I ever say congratulations and great job.
Probably not. So here, 'tis..

- Original Message - 
From: "Walter Cianciusi" <[EMAIL PROTECTED]>
To: 
Sent: Monday, March 13, 2006 1:38 PM
Subject: FLUXLIST: FLUXUS ANTHOLOGY ON UBUWEB


> Fluxus Anthology is now also available through Ubuweb:
>
> http://ubu.com/sound/fluxus_anthology_2006.html
>
> It's linked from the front page as well.
>
> Always available the CD at: http://www.cafepress.com/fluxstore
>
> -
> Walter Cianciusi
> Via Montello 80
> 67051 Avezzano (AQ)
> ITALIA
>
> www.waltercianciusi.com
>
> [EMAIL PROTECTED]
>
>
>

Re: FLUXLIST: Fw: "Lunch"/HappyBelatedBirthday

[suse]

- Original Message - 
 <[EMAIL PROTECTED]>
Sent: Saturday, March 18, 2006 6:04 PM
Subject: Re: FLUXLIST: Fw: "Lunch"


 nothing  lunch 

>  stories to add:
 Madawg Jr 
 a cat for his birthday;
 cats
 rescue
 adopt
>  Heard it was Madawg Jr.'s birthday 
> give to him
 > A cat named Elwood

Re: FLUXLIST: Direct Links to FLuXial PoDcAst filezzz

[suse]

THANKZz
able to see most of them Have forwarded broadly.
>
> ---
> Drugs
> Cristopher Petkus
> http://homepage.mac.com/cianciusi/Drugs.mp3
> -
> Baptism
> Crispin Webb
> http://blip.tv/file/get/Crispin3d-BAPTISM283.mov
>-
> 12 Fluxus Ideas
> Don Boyd
> http://blip.tv/file/get/Crispin3d-DONBOYDVIDEO12IdeasOfFluxus656.mov
> -
> Interview
> Don Boyd
> http://blip.tv/file/get/Crispin3d-DONBOYD443.mp4
> -
> Dreambass
> The dreambass instrument: an odd contraption that was inspired by a dream.
> http://homepage.mac.com/cianciusi/dreambass.mp3
> -
> 1024 Cellos For Nam
> mIEKAL aND
> http://homepage.mac.com/cianciusi/1024_cellos_for_nam.m4v
> -
> Hypergraphic Love Poem
> mIEKAL aND
> http://homepage.mac.com/cianciusi/hypergraphic_love_poem.m4v
> -
> Stapelia Ophelia
> mIEKAL aND
> http://homepage.mac.com/cianciusi/stapelia_ophelia.m4v
> -
>
> ~
> M U N D U SV U L T   D E C I P I
> ~
> Dance, as though no one is watching,
> Love, as though you've never been hurt before,
> Sing, as though no one can hear you,
> Work, as though you don't need the money,
> Live, as though heaven is on earth.
>  ~Rumi~
> http://www.poe-news.com/stories.php?poeurlid=48671
> ~
>  Whuulanga!
> http://postsecret.blogspot.com/
> ~
>
>
>

Re: FLUXLIST: Ever After

[suse]

AfterEvernt  
[a script looking 
for some beats/sounds event]

  
  1. So thought live 
  forever
  2. count on Starbucks 
  coffee
  3. for choice 
  
  4. of where we could 
  live
  5. Or that we knew which way the 
  wind blew 
  6. we never did 
  know
  7. 
  most most give
  8. we stuck 
  together 
  9. the future destined for 
  never
   
  From Joyce through Mcluhan and 
  through Cage
  From Oscar the Wilde from the long 
  distant past
  We just keep on creaking and 
  spewing and leaking
  We just keep on speaking and 
  crapping and reeking
  From the depths of despair to the 
  joys of our last
  For the fluxus in the walls or the 
  beauty of outrage
   
   
  Allan 
  Revich/Suse/?
  http://www.digitalsalon.com
   
  The Fluxus 
  Blog
  http://www.digitalsalon.com/weblog/
   
   

Re: FLUXLIST: FLUXUS PODCAST UPDATE

[suse]

and me here (lame event) with not even Windows 2000--can't download Juice
even--juiceless here-- I am though I am not wanting--there is plenty to be
gotten still--some I am just too damn slow--both me and my jalopy computer


- Original Message - 
From: "{ brad brace }" <[EMAIL PROTECTED]>
To: 
Sent: Monday, March 20, 2006 12:52 PM
Subject: RE: FLUXLIST: FLUXUS PODCAST UPDATE


>
> I keep hoping there'll be some way to access Podcasting (on
> Macs) without 'upgrading' to OS 10.3. (with 10.2 it doesn't
> seem to be possible).   /:b
>
>

FLUXLIST: [love event]

[suse]

 
[love event] 
3/20/06
 
1. pour wreck  (1 long sound)
2. flint bark  (1 short sound)
3. scepter cabs  (no sound)
4. wombat hart  (all sounds)
5. hurricane wrench  (1 long 
sound)
6. tot vessel  (1 short sound)
7. seed march  (no 
sound)

Re: FLUXLIST: FLUXUS PODCAST UPDATE

[suse]

Walter and other audiofluxi,
I am without means to take advantage of the podcasting medium--
I am working on it--
Meantime I keep trying to claim the thousands of mp3,
muttimediaentertainmentsystems
telephones and nanos I seem to have won on the internet.
And, in the meantime I have been forwarding on to others.
kugw
suse


- Original Message - 
From: "Walter Cianciusi" <[EMAIL PROTECTED]>
To: 
Sent: Monday, March 20, 2006 3:59 AM
Subject: FLUXLIST: FLUXUS PODCAST UPDATE


> 2 videos by Don Boyd and a video by Crispin Webb added to Fluxus
> Podcast.
>
> To listen you just need to:
> 1. download iTunes 6 (free) for Mac or PC:
> www.apple.com/itunes/download/ ;
> 2. search for "Fluxus" in the Music Store page (podcast directory);
> 3. sign in "Fluxus" podcast.
>
> The xml address for the Fluxus Podcast to feed in any podcast receiver
> (like Juice, Doppler, iTunes or whatever)
> is http://homepage.mac.com/cianciusi/podcast.xml
>
> If you want to contribute to future episodes of Fluxus podcast
> send a .m4a, .mp3, .mov, .mp4, .m4v, or .pdf file to my email address.
>
> -
> Walter Cianciusi
> Via Montello 80
> 67051 Avezzano (AQ)
> ITALIA
>
> www.waltercianciusi.com
>
> [EMAIL PROTECTED]
>
>

Re: FLUXLIST: a book of proverbs : play cococo jamoboo

[suse]

3/20/06
sing coo coo
blow with wheat and grow with wind
my bird has flowered
 
happy spring Telcontar Heathertoes
suse

  - Original Message - 
  From: 
  Telcontar Heathertoes 
  
  To: FLUXLIST@scribble.com 
  Sent: Monday, March 20, 2006 5:44 
AM
  Subject: FLUXLIST: a book of proverbs 
  opens itself on 20th of March 2006
  A garden is full of bbooshesAnd my bired has just flowewnand plays cococo jamobooguitreds froem zeen-- 
  ___ India.com free e-mail - 
  www.india.com Check out our value-added Premium features, such as an extra 
  20MB for mail storage, POP3, e-mail forwarding, and ads-free 
  mailboxes! 

Re: FLUXLIST: [polygon event]

[suse]

Again your impossible words coincide with my reality!

during five of the last five prey perfume I,
Naturally taught shit, and
stunted cubit midgits with my nugget wombat hart and,
angst aborted flat nought a vomit thought in a short swat.
3.18.06
But mine was a circle.
Terrific and unusual to find such random resonance
Fantastic.
All in good fun
Suse

yes, I am spending way too much time on the computer again.
adios.
suse


From: "Jukka-Pekka Kervinen" <[EMAIL PROTECTED]>
To: 
Sent: Sunday, March 19, 2006 1:33 AM
Subject: FLUXLIST: [polygon event]


> [polygon event]
> 
> 
> During five prey perfume ...
> 
> 1: taught shit 
> 2: stunt cubit 
> 3: wombat hart 
> 4: nugget tart 
> 5: angst abort 
> 6: flat nought
> 7: vomit thought 
> 8: short swat
> 
> 
> 03.18.06
> 
> 

Re: FLUXLIST: Normal Where and Tear

[suse]

touche`

  - Original Message - 
  From: 
  Cecil 
  Touchon 
  To: FLUXLIST@scribble.com 
  Sent: Friday, March 17, 2006 2:54 
PM
  Subject: Re: FLUXLIST: Normal Where and 
  Tear
  
  On a similar 
  subject
  Book 2 #29 12/19/00 
  5:12:15 PM<>This IS a surprise! 
  
  "AS SEEN ON NATIONAL 
  TV"
  
  A violation of the 
  established rules of Convention cannot be defended,
  Let us bring out a 
  distinction we are making here.
  Can someone please tell me a 
  little more about what was happening
  upon the impressible hearts 
  of the school-girls whose smiling observance they might chance passingly to 
  arrest?
  
  I look in vain for something 
  that makes sense.
  I see nothing but smoke and 
  mirrors.
  I hear nothing but 
  spin.
  What was the final and actual 
  count? 
  Have I missed that? 
  
  Where can I find that 
  information?
  Look, we don't want to waste 
  your time...or ours
  Truth + Spin = 
  Bullshit
  a connection may be 
  simplistic at best
  It probably works for some 
  people.
  People must be able to think 
  they can find you
  There must be an 
  indescribable air of refinement,
  A frisson of power. 
  
  There is a subtle influence 
  connected with this art which is not easily defined; we can all recognize it 
  when we listen to them, and yet few of us could point out wherein the science 
  lies
  
  you'll find the records easy 
  to manipulate
  They don't mean anything, 
  they don't mean anything at all.
  It's always well 
  disguised.
  
  We come in through your 
  speakers or 
  we come in through your 
  television set, 
  like a lot of these other 
  messages. 
  But we're not really trying 
  to sell anything. 
  We do this because this is 
  what we do.
  Cecilhttp://touchon.com

Re: FLUXLIST: Normal Where and Tear

[suse]

You are too kind--but thanks!
Suse

   
  
  
  Suse and 
  Carol,
   
  Thanks for the kind 
  words. Suse, I’m not sure if I really deserve credit for more profundity than 
  you. Your poem cuts much deeper.
   
  Allan
   
  
  
  
  
  From: owner-FLUXLIST@scribble.com 
  [mailto:owner-FLUXLIST@scribble.com] On Behalf Of suseSent: Friday, March 17, 2006 11:07 
  AMTo: FLUXLIST@scribble.comSubject: Re: FLUXLIST: Normal Where and Tear
   
  
  I simply love this Normal poem.
  
  I also have a sonnet (and I heard 
  a good one last night at a farewell toast-- tis the season I 
  suppose)
  
  mine is not as profound but born 
  of recent experience.
  
  (I am certain someone must have 
  started one like this before--first 8 words--it being 
  iambic)
  
   
  
  The 
  Snake
  
   
  
  I am I am I am Iam a 
  job.
  
  I find myself within its grasp 
  each day.
  
  I am no thief, no whore, no wench, 
  no slob;
  
  I earn my sleep and live and play 
  and pray.
  
  It suits me well to pay on all my 
  bills,
  
  provide good food, protection for 
  my child,
  
  shelter from the storm, and 
  outrageous ills--
  
  with luck a junket to 
  the isle of wild.
  
  But now! I've quit my job and I am 
  lost!
  
  My reason dashed by unabashed 
  fear--
  
  Security ain't but a drunken boat 
  tossed
  
  upon some uncollapsing wave to 
  here.
  
  The most loved dreams inside our 
  heads
  
  need economic means or else 
  they're dead.
  
   
  

- Original Message - 


From: Allan 
Revich 

To: FLUXLIST@scribble.com 


Sent: Friday, 
March 17, 2006 10:21 AM

Subject: 
FLUXLIST: Normal Where and 
Tear

 
Normal Where and 
Tear
 
This is not about the way that 
anybody goes
It is about the news on the 
radio as seen on TV
When the talking head says 
nothing about me
When the spinning tops plunder 
what no one knows
 
It could be said that the world 
is an oyster shell
Lifting itself above the turtle 
back frames on spectacles
Like that time the pope wore 
Chinese food manacles 
Or that event when nobody who 
knew could tell
 
Some people went out to fight a 
war for peace
While other people stayed behind 
to fight the battle
When governments fell among the 
popular prattle
And soulless priests give 
sermons on lease
 
Anything goes because nobody 
knows
Everyone knows what the scrap 
heap grows
 
 
Allan 
Revich
http://www.digitalsalon.com
 
 

Re: FLUXLIST: Normal Where and Tear

[suse]

I simply love this Normal poem.
I also have a sonnet (and I heard a good one last 
night at a farewell toast-- tis the season I suppose)
mine is not as profound but born of recent 
experience.
(I am certain someone must have started one like 
this before--first 8 words--it being iambic)
 
The Snake
 
I am I am I am Iam a job.
I find myself within its grasp each 
day.
I am no thief, no whore, no wench, no 
slob;
I earn my sleep and live and play and 
pray.
It suits me well to pay on all my 
bills,
provide good food, protection for my 
child,
shelter from the storm, and outrageous 
ills--
with luck a junket to the isle of 
wild.
But now! I've quit my job and I am 
lost!
My reason dashed by unabashed fear--
Security ain't but a drunken boat 
tossed
upon some uncollapsing wave to here.
The most loved dreams inside our heads
need economic means or else they're 
dead.
 

  - Original Message - 
  From: 
  Allan 
  Revich 
  To: FLUXLIST@scribble.com 
  Sent: Friday, March 17, 2006 10:21 
  AM
  Subject: FLUXLIST: Normal Where and 
  Tear
  
  
  Normal Where and 
  Tear
   
  This is not about the way that 
  anybody goes
  It is about the news on the radio 
  as seen on TV
  When the talking head says nothing 
  about me
  When the spinning tops plunder 
  what no one knows
   
  It could be said that the world is 
  an oyster shell
  Lifting itself above the turtle 
  back frames on spectacles
  Like that time the pope wore 
  Chinese food manacles 
  Or that event when nobody who knew 
  could tell
   
  Some people went out to fight a 
  war for peace
  While other people stayed behind 
  to fight the battle
  When governments fell among the 
  popular prattle
  And soulless priests give sermons 
  on lease
   
  Anything goes because nobody 
  knows
  Everyone knows what the scrap heap 
  grows
   
   
  Allan 
  Revich
  http://www.digitalsalon.com
   
   

Re: FLUXLIST: Fw: "Lunch"

[suse]

If you go-take the Amtrak 92--if you can afford it 
take a cabinette--Meals are very good--Aside from a few snobs and sobs the ride 
is exceptionally tranquil. A man named Reggie Williams was attendant that day--a 
wonderful person who handled some white-haired whiners with aplomb.
Me, I'll be at Irish Beatnik night--and its 
afteraftects
But still dealing with effects of 
Chemo
Might have to sit right here.
Suse

  - Original Message - 
  From: 
  Rod Stasick 
  To: FLUXLIST@scribble.com 
  Sent: Friday, March 17, 2006 9:40 
AM
  Subject: Re: FLUXLIST: Fw: "Lunch"
  
  
  On 1427 Safar 16, at 7:59 AM, suse wrote:
  
On 1427 Safar 16, at 12:11 AM, suse wrote:

  
  
and yet the music you play 
is enormously complex--no?
Yes, it's 
often unnecessarily complex too.R~
  Playing:
  
  http://imagegen.last.fm/ejeculne/recenttracks/rostasi.gif
   
  Anthony Braxton is at the 
  Iridium in NYC this weekend with a twelvetet--strings, brass, winds and 
  electronics!
  
  Yes! sounds like it'd be great!
  I'll be in DC this week. 
  h..
  
  
  R~
  
  
  
  
  
  
  Now Playing:
  
  http://imagegen.last.fm/ejeculne/recenttracks/rostasi.gif
  
  

FLUXLIST: Fw: Novel excerpt, Ferment Magazine

[suse]

Sent: Thursday, March 09, 2006 2:46 PM
Subject: Novel excerpt, Ferment Magazine


> An excerpt from Chapter 7 of a novel based on a stay
> of several months in Dublin,  Ireland in 1970 has been
> placed in the Travel/Bio folder.
> The novel relates incidents in the lives of
> Irish poets and painters from that period.
>  href="http://www.fermentmagazine.org/Bio/harvest7.pdf";>
>This excerpt will be read at the Buttonwood Tree
> performance space in Middletown, CT at 7:30 PM, March
> 17th, in honor of "St." Patrick's Day and the cause of
> Irish beat poetry.
> 
> Ferment and Ferment Press
> Dr.Roy Lisker
> Ferment, Ferment Press 
> 
> 8 Liberty Street #306
> Middletown, CT 06457
> 
> __
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around 
> http://mail.yahoo.com

Re: FLUXLIST: Fw: "Lunch"

[suse]

On 1427 Safar 16, at 12:11 AM, suse wrote:

  
  
and yet the music you play is 
enormously complex--no?
Yes, it's 
often unnecessarily complex too.R~
  Playing:
  
  http://imagegen.last.fm/ejeculne/recenttracks/rostasi.gif
   
  Anthony Braxton is at the Iridium in NYC this 
  weekend with a twelvetet--strings, brass, winds and 
  electronics!

Re: FLUXLIST: Fw: "Lunch"

[suse]

and yet the music you play is enormously 
complex--no?

  - Original Message - 
  From: 
  Rod Stasick 
  To: FLUXLIST@scribble.com 
  Sent: Thursday, March 16, 2006 9:44 
  PM
  Subject: Re: FLUXLIST: Fw: "Lunch"
  
  Sheesh...life is so unnecessarily complex...
  
  
  R~
  
  
  
  
  
  
  ---
  Now playing: Anthony Braxton/Walter Franks - Improvisation 1
  
  
  
  
  
  
  
  
  
  RANDOM 
  RODIO:
  (often) rodcasting 
  at:
  http://rodcast.dyndns.org:8000/listen.m3u
  
  "you won't like all of 
  it"

FLUXLIST: Fw: "Lunch"

[suse]

okay I have to send this because it arrived right 
next to [lunch event]
- Original Message - 
From: [EMAIL PROTECTED] 

Sent: Thursday, March 16, 2006 7:09 PM
Subject: "Lunch"
I read an article 
the other day in the L.A. Times about how Best Picture Oscar winner "Crash" does 
not accurately reflect the "real" Los Angeles.  The author of the article 
described a typical series of encounters in a local neighborhood that involved 
interactions between people of various nationalities and skin colors, none of 
which resulted in violence, name-calling or even a minor misunderstanding.  
It was somewhat clever and mildly ironic, but not exactly an earth-shattering 
revelation.  After all, what is more surprising, a movie that does not 
accurately reflect reality, or a moviegoer who expects a movie to accurately 
reflect reality.As it happened, I was reading the article while having 
lunch at Irv's Burgers, while in the background owner Sonia Hong carried on a 
constant stream of conversation with patrons and staff, that slipped easily from 
English to Korean to Spanish and back again.   The lunch crowd at 
Irv's is a microcosm of L.A. society containing a  representative 
cross-section of class, color and culture, including rich, poor, young, old, 
black, white, Hispanic, Asian, gay, straight, and tourists.  I got 
to thinking about a line from the movie Crash uttered by Don Cheadle's character 
-- something about how nobody in L.A. has any contact with anyone else, so we 
have to crash into each other just to feel something.  I have had a few 
"crashes" while living here, and I have to say I think I did learn a little more 
about myself and my neighbors from each.Once, while waiting at a 
stoplight I got cut off by a woman in a white sedan.  She angled he car in 
front of me, preventing me from  going forward even after the light 
changed.  There was barely enough room for me to squeeze by her and slip 
into the other lane in order to make the light.  I nudged her bumper with 
mine ever so slightly as I did so -- but didn't really think I'd done any 
harm.  Apparently she thought differently, as I learned after she chased me 
down for two blocks, honking and flashing her lights.  I pulled over and 
got out of my car, filled with indignation."You hit my car!" she 
cried."You cut me off!" I protested."You scratched my 
bumper!""I barely touched you..."This went on for several 
minutes, and I was getting pretty mad.  But as I was reaching into the car 
for my insurance info, it occurred to me that I wasn't mad at her.  I was 
mad because she was right.  I did hit her car.  Whether or not I 
caused any appreciable damage, the fact remained that I caused my car to come in 
contact with her car.  I looked at her and said, "You know what -- you're 
right, I shouldn't have done that.  I'm sorry."Suddenly the whole 
situation changed.  Her face relaxed and she actually smiled, "It's not so 
bad.  I can probably fix it with some rubbing compound."And that 
was that.  She was satisfied.  She didn't even want my insurance 
info.  All she wanted was for me to admit that I was wrong and to 
apologize.  And it really wasn't that hard to do.  And it was 
free.  After that, I learned that a lot of situations can be diffused 
merely by admitting that I was wrong and apologizing.  Even if I don't 
think I'm wrong, I can still apologize.  It doesn't cost me anything and it 
seems to do wonders for people who are upset.  Who knew?Another 
time, I was pulling away from the curb and some guy who was coming around the 
left side of a parked bus decided to swerve into my lane.  He tore my front 
bumper halfway off and left it dangling in the street.  As it turned out he 
was an old Asian man who could barely speak English and had a lot of trouble 
seeing when it came time for to write down his name for me. I think he was 
legally blind.    Naturally the accident was my fault, since I 
was pulling away from the curb and he had the "right of way".  I don't see 
how you can call it the "right of way" when the guy is changing lanes without 
looking or signaling and can't see beyond the end of his nose, but them's the 
rules.Anyway he went on his way and I was stuck with a torn-off 
bumper.  As I was attempting to try and figure out what the hell I was 
going to do, a hispanic man, who had been sitting at the bus stop and had 
witnessed the whole thing, came over and started helping me.  He didn't 
speak any English either and he didn't really need to say much, he just tied my 
bumper back onto the frame with some rope I had in the trunk and then got on his 
bus.  He didn't ask for money, he didn't seem to expect any thanks -- he 
just wanted to help.  I drove around with that tied-on bumper for several 
months before I finally got it fixed.  And when I called my insurance 
company to see if my rates were going up, I found out that the old Asian guy 
never filed a claim.  He could have, but I guess he decided not 
to.Despite thes

FLUXLIST: scroll down

[suse]

 
Click on band for April 7th (or anything 
else!)
 
http://www.buttonwood.org/cgi/calendar.pl

Re: FLUXLIST: [ad hoc music]

[suse]

lovely
not sure what it is exactly
but Milton called the moment
of paradise lost a "perverse event"-- or was it an "event perverse"
"vice--versa--ha ha"
anyway, I recognise the something like dada reinventing itself,
or for some reason,
or because of no reason
I like it.
It is train sounds as i look out the window putting lotion on my feet.
I did [ad hoc music] with a train and I did not even know it.
Okay--over and out for awhile!
suse
- Original Message - 
From: "Jukka-Pekka Kervinen" <[EMAIL PROTECTED]>
To: 
Sent: Thursday, March 16, 2006 2:44 AM
Subject: FLUXLIST: [ad hoc music]


> [ad hoc music]
>
>
> 1. blow: one sound.
> 2. cough: five sound(s).
> 3. listen.
> 4. sling: five sound(s).
> 5. sand: one sound.
> 6. amply: three sound(s).
> 7. tacet.
> 8. lotion: five sound(s).
>
> Repeat, as long as needed.
>
>
>  03.15.06
>
>
>

Re: FLUXLIST: tip toe ag (wag) school of

[suse]

wow holy crap this is great

  - Original Message - 
  From: 
  Sheila 
  Murphy 
  To: FLUXLIST@scribble.com 
  Sent: Wednesday, March 15, 2006 2:33 
  PM
  Subject: FLUXLIST: tip toe ag (wag) 
  school of
  
  tip toe ag (wag) school of 
  
  
  foster 
  shie(l)DING
  clamor or 
  why 
  stipulate 
  the
  threads 
  (reads)
  gone bare 
  hare
  mingling the 
  lines
  of 
  copyright ode
  a la 
  mode
  to pink 
  their way
  to WARD 
  off
  JUNE 
  delinquency
  as 
  matters are
  besmirched 
  with
  clinkety 
  clingon
  sacrifice 
  (accordions)
  accorDINGly
  lifted 
  away 
  the sway 
  of see-
  saw 
  graced with
  packAGING
  cement-costs- 
  
  more-now
  (more) so 
  this guy
  nearby 
  WATERED
  it (a 
  flower bed?)
  to make 
  it run
  like 
  colors we say
  never 
  do
  
  sheila e. 
  murphy

Re: FLUXLIST: a ........... VOID!

[suse]

Bravo!--looks like I got in on this one at the right time.
- Original Message - 
From: "Reid Wood" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, March 15, 2006 2:17 PM
Subject: FLUXLIST: a ... VOID!


> 
> 

Re: FLUXLIST: FLUXUS ANTHOLOGY 2005

[suse]

Just back from a romantic ride on an old train from New York to Miami and
back.
TOO many entries to read backwards
But, in answer to the previous strains of this particular email..:
I did purchase the FLUXUS ANTHOLOGY 2005.
When I bought it I played and listened.
My head was in a perturbed box of eldervine
and I was displeased with the cd and pissed off to boot.

Then, after I quit my job I thought I'd give it another try.
That lyrically haunting Bottom of the Stairs,
which, on first hearing was about 2 minutes too long--
was actually most pleasing, even more so because it had been echoing in my
mind
in myriad permutation
since I'd heard it last.
Perhaps it, the song itself,
helped transform me to my present state
which can be most well defined as PJ: Post Job
The time before the teaching Job is now BJ for Before Job,
and during is now known as DJ for During Job.
In PJ time I have more time-- to listen to things, respond, and even
occassionally jam some word or two together to form a complete sentence.
So, yes, I LOVED that, then there was bAllAd olo dAllAb, which I enjoyed,
familiar and yet not enough recognition for me yet, I know that I will be
listening to it again. Perhaps now?
No, I'll wait otherwise this brief chat note
will turn into another holy friggin novel.

ahem.Heat transfer--I could definitely feel it and felt it transfer to me
and I don't remember what I did with it then but a nice signifying
sound--sweet, Must listen to #70 again--I missed it before I was aware--
I sing Woob Woob all the time
Madawg sister honey I hear you
Alan's Kitchen--On the first hearing my critical New England pickled
cynicism spoke up with an I-can-do--that smugness which we all know is full
of holes. (It is like the Woody Allen joke about not wanting to be in a club
that would accept me as a member. Its is also why I think all you
fluxlisters must be perfectly loathsome creatures. )
So anyway, I was getting into it when I had to go do some chore or other.
So that is where we are leaving the review for now--I'll continue later if
anyone is interested.

I found a new job.
suse
- Original Message - 
From: "Rod Stasick" <[EMAIL PROTECTED]>
To: 
Sent: Wednesday, March 15, 2006 1:45 PM
Subject: Re: FLUXLIST: FLUXUS ANTHOLOGY 2005


>
> On 1427 Safar 14, at 12:18 PM, mIEKAL aND wrote:
>
> > Carol
> >
> > You should get that library to order a copy of the first fluxlist
> > fluxus audio comp as well.
> > Ordering info is here  (as well as free downloads of the CD)
> >
> > http://www.xexoxial.org/fluxuations/initiation.html
> >
>
> Yeah! It cost me a hell of a lot to hire that damn orchestra!
>
> ; )
>
> R~
>

FLUXLIST: Grizzly Girl/Pardon the interruption

[suse]

Pardon this rant--I know I shouldn't --ignor it of 
course if you like--perhaps it is not fluxus related--been ranting for 
days--spose I need a blog. Anyway, I am over and out fer awhile again after this 
one... so don't fret
Grizzly Girl

Or The Attack 
of the 50 Foot Woman, Or The Two Americas Revisited, Or How I 
became a Street Thug
by Suse Allison
 
I recently and intensely experienced a fall common 
to the humanoid; The dreaded dark night of the soul. What makes this 
particularly dangerous for me in particular is that I like to hit 
bottom. I don't know about other people, but I am almost happy when I finally 
hit bottom. I act it out with a joie de vivre that only the French can make 
sound as delectable as it is. Seems a paradox, no? Believe me, the falling 
itself is agony, the subtle, daily, slip-sliding is no picnic. Ah, but hitting 
the bottom somehow feels like home again.
 
I am ready now, here, in desperation to march down 
the Middle of Main Street. I remember a movie poster from the early 60's. A 
lithograph featuring a gigantic woman, crushing the highways, picking up cars in 
her hands with vicious intent. I never saw the movie but the movie poster was 
enough; her sneer is what I feel. Her deranged scowl as she wreaks havoc on 
the civilized world is exactly what I have in mind.
 
I am ready again, to March down the Middle of Main 
street--against traffic, just like Vesta Thomas used to do. Or As his friends 
call him, Vesta Arresta--so called for having the longest arrest record in 
Middletown History. Others call him bear, because they know him as one of the 
warmest, gentlest in Middletown History.
 
So, what started the fall? I quit my job. Quitting 
a job is something I have been warned since childhood to never, ever, do. It is 
like jumping off a moving train or boat-- you will never catch up again. You 
need to wait until you get to a junction, a station to change trains, or a life 
boat at least to get you to the next place. Something. You don't just quit your 
job. Well, I did. I knew I would find other work. And I did. The only problem is 
that having been diagnosed with breast cancer and the subsequent surgeries and 
treatments have left me in reduced capacity to work--at least temporarily. 
Still, if you are living simply, as we do, one missed paycheck begins a 
devastating downward spiral as the paychecks disappear completely. An epidemic 
of famine hits the home finance department and tensions rise, things taken for 
granted become precious.
 
And yet, I have done it before. Am I just that 
selfish? Of course I am--it is another way to beat yourself over the head as 
your outlook follows your finances into the abysmal downward spiral. I 
have jumped off the train before and the adventures I have had along the 
railroad tracks have been some of the most intensely beautiful moments of my 
life. The paradox again is that those moments give you back reason for staying 
on the train again in the first place. As you watch it disappearing round the 
bend. 
 
Affirmations of living are important to those who 
dwell often in melancholy. We would trade our lives for but a moment in the sun. 
But then comes remembrance, responsibility and the emotions that tie us to this 
earth. The fantasy, it turns out is not enough, a return to obscure torture is 
demanded.( remanded?)
 
But the long dark night of the soul, after three or 
four sunrises does not seem so bad. It is no mystery to me why so many of the 
earliest religions worshipped the sun. What a super-yang-spirit-phenomenon with 
an accountability record like no other--except the moon. The moon!
Ah, the moon! The Sumerians called her Sin. What a 
sultry-yin-spirit-perfectly diametrically opposed orb, with a compassion and 
regard like no other--except the sun! And when both are full and round, one 
comes up as the other goes down...
 
So, why is one of the subtitles of this 
essay The two Americas...?
Well, because when you are sliding down the 
slippery slope from security to despair, or, as in my case, you've already hit 
bottom-- you encounter and entirely different set of connections and 
possibilities. Points of view become clear from which you were previously 
occluded. At least in my experience, a stirring of compassion, not just the 
daily kind, with which you commiserate with acquaintances over casually--but the 
electrifying kind, the feel it in the blood kind, that makes you compassionate 
with the oppressed, or the starving, or the brutalized, or the merely 
innocent.
 
It is not always apparent either. I am certain that 
others feel it. We only need to pay attention to the rants and tirades in 
our own speech.
What angers you when you read the newspaper or 
watch the evening news?. Is it Abu graib? It is prices? Is it another politician 
revealed? It is when you begin to rail out loud when no one is around--it is 
during those moments when you most locate your brothers and sisters

Re: FLUXLIST: Back to the fun.

[suse]

 

  Subject: Re: FLUXLIST: Back to the 
  fun.
  
  This is great stuff, Cecil -JohnAgreed joined Suse 
  AMazing range
  word/sound/image powerful--vast in 
  layer backward and forward--
  Have you broken a sound barrier with 
  this site?
  then it was unsound to begin 
  with
  thank you for knocking it down

  (I still have no electric 
  site
  I do have a large brick wall 
  downtown
  it works)
   
  But back to you--fabulous, fluxin 
  fabulous
  In re: especially be interested to hear any commentary on the show inFort 
  Worth called Visual Poetry.
  I can only imagine walking into the room
  the colors assault and correct my arising 
  perception
  the whole room informs me beneath my own 
  awareness
  how to read the signs. I vibrate between the yellow and 
  black
  those poles of the soul--intimately resonating
  this show is fucking great I say
  especially now having even greater context of 
  body
  suse
  At 01:07 AM 2/25/2006, you wrote:
  Greetings all,I now have the 
two exhibitions hanging that have kept me so busy the last three months. 
They may be seenat http://touchon.com along with roughly a CD worth of my 
sound collage works and two books of collage poetry.I would  
The exhibition when I first saw everything together really knocked 
medown. I personally was very happy with the feel of the gallery 
withthese works in it. One of the rooms was almost completely 
yellow,black and white and it was interesting to 'bathe' in the 
coloremanating from the works as a group.Hopefully I can now 
spend a bit more time doing some of the other things I love such as sound 
collages!Can anybody point me to a good and cheap or free program 
for editing sound and for converting files from wav to mp3?Also hi to 
Rod Stasick and Herb Levy whom I got to have lunch with this 
week.Thanks,Cecil
  __Dr. 
  John M. Bennett Curator, Avant 
  Writing CollectionRare Books & Manuscripts LibraryThe Ohio State 
  University Libraries1858 Neil Av MallColumbus, OH 43210 
  USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___ 
  

Re: FLUXLIST: Spinoza Found and Lost

[suse]

 

  
  Spinoza Found 
  
   and lost all perception
  We deduce these kinds of one thing 
  from another as follows:
   "I say", I finally resolved, I therefore debated by sensual pleasure whether it would notstill more absorbmind is enthralledin the case of the mind is. When I saw  these that all  ordinary objects of desire further reflection convexed memany menevils arisenlove towards a thing eternal One thingwas evident,I willhere only briefly state what I mean by true good, human weakness to this orderThis, then, is the end  Must We seek the assistance of Moral Philosophy?!?!Apriori (1) Weetabix rule!(2) To speak in a manner intelligible to the multitude, and to    comply with every general custom that does not hinder the    attainment of our purpose.( "I say," I finally resolved, "the language might be a combination of animal, plant, electromagnetic, and poetic communication)  (3) For we can gain from the multitude    no small advantages, provided that we strive to accommodate    ourselves to its understanding as far as possible: moreover,    we shall in this way gain a friendly audience for the reception afterwards. 
   Having laid down these preliminary fluxus free rules,Reflection Perception arising mere experience Perception arising  there is perception arisingAll these kinds of things, these kinds of one thing from another of perception arisingWe deduce one thing from another, and sometimes two or three.
   

Re: FLUXLIST: automatic poetry

[suse]

Damn Dawg I've been on that site for 3 days
- Original Message - 
From: "Madawg Painterofdark" <[EMAIL PROTECTED]>
To: 
Sent: Friday, February 24, 2006 3:36 PM
Subject: Re: FLUXLIST: automatic poetry


>
>
> --- Joy Stick <[EMAIL PROTECTED]> wrote:
>
> > For us fluxus poets:
> >
> >
>
http://www.ucf.ics.uci.edu/~bob5972/cgi-bin/spamtrap.pl/where%20W...lines/premier%20to/bowing/overcasting%20trapping%20by/splotchiest%20sheathing%20the
> >
> >
> > heroine reallocates!
> >
> Exactly how will that work out?
> just wondering
> Madawg
>
> __
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

Re: FLUXLIST: more found fluxus headlines

[suse]

Sent: Friday, February 10, 2006 7:32 PM
Subject: RE: FLUXLIST: more found fluxus headlines
> 
> Feb.10, 2006
> Monterey Herald:
> 
> Neighbors not receptive to backyard orangutans
>
We have found the same to be true here in Middletown

Re: FLUXLIST: Audio Phile

[suse]

 

  Wow!john
  agreed.
  susehttp://84.40.3.164/ 

Re: FLUXLIST: G

[suse]

I dip in when I can which I did today and I plan 
now to spread my shadow like a sandwich.
and in re: G--its rather styling.
suse

  - Original Message - 
  From: 
  Allan 
  Revich 
  Subject: RE: FLUXLIST: G
  
  
  Thank you 
  John,
   
  Even though your flux 
  poems don’t generally require a response, I want you to know how much I (we?) 
  appreciate receiving them each day.
   
  Allan 
  Revich
   
  
  
  
  
  To: [EMAIL PROTECTED]Subject: FLUXLIST: 
  G
   
   G  glung cam  
  p mis  t  
  t   R  fond 
  fog rat herstilling
  John M. 
  Bennett
  __Dr. 
  John M. 
  Bennett Curator, 
  Avant Writing CollectionRare Books & Manuscripts LibraryThe 
  Ohio 
  State University Libraries1858 Neil Av 
  MallColumbus, 
  OH 43210 USA(614) 
  292-3029[EMAIL PROTECTED]www.johnmbennett.net___

FLUXLIST: Fw: Podcast

[suse]

I don't remember who was asking what about podcasts but this was sent to me 
a few days ago--maybe they can help?
- Original Message - 
From: [EMAIL PROTECTED] 

To: [EMAIL PROTECTED] 
Sent: Thursday, February 02, 2006 10:15 AM
Subject: Podcast



Acoustic Cafe Long Island 
Grab a cup of coffee and this podcast  and you'll be 
transported to a small cafe in Long Island, NY with some of the best local 
acoustic artists, playing folk, rock, blues, ragtime - you name it. If it's 
acoustic, it's at the Acoustic Cafe. And it's a pretty freakin good time. 
Copyright 2006 Cornerstone Creative Works, Inc.
http://www.lipodcast.com/acousticcafe
 

Re: FLUXLIST: FLUXUS ANTHOLOGY 2005: Out Now !

[suse]

Subject: FLUXLIST: FLUXUS ANTHOLOGY 2005: Out Now !


FLUXUS ANTHOLOGY 2005
A collection of music and sound events assembled by Walter Cianciusi
Cover Art by mIEKAL aND & David-Baptiste Chirot

Buy It Now (http://www.cafepress.com/fluxstore) for $8.99!

Finally--I have purchased it! 
Can hardly wait
8.99 seems to be a high-end purchase for me these days--
I'm sure well worth't.

Re: FLUXLIST: a blog

[suse]

yummy!

  - Original Message - 
  From: 
  Reid Wood 
  
  To: FLUXLIST@scribble.com 
  Sent: Thursday, February 02, 2006 8:48 
  AM
  Subject: FLUXLIST: a blog
  Sorry for the delay on this - my ISP had its e-mail server fry 
  about a week ago, and it is just now back to complete functionality. First, I 
  couldn't receive or send e-mail, then I could receive, but not send. Anyway 
...
  I now have a blog; check it out if you are interested:
  
  http://havent-gardeart.blogspot.com
  
  Reid
  
  Reid 
  Wood (State of Being)
  [EMAIL PROTECTED]
  "Haven't-Garde Art"

Re: FLUXLIST: Fw: In today's paper

[suse]

She didn't know for many years
then she found some fluxus in her basement
left there either by the Mix it up chappie or
bibiana padilla maltos,
which then caused her, me, to
contact this confounding list
in the first place.(And seemed to coincide with a bukoff
to become fed up and the secret fluxus to become
even more secretive, among other developments...)
In the second place fluxus was 
omitted from the feature,
as were many other topics of conversation,
probably due to convolutedness 
and other translation hurdles.
One of the photos was taken in front of the
bantam fluxus museum
in the window.(not chosen)
And in the third place,
thank you
suse


- Original Message - 
From: "Don Boyd" <[EMAIL PROTECTED]>
To: 
Sent: Sunday, January 29, 2006 12:45 PM
Subject: RE: FLUXLIST: Fw: In today's paper


> Because she doesn't realize what she is doing is fluxus? -Don
> 
> 
> 
> http://fluxuswest.blogspot.com/
> http://fluxusmuseum.blogspot.com/
> check out my website for the latest images!
> 
> 
> 

FLUXLIST: Fw: In today's paper

[suse]

 

a shameless act of self promotion...a brief bio--but no mention of 
fluxus--how could it be?
Sent: Monday, January 23, 2006 7:54 PM
Subject: In today's paper

http://www.middletownpress.com/site/news.cfm?newsid=15981280&BRD=1645&PAG=461&dept_id=33196&rfi=6