Re: [Frameworks] copyright question

[Dennis Doros]

I contacted Myron directly, but just fyi, TvN
<https://en.wikipedia.org/wiki/TVN_(South_Korean_TV_channel)> is a large
television network out of Seoul. I had the same request and they paid that
same day.

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film
*Celebrating 30 Years! 1990-2020!*

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On Fri, Mar 13, 2020 at 11:09 AM Dominic Angerame <
dominic.anger...@gmail.com> wrote:

> North Korea and Cuba are both on the US list of terrorist nations. I
> travel to Cuba once a year and I cannot transact any financial business
> with Cuba directly. This means air bnb, banks, film festivals and hotels.
> These transactions are strictly forbidden by PayPal. I have had my account
> suspended once by Paypal for attempting to raise funds to travel to Cuba.
> These financial transactions are carefully monitored by financial
> institutions here in the States.
>
> Do so at your ow risk.
>
> Dominic
>
> > On Mar 13, 2020, at 8:02 AM, Dave Tetzlaff  wrote:
> >
> > Hey Myron:
> >
> > Did they (whoever they are) tell you which five seconds they want to
> license? If so, can you describe that content for us? (I’m quite curious..)
> >
> > I shall attempt to address the copyright questions fwiw:
> > (Necessary disclaimer: while I have studied copyright issues, I am not a
> lawyer)
> >
> > I don’t think there is customary fee, i.e. it all depends…
> >
> > What constitutes sufficient authorization for _copyright_ purposes is
> probably up to the parties in the arrangement. I.e. if you wanted to use 5
> seconds of one of MY old films, I’d happily just send you permission via
> email. Rather than a simple text email, though, I'd create a .pdf of a
> letter with a signature a letter with a  pdfnd send that. The matter of
> “doing businees with North Korea” is an entirely different matter, and I
> have no clue what would be sufficient authorization for that.
> >
> > Yes, you would have to tell them you don’t hold the rights to the music,
> if they don’t already know. Again, just as far as copyright is concerned,
> your visual track and the music track are separate works with separate
> rights. Whether ‘party x’ can use your images is up to you.  Whether ‘party
> x’ can use the music is up to whoever is the rightsholder for that.
> >
> >
> > ___
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> > https://mailman-mail5.webfaction.com/listinfo/frameworks
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Re: [Frameworks] How do people encode DVDs for international distribution? NTSC / PAL?

[Dennis Doros]

Dear Robert,

We issue DVD and DVD-Rs as zone free and in NTSC. We have yet to find a
European DVD player that couldn't play them. (Our Blu-rays are almost all
zone free as well.)

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

President, *Association of Moving Image Archivists*
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On Fri, Jan 3, 2020 at 1:42 PM  wrote:

> I have a question that frameworkers might be able to help with.
>
> I and a collaborator recently received a grant in Denmark to put a
> number of experimental films on DVD and/or BluRay.  What we have run
> into is this: the films are at 24fps, both made at that speed visually
> and for the music that was written for them.  In Denmark, the DVD
> company only encodes at 25fps in PAL.  This is the wrong speed for both
> the picture and the music.  BluRay works fine.  One option that has been
> suggested is to just make the BluRay and provide a link to watch the
> original file online.  I don't especially like this option, but I'm not
> sure I see another way.
>
> The problem isn't really that the DVD would be PAL, it's that the speed
> is wrong.
>
> What have others of you done in this sort of situation?
>
> Thanks for any stories or recommendations!
>
> Robert Schaller
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Re: [Frameworks] Vinegar syndrome?

[Dennis Doros]

Dear Eliza,

If you don't find any help here, you can try the Association of Moving
Image Archivists <https://amianet.org/engage/amia-l-listserv/>' listserv.
There's also this website: http://www.triggertone.com/term/Vinegar_Syndrome and
most importantly, the Image Permanence Institute in Rochester, NY. Their
contact information is here:
https://imagepermanenceinstitute.org/contact.html and they are among the
leading experts in the field.

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

President, *Association of Moving Image Archivists*
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On Tue, Dec 17, 2019 at 8:09 AM  wrote:

> Ask Helmut Herbst.
>
>
>
> Regards
>
> Hannes
>
>
>
> *Von:* FrameWorks  *Im Auftrag
> von *Steven
> *Gesendet:* Dienstag, 17. Dezember 2019 13:35
> *An:* frameworks@jonasmekasfilms.com
> *Betreff:* Re: [Frameworks] Vinegar syndrome?
>
>
>
> You might want to try to contact the National film archives - in the US,
> not sure if that is the correct term or title of the agency. I remember
> seeing a presentation many years ago where they had a film that had been
> irreparably damaged by Vinegar syndrome, so every so often then would make
> a print of it in its current condition, to watch the deterioration
> progress. It was quite fascinating.
>
>
>
>
>
> On 12/17/19 7:25 AM, eliza levinson wrote:
>
> Hi, dear Frameworks friends ~
>
>
>
> I'm lucky enough to know some of you personally (hi, Microscope! hi,
> EPFC!), but in case I don't, I'm a Berlin-based artist and writer with a
> big love for analog film. I'm working on a series (both visual and
> text-based) for a zine this January where the theme is "vinegar," so,
> naturally, I'm writing about vinegar syndrome. The piece will combine
> around 500 words on the subject with 6-8 hi-res images of some nice
> deteriorating film.
>
>
>
> I'm writing to ask:
>
> • does anyone have digitized films available online which demonstrate
> vinegar syndrome, which you might be interested in contributing to being
> featured in this piece in the form of stills? You will be credited!
>
>
>
> • does anyone have thoughts or feelings about vinegar syndrome they might
> want to share, that could be included in the piece?
>
>
>
> Thanks so much! Have a nice day,
>
> Eliza
>
>
>
>
>
> ___
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>
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>
>
>
> --
>
> Steven Gladstone
>
> New York Based Filmmaker
>
> 917-886-5858
>
> http://www.gladstonefilms.com
>
> http://roadtodad.blogspot.com/
>
> http://indiekicker.reelgrok.com/
>
> http://www.blakehousemovie.com
>
> http://www.hellion.gladstonefilms.com
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Re: [Frameworks] Films about places with descriptive voice-over

[Dennis Doros]

Definitely Margot Benacerraf's ARAYA (Araya, Venezuela). Kent Mackenzie's
BUNKER HILL and THE EXILES (Bunker Hill, LA).

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

President, *Association of Moving Image Archivists*
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On Sun, Nov 3, 2019 at 12:08 PM Albert Alcoz  wrote:

> *The Black Tower
> <http://johnsmithfilms.com/selected-works/the-black-tower/> *by John
> Smith (a voice-over explaining an ironic tale about darkness)
> *Slow Action <http://www.benrivers.com/slow.html>* by Ben Rivers (a
> voice-over about a dystopian science fiction point of view)
> *Thames Film <https://lux.org.uk/work/thames-film>* (2013) by William
> Raban (a voice-over about the river Thames from an historic perspective)
>
> In fact it looks like the departure point (voice-over films that are a
> response to specific places) is really wide.
> Any documentary about a places or architecture would be useful. One
> example *Reconversao* <https://vimeo.com/46823925> by Thom Andersen about
> Eduardo Souto Moura...
>
> On Sun, Nov 3, 2019 at 5:56 PM Heath Iverson 
> wrote:
>
>> Also John Gianvito's Profit Motive and the Whispering Wind.
>>
>> On Sun, Nov 3, 2019 at 11:53 AM Adam Hyman  wrote:
>>
>>> Perhaps Patrick Keillor’s films, “London”, “Robinson in Space” and
>>> “Robinson in Ruins" would be of interest.  Not sure if they are concrete
>>> enough for you, but definitely lots of voice over as responses to specific
>>> places.
>>>
>>>
>>> From: FrameWorks  on behalf of
>>> Niurgun Bootur 
>>> Reply-To: "Experimental Film Discussion List <
>>> frameworks@jonasmekasfilms.com>" 
>>> Date: Sunday, November 3, 2019 at 6:18 AM
>>> To: "Experimental Film Discussion List "
>>> 
>>> Subject: [Frameworks] Films about places with descriptive voice-over
>>>
>>> Dear Frameworkers,
>>>
>>> A friend of mine is working on a short film about the architectural
>>> aspects of a neighborhood in Malagueira, Portugal and the gap between its
>>> architect's utopian vision and the present reality. He would like to work
>>> with a voice-over to describe something imaginary, like simple everyday
>>> situations, all unseen and imagined, as if sensed and commented upon by the
>>> architect himself.
>>>
>>> I would be grateful if you could you suggest voice-over films that are a
>>> response to specific places or have a way of telling that describes a place
>>> or a situation in concrete terms. For example, John Smith's *The Girl
>>> Chewing Gum*.
>>>
>>> Thanks a lot,
>>> Niurgun
>>>
>>>
>>> ___ FrameWorks mailing list
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>>>
>> ___
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>>
>
>
> --
> http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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Re: [Frameworks] Help with digitizing reel-to-reel tapes

[Dennis Doros]

I've been using Digital Media Services in New York. Trevor Boelter
EVP, Sales  818.846.4000 <818.846.4000%20x1313>  818.679.1056 cell
   tboelter@ digitalmediaservices.com

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

President, *Association of Moving Image Archivists*
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On Sat, Nov 2, 2019 at 5:32 PM Scott Dorsey  wrote:

> Steve Puntolillo at Sonicraft is the first place I would go.  First of all,
> they are careful people and will set their machines up properly for your
> tapes.  If your tapes have tones, they will line them up, if they don't
> they
> will set the azimuth by ear.  And then they are able to do clean unattended
> transfers which will cost you less than having an attended transfer done.
>
> If you have 3 3/4 ips tapes, likely they were made on consumer machines
> which
> might be quarter-track instead of normal professional half-track
> configuration
> and they can identify those and make sure they have the right headstack in
> the machine.
>
> I can do transfers like this but I'll charge a whole lot more money
> because
> I have one machine that will need to be reconfigured for every different
> format and then re-aligned at the end for normal studio configuration and
> every time I do that you pay for the time.  If you send it to someone like
> Sonicraft that specializes in the work, they can do it faster and that
> means
> doing it cheaper because they have machines already configured and they
> don't need to be swapping heads and speed control boards all the time.
>
> If you think there is ANY chance that any of these tapes have center track
> pilot tone or timecode, warn the transfer guy in advance and make sure he
> has a machine with nagratone heads so he can pull the synch signal off.
> --scott
>
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Re: [Frameworks] Premiere alterantive

[Dennis Doros]

I use Final Cut Pro X since I'm used to it, but to be honest, I really
should be using my DaVinci Resolve. It's really an excellent program and
the free version will do most of what you need. I had all our interns use
it this summer and they really loved it. The paid version is really
excellent.

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

President, *Association of Moving Image Archivists*
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On Thu, Sep 12, 2019 at 11:47 AM Dominic Angerame <
dominic.anger...@gmail.com> wrote:

> The biggest problem I have found so far with Premier is not being able to
> export files to play on DVDs all I get are data files that will not play on
> ordinary DVD players.  I guess they presume all is streaming on a computer.
> If anyone has an easy solution for this on Premier,  it is more than
> appreciated.
>
> Dominic
>
> On Sep 12, 2019, at 8:05 AM, Matt Shaw  wrote:
>
> fellow filmmakers—
>
> Adobe Premiere Pro CC seems to be an endless source of trouble this past
> year or two, seemingly linked with Mac updates and Adobe updates being in
> discord. The application either doesn’t load at all or loads and becomes
> unresponsive.
>
> I’m looking for feedback from folks working on projects in iMovie, Final
> Cut, AVID or are making Premiere work for them. I started editing with
> Final Cut 7 and miss its stability if nothing else. Calling Adobe Customer
> Service of course...
>
>
> Since the messageboards always ask for it
>
> Adobe Premiere Pro 13.1.1 (Build 2)
> Mac OS High Sierra 10.13.6
> 2.2 Ghz Core i7 processor
> 16 GB 1600 MHz DDR3 memory
> Intel Iris Pro 1536 MG graphics
>
>
>
> Matt
>
> 🌲📡🌲
>
>
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Re: [Frameworks] Seeking Silent Film Sequence Reference

[Dennis Doros]

Dear Ken,

Sorry I can't think of one off the top of my head but you also might want
to check out Nitrateville.com -- it's a forum of silent and early sound
fans and experts. That's where I would go for the most answers.

Fondest regards,
Dennis Doros
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

President, *Association of Moving Image Archivists*
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On Mon, Aug 5, 2019 at 11:22 AM Ken Paul Rosenthal <
kenpaulrosent...@hotmail.com> wrote:

> A friend of a friend who is studying women's lit at UCLA has an "urgent
> film nerd question" for her research: does anyone know of a famous (or at
> least recognizable) scene in an old silent comedy where some disappears
> (a-la Méliès) leaving only empty clothes behind?
>
> Perhaps there are many but any references would be appreciated.
>
> Thanks, Ken
>
> <http://www.kenpaulrosenthal.com>
> <http://www.kenpaulrosenthal.com>
>
> www.kenpaulrosenthal.com
>
>
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Re: [Frameworks] nitrate reels

[Dennis Doros]

Dear Mary,

The answer is to take it to your nearest archive that can handle nitrate
film. Has your local film archive identified the content? In itself, if
it's in good condition, nitrate is safe and obviously can last more than a
hundred years. What you have might be deemed worthless (if there's other
copies in good condition), or it can be one of a kind. See the discovery of
SOMETHING GOOD - NEGRO'S KISS from 1896 found last year and now on the LoC
National Film Registry. If you need advice of other archives who might be
more willing to take it in, please contact me directly.

Fondest regards,
Dennis Doros, Co-owner
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

President, *Association of Moving Image Archivists*
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On Wed, Dec 12, 2018 at 5:48 AM mstark...@gmail.com 
wrote:

> Hi all,
>
> I have three reels of 35mm suspected as nitrate and confirmed by my local
> film archive recently. They want to dispose safely of the film via a third
> party… And don’t recommend that it is taken back into a domestic
> environment as they told me it will invalidate my house insurance.  I’m
> torn between recklessly wanting it back to set fire to myself (!) and
> document as an artwork. I have very little idea what is on it apart from
> it’s 1920s (and presumably not thought to be significant if the archive
> want to destroy it). It’s not in bad condition and has just been sitting in
> my studio for the last three years. I suddenly panicked about it
> spontaneously combusting after watching Bill Morrison’s Dawson City: Frozen
> Time, which includes lots of footage of film setting on fire!
>
> Any recommendations, thoughts, warnings, advice from an artist filmmaker
> perspective, rather than an archival perspective, are welcomed.
>
> Mary
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Re: [Frameworks] Voice over

[Dennis Doros]

Margot Benacerraf's ARAYA.

Luc Besson's ATLANTIS

Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE
VICTORY is about 90% voice-over.


​

Fondest regards,
Dennis Doros, Co-owner
*Milestone Film & Video • *PO Box 128 • Harrington Park, NJ 07640
Phone: +1 (201) 767-3117 • Email: milefi...@gmail.com • www.milestone.film

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On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan  wrote:

> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
>
> And not to forget some of the most haunting voice-over performances ever
> -- the films of Marguerite Duras ('Agatha et les lectures illimitées',
> 'India Song').
>
>
> On Sunday, April 8, 2018, T. Siddle  wrote:
>
>> Blue, by Derek Jarman
>> The Black Tower, by John Smith
>> Black Swans at Night, by Fiona Trigg
>>
>>
>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba  wrote:
>>
>>> Universal Hotel,  by Peter Thompson
>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
>>> Jollies, by Sadie Benning
>>> Vanalyne Green’s work (Spy in the House that Ruth Built
>>> Las Hurdes, by Bunuel
>>>
>>>
>>>
>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar 
>>> wrote:
>>>
>>> Bill Brown
>>>
>>> regards,
>>>
>>> Shashwati Talukdar
>>> 夏雪莉
>>> ---
>>> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati>
>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US>
>>> <https://twitter.com/cinedevi>
>>> [image: Four Nine and a Half Pictures, Inc.]
>>> <http://fournineandahalf.com/>
>>> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com/>
>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/
>>> http://fournineandahalf.com
>>>
>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick 
>>> wrote:
>>>
>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>>>>
>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <
>>>> mariah.garn...@gmail.com> wrote:
>>>>
>>>>> Hi!
>>>>> Does anyone have recommendations of films that are all voice over that
>>>>> are particularly great?
>>>>> ___
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>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>
>>>>
>>>>
>>>> ___
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>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>
>>>>
>>> ___
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>>>
>>>
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>>>
>>
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[Frameworks] Final Cut Pro X non drop frame output

[Dennis Doros]

Dear folks,

I have to deliver an SD file at 29.97 with non drop frame. Can Final 
Cut Pro X or Compressor 4 output to this and if so, how?


Best regards,
Dennis Doros, Co-owner
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: +1 201-767-3117 / Email: <mailto:milefi...@gmail.com>milefi...@gmail.com
<http://www.milestone.film>www.milestone.film
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Re: [Frameworks] Jazz Music and Avant-Garde Film

[Dennis Doros]

Thank you for mentioning Shirley Clarke already. Three of her features that
can be considered avant-garde at least in part: THE CONNECTION, THE COOL
WORLD and ORNETTE: MADE IN AMERICA all feature jazz scores.

Consider her work on the Loop films she did for the 1958 Brussels World
Fair, where they refused to allow her to use jazz scores. Since she wasn't
allowed, she *cut* them as if they were jazz pieces.

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: +1 201-767-3117 / Email: milefi...@gmail.com
www.milestone.film


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On Mon, Nov 13, 2017 at 11:29 AM, Madison Brookshire 
wrote:

> In addition to those that have already been listed, three of my favorites
> are:
>
> Charles Burnett,* When It Rains, *(1995)
> Cauleen Smith, *The Way Out is the Way Two: 14 Short Films About Chicago
> and Sun Ra* (2010), a feature-length constellation of experimental
> psychogeographic films on Sun Ra, improvisation, and creative music.
> Ja'Tovia M Gary, *AN ECSTATIC EXPRIENCE* (2015)
> Barbara McCullough, *Horace Tapscott: Musical Griot *(2016)
>
> All the best,
> Madison
>
>
> On Mon, Nov 13, 2017 at 8:14 AM, Esperanza Collado <
> esperanzacolla...@gmail.com> wrote:
>
>> Hey Albert,
>>
>> Also, have a look at the work of the Buharov Brothers. There is a lot of
>> jazz improvisation there.
>> I believe Re:Voir is releasing soon a DVD of their films and Max Le Cain
>> wrote a piece about their work.
>>
>> Ciao!
>>
>> 2017-11-13 13:20 GMT+01:00 John McAndrew :
>>
>>> Has anyone mentioned Paula Gladstone's 1980 film 'The Dancing Soul Of
>>> The Walking People' yet? I seem to recall Duke Ellington, Alice Coltrane,
>>> Anthony Braxton, The Art Ensemble of Chicago and some others featuring on
>>> the soundtrack.
>>>
>>> Incidentally, I would LOVE to see this film be released on Blu-Ray - I
>>> saw it twice in its restored glory at the Bradford International Film
>>> Festival in 2013 and it easily stands as one of the most beautiful films
>>> I've ever experienced... one for RE:VOIR to release perhaps?
>>>
>>> John
>>>
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>>>
>>>
>>
>>
>> --
>> Esperanza Collado
>>
>>
>>
>> www.esperanzacollado.net
>>
>> ___
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>>
>>
>
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Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

[Dennis Doros]

Dear Michael,

The very cool thing about AMIA is we welcome *everyone*. There are the
archivists, but also academics, librarians, students, filmmakers, film
collectors, lab people, and yes, even distributors. The mandate of AMIA is
very simple and right up front at www.amianet.com -- to foster cooperation
(ie. friendship) to further the cause of preservation and restoration.

And thanks about BLESS and KOS! Chicago's Ross Lipman had the most to do
with it. (With Billy and Charles of course!)

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: +1 201-767-3117 / Email: milefi...@gmail.com
www.milestone.film


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On Sun, Sep 10, 2017 at 7:30 PM, Michael Bucuzzo  wrote:

> Dennis,
>
> Would the AMIA conference be helpful for those who are just beginning to
> pursue restoration and preservation as a new career option, or going back
> to school? As long as it accommodates those with a "sparse" background, it
> seems like it would give me a great window into the field.
>
> On a related note, I watched Bless Their Little Hearts alongside Killer of
> Sheep yesterday in Chicago, restoration looked beautiful. So thank you for
> that as well!
>
> Best,
> Michael
>
> On Sun, Sep 10, 2017 at 4:02 PM, Dennis Doros  wrote:
>
>> Dear Michael,
>>
>> A lot of people do go on to work at those two archives and elsewhere, but
>> honestly, I usually get to meet the students after they get jobs, so you
>> might want to get the information from the school itself.  The other school
>> that has that preservation/curation dual study is NYU's MIAP program. I
>> like their professors just as much and they have very cool history of
>> traveling yearly to foreign countries (especially in Latin and South
>> America) as a group to inspect, catalog, fix and re-can films. The only
>> disadvantage is the cost of NYC and NYU.
>>
>> You also should be interested in the Association of Moving Image
>> Archivists <http://www.amiaconference.net/> conference. This year it's
>> November 29-December 2 in New Orleans. It's not only a great education with
>> some amazing panels, but you also get to meet a lot of students and
>> professionals in the field. (Note that I am a bit prejudiced -- I'm a long
>> term member of AMIA and have held positions on the board.)
>>
>>
>> Best regards,
>> Dennis Doros
>> Milestone Film & Video
>> PO Box 128 / Harrington Park, NJ 07640
>> Phone: +1 201-767-3117 <(201)%20767-3117> / Email: milefi...@gmail.com
>> www.milestone.film
>>
>>
>> JOIN OUR MAILING LIST TODAY!
>> <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2>
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>> <https://twitter.com/#!/MilestoneFilms>!
>>
>>
>> On Sun, Sep 10, 2017 at 4:47 PM, Michael Bucuzzo 
>> wrote:
>>
>>> Dennis,
>>>
>>> Thank you for the information, that's very helpful. Great to hear the
>>> work at EYE is so hands-on and rigorous. I am primarily interested in the
>>> restoration side, but what's appealing about Amsterdam is the weight they
>>> seem to give both areas. That said, I have a friend with an interest in
>>> preservation and curation, so I'd be very grateful for recommendations on
>>> any related schools and programs.
>>>
>>> I'm also curious to know where graduates usually find related work after
>>> the program. Essentially, how hard is it to find work in Europe, US or
>>> elsewhere?
>>>
>>> Cheers,
>>> Michael
>>>
>>> On Sun, Sep 10, 2017 at 2:34 PM, Dennis Doros 
>>> wrote:
>>>
>>>> Dear Michael,
>>>>
>>>> I'm not a graduate of the program and I can only talk on the
>>>> Preservation side of the program, but I have great respect for the teachers
>>>> -- Dr. Masson, Dr. Fossati, Professors Noordegraaf and Elsaesser. Also
>>>> for Mark-Paul Meyer who's on staff. (The rest I don't personally know.) If
>>>> you are looking at restoration, the advantage of the University (besides
>>>> its excellent program) is that there are internship possibilities with the
>&

Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

[Dennis Doros]

Dear Michael,

A lot of people do go on to work at those two archives and elsewhere, but
honestly, I usually get to meet the students after they get jobs, so you
might want to get the information from the school itself.  The other school
that has that preservation/curation dual study is NYU's MIAP program. I
like their professors just as much and they have very cool history of
traveling yearly to foreign countries (especially in Latin and South
America) as a group to inspect, catalog, fix and re-can films. The only
disadvantage is the cost of NYC and NYU.

You also should be interested in the Association of Moving Image Archivists
<http://www.amiaconference.net/> conference. This year it's November
29-December 2 in New Orleans. It's not only a great education with some
amazing panels, but you also get to meet a lot of students and
professionals in the field. (Note that I am a bit prejudiced -- I'm a long
term member of AMIA and have held positions on the board.)


Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: +1 201-767-3117 / Email: milefi...@gmail.com
www.milestone.film


JOIN OUR MAILING LIST TODAY!
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On Sun, Sep 10, 2017 at 4:47 PM, Michael Bucuzzo  wrote:

> Dennis,
>
> Thank you for the information, that's very helpful. Great to hear the work
> at EYE is so hands-on and rigorous. I am primarily interested in the
> restoration side, but what's appealing about Amsterdam is the weight they
> seem to give both areas. That said, I have a friend with an interest in
> preservation and curation, so I'd be very grateful for recommendations on
> any related schools and programs.
>
> I'm also curious to know where graduates usually find related work after
> the program. Essentially, how hard is it to find work in Europe, US or
> elsewhere?
>
> Cheers,
> Michael
>
> On Sun, Sep 10, 2017 at 2:34 PM, Dennis Doros  wrote:
>
>> Dear Michael,
>>
>> I'm not a graduate of the program and I can only talk on the Preservation
>> side of the program, but I have great respect for the teachers -- Dr.
>> Masson, Dr. Fossati, Professors Noordegraaf and Elsaesser. Also for
>> Mark-Paul Meyer who's on staff. (The rest I don't personally know.) If you
>> are looking at restoration, the advantage of the University (besides its
>> excellent program) is that there are internship possibilities with the
>> archives in the Netherlands, and they are some of the best in the world.
>> Two of my favorites are the EYE Filmmuseum and the Netherlands Institute
>> for Sound and Vision. Interns at EYE Filmmuseum have written many of the
>> blogs at https://www.eyefilm.nl/collectie/collectieblog and they give
>> you some idea of what the interns are doing there. The staff at EYE gives
>> them very challenging work.
>>
>> If you're interested in the Preservation side and looking at the other
>> schools, I can help you on them as well.
>>
>> Best regards,
>> Dennis Doros
>> Milestone Film & Video
>> PO Box 128 / Harrington Park, NJ 07640
>> Phone: +1 201-767-3117 <(201)%20767-3117> / Email: milefi...@gmail.com
>> www.milestone.film
>>
>>
>> JOIN OUR MAILING LIST TODAY!
>> <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2>
>> Support us on Facebook
>> <http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter
>> <https://twitter.com/#!/MilestoneFilms>!
>>
>>
>> On Sun, Sep 10, 2017 at 2:53 PM, Michael Bucuzzo 
>> wrote:
>>
>>> Hi Frameworks,
>>>
>>> I was hoping to get some thoughts from folks familiar with the Preservation
>>> and Presentation of the Moving Image master's program
>>> <http://www.uva.nl/en/shared-content/subsites/graduate-school-of-humanities/en/dual-masters/preservation-and-presentation-of-the-moving-image-heritage-studies/preservation-presentation-of-the-moving-image.html?search=heritage&origin=5BOaRAofTjCccATraJp2XA>
>>> at the University of Amsterdam.
>>>
>>> For anyone who's been through it, I'd love to get some general feedback
>>> on the courses, connections with other institutions, post-program work, etc.
>>>
>>> Thanks for the help!
>>>
>>> *Michael Bucuzzo*
>>> 978.478.7750 <(97

Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

[Dennis Doros]

Dear Michael,

I'm not a graduate of the program and I can only talk on the Preservation
side of the program, but I have great respect for the teachers -- Dr.
Masson, Dr. Fossati, Professors Noordegraaf and Elsaesser. Also for
Mark-Paul Meyer who's on staff. (The rest I don't personally know.) If you
are looking at restoration, the advantage of the University (besides its
excellent program) is that there are internship possibilities with the
archives in the Netherlands, and they are some of the best in the world.
Two of my favorites are the EYE Filmmuseum and the Netherlands Institute
for Sound and Vision. Interns at EYE Filmmuseum have written many of the
blogs at https://www.eyefilm.nl/collectie/collectieblog and they give you
some idea of what the interns are doing there. The staff at EYE gives them
very challenging work.

If you're interested in the Preservation side and looking at the other
schools, I can help you on them as well.

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: +1 201-767-3117 / Email: milefi...@gmail.com
www.milestone.film


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On Sun, Sep 10, 2017 at 2:53 PM, Michael Bucuzzo  wrote:

> Hi Frameworks,
>
> I was hoping to get some thoughts from folks familiar with the Preservation
> and Presentation of the Moving Image master's program
> <http://www.uva.nl/en/shared-content/subsites/graduate-school-of-humanities/en/dual-masters/preservation-and-presentation-of-the-moving-image-heritage-studies/preservation-presentation-of-the-moving-image.html?search=heritage&origin=5BOaRAofTjCccATraJp2XA>
> at the University of Amsterdam.
>
> For anyone who's been through it, I'd love to get some general feedback on
> the courses, connections with other institutions, post-program work, etc.
>
> Thanks for the help!
>
> *Michael Bucuzzo*
> 978.478.7750 <(978)%20478-7750>
> *Michaelbucuzzo.com <http://Michaelbucuzzo.com>*
>
> ___
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>
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Re: [Frameworks] Seeking advice for licensing a 1929 film owned by Warner Brothers

[Dennis Doros]

I would agree with Dave except for the description of bullet-proof.
Yes, it most
likely would be fair use and would stand up in court. But to be
bulletproof, that would entail hiring a lawyer like Michael Donaldson of
 Donaldson + Callif (Los Angeles) or J.Stephen Sheppard of Cowan DeBaets
Abrahams and Sheppard (New York) to vet your Fair Use and from that, to get
E&O insurance to back up the claim.
​ ​
I think
 Continental and Axis were the cheapest. But that's about $10,000 to
$15,000, so
​
if it's only one or two clips, it's cheaper to pay for rights if you want
to be bulletproof without the E&O.


Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: +1 201-767-3117 / Email: milefi...@gmail.com
www.milestone.film


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On Sat, Jul 15, 2017 at 10:13 PM, Dave Tetzlaff  wrote:

> For an “essay film” I’d guess the way you’d incorporate only “some clips”
> would be textbook Fair Use, and you shouldn’t have to pay anything for
> rights or obtain permission from anyone. You can check out the American
> University Center for Media and Social Impact (formerly The Center for
> Social Media IIRC) which publishes a series of ‘Best Practices’ guidelines
> for different categories, all of which have been vetted by top IP experts
> in legal practice and academia and been declared “bulletproof”.
> http://cmsimpact.org/program/fair-use/
>
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Re: [Frameworks] Seeking advice for licensing a 1929 film owned by Warner Brothers

[Dennis Doros]

Dear Abigail,

That's not true --MGM never got it right on this set of titles from UA. In
1936, UA's Art Cinema (Joe Schenck's productions) was dissolved with half
of the films being transferred to Mary Pickford. The rights to Evangeline
now belong to the Mary Pickford Foundation. (My company, Milestone, brought
it out on DVD some years ago but the rights have reverted to MPF.) You can
find them on the web with their contact info.

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: +1 201-767-3117 / Email: milefi...@gmail.com
www.milestone.film


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On Sat, Jul 15, 2017 at 4:34 PM, Abigail Severance 
wrote:

> Hi All,
>
> *I'd appreciate any leads or suggestions on the following, including any
> referrals to contacts *at Warner Brothers distro or licensing.
>
> I'm trying to
> * license some clips, for use in a new essay film, from the Hollywood
> feature *
> *Evangeline, *released by United Artists in 1929,
> starring Dolores del Rio, directed/produced by Edwin Carewe under his Fox
> Pictures company
> *. *The Library of Congress’s lists of films in the public domain doesn't
> include *Evangeline;* it's still a protected work. When I contacted MGM,
> who bought United Artists in 1981, they said Warners now holds the
> copyright. I’ve not had luck hearing back from Warner Brothers though
> I’ve called and emailed their general imaging/clip source office several
> times.
>
> Thanks for any thoughts,
> Abigail
>
> --
> *Abigail Severance *
> Faculty, CalArts School of Film/Video
> bellec...@mac.com || asev...@calarts.edu
> www.abigailseverance.com || 310-508-0352 <(310)%20508-0352>
>
>
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Re: [Frameworks] Tech help - extracting clips from DVDs

[Dennis Doros]

If you google it, there's a problem with Handbrake if you've installed the
latest VLC. It was wasting so much time trying to fix it, that I just paid
for another program.

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

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<http://www.tcm.com/this-month/article/1134849%7C0/th-Anniversary-of-Milestone-Films.html>


On Tue, Nov 3, 2015 at 3:56 PM, tanya goldman  wrote:

> Hi Frameworkers,
>
> I've been having a recurring tech issue and hoping some experts can offer
> some guidance. Please respond back under separate email if you have any
> thoughts.
>
> I often extract film clips from DVDs for teaching and embed them into my
> PPTs.
>
> However, I have increasingly run into issues with VLC and Handbrake and no
> one I have spoken to has any suggestions —the images often appear
> corrupt/pixeled in Handbrake; the sound and image separate on VLC (sound
> plays for about 10-20 seconds before image starts). This occurs with my
> transfers from both older and new DVDs so I do not think that anti-piracy
> coding is to blame.
>
> I was curious if anyone has run into similar problems and has any work
> arounds. Alternatively, what other software (preferably free or low-cost)
> is available that I can use?
>
> I have a relatively new Mac laptop and I've uninstalled/reinstalled both
> programs.
>
> Thank you,
> Tanya
>
>
>
>
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Re: [Frameworks] 16mm telecine in LA

[Dennis Doros]

Abigail,

Fotokem is excellent and I like the people. I also use Modern Videofilm --
they did PORTRAIT OF JASON with us -- and they do an excellent job as well.
My contact there is Vincent Pirozzi who's really become a family friend
since we've worked together on so many jobs. (The rest were on 35mm.)

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
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<https://cdn.shopify.com/s/files/1/0150/7896/files/2015MilestoneVideoCatalog.pdf?2223081985127089573>
!


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On Tue, Sep 1, 2015 at 4:21 PM, Abigail Severance  wrote:

> Who are people using nowadays for 16mm telecine in L.A., besides Fotokem?
>
> Thanks,
> Abigail
>
>
> ***
> Abigail Severance
> 310-508-0352
> abigailseverance.com
>
>
>
>
>
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Re: [Frameworks] Ethnographic films / studies of The Other

[Dennis Doros]

For the new website on Navajo Film Themselves (aka: Through Navaho Eyes)

http://www.penn.museum/sites/navajofilmthemselves/
Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here!


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On Sat, May 2, 2015 at 2:02 PM, Chuck Kleinhans
 wrote:
> Ethnographic films, more
>
>
>
> Thanks to everyone contributing to this interesting thread.
>
> Some further thoughts from my own teaching and research and mediamaking:
>
>
>
>
> There’s a very long history of visual representations of The Other that 
> predates cinema.  Slide shows of exotic places and peoples were common in the 
> 19th century combining entertainment and edification.  A trip to “The Holy 
> Land” was a perennial favorite.  As a kid I saw a quick sketch artist do this 
> sort of thing in a church setting, so it probably predates photography.
>
>
>
> It’s probably useful to be aware that there’s an overlap but sometimes a 
> difference between “anthropological film” and “ethnographic film” by 
> understanding ethnography as a form of investigation that is also used by 
> sociologists, cultural analyists, etc., not just people in the field of 
> anthro.
>
>
>
> There’s a very well developed discussion in the field of Visual Anthropology 
> over the past 30 years or so.  If you have access to a university library, 
> it’s worth some time browsing the shelves for that category, and the journals.
>
>
>
> Sol Worth and John Adair’s Through Navaho Eyes—a classic, giving the camera 
> to the people to make their own films
>
>
>
> Scott Macdonald, American Ethnographic Film and Personal Documentary: The 
> Cambridge Turn (Berkeley: University of California Press, 2013),  Outstanding 
> book on the Harvard/MIT works of Gardner, Marshall, Pincus, etc.
>
>
>
> Mirzoeff, Nicholas, ed. The Visual Culture Reader. Excellent collection of 
> pertinent essays.
>
>
>
> Catherine Russell, Experimental Ethnography
>
>
>
> All the works of Trinh (already mentioned)
>
>
>
> Jim Lane, Autobiographical Documentary in America (mostly on straight white 
> guys, but there’s also a very interesting development of autobiography in 
> feminist and gay movement media)
>
>
>
> Barbach and Taylor, Cross-cultural Filmmaking
>
> Taylor, Visualizing Theory
>
>
>
> Unthinking Eurocentrism: Multiculturalism and the Media (Sightlines)
>
> by Ella Shohat and Robert Stam
>
>
>
>
>
> Race in Translation: Culture Wars around the Postcolonial AtlanticMay 28, 2012
>
> by Robert Stam and Ella Shohat
>
>
>
>
>
> The links to colonialism and imperialism have been dramatically underlined by 
> more recent research and criticism.  I’d suggest:
>
> Dream Factories of a Former Colony: American Fantasies, Philippine Cinema
>
> by José B. Capino.  Almost all the cinematic record of Philippine life as a 
> US colony was made by Americans and ended up in the US.  This young scholar 
> recovered these lost records for the native audience.
>
>
>
> For an outstanding critique of Robert Gardner’s Forest of Bliss:  Jyotsna 
> Kapur, “The Art of Ethnographic Film and the Politics of Protesting 
> Modernity: Robert Gardner’s Forest of Bliss.  Visual Anthropology, vol 9, 
> 167-185.
>
>
>
>
>
>
>
> And some work worth viewing again and thinking about:
>
>
>
> Basil Wright, Song of Ceylon
>
>
>
> Kubelka’s Our Trip to Africa
>
>
>
> TV and video ranging from:
>
> Anthony Bourdain food/travel reality format shows (CNN, Food Channel, Travel 
> Channel)  (and along the same lines, Andrew Zimmer’s shows on bizarre foods)
>
>
>
> Lonely Planet and other hipster travel docs, usually featuring a physically 
> appealing young (blond) visitor to the developing world’s more exotic 
> locations
>
>
>
> Gonzo porn visits to foreign brothels
>
>
>
>
>
>
> Chuck Kleinhans
> chuck...@northwestern.edu
>
>
>
> ___
> FrameWorks mailing list
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Re: [Frameworks] Ethnographic films / studies of The Other

[Dennis Doros]

Andy, I knew you'd like all that!

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here
<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!


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On Fri, May 1, 2015 at 4:50 PM, Andy Ditzler  wrote:

> Thanks, Dennis, for this much more nuanced view on the Johnsons' films.
>
> Andy Ditzler
>
> On Fri, May 1, 2015 at 4:12 PM, Dennis Doros  wrote:
>
>> There's also many more considerations in this question as we have found
>> out over the years.
>>
>> As Andy points out, the Martin and Osa Johnson theatrical films have
>> some fairly racist elements to them. We released SIMBA as the most
>> inoffensive (and their most famous) film and worked with experts of the
>> area to see what they thought. Most times when we release these
>> documentaries/docudramas (and we have a lot of them in our Age of
>> Exploration series that is in its 25th year), it's that many of these films
>> are seen now -- even if they have white directors -- as literally home
>> movies. There are the great grandfathers, grand aunts that they have only
>> heard about or seen in pictures up on the screen. Over the years, we've had
>> hundreds of these phone calls from the children who are very thankful. That
>> doesn't excuse any racism -- though some should be seen in context of the
>> time they were made, we should also consider that they were racist even
>> back then -- but it does add a layer.
>>
>> The second concept is that in these films, there are cultural artifacts
>> that are very valuable to their descendants. Some of the dances, the
>> rituals, the art have been lost to time and modernization while some were
>> outlawed. You can't understand them as well in photographs or writings from
>> the time. We have a film CHANG that a film historian insisted it was
>> racist. When I explained that it's a national treasure of Thailand (at the
>> time, this was 1994 or so) and that the King played it every year on
>> television since it was so popular, the historian declared that the people
>> of Thailand obviously didn't understand racism!
>>
>> The third and most important concept is that some of these directors were
>> as "modern" as we are and as in love and respectful of the cultures and
>> people. It's always a mistake to consider previous generations as more
>> primitive or less socially aware. (We're not doing so great with race in
>> America these days either.) So! although the Martin and Osa theatrical
>> films did have some typical old tribesmen trying to play a phonograph or
>> open a bottle of beer (Flaherty started this with Nanook) because that's
>> what they thought the American public wanted, it's little known that they
>> also had at least six different version of the films and their "scientific"
>> versions that they did for the American Museum of Natural History are
>> incredible records of "lost" tribes and rituals. You can see the love they
>> have for the African tribes in these films and in their huge number of
>> photographs (many of their trips were sponsored by George Eastman and
>> therefore, Kodak). I have the George Eastman House laserdisc with about
>> 6000 of their photos and they are incredibly moving.
>>
>> So, there are many racist films by white directors over the history of
>> cinema (Adam Sandler and the Navahos, just last week!) but I do think that
>> they need to be evaluated not only by film historians but also members of
>> the tribe, people who know the cultures extremely well, etc. We really try
>> to work with the tribes and people involved in these films before we
>> release to make sure we are not doing anything that would displease their
>> communities, and they always find something that we can do to be more
>> respectful in our release.
>>
>>
>> Best regards,
>> Dennis Doros
>> Milestone Film & Video
>> PO Box 128 / Harrington Park, NJ 07640
>> Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
>>
>> Visit our main website!  www.milestonefilms.com
>> Visit our new websites!  www.mspresents

Re: [Frameworks] Ethnographic films / studies of The Other

[Dennis Doros]

There's also many more considerations in this question as we have found out
over the years.

As Andy points out, the Martin and Osa Johnson theatrical films have some
fairly racist elements to them. We released SIMBA as the most inoffensive
(and their most famous) film and worked with experts of the area to see
what they thought. Most times when we release these
documentaries/docudramas (and we have a lot of them in our Age of
Exploration series that is in its 25th year), it's that many of these films
are seen now -- even if they have white directors -- as literally home
movies. There are the great grandfathers, grand aunts that they have only
heard about or seen in pictures up on the screen. Over the years, we've had
hundreds of these phone calls from the children who are very thankful. That
doesn't excuse any racism -- though some should be seen in context of the
time they were made, we should also consider that they were racist even
back then -- but it does add a layer.

The second concept is that in these films, there are cultural artifacts
that are very valuable to their descendants. Some of the dances, the
rituals, the art have been lost to time and modernization while some were
outlawed. You can't understand them as well in photographs or writings from
the time. We have a film CHANG that a film historian insisted it was
racist. When I explained that it's a national treasure of Thailand (at the
time, this was 1994 or so) and that the King played it every year on
television since it was so popular, the historian declared that the people
of Thailand obviously didn't understand racism!

The third and most important concept is that some of these directors were
as "modern" as we are and as in love and respectful of the cultures and
people. It's always a mistake to consider previous generations as more
primitive or less socially aware. (We're not doing so great with race in
America these days either.) So! although the Martin and Osa theatrical
films did have some typical old tribesmen trying to play a phonograph or
open a bottle of beer (Flaherty started this with Nanook) because that's
what they thought the American public wanted, it's little known that they
also had at least six different version of the films and their "scientific"
versions that they did for the American Museum of Natural History are
incredible records of "lost" tribes and rituals. You can see the love they
have for the African tribes in these films and in their huge number of
photographs (many of their trips were sponsored by George Eastman and
therefore, Kodak). I have the George Eastman House laserdisc with about
6000 of their photos and they are incredibly moving.

So, there are many racist films by white directors over the history of
cinema (Adam Sandler and the Navahos, just last week!) but I do think that
they need to be evaluated not only by film historians but also members of
the tribe, people who know the cultures extremely well, etc. We really try
to work with the tribes and people involved in these films before we
release to make sure we are not doing anything that would displease their
communities, and they always find something that we can do to be more
respectful in our release.


Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here
<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!


Support "Milestone Film" on Facebook
<http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter
<https://twitter.com/#!/MilestoneFilms>!


On Fri, May 1, 2015 at 3:47 PM, Andy Ditzler  wrote:

> Nanook of the North is far from the cliche of a white man adventurer
> making an anthropological film in a faraway place. Although it's been
> disparaged that way at times, notably by Fatimah Tobing Rony, the film and
> Flaherty have also been vigorously defended as a primary example of "shared
> anthropology," not least by Jean Rouch. Another foundational film from this
> era is "Grass," by Merian Cooper who went on to make King Kong. Grass is
> not a cliched film either, for that matter. (Not that these films are free
> of problems.) For more explicitly egregious examples from this era, I would
> look at the films of Martin and Osa Johnson, such as "Borneo." One of their
> films is imported directly (perhaps in full, I'm not sure) into Ken Jacobs'
> "Star Spangled to Death," which is where I learned about them. Important to
> note here that Martin and Osa currently have a clothing store chain n

Re: [Frameworks] 35mm Black and White Print - Dolby Sound

[Dennis Doros]

We used FotoKem in Burbank for PORTRAIT OF JASON, which had the same
circumstances.

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here
<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!


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<https://twitter.com/#!/MilestoneFilms>!


On Fri, Apr 3, 2015 at 9:35 PM, Shumona Goel  wrote:

> Dear Frameworkers,
>
> I have a digital scan of a 16mm black and film that I need to print to
> 35mm with Dolby Sound.  Is there still a lab that can do this?
>
> Thanks!
> Shumona (Bombay)
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] What are the 3 Essential Films that you would show Artists on their first foray into the Moving Image Realm ?

[Dennis Doros]

There are no three possible to represent the entire world of experimental
film.

But for women, you might want to start with Suspense by Lois Weber and
Philip Smalley. It's extremely experimental for the year it was made.

And with Shirley Clarke, having seen all of them now about two dozen times
each over the past six years, I know that BRIDGES-GO-ROUND is everybody's
favorite but I would say MOMENT IN LOVE is mine. Seeing her outtakes and
notebooks, it's the one she worked the hardest to create and I love the
work of choreographer Anna Sokolow. Also, we are just starting to show D.
A. Pennebaker and Shirley Clarke's BRUSSELS LOOP films (there were also
four or five other filmmakers involved) and they are really incredible up
on the screen.

But especially for artists, it's almost impossible not to include the best
of experimental film without my favorite, which is BEGONE DULL CARE by
Norman McLaren (and Evelyn Lambert) and it's tough to show him without the
best of Len Lye.

Also in mind with artists, and for more collaborations between man and a
woman, you can't really go wrong with Alexeieff and Parker pin animation.


Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here
<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!


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On Fri, Mar 27, 2015 at 1:43 PM, Donal OCeilleachair 
wrote:

> Dear Frameworkers:
>
> I am working on a new film project with the Ealaíontóirí Mhuscraí
> (that's Irish for the Muskerry Region Artists Group)
>
> Part of the project will involve film / video making workshops where I
> will show
> them works from experimental film, creative documentary and artists'
> moving image works
> as a point of reference and inspiration for their own initial explorations
> into the realm of the moving image
>
> I am compiling a short-list of 'Essential' works to show them during these
> workshops
> and I would appreciate responses to the question:
> 'What are the 3 Essential Films that you would show Artists
> on their first foray into the Moving Image Realm ?'
>
> I look forward to hearing any suggestions
>
> Le míle buíochas (with many thanks)
> --
> Dónal Ó'Céilleachair
> www.anupictures.com
>
>
> ___
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>
>
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Re: [Frameworks] syracuse folks/ film projector borrow

[Dennis Doros]

You can talk to the Syracuse Cinephile Society. Their website is
http://www.syracusecinephile.com/node/63

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here
<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!


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On Wed, Jan 28, 2015 at 8:15 AM, Kelly Gallagher 
wrote:

> Hey Syracuse/ Upstate NY folks-
> Let me modify my previous request email-- I'd be willing to borrow any
> 16mm film projector if you have one! Or if you know of anyone up there that
> may have a 16mm film proj I could rent or borrow for a day, please let me
> know-  ke...@purpleriot.com
> Cheers,
> Kelly
>
>
>
>
>
> On Tue, Jan 27, 2015 at 9:49 PM, Kelly Gallagher 
> wrote:
>
>> Hey frameworkers,
>> I'm wondering if anyone in the Syracuse, NY area may have a kodak pageant
>> projector I could borrow/rent for a day this week. Please PM me-
>> ke...@purpleriot.com
>> Thanks in advance!
>> Cheers,
>> Kelly Gallagher
>> www.purpleriot.com
>>
>>
>>
>>
>>
>
> ___
> FrameWorks mailing list
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>
>
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Re: [Frameworks] 4k theater conversion

[Dennis Doros]

Dear Matt,

You might want to also ask the Art House Convergence listserv
<http://www.arthouseconvergence.org/resources/> since almost everybody on
that list has either converted or about to. There's also a lot of the
companies that do the conversions (Boston Light and Sound, Cardinal) on the
listserv willing to give free advice.

You also should definitely talk to the lovely folks at NYSCA's Electronic
Media and Film department. New York State's Regional Economic Development
office and NYSCA with their "Digital Film Projector Conversion Program"
have been leading the way to helping theaters and non-profits convert to
digital. There's a brief outline of it here
<http://regionalcouncils.ny.gov/assets/documents/workshops/CouncilontheArts2013.pdf>
in their PDF. I think it's the only program like it in the country. I was
on the original advisory panel for it and I have seen it's been very
successful.


Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here
<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!


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On Tue, Dec 2, 2014 at 4:25 PM, Matthew Shaw  wrote:

>
> Hello everyone,
>
> Has anyone recently made the conversion to 4k DCP at their college /
> university / local cinema? We are looking into converting our 35mm and
> digital racks to DCP while keeping the option of 35, VHS, etc.
>
> Much obliged,
> Matt Shaw
>
>
> Media Technician
> Film Dept. Vassar College
> 845.437.5499
>
>
>
>
> ___
> FrameWorks mailing list
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>
>
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Re: [Frameworks] Best quality 16mm film digitizing

[Dennis Doros]

Lawrence,

The first and foremost thing is that the Association of Moving Image
Archivists website has a brand-new Supplier Directory
<http://www.amianet.org/sites/all/files/Supplier%20Diretory%20-%202014.03.pdf>
that lists many of the resources anyone needs for the preservation of your
materials. It's being updated constantly.

Secondly, you should have a plan for what you are doing.

If you are thinking preservation, you have to do 2K or 4K scanning rather
than HD transfers. You should ask for copies of the digital DPX files in
both the raw scan and "fixed" scans if you are doing any timing or cleanup.
Then you should also have them deliver the final uncompressed or FinalCut
Pro files for your use. The files should be given to you on both hard drive
and LTO-6 tape (if you can get it -- if not, LTO5 would be fine.) They
should both be migrated every four or five years. For my hard drives, I
always buy a very large drive (usually 8TB to 12TB) for one or two films
since you will want a mirror raid on it. For extremely expensive projects,
I put them on two hard drives. Yes, it sound very OCD, but this is about
preservation and redundancy, not about expediency.

As for a film at 18fps. You should first scan it at 24p and keep that raw
scan. If you are doing any dust and scratch removal, it has to also be done
at 24p and be kept. That will be your preservation master. Then, the lab
can create a 18fps umcompressed or FCP file and synch it to sound.

I'm working with Jack Rizzo's Metro Post now and they are doing a very good
job. I've worked with ColorLab many times and I trust them implicitly as
well. It would also be a matter of doing your research and seeing what the
best transfer would be for your material. I always ask what scanners and
software they will be using and read the recent papers that are coming out
of the new research on scanners, etc.


Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click here
<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!


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<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
AMIA 2014 Conference, Savannah, Georgia, October 8-11, 2014
<http://www.amianet.org/>


On Thu, Jul 31, 2014 at 10:32 AM, Lawrence Brose 
wrote:

>  I’m not sure if this original email came through.  I might have sent it
> to the wrong address for this group (I apologize if this has already been
> posted).
>
> Lawrence
>
> I have a number of 16mm film prints that I would like to get transferred
> to digital format.  I know that there has been much discussion on this and
> I’ve gone back and read some of the postings but I haven’t found a direct
> answer to what I would like to know.
>
> I would like to know what is the best quality transfer I should be looking
> for.  I have a quote from ColorLab in Rockville, MD and another one from
> Metro Post.  Metro Post is cheaper but it is not telecine (just says
> “hi-def film scan”).  So before I go any further I thought that I should
> ask for suggestions from all of the great people here.
>
> These are all finished films in good shape (unfortunately the original
> negatives and Mag sound were thrown out by WRS). I don’t want to say that
> cost is no issue but if I am going to preserve these films I’d rather end
> up with the best quality, even if I need to space it out over time due to
> cost.
>
> Also, one of the films runs at 18fps (sound is on separate tape).  Is this
> an issue?
>
> I really appreciate any suggestions or feedback.
>
> Thanks!
>
> Lawrence Brose
>
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>
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[Frameworks] CHRISTOPHER AND ME

[Dennis Doros]

I'm wondering if any of you have ever heard of a 1960 film called
CHRISTOPHER AND ME ? It was shot by D.A. Pennebaker, edited by Shirley
Clarke and directed by Ed Foote of Dublin, NH.

Any information (or whereabouts on prints!) would be appreciated. I can't
find anything on the internet on it.

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com

Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
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Re: [Frameworks] Wendy Clarke

[Dennis Doros]

Gene, I'll reply on a private email.

Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,
To see or download our 2014 Video Catalog, click
here<http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
!

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Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
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On Tue, Mar 25, 2014 at 12:13 PM, Gene Youngblood wrote:

>  Does anyone have current email for Wendy? Mine no longer works.
>
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[Frameworks] Joyce Wexler-Ballard

[Dennis Doros]

Does anyone have current information for Joyce Wexler-Ballard?


Best regards,
Dennis Doros
Milestone Film & Video
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
www.shirleyclarkefilms.com,

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Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
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Re: [Frameworks] the fate of Em Gee...

[Dennis Doros]

I do know that Murray's beautiful 35mm nitrate print of THE BIG STAKES
ended up at the Library of Congress so I suspect that other nitrate prints
ended up there as well.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.portraitofjason.com, www.shirleyclarkefilms.com
,
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On Sun, Aug 25, 2013 at 3:29 AM, Steve Polta  wrote:

> Hi. I certainly don't have any knowledge but I'm hereby seconding Roger
> Beebe's inquiry as to the resolution and disposition of the lauded and
> mysterious Em Gee Film Library. I assume that the guy just retired or
> finally decided to shut the business down but very curious to hear any
> anecdotes or learn the fate of the collection. Any leads...
>
> Steve Polta
>
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Re: [Frameworks] Lipsett, Night tide and Lonesome

[Dennis Doros]

Chen,

If you're talking 35mm, NIGHT TIDE is at the Academy and LONESOME is at the
George Eastman House. On DVD/BluRay it's Kino (I believe) and Criterion
respectively.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.portraitofjason.com, www.shirleyclarkefilms.com
,
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 and Twitter <https://twitter.com/#!/MilestoneFilms>!

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On Sat, Aug 24, 2013 at 6:12 AM, Chen Sheinberg wrote:

> Dear frameworkers,
>
> Does anybody know who distributes the films of Arthur Lipsett?
>
> And who distributes “Night Tide”  (1961) by Curtis Harrington  and
> “Lonesome” (1928) by Paul Fejos (1928)?
>
> Thank you very much,
>
> Chen Sheinberg
>
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Re: [Frameworks] Q for the list: digitize 16mm mag stock reels

[Dennis Doros]

It's not an indie and it wasn't cheap, but Deluxe Northvale (New Jersey)
just did a very good job for us. I assume Duart can do this too.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.portraitofjason.com, www.shirleyclarkefilms.com
,
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!

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AMIA 2013 Conference, Richmond, Virginia, November 5-9!<http://www.amianet.org/>


On Sat, Aug 10, 2013 at 10:49 AM, Rob Christopher wrote:

> I need to digitize a few sound reels of 16mm fullcoat mag stock. Do you
> know of any indie facilities have equipment that can do this (such as a
> Magnatech mag reel machine), or even 16mm sound playback equipment that
> could be hooked up to a portable digital recorder? I'm based in Chicago,
> but as it turns out the reels in question are in NYC. I have reached out to
> Millennium in Brooklyn but haven't gotten a response. Any advice is greatly
> appreciated.
>
> Regards,
> Rob Christopher
>
> www.randomcha.net
> www.chicagoist.com
> Twitter: @randomcha <http://twitter.com/#%21/randomcha>
>
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Re: [Frameworks] Sites/Resources for Silent Move Title Card Fonts

[Dennis Doros]

There's been many discussions on fonts similar to what they used in the
silent era on Nitrateville.com -- some recent discussions are
here<http://www.nitrateville.com/search.php?st=0&sk=t&sd=d&sr=posts&keywords=fonts>
.

There's also a font designed specifically for silent films that I've used
here <http://www.myfonts.com/fonts/typodermic/silentina/>.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.portraitofjason.com, www.shirleyclarkefilms.com
,
Support "Milestone Film" on
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 and Twitter <https://twitter.com/#!/MilestoneFilms>!

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On Tue, Jun 4, 2013 at 2:35 AM, Ken Paul Rosenthal <
kenpaulrosent...@hotmail.com> wrote:

> I'd appreciate any references to sites/resources for finding old silent
> movie title card fonts. I can't seem to find much online, just images, but
> not actual downloadable fonts. Thanks, Ken
>
> www.kenpaulrosenthal.com
>
> www.crookedbeauty.com
>
> www.maddancementalhealthfilmtrilogy.com
>
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Re: [Frameworks] 35mm B&W Release prints

[Dennis Doros]

Here's just a few:

Fotokem in Los Angeles
Cinema Arts in Newfoundland, Pennsylvania
Film Technology in Los Angeles
Colorlab in Rockville, Maryland

I've used them all and they've all been excellent.

-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.portraitofjason.com, www.shirleyclarkefilms.com
,
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!

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like them on 
Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
AMIA 2013 Conference, Richmond, Virginia, November 5-9!<http://www.amianet.org/>


On Mon, May 13, 2013 at 2:04 PM,  wrote:

> Hi all,
> Any suggestions of where one could make feature length 35mm B&W release
> prints nowadays?
>
> best
> Chris
>
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Re: [Frameworks] LA Plays...

[Dennis Doros]

Thom Andersen himself handles Los Angeles Plays Itself. His contact
information can be found on the Cal Arts
website<http://directory.calarts.edu/node/941>
.

-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
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AMIA 2013 Conference, Richmond, Virginia, November 5-9!<http://www.amianet.org/>

On Mon, Mar 25, 2013 at 7:48 AM, graeme hogg wrote:

>
> Anyone know who holds/distributes Thom Anderson's films?
> Im after LA Plays Itself.
>
>
>
>
> --
>
>
> __**___
> http://www.bristol-channel.**org/skomer<http://www.bristol-channel.org/skomer>
> http://www.cubecinema.com/
> __**___
>
> __**_
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>
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Re: [Frameworks] Food

[Dennis Doros]

Sorry, but it's at home so I just don't have it in front of me.

Dennis

On Tue, Mar 19, 2013 at 5:12 PM, Ryan Marino  wrote:

> What's the name of the Matta-Clark documentary?
>
>
> On Tue, Mar 19, 2013 at 4:27 PM, Dennis Doros  wrote:
>
>> "Bob Fiore" 
>>
>> Bob has also done a good documentary on Matta-Clark.
>>
>> And one of his very first jobs in film, PORTRAIT OF JASON, re-opens on
>> April 19th!
>>
>> Best regards,
>> Dennis Doros
>> Milestone Film & Video/Milliarium Zero
>> PO Box 128 / Harrington Park, NJ 07640
>> Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
>> Visit our main website!  www.milestonefilms.com
>> Visit our new websites!  www.shirleyclarkefilms.com,
>> www.comebackafrica.com  www.ontheboweryfilm.com
>>  <http://www.killerofsheep.com/>
>> Support "Milestone Film" on 
>> Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
>>  and Twitter <https://twitter.com/#!/MilestoneFilms>!
>>
>> See the website: Association of Moving Image 
>> Archivists<http://www.amianet.org/> and
>> like them on 
>> Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
>> AMIA 2013 Conference, Richmond, Virginia, November 
>> 5-9!<http://www.amianet.org/>
>>
>> On Tue, Mar 19, 2013 at 4:00 PM, Chris Kennedy wrote:
>>
>>> Robert Fiore has beautiful prints of many of Smithson's films. Don't know
>>> if he has this one. I'll try and suss out his contact. Scott B?
>>>
>>>
>>> > You can find it at EAI here <http://www.eai.org/title.htm?id=761>.
>>> And the
>>> > Robert Frank collection is at the Houston MFA.
>>> >
>>> >
>>> > Best regards,
>>> > Dennis Doros
>>> > Milestone Film & Video/Milliarium Zero
>>> > PO Box 128 / Harrington Park, NJ 07640
>>> > Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
>>> > Visit our main website!  www.milestonefilms.com
>>> > Visit our new websites!  www.shirleyclarkefilms.com,
>>> > www.comebackafrica.com
>>> >   www.ontheboweryfilm.com
>>> > <http://www.killerofsheep.com/>
>>> > Support "Milestone Film" on
>>> > Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
>>> >  and Twitter <https://twitter.com/#!/MilestoneFilms>!
>>> >
>>> > See the website: Association of Moving Image
>>> > Archivists<http://www.amianet.org/> and
>>> > like them on
>>> > Facebook<
>>> http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717
>>> >
>>> > AMIA 2013 Conference, Richmond, Virginia, November
>>> > 5-9!<http://www.amianet.org/>
>>> >
>>> >
>>> > On Mon, Mar 18, 2013 at 5:20 PM, graeme hogg
>>> > wrote:
>>> >
>>> >>
>>> >> Anyone know who holds 16mm copies of Matta-Clarks 'Food'?
>>> >>
>>> >>
>>> >>
>>> >> --
>>> >> | | | | | | | | | | | | | | | | | | |
>>> >> http://www.bristol-channel.**org/skomer<
>>> http://www.bristol-channel.org/skomer>
>>> >> http://www.cubecinema.com/
>>> >> | | | | | | | | | | | | | | | | | | |
>>> >>
>>> >> __**_
>>> >> FrameWorks mailing list
>>> >> FrameWorks@jonasmekasfilms.com
>>> >> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>> >>
>>> >
>>> >
>>> >
>>> > --
>>> > ___
>>> > FrameWorks mailing list
>>> > FrameWorks@jonasmekasfilms.com
>>> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> >
>>>
>>>
>>> --
>>> Chris Kennedy - Executive Director
>>>
>>> Liaison of Independent Filmmakers of Toronto (LIFT)
>>> 1137 Dupont Street, Toronto, Ontario, M6H 2A3
>>> Tel:  416.588.6444
>>> Fax:  416.588.7017
>>> Web:  www.lift.on.ca
>>>
>>> Charitable # 125986406RR0001
>>> Donate via CanadaHelps.org
>>>
>>>
>>

Re: [Frameworks] Food

[Dennis Doros]

"Bob Fiore" 

Bob has also done a good documentary on Matta-Clark.

And one of his very first jobs in film, PORTRAIT OF JASON, re-opens on
April 19th!

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!

See the website: Association of Moving Image
Archivists<http://www.amianet.org/> and
like them on 
Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
AMIA 2013 Conference, Richmond, Virginia, November 5-9!<http://www.amianet.org/>

On Tue, Mar 19, 2013 at 4:00 PM, Chris Kennedy  wrote:

> Robert Fiore has beautiful prints of many of Smithson's films. Don't know
> if he has this one. I'll try and suss out his contact. Scott B?
>
>
> > You can find it at EAI here <http://www.eai.org/title.htm?id=761>. And
> the
> > Robert Frank collection is at the Houston MFA.
> >
> >
> > Best regards,
> > Dennis Doros
> > Milestone Film & Video/Milliarium Zero
> > PO Box 128 / Harrington Park, NJ 07640
> > Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
> > Visit our main website!  www.milestonefilms.com
> > Visit our new websites!  www.shirleyclarkefilms.com,
> > www.comebackafrica.com
> >   www.ontheboweryfilm.com
> > <http://www.killerofsheep.com/>
> > Support "Milestone Film" on
> > Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
> >  and Twitter <https://twitter.com/#!/MilestoneFilms>!
> >
> > See the website: Association of Moving Image
> > Archivists<http://www.amianet.org/> and
> > like them on
> > Facebook<
> http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717
> >
> > AMIA 2013 Conference, Richmond, Virginia, November
> > 5-9!<http://www.amianet.org/>
> >
> >
> > On Mon, Mar 18, 2013 at 5:20 PM, graeme hogg
> > wrote:
> >
> >>
> >> Anyone know who holds 16mm copies of Matta-Clarks 'Food'?
> >>
> >>
> >>
> >> --
> >> | | | | | | | | | | | | | | | | | | |
> >> http://www.bristol-channel.**org/skomer<
> http://www.bristol-channel.org/skomer>
> >> http://www.cubecinema.com/
> >> | | | | | | | | | | | | | | | | | | |
> >>
> >> __**_
> >> FrameWorks mailing list
> >> FrameWorks@jonasmekasfilms.com
> >> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<
> https://mailman-mail5.webfaction.com/listinfo/frameworks>
> >>
> >
> >
> >
> > --
> > ___
> > FrameWorks mailing list
> > FrameWorks@jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
>
>
> --
> Chris Kennedy - Executive Director
>
> Liaison of Independent Filmmakers of Toronto (LIFT)
> 1137 Dupont Street, Toronto, Ontario, M6H 2A3
> Tel:  416.588.6444
> Fax:  416.588.7017
> Web:  www.lift.on.ca
>
> Charitable # 125986406RR0001
> Donate via CanadaHelps.org
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>



--
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Re: [Frameworks] Food

[Dennis Doros]

You can find it at EAI here <http://www.eai.org/title.htm?id=761>. And the
Robert Frank collection is at the Houston MFA.


Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!

See the website: Association of Moving Image
Archivists<http://www.amianet.org/> and
like them on 
Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
AMIA 2013 Conference, Richmond, Virginia, November 5-9!<http://www.amianet.org/>


On Mon, Mar 18, 2013 at 5:20 PM, graeme hogg wrote:

>
> Anyone know who holds 16mm copies of Matta-Clarks 'Food'?
>
>
>
> --
> | | | | | | | | | | | | | | | | | | |
> http://www.bristol-channel.**org/skomer<http://www.bristol-channel.org/skomer>
> http://www.cubecinema.com/
> | | | | | | | | | | | | | | | | | | |
>
> __**_
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>



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Re: [Frameworks] drugged

[Dennis Doros]

Chappaqua (Conrad Rooks) and Head (Rafelson).

Dennis

On Sat, Feb 9, 2013 at 2:50 PM, Matt Helme  wrote:

> We can't go back Home Again by Nick Ray.
> Matt
>
>
> http://www.youtube.com/user/matthelme007
>*From:* Eric Theise 
> *To:* Experimental Film Discussion List 
> *Sent:* Saturday, February 9, 2013 2:40 PM
> *Subject:* [Frameworks] drugged
>
> Hello Frameworkers,
>
> I'm hoping to get suggestions for studying the tropes of the trip,
> that is to say, the way hallucinatory and other drug experiences have
> been portrayed on-screen.  Flashy, over-the-top visual signifiers are
> what I seek, but Frameworks excels at identifying examples that aren't
> what the original poster had in mind, so please go to it!
>
> Examples will be put to experimental purposes, but can come from any
> genre, thanks in advance.
>
> Hope all of you affected by the Nemo storm are okay and able to find
> beauty in it.
>
> --Eric
> ___
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>
>
>
> ___
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
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 and Twitter <https://twitter.com/#!/MilestoneFilms>!

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Re: [Frameworks] films featuring projectionists

[Dennis Doros]

On Tue, Jan 8, 2013 at 4:59 PM, Jennifer Miko - MFT wrote:

> Hello,
>
> Perhaps not mentioned yet: Desperately Seeking Susan (Susan Seidelman)
> Aidan Quinn's character is a projectonist in a chinatown(?) theatre
>
>
> It was the old and beloved Bleecker Street Cinema, but definitely there
are scenes in the projection booth with Aidan as the projectionist.


-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
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Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
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Re: [Frameworks] films featuring projectionists

[Dennis Doros]

The Cameraman's Revenge (Starewicz)
Matinee (Dante)
The Smallest Show on Earth (Dearden)


Scorsese plays the projectionist of Hell's Angeles in The Aviator, but I
don't think they show the booth.

-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!

See the website: Association of Moving Image
Archivists<http://www.amianet.org/> and
like them on 
Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
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Re: [Frameworks] Looking for a lab - 16mm scan in 2k

[Dennis Doros]

We (actually, the archives) used

Modern Videofilm in Glendale, California. Contact Vincent Pirozzi at
vpiro...@mvfinc.com for PORTRAIT OF JASON

and

NT Audio Video in Hollywood. Contact: Shawn Jones at
sh...@ntpicso.com(FILM BY SAMUEL BECKETT  and ORNETTE: MADE IN AMERICA
-- though they were
35mm, I'm sure they can do 16mm)

Both are excellent choices.


Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!
See the website: Association of Moving Image
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like them on 
Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>

AMIA 2012 Conference, Seattle, WA, December 4-7!<http://www.amiaconference.com/>



On Wed, Nov 7, 2012 at 11:16 AM, Federico Berardi wrote:

> Hi everybody,
>
> I am looking for a lab able to scan 16mm films in 2K.
>
> The closest from my home is based in Switzerland. This lab is
> excellent, but swiss prices are really to high for my project. If you
> have any suggestions for reliable and more affordable labs, I will be
> very thankful.
>
> For the money this lab is asking (more or less 7.500$ for 100 meters
> of film scaned in 2K and a basic color grading), I heard it is worth
> buying a plane ticket and do it in the US. So don't hesitate to
> mention labs located in Los Angeles or New York.
>
> Thank you very much, best wishes,
>
> Fed
> ___
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Re: [Frameworks] Seeking film preservation interns in San Francisco, CA

[Dennis Doros]

My wife Amy is a labor historian and she was incensed by an article in the
New York Times that wrote about college graduates working for major
corporations for free as interns. She write this
blogthat
next day. It's surprising how many of our friends read the article and
starting paying their interns. I was (and remain) very proud of her.

Dennis
Milestone Film & Video

On Sat, Sep 22, 2012 at 4:33 PM, Douglas Katelus  wrote:

>  I second that, no free labor. You can find very similar opportunities in
> SF that all pay... at least something.
>
> dk
>
>
>
>
>  > Date: Sat, 22 Sep 2012 13:35:33 +0400
> > From: carimac...@gmail.com
> > To: frameworks@jonasmekasfilms.com
> > Subject: Re: [Frameworks] Seeking film preservation interns in San
> Francisco, CA
>
> >
> > boycott free labor - cultural workers unite against the system of art
> > that does not value your labor
> >
> > On 9/22/12, Ron Merk  wrote:
> > > Film Preservation Internship
> > >
> > > Premiere Pictures International is a producer and distributor of
> feature
> > > films, documentaries, TV shows, and stock footage, with several new
> > > projects in production. Our most recent production is being
> distributed by
> > > Lionsgate Films, and our shows have aired on The Disney Channel and
> > > HBO/Cinemax. This fall we are commencing an initiative to save,
> preserve
> > > and make available for viewing, study and commercial use a collection
> of
> > > more than 100 home movies of significant historic and cultural
> importance.
> > > Our offices are located very close to Civic Center in San Francisco.
> > >
> > > Working hand in hand with The Metro Center Foundation, a San
> > > Francisco-based non-profit dedicated to film, filmmakers and film
> > > preservation, with a trained professional film archivist directing the
> > > operations, the interns will learn how to handle 16mm and 8mm film
> > > materials, document them, create a database with descriptions, and then
> > > work through the entire restoration and preservation process with the
> > > material. We will create both digital and film duplicates, using state
> of
> > > the art laboratory techniques and digital restoration tools. We work
> with a
> > > number of major archives as partners in our projects, including The
> Academy
> > > Film Archives, UCLA Film and Television Archives, and other archives
> around
> > > the United States and throughout the world.
> > >
> > >
> > > We are searching for three exceptionally motivated interns for this
> > > project. This position is unpaid, but a cash stipend will be provided
> for
> > > travel and lunch. College credit may be possible. This is a real
> “hands-on”
> > > experience from which you can build a carreer. You will be working on
> real
> > > projects of great importance to film history.
> > >
> > > These are the skill sets you will acquire or enhance during this
> internship
> > > and some intriguing perks:
> > >
> > > •Inspecting, handling, repairing and cleaning original 35mm, 16mm, 8mm
> and
> > > Super 8mm film elements
> > >
> > > •Documenting elements in filemaker pro system, including provenance of
> > > materials and all pertinent information, stills and clips
> > >
> > > •Preparing materials to duplication at film laboratories, and/or
> scanning
> > > to Hi Definition digital media at local facilities or facilities in Los
> > > Angeles
> > >
> > > •Working with filmmakers who will create derivative works from the
> restored
> > > and preserved material
> > >
> > > •Creating your own derivative work from the material (If this interests
> > > you, you would have to arrange for days and hours separate from your
> > > internship commitment).
> > >
> > > Requirements for position:
> > >
> > > • Mac computer knowledge. Final Cut System experience would be a
> definite
> > > plus
> > > • Basic knowledge of film formats and handling
> > > • Experience or class work in moving image archiving
> > > • Ability to work on your own, and manage your projects
> > > • You must be Detail-oriented and neat, able to work within an
> establish
> > > system
> > > • Good Communication skills, both written and verbal English,
> additional
> > > languages always a plus.
> > > • On time, dependable and able to reach goals.
> > >
> > > Commitment a minimum of 3 months, 2 full days per week. Start time:
> 10AM.
> > > (longer term and more days definitely a plus if you can do it) This
> > > position can become a paid part-time or full-time position based upon
> > > results.
> > >
> > >
> > > We will be reviewing applications the week of October 2nd, and
> > > interviewing candidates in person the week of October 8th. The
> Internship
> > > begins October 15, 2012.
> > >
> > >
> > > To apply, please send a short e-mail as to why this internship is of
> > > interest to you and what special talents and abilities you can bring
> to the
> > > company. Please include your resume and current contact

Re: [Frameworks] Looking for a good lab

[Dennis Doros]

Dear Lourdes,

My pleasure. I suspect the archivists on this list (like Mark Toscano and
Andrew Lampert) would have good ideas as well. As for the video, I would
talk to MoMA's Katie Trainor (katie_trai...@moma.org) -- another old friend
and head of their archive -- and see what they would like. Getting them
digitized properly would be good for distribution later on but I suspect
they will want tape.

Best,
Dennis

On Wed, Aug 1, 2012 at 9:53 PM, Lourdes Portillo  wrote:

> Hi Dennis,
>
> Thank you so much.  This is for NYMoMA where I just had a Retrospective
> and they are acquiring eight of my films for their archives, so it is
> really good work that I need. I also have some films on video, and wonder
> if it's better to deliver them in DigiBeta or in a a drive? Do you have any
> suggestions of what might be better?
> I will call both of your contacts and check it out and tell them you sent
> me.  I thank you very much.
> Lourdes
>
>
> On Aug 1, 2012, at 6:12 PM, Dennis Doros wrote:
>
> Hi, Lourdes,
>
> It really depends on location, money and how much care you want.
>
> On the boutique scale, I assume Film Technology still does 16mm. You can
> start with my friend Zac Fink at filmtech...@earthlink.net. They did the
> 16mm fine grain on KILLER OF SHEEP before they blew it up to 35mm.
>
> You also might want to try Fotokem. They're larger, but they've done
> excellent work for us. (EXILES, ARAYA, CONNECTION, ORNETTE.) My
> email-friend there is Kim Young (kyo...@fotokem.com).
>
> You can say I sent you with either one.
>
> On the East Coast, I like Cineric, Colorlab and Cinema Arts.
>
>
>
> Best regards,
> Dennis Doros
> Milestone Film & Video/Milliarium Zero
> PO Box 128 / Harrington Park, NJ 07640
> Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
> Visit our main website!  www.milestonefilms.com
> Visit our new websites!  www.shirleyclarkefilms.com,
> www.comebackafrica.com  www.ontheboweryfilm.com
>  <http://www.killerofsheep.com/>
> Support "Milestone Film" on 
> Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
>  and Twitter <https://twitter.com/#!/MilestoneFilms>!
> See the website: Association of Moving Image 
> Archivists<http://www.amianet.org/> and
> like them on 
> Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>
>
> AMIA 2012 Conference, Seattle, WA, December 
> 4-7!<http://www.amiaconference.com/>
>
>
>
> On Wed, Aug 1, 2012 at 8:31 PM, Lourdes Portillo wrote:
>
>> Hello,
>> i would be very grateful if someone could recommend a lab that does
>> excellent work, I need to make some 16mm.prints.
>> Thanks,
>> lourdes Portillo
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
>
> --
>
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>
>
>
> ___
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!
See the website: Association of Moving Image
Archivists<http://www.amianet.org/> and
like them on 
Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>

AMIA 2012 Conference, Seattle, WA, December 4-7!<http://www.amiaconference.com/>
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Re: [Frameworks] Looking for a good lab

[Dennis Doros]

Hi, Lourdes,

It really depends on location, money and how much care you want.

On the boutique scale, I assume Film Technology still does 16mm. You can
start with my friend Zac Fink at filmtech...@earthlink.net. They did the
16mm fine grain on KILLER OF SHEEP before they blew it up to 35mm.

You also might want to try Fotokem. They're larger, but they've done
excellent work for us. (EXILES, ARAYA, CONNECTION, ORNETTE.) My
email-friend there is Kim Young (kyo...@fotokem.com).

You can say I sent you with either one.

On the East Coast, I like Cineric, Colorlab and Cinema Arts.



Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our new websites!  www.shirleyclarkefilms.com, www.comebackafrica.com
  www.ontheboweryfilm.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!
See the website: Association of Moving Image
Archivists<http://www.amianet.org/> and
like them on 
Facebook<http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717>

AMIA 2012 Conference, Seattle, WA, December 4-7!<http://www.amiaconference.com/>



On Wed, Aug 1, 2012 at 8:31 PM, Lourdes Portillo  wrote:

> Hello,
> i would be very grateful if someone could recommend a lab that does
> excellent work, I need to make some 16mm.prints.
> Thanks,
> lourdes Portillo
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>



--
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Re: [Frameworks] pre-Beatles sitar in experimental film

[Dennis Doros]

Easy to come up if you IMDB for Ravi Shankar and his "foreign" work
including http://www.youtube.com/watch?v=5XIiWOuDuxc, There's also Ivory's
THE SWORD AND THE FLUTE and also from 1966, Conrad Rooks Chappaqua also
employed Ravi Shankar. I'm sure there's others who used sitar, but his work
immediately comes to mind.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128 / Harrington Park, NJ 07640
Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com
Visit our main website!  www.milestonefilms.com
Visit our other websites!  www.comebackafrica.com  www.yougottomove.com
www.ontheboweryfilm.com  www.arayafilm.com  www.exilesfilm.com
www.wordisoutmovie.com  www.killerofsheep.com
<http://www.killerofsheep.com/>
Support "Milestone Film" on
Facebook<http://www.facebook.com/pages/Milestone-Film/22348485426>
 and Twitter <https://twitter.com/#!/MilestoneFilms>!
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On Sat, May 12, 2012 at 11:30 AM, Ingo Petzke  wrote:

>  I am looking for films that use Asian music – particularly Indian sitar
> - on their original soundtrack. The earliest one I have come across so far
> seems to be METANOMEN by Scott Bartlett (1966) but I am pretty sure there
> must be earlier ones.  All help much appreciated!!!
>
> ** **
>
> Ingo
>
> ** **
>
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>
>
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Re: [Frameworks] Money Films

[Dennis Doros]

Money Man by Philip Haas about J.S.G. Boggs. One of our films, in fact.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com/>
Join "Milestone Film" on Facebook and Twitter!
and the
Association of Moving Image Archivists <http://www.amianet.org/>!


Follow Milestone on Twitter! <http://twitter.com/#!/MilestoneFilms>


On Tue, Apr 24, 2012 at 3:10 PM, graeme hogg wrote:

>
> Does anyone know of experimental and/or Artists films that deal with the
> concept/material/phonomena of money? Preferably physical coins and notes
> and certainly not always national state Mint tender but am open to
> approaches which look at credit and/or things like Bitcoin $tc.
>
>
>
> --
>
> http://www.bristol-channel.org/skomer
>
> ___
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[Frameworks] Christopher and Me by Ed Street

[Dennis Doros]

Dear folks,

I was wondering if anybody had heard of the film CHRISTOPHER AND ME by Ed
Street. The editing was done by Shirley Clarke. Any information or
whereabouts would be greatly appreciated!

-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com/>
Join "Milestone Film" on Facebook and Twitter!
and the
Association of Moving Image Archivists <http://www.amianet.org/>!


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Re: [Frameworks] What to do with one roll of nitrate film?

[Dennis Doros]

If the film looks to be in good shape, there is nothing to worry about. (My
first reel of nitrate I took on the bus to NYC.) But I would call up the
archives first, see who wants it, and arrange on where to meet there.

As for nitrate films catching fire in projection booths, fire was actually
the biggest concern. I'm sure the fumes aren't healthy, but inhaling smoke
is never good for your health.

And for anyone who wants to play mad scientist, professional ping pong
balls are STILL made out of the same material as nitrate film. A fun trick
archivists like to play is to hold the ball with long steel tongs, light it
on fire, dunk it in a vial of water and show it burning underwater. OF
COURSE, you need the proper equipment for this and probably not at home.

Dennis

On Sat, Feb 18, 2012 at 4:56 PM, John Matturri wrote:

> On 2/18/12 4:42 PM, Steven Gladstone wrote:
> > On 2/18/12 1:39 PM, Dennis Doros wrote:
> > In New York,
> >> the best place to take film is to the Anthology Film Archives (Andrew
> >> Lampert, though he's only working part time these days while making his
> >> own films), the Museum of Modern Art (Katie Trainor is the head of the
> >> film vaults) and the George Eastman House (Jared Case) in Rochester.
> >>
> >> Dennis
> > Thanks Dennis,
> >
> > I'll contact them this week. I suppose I'll have to bike it there, isn't
> > there a ban on using public transport with Nitrate, or was that only in
> > a Hitchcock film?
> >
> A friend called MoMA wanting to know if they were interested in what
> seemed to be a nitrate print of an Italian silent from the era of
> Cabiria. They told her to definitely not walk through their doors with a
> reel of nitrate.
>
> j
> _______
> FrameWorks mailing list
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
>



-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com>
Join "Milestone Film" on Facebook and Twitter!
and the
Association of Moving Image Archivists <http://www.amianet.org>!


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Re: [Frameworks] What to do with one roll of nitrate film?

[Dennis Doros]

Nitrate film can be dangerous, but if the film is in good condition, the
dangers that the press talk about are greatly exaggerated. There is a great
deal of nitrate film that has lasted over 100 years. If the reel of film
looks like a solid hockey puck, is glue like or there's a great deal of
dust (from the film, not the can), than there is reason for concern.
Otherwise, if it looks like film, then it's a good chance it can last
another 100 years under proper storage conditions. In New York, the best
place to take film is to the Anthology Film Archives (Andrew Lampert,
though he's only working part time these days while making his own films),
the Museum of Modern Art (Katie Trainor is the head of the film vaults) and
the George Eastman House (Jared Case) in Rochester.

Dennis

On Sat, Feb 18, 2012 at 1:27 PM, Steven Gladstone  wrote:

>
>
>
> On 2/18/12 11:25 AM, Tom Whiteside wrote:
> A nitrate fire is unstoppable.
>
>
> Because it releases it's own oxygen as it burns. The Fumes are toxic.
>
> I've a large roll I rescued from a film with a plot point of burning
> down an old film lab.
>
> How do I get it to someone who would like it?
>
> It's sealed and in the freezer.
>
>
> --
> Steven Gladstone
> New York Based Cinematographer
> Gladstone films
> Blog - http://indiekicker.reelgrok.com/
> http://www.blakehousemovie.com
> http://www.gladstonefilms.com
> 917-886-5858
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>



-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com>
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Re: [Frameworks] What to do with one roll of nitrate film?

[Dennis Doros]

Dear Kristie,

In the case of nitrate (or any deteriorating film), it's always worth
talking to your local archive. In your case, that would be the Pacific Film
Archive and the best contact there would be Kathy Geritz.

Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com/>
Join "Milestone Film" on Facebook and Twitter!
and the
Association of Moving Image Archivists <http://www.amianet.org/>!


Follow Milestone on Twitter! <http://twitter.com/#!/MilestoneFilms>



> *From:* frameworks-boun...@jonasmekasfilms.com [mailto:
> frameworks-boun...@jonasmekasfilms.com] *On Behalf Of *k. a.r.
> *Sent:* Friday, February 17, 2012 4:44 PM
> *To:* frameworks@jonasmekasfilms.com
> *Subject:* [Frameworks] What to do with one roll of nitrate film?
>
> ** **
>
> hello.
>
> I have one roll of nitrate film in my collection.
>
> I recently looked at it for the first time in a year or so, I keep it
> stored in a drawer with  more modern 16mm.
>
> The metal reel that it is on has started to grow these oxidized looking
> stalagmites and the whole reel is looking kind
> of funky.
> I wonder what I can do with it?
>
> The images are a partial reel of some musical comedy from the silent era.
> It is 35mm.
> Seems to be about 150-200' long.
>
> I'm assuming that if anyone wanted it, I can't mail it, due to it's
> extremely flammable nature.
>
> So any ideas or suggestions of what to do with this roll?
>
> thanks.
>
>
>
>
>
>
>
>
> Kristie Reinders, B.F.A.
> Director of Cinematography, Electric Visions
> Curator and Head Projectionist, Electric Mural Project
> The Mission, San Francisco, CA
>
> 'A first class technician should work best under pressure.'
> - - - Issac Asimov 
>
> ___
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> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] Optical printing services S8 color neg to 16 positive print

[Dennis Doros]

Colorlab <http://www.colorlab.com/> in Maryland (with an office in NYC) can
do that work and probably Cinema Arts in Pennsylvania (570/676-4145).
They're two of the best labs on the East Coast.


-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com>
AMIA Austin 2011: www.amianet.org
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[Frameworks] Yolande DuLuart

[Dennis Doros]

Dear friends,

Do anyone know the whereabouts of Yolande DuLuart who directed ANGELA DAVIS:
PORTRAIT OF A REVOLUTIONARY?

-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com/>
AMIA Austin 2011: www.amianet.org
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Re: [Frameworks] Dance films

[Dennis Doros]

There are thousands of them going back to Loie Fuller and the many, many
copycats from before 1900. However, there are several favorites including Ed
Emswiller and Alwin Nikolais collaborations (with Gladys Bailin and others
as dancers), Thomas Bouchard's work with Doris Humphrey, the original B&W
version of Matha Graham's Lamentation from the 1930s (my apologies for not
remembering the filmmaker, but it's my alltime favorite), Shirley Clarke's
first short films, and many in the 1960s by Twyla Tharp, Meredith Monk, and
Yvonne Rainer. One could call Norman McLaren's BEGONE DULL CARE and
especially NEIGHBOURS as choreographed dances on film.

 I'm said to say, my expertise ends around 1980 but the Dance Film
Association would be the best place to go along with checking out the Film
Society of Lincoln Center's Dance on Film series they program with the DFA
and Joanna Ney.

There's also the DFA's DANCE FILM AND VIDEO GUIDE, Judy Mitoma's ENVISIONING
DANCE ON FILM AND VIDEO and the first one of its kind that's still
excellent, John Mueller's guide to dance on film.


-- 
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.milestonefilms.com
www.comebackafrica.com
www.yougottomove.com
www.ontheboweryfilm.com
www.arayafilm.com
www.exilesfilm.com
www.wordisoutmovie.com
www.killerofsheep.com
<http://www.killerofsheep.com>
AMIA Austin 2011: www.amianet.org
Join "Milestone Film" on Facebook!

Follow Milestone on Twitter! <http://twitter.com/#!/MilestoneFilms>
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