[Frameworks] cal for applications 2020 FILM FARM workshop

[Michael Zryd]

2020 FILM FARM workshop
CALL FOR APPLICATIONS
Deadline: 25 February 2020
Workshop dates: 29 June - 05 July 2020
Mount Forest, Ontario

The Film Farm workshop is primarily intended for filmmakers who have had some 
experience experimenting with the form and content of the medium, as well those 
who have had similar experiences with other art forms and would like to work 
with film. There will be 12 participants. Prior filmmaking experience is not 
required.

The course will unfold over seven days. Participants will shoot, hand-process 
film and edit individual and/or group films in 16mm black and white format. 
Projects will develop over the week – collect : reflect : revise - in this 
process driven workshop.

As well, nightly screenings of experimental films will take place in the barn 
film theatre. Workshops will include basics in hand-processing (both 
conventional processing and ‘green’ processing with flowers. Also 
tinting/toning of movie film will be covered, and (when needed) workshops in 
16mm camera (Bolex) operation, lighting and exposure. Other specialized 
instruction will take place as needs arise. There will be approximately six 
staff members to assist you.

APPLICATION FORM:

https://philiphoffman.ca/apply/

MORE INFO:
https://philiphoffman.ca/film-farm/

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[Frameworks] survey on Preservation and Exhibition of Experimental Film

[Michael Zryd]

Sent on behalf of 
madison.m...@flemingcollege.ca<mailto:madison.m...@flemingcollege.ca>: consider 
filling out her survey at 
https://www.surveymonkey.com/r/9LSM9PZ?fbclid=IwAR3T-50w4NMGpX1oUmD92lgQC5FHYpsUr0erXIUAFkh3rw5qM2DHZs6Se5Q


Preservation and Exhibition of Experimental Film
Top of Form
Hi! My name is Madison More, and I am an experimental filmmaker and student in 
the Museum Management and Curatorship program at Fleming College. I am 
currently conducting research for my summer semester research project. The 
project is examining the unique preservation and exhibition needs of 
experimental film, and will hopefully become a useful tool to guide archives 
and other cultural institutions on how to ethically manage their experimental 
film works. Although my project will lean more heavily towards work produced on 
film, I am still interested in works produced on other formats (video and 
digital).

I am looking to gain insight from experimental filmmakers on how their works 
have been/are currently being managed by cultural institutions, and what they 
think can be done by these institutions to ensure that the artistic integrity 
of their works is maintained in the future. I would appreciate it if you filled 
out this survey. It has 9 questions and should take around 5 minutes to 
complete. All responses will be kept anonymous, but they may be used in my 
research report as evidence. If you have any questions, or would like to talk 
to me about my project, don't hesitate to send me an email at 
madison.m...@flemingcollege.ca.
Bottom of Form


Michael Zryd • Graduate Program Director
Graduate Program in Film (Cinema & Media Studies MA & PhD), Faculty of Graduate 
Studies (FGS)
Associate Professor • Department of Cinema and Media Arts
School of the Arts, Media, Performance & Design

YORK UNIVERSITY
CFT 236 • 4700 Keele Street
Toronto ON • Canada M3J 1P3
T 416-736-2100 ext 22173 / cell: 647-430-8680
z...@yorku.ca<mailto:z...@yorku.ca> • 
http://cma.ampd.yorku.ca/profile/michael-zryd/<http://finearts.yorku.ca/about-us/our-faculty/michael-zryd>
 • ampd.yorku.ca<http://ampd.yorku.ca/>
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Re: [Frameworks] Looking for restoration internships

[Michael Zryd]

Vtape is the best in Canada http://www.vtape.org/ <http://www.vtape.org/>


> On Feb 13, 2019, at 6:24 AM, fracto  wrote:
> 
> Dear Cristina, 
> you should try to Chicago Film Archives 
> <http://www.chicagofilmarchives.org/>, pretty cool people. 
> Best
> Giuseppe 
> 
> On Wed, 13 Feb 2019 at 12:12, Cristina Kolozsváry-Kiss  <mailto:ckolo...@gmail.com>> wrote:
> Hi all,
> 
> Could anyone recommend internships in digital restoration? I am at the 
> University of Amsterdam and am looking to round out my very theoretical 
> education in media archiving with practical applications in the field. I have 
> a background in post production and would ideally be looking for something 
> very technical, especially interested in grading. I have an American and EU 
> passport, so I won't need a visa for either place.
> 
> Thanks in advance!
> 
> Cristina Kolozsváry-Kiss
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> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
> 
> 
> -- 
> --
> FRACTO Experimental Film Encounter
> c/o Acud Macht Neu
> Veteranenstraße 21
> 10119 Berlin 
> www.fractofilm.com <http://www.fractofilm.com/>
> 
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--
Michael Zryd
Associate Professor, Department of Cinema and Media Arts
York University
CFT 236, 4700 Keele St., Toronto, ON M3J 1P3 CANADA
tel: 416-736-2100 x22173 / fax: 416-736-5710 / cell: 647-430-8680 / 
z...@yorku.ca / https://ampd.yorku.ca/profile/michael-zryd/

“to be truly radical is to make hope possible, rather than despair convincing” 
(Raymond Williams)


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[Frameworks] Tenure-track position in Multi-Platform Screen Storytelling and Producing at York University

[Michael Zryd]

Please see the link below for more information on this Tenure-track position in 
Multi-Platform Screen Storytelling and Producing at York University

> http://webapps.yorku.ca/academichiringviewer/viewposition.jsp?positionnumber=1909
>  
> <http://webapps.yorku.ca/academichiringviewer/viewposition.jsp?positionnumber=1909>
--
Michael Zryd
Associate Professor, Department of Cinema and Media Arts
York University
CFT 236, 4700 Keele St., Toronto, ON M3J 1P3 CANADA
tel: 416-736-2100 x22173 / fax: 416-736-5710 / cell: 647-430-8680 / 
z...@yorku.ca / https://ampd.yorku.ca/profile/michael-zryd/




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[Frameworks] one year teaching post at York University Cinema & Media Arts

[Michael Zryd]

This teaching post may be of interest to some Framework members given York’s 
strong tradition of experimental film and media production and scholarship in 
the Department of Cinema & Media Arts.



The Department of Cinema and Media Arts, The School of the Arts, Media, 
Performance and Design (AMPD), York University invites applications from 
qualified candidates for a ten-month Sessional Assistant Professor position in 
Cinema and Media Studies to commence September 1, 2018. 

Applicants must have a PhD in Cinema Studies or a related discipline with 
demonstrable excellence, or the promise of excellence, in teaching and 
scholarly research. The successful candidate will have expertise in the 
following areas: Film and Media History, Theory and Criticism; Television 
Studies; and Digital Media with an understanding of contemporary media arts 
practices. The appointment carries an annual teaching load of three courses or 
the equivalent. All positions at York University are subject to budgetary 
approval. Salary will be commensurate with qualifications and experience. 

Responsibilities of the position will include the teaching of a full-range of 
appropriate undergraduate and graduate courses in Cinema and Media Studies, 
some reading of graduate thesis work, serving on Department or Faculty 
committees, student advising and curriculum assessment. 

One of North America's leading schools for the arts, AMPD offers undergraduate 
and graduate degree programs in Art History and Visual Culture, Cinema and 
Media Arts Dance, Design, Digital Media, Music, Theatre, Theatre and 
Performance Studies, and Visual Arts. http://ampd.yorku.ca/ 
<http://ampd.yorku.ca/>
York University is an Affirmative Action (AA) employer and strongly values 
diversity, including gender and sexual diversity, within its community. The AA 
program, which applies to Aboriginal people, visible minorities, people with 
disabilities, and women, can be found at http://acadjobs.info.yorku.ca/  
<http://acadjobs.info.yorku.ca/>or by calling the AA office at 416-736-5713. 
Applicants wishing to self-identify can do so by downloading, completing and 
submitting the form found at: http://acadjobs.info.yorku.ca/  
<http://acadjobs.info.yorku.ca/>. All qualified candidates are encouraged to 
apply; however, Canadian citizens and permanent residents will be given 
priority. Temporary entry for citizens of the U.S.A. and Mexico may apply per 
the provisions of the North American Free Trade Agreement (NAFTA) or citizens 
of Chile may apply per the provisions of the Canada Chile Free Trade Agreement 
(CCFTA).

Applicants should submit a letter of application outlining their professional 
experience and research interests, an up-to-date curriculum vitae, the names 
and contact information of three references by March 1st. Apply to: Professor 
Barbara Evans, Chair, Department of Cinema and Media Arts, Centre for Film and 
Theatre, York University, 4700 Keele St., Toronto, Ontario, Canada, M3J 1P3. 
Email: fmsea...@yorku.ca <mailto:fmsea...@yorku.ca>
 

Michael Zryd • Associate Professor 

Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

Associate Dean Academic, Faculty of Graduate Studies

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca <mailto:z...@yorku.ca> • 
http://cma.ampd.yorku.ca/profile/michael-zryd/ 
<http://cma.ampd.yorku.ca/profile/michael-zryd/> • ampd.yorku.ca 
<http://ampd.yorku.ca/> 


**I will attempt to reply to you within five working days. If I do not reply, 
please resend the email, marking it as SECOND ATTEMPT in the subject line. 
Thank you for your patience.**


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[Frameworks] Carnegie Museum of Art online research collection: Department of Film & Video

[Michael Zryd]

This body of research material may be of interest to Frameworks members: online 
recordings, images and documents from a foundational film and video art 
institition.

***

Carnegie Museum of Art (CMOA) is excited to announce that its Department of 
Film and Video archive is now open for exploration and research. The archive 
measures a thrilling 450 linear feet and contains artifacts from the world of 
experimental film and video art from 1970 through the early 2000s, including 
photographs, correspondence with artists, books and periodicals on film and 
video, distribution catalogs, event posters, program notes, and other ephemera. 
The archive is available for research by appointment and a large portion of 
digitized materials are viewable online through CMOA’s brand new digital 
collections website at records.cmoa.org. 

Items we are most excited to share via the website include:
•   More than 100 audio and video recordings of lectures and interviews 
with experimental moving image artists such as Hollis Frampton, Bruce Conner, 
Paul Sharits, Stephen Beck, Carolee Schneemann, Yvonne Rainer, and Michael Snow.

•   The Film and Video Makers Travel Sheet, a monthly directory published 
by CMOA between 1973 and 1987 that helped artists promote themselves and book 
gigs with screening venues all across the country.  
CMOA’s Department of Film and Video (known in its earliest years as the Film 
Section) was one of the first museum-based moving image programs in the 
country. Founded in 1970 by Sally Dixon, a pioneering and charismatic champion 
of filmmakers, the program helped experimental film and video artists launch 
their careers and share their works with new audiences. Artists like Stan 
Brakhage, Hollis Frampton, Carolee Schneemann, Yvonne Rainer, and James 
Broughton were frequent visitors to the museum, which contributed to 
Pittsburgh’s emergence in the 1970s as “one of the most vibrant and exciting 
places in America for exploring cinema.”  

For access to the archive, please visit CMOA’s new website at records.cmoa.org 
or contact the museum archives at archi...@cmoa.org.

The Department of Film and Video archive and records.cmoa.org are one of the 
many facets of CMOA’s Time-Based Media Project. Generous support for the 
project is provided by the A.W. Mellon Foundation. 

Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

Associate Dean Academic, Faculty of Graduate Studies

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca <mailto:z...@yorku.ca> • 
http://cma.ampd.yorku.ca/profile/michael-zryd/ 
<http://cma.ampd.yorku.ca/profile/michael-zryd/> • ampd.yorku.ca 
<http://ampd.yorku.ca/> 


York University, one of 2015 Canada’s Greenest Employers


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[Frameworks] 3-year CLA in Media Arts at York University

[Michael Zryd]

The Department of Cinema and Media Arts, The School of the Arts, Media, 
Performance and Design (AMPD), York University invites applications for a 
three-year Contractually Limited Appointment at the Sessional Assistant 
Professor level in Media Arts to commence August 15, 2017. Successful 
candidates will teach a range of undergraduate and graduate courses in all 
aspects of Media Arts with a particular focus on hybrid theory/practice courses 
that incorporate an array of authoring and computing tools. These courses might 
include: Immersive Media Practice (Future Cinema), Activist Media, Animation 
and Digital Media, Studies in Expanded Cinema, Curating Media, Gaming, 
Interactive Documentary, Transmedia Storytelling.

For more details, see 
http://webapps.yorku.ca/academichiringviewer/viewposition.jsp?positionnumber=1688
 
<http://webapps.yorku.ca/academichiringviewer/viewposition.jsp?positionnumber=1688>
Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

Associate Dean Academic, Faculty of Graduate Studies

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca <mailto:z...@yorku.ca> • 
http://cma.ampd.yorku.ca/profile/michael-zryd/ 
<http://cma.ampd.yorku.ca/profile/michael-zryd/> • ampd.yorku.ca 
<http://ampd.yorku.ca/> 


York University, one of 2015 Canada’s Greenest Employers


This electronic mail (e-mail), including any attachments, is intended only for 
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Re: [Frameworks] Films on Farming

[Michael Zryd]

Hollis Frampton's Works & Days
Jack Chambers's Hybrid

Sent from my mobile. Please excuse brevity and typos. 

> On Nov 14, 2016, at 4:08 PM, Francisco Torres  wrote:
> 
> not ''experimental'' but kind of weird and alien, this is an old 40s film 
> about 
> farmjer ants i like a lot
> 
> https://archive.org/details/0968_Underground_Farmers_18_26_06_27
> 
> 2016-11-13 21:58 GMT-04:00 Adam Hyman :
>> Killer of Sheep has a slaughterhouse in an urban setting, but not "farming" 
>> if by Farming you mean people tilling fields & harvesting crops and working 
>> the soil.  I also wouldn't call it "experimental" really.  
>> 
>> From: lindsay mcintyre 
>> Reply-To: "Experimental Film Discussion List 
>> " 
>> Date: Sun, 13 Nov 2016 18:36:33 -0700
>> To: "Experimental Film Discussion List " 
>> 
>> Subject: Re: [Frameworks] Films on Farming
>> 
>> Hi Linda, 
>> How about Killer of Sheep by Charles Burnett 1978 and Hoof, Tooth and Claw 
>> by Chu-Li Shewring and Adam Gutch (maybe 2012)?
>> Lindsay McIntyre
>> 
>> 
>> 
>>> On Sun, Nov 13, 2016 at 4:25 PM, Andy Ditzler  wrote:
>>> Laura Kissel's Cabin Field (2005): http://www.laurakissel.com/#/cabinfield/
>>> 
>>> Ben van Meter and Gilbert Shelton's Set the Chickens Free (1972)
>>> 
>>> 
>>> Andy Ditzler
>>> Founder and curator, Film Love: www.filmlove.org
>>> Co-founder, John Q collective: www.johnq.org
>>> 
>>> 
 On Sat, Nov 12, 2016 at 3:32 PM, Linda Fenstermaker 
  wrote:
 Hello,
 
 I am interested in experimental films that focus on farming both historic 
 and current. Any leads, titles, essays about this intersection of art and 
 agriculture would be greatly appreciated. Thanks!
 
 Linda Fenstermaker
>> 
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[Frameworks] Job at Binghamton University

[Michael Zryd]

There is also a position for a cinema & media studies scholar at Binghamton’s 
Cinema Department:

they "seek a researcher whose historically and theoretically informed work 
engages with experimental or avant-garde film and video practices, broadly 
construed. This is a full-time, tenure-track appointment at the rank of 
assistant professor in our cinema studies stream.”

https://binghamton.interviewexchange.com/jobofferdetails.jsp;jsessionid=FAD342DF2A108C5FF9E1739A90154A85?JOBID=77058
 
<https://binghamton.interviewexchange.com/jobofferdetails.jsp;jsessionid=FAD342DF2A108C5FF9E1739A90154A85?JOBID=77058>


> On Oct 7, 2016, at 12:22 PM, Michael Zryd <z...@yorku.ca> wrote:
> 
> There are three tenure track job postings at York University, all of which 
> might be of interest to members of this list
> 
> Cinema & Media Arts: Digital Post Production
> Dance: Screendance
> Visual Arts: The Expanded Image
> 
> http://www.universityaffairs.ca/search-job/?job_id=36957 
> <http://www.universityaffairs.ca/search-job/?job_id=36957>
> Michael Zryd • Associate Professor 
> Department of Cinema & Media Arts
> School of the Arts, Media, Performance & Design
> 
> Associate Dean Academic, Faculty of Graduate Studies
> 
> YORK UNIVERSITY 
> York Lanes 230 • 4700 Keele Street 
> Toronto ON • Canada M3J 1P3
> T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
> z...@yorku.ca <mailto:z...@yorku.ca> • 
> http://cma.ampd.yorku.ca/profile/michael-zryd/ 
> <http://cma.ampd.yorku.ca/profile/michael-zryd/> • ampd.yorku.ca 
> <http://ampd.yorku.ca/> 
> 
> 
> York University, one of 2015 Canada’s Greenest Employers
> 
> 
> This electronic mail (e-mail), including any attachments, is intended only 
> for the recipient(s) to whom it is addressed and may contain information that 
> is privileged, confidential and/or exempt from disclosure. No waiver of 
> privilege, confidentiality or any other protection is intended by virtue of 
> its communication by the internet. Any unauthorized use, dissemination or 
> copying is strictly prohibited. If you have received this e-mail in error, or 
> are not named as a recipient, please immediately notify the sender and 
> destroy all copies of it.
> 
> 
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Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

Associate Dean Academic, Faculty of Graduate Studies

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca <mailto:z...@yorku.ca> • 
http://cma.ampd.yorku.ca/profile/michael-zryd/ 
<http://cma.ampd.yorku.ca/profile/michael-zryd/> • ampd.yorku.ca 
<http://ampd.yorku.ca/> 


York University, one of 2015 Canada’s Greenest Employers


This electronic mail (e-mail), including any attachments, is intended only for 
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privileged, confidential and/or exempt from disclosure. No waiver of privilege, 
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[Frameworks] 3 jobs at York University

[Michael Zryd]

There are three tenure track job postings at York University, all of which 
might be of interest to members of this list

Cinema & Media Arts: Digital Post Production
Dance: Screendance
Visual Arts: The Expanded Image

http://www.universityaffairs.ca/search-job/?job_id=36957 
<http://www.universityaffairs.ca/search-job/?job_id=36957>
Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

Associate Dean Academic, Faculty of Graduate Studies

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca <mailto:z...@yorku.ca> • 
http://cma.ampd.yorku.ca/profile/michael-zryd/ 
<http://cma.ampd.yorku.ca/profile/michael-zryd/> • ampd.yorku.ca 
<http://ampd.yorku.ca/> 


York University, one of 2015 Canada’s Greenest Employers


This electronic mail (e-mail), including any attachments, is intended only for 
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Re: [Frameworks] the PhD referral for programs friendly to experimental film

[Michael Zryd]

Several projects on experimental film and media have been completed (or are in 
progress) at York University’s Graduate Program in Cinema & Media Studies/Film 
in Toronto. The program supports a number of research areas but experimental 
film & media is one of its strengths, and there are many overlaps with various 
forms of alternative media, including documentary, new media, etc. Toronto also 
has a vibrant film and art exhibition scene.

http://film.gradstudies.yorku.ca/


> On Jul 31, 2016, at 1:51 PM, Fred Camper <f...@fredcamper.com> wrote:
> 
> Many would agree that the best Ph. D. program in film is the Uiversity of 
> Chicago's. Two of the faculty there, James Lastra and Tom Gunning, do have a 
> special interst in avant-garde film. I have known many of their students, who 
> are generally excellent, and they have a good record of placing graduates in 
> jobs. The program is, however, highly competitive, and only a few are 
> admitted. I'm sure they can give you more currenbt information.
> 
> If there is a Ph.D. program "specialized" in avant-garde film, I'd like to 
> hear of it!
> 
> Fred Camper
> Chicago
> 
> On 7/30/2016 10:11 PM, 이고운 Ko Woon Lee wrote:
>> Hello all,
>> 
>> I have been teaching in Korea and making experimental films and 
>> documentaries as well since I graduated from San Francisco Art Institute in 
>> 2010 with MFA degree in filmmaking. Now I am thinking about pursuing PhD in 
>> film studies in the U.S. again and researching about schools and PhD 
>> programs specialised in avant-garde film or at least friendly to 
>> experimental film. If you have some information and experience, please help 
>> my research.
>> 
>> Thank you in advance.
>> 
>> Kowoon Lee
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Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

Associate Dean Academic, Faculty of Graduate Studies

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca • http://cma.ampd.yorku.ca/profile/michael-zryd/ • ampd.yorku.ca 


York University, one of 2015 Canada’s Greenest Employers


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Re: [Frameworks] Seeking Transcription for "Poetry and Film: A Symposium"

[Michael Zryd]

In his introduction to his most recent book, The Cinema of Poetry, P. Adams 
Sitney describes his access to the original recording in preparation for 
editing a volume of Film Culture: 

“… above all the text of the Cinema 16 round table. Amos Vogel has allowed me 
to borrow the precious wire recordings for one night. I typed and edited the 
first of the two sessions into one as I was listening to it. (My hasty amateur 
transcription contains several errors. The symposium as a whole can now be 
heard on http://www.youtube.com/watch?v=HA-yzqykwcQ 
<http://www.youtube.com/watch?v=HA-yzqykwcQ>.)”


> On Jul 15, 2016, at 6:22 AM, Ken Eisenstein <ken7...@gmail.com> wrote:
> 
> not complete,
> but a chunk, 
> perhaps the same exact chunk as in Film Culture, 
> is in MacDonald's Cinema 16 
> pp.202-212
> 
> "The following excerpts make up about one half of the symposium. 
> Ideas repeated for the second audience and personal introductions 
> of the panel make up, for the most part, the missing half." - SM
> 
> On Fri, Jul 15, 2016 at 9:11 AM, Jonathan Walley <wall...@denison.edu 
> <mailto:wall...@denison.edu>> wrote:
> Hi Ken, and gang,
> 
> There are a few copies of this floating around online. I found this:
> http://coronagraph.pastelegram.org/Poetry-and-the-Film-A-Symposium 
> <http://coronagraph.pastelegram.org/Poetry-and-the-Film-A-Symposium>
> 
> You’ll see that it’s actually called “Poetry and THE Film” (back in the day 
> they loved to put “the” in from of film, usually when they meant something 
> like “film as an art form”). And then there’s this, which is amazing:
> 
> https://www.youtube.com/watch?v=HA-yzqykwcQ 
> <https://www.youtube.com/watch?v=HA-yzqykwcQ>
> 
> Sadly, though perhaps not surprisingly, Dylan Thomas and Arthur Miller come 
> off as jackasses, especially in their plainly misogynistic responses to Maya 
> Deren. Happily, and not at all surprisingly, Deren speaks brilliantly and 
> brushes them off. As I read it, she makes them look stupid, but I’m not sure 
> that would have been the response of a contemporaneous reader/listener. The 
> start of Deren’s statement in the middle of page 178 (this is from Sitney’s 
> Film Culture Reader) is particularly awesome. 
> 
> Anyway, enjoy!
> Best,
> Jonathan
> 
> 
> Dr. Jonathan Walley
> Associate Professor and Chair
> Department of Cinema
> Denison University
> wall...@denison.edu <mailto:wall...@denison.edu>
> 
> 
> 
>> On Jul 15, 2016, at 7:17 AM, Ken Paul Rosenthal 
>> <kenpaulrosent...@hotmail.com <mailto:kenpaulrosent...@hotmail.com>> wrote:
>> 
>> I've been poking around online for a complete transcription of the Cinema 16 
>> "Poetry and Film: A Symposium" from October 28, 1953, but cannot find it. 
>> Any leads out there?
>> 
>> Thanks, Ken
>>  <http://www.kenpaulrosenthal.com/>www.kenpaulrosenthal.com 
>> <http://www.kenpaulrosenthal.com/>
>> www.whisperrapture.com <http://www.whisperrapture.com/>
>> www.maddancementalhealthfilmtrilogy.com 
>> <http://www.maddancementalhealthfilmtrilogy.com/>
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Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

Associate Dean Academic, Faculty of Graduate Studies

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca <mailto:z...@yorku.ca> • 
http://cma.ampd.yorku.ca/profile/michael-zryd/ 
<http://cma.ampd.yorku.ca/profile/michael-zryd/> • ampd.yorku.ca 
<http://ampd.yorku.ca/> 


York University, one of 2015 Canada’s Greenest Employers


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Re: [Frameworks] Film/video programers/curators and campus film screenings

[Michael Zryd]

Thank you to everyone on- and off-list who shared their stories and experiences 
about programming film in college and university. 

All the responses thus far have been from people in Canada or the US. Has 
anyone outside those countries started programming at campus film societies?

It’s fascinating to hear the creative ways in which people used limited 
resources (including the all-important university film/video collection) and 
the relative freedom afforded by campus screening situations to experiment with 
showing work. And it seems that people are not simply moving from campus to 
film and art venues; rather there’s a persistent move back and forth between 
campus and external venues along programmers' creative and educational 
trajectories. 
 
> On Mar 18, 2016, at 11:02 AM, Tara Nelson <brendamere...@gmail.com> wrote:
> 
> My experience with experimental film started in the micro-cinema scene in 
> Pittsburgh, which was entirely DIY and non-affiliated (though Pittsburgh 
> Filmmakers was very supportive) - Jefferson Presents..., and before them 
> Orgone Cinema - represented two decades of consistent experimental film 
> screenings, completely run by artists (Michael Johnsen, Greg Pierce, Gordon 
> Nelson, Adam Abrams, Jim Mueller).  There is a great history of this scene in 
> INCITE's Exhibition Issue.  
> 
> I went to grad school at MassArt, where Saul Levine runs a weekly Film 
> Society dedicated to avant garde cinema (30+years now). MassArt Film Society 
> shows contemporary work, as well as films from the unique collection at 
> MassArt, and invites artists to present their work on a weekly basis.  I was 
> fortunate to be a graduate assistant for MassArt Film Society - projecting, 
> setting up, print trafficking etc - and I got to meet an incredible variety 
> of filmmakers, and became well acquainted with their work.  Saul was very 
> supportive and allowed me to program a few shows, and provided guidance and 
> assistance when I put together a US tour for Rose Lowder in 2011 (during my 
> last year in grad school).  Rebecca Meyers, who was programming for Emerson 
> at the time, was also incredibly supportive, as was Rob Todd.  The mentoring 
> I received from experienced programmers has been the most valuable outcome of 
> my graduate studies.  I continue to program experimental film screenings in 
> my current capacity as Curator of Moving Image Collections at Visual Studies 
> Workshop, and I include programming and projection in all the courses I teach 
> in Film Production.  
> 
> Filmmaking is a community, not a competition.
> 
> Tara Merenda Nelson
> 
> On Fri, Mar 18, 2016 at 10:24 AM, Beebe, Roger W. <beebe...@osu.edu 
> <mailto:beebe...@osu.edu>> wrote:
> Many of my students who were involved centrally or peripherally with FLEXfest 
> in Florida have gone on to do a wide range of post-graduation programming.  
> Brendan and Jeremy Smyth, for example, currently run both the Haverhill 
> Experimental Film Festival (HEFF) and Unexposed Microcinema in Durham, NC.  
> Warren Cockerham programmed the New England Home Movie Tour and had a hand in 
> Luther Price gallery shows at Bennington and Callicoon Fine Arts.  Jodie 
> Mack, who was among the founding group at FLEX, went from there to an 
> internship at the PDX Film Festival in Portland then to SAIC where she 
> programmed the Animation’s World Fair and revived David Gatten’s Eye & Ear 
> Clinic (which Warren Cockerham also did for a bit) and since landing at 
> Dartmouth has programmed a series called Eyewash.  Charlotte Taylor, also one 
> of the original FLEX crew, founded Mechanical Eye Microcinema in Asheville, 
> NC.  Mike Stoltz, who had a hand in helping me set up screenings in the 
> pre-FLEX days, now is part of the group programming the Echo Park Film 
> Center.  This is a very incomplete list, and I’m reluctant to hit send lest I 
> forget someone, but it at least gestures to the Florida/FLEX family tree in a 
> way that shows the connections you’ve asked about.
> 
> FYI,
> Roger
> 
> On Mar 17, 2016, at 2:20 PM, Michael Zryd <z...@yorku.ca 
> <mailto:z...@yorku.ca>> wrote:
> 
>> Hi Frameworks: I’m doing some research on what connections (if any) exist 
>> between people who program or curate film, video, and other moving image 
>> media and their experiences in college and university. 
>> 
>> Question: If you are currently programming or curating, did you get any 
>> experience at a college or university campus film society or screening 
>> series?
>> 
>> I know of histories in Toronto at universities like Ryerson, University of 
>> Toronto, and York University, and have read anecdotal accounts from schools 
>> like Binghamton, NY, wh

[Frameworks] Film/video programers/curators and campus film screenings

[Michael Zryd]

Hi Frameworks: I’m doing some research on what connections (if any) exist 
between people who program or curate film, video, and other moving image media 
and their experiences in college and university. 

Question: If you are currently programming or curating, did you get any 
experience at a college or university campus film society or screening series?

I know of histories in Toronto at universities like Ryerson, University of 
Toronto, and York University, and have read anecdotal accounts from schools 
like Binghamton, NY, where students from those schools programmed ambitious 
experimental screenings on campus and then continued to program/curate 
afterwards, but I’m wondering how widespread that connection is. And whether 
it’s a North American phenomenon or if it occurs elsewhere.

Please share any stories or personal histories, either privately to me, or to 
the listserv.

Thanks!
Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca <mailto:z...@yorku.ca> • 
http://ampd.yorku.ca/about-us/our-faculty/michael-zryd 
<http://finearts.yorku.ca/about-us/our-faculty/michael-zryd> • ampd.yorku.ca 
<http://ampd.yorku.ca/> 


York University, one of 2015 Canada’s Greenest Employers


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Re: [Frameworks] (nostalgia) versions...

[Michael Zryd]

I don’t think there are two distinct versions. I suspect (though to be honest I 
haven’t used a stop watch to time it) that Shira may be ascribing a precision 
to the film which it in fact lacks—though the ascription is entirely 
understandable since, as a foundational ‘structural film’ using a strategy of 
repetition, (nostalgia) invites an expectation that it’s all worked out in 
advance, and that each unit is structurally consistent. 

But each photo burns differently (the photographic paper is likely different), 
and (at least according to an analysis by Steina at the ZKM show on Buffalo 
Media Study) each segment has a slightly different length. 

There’s an interesting study to be done on differing descriptions of 
experimental films to explore the different ways in which we see, describe, and 
interpret these works.

> On Mar 4, 2016, at 2:31 PM, John Muse <jm...@sonic.net> wrote:
> 
> But is the Treasures version the one Segal describes, and is that the, um, 
> authorized version?  And is the one on the Odyssey collection, which Brand 
> worked on too, authorized as well?  Are there two distinct versions 
> circulating?
> 
> I just had that Treasures comp in my hands, but I returned it to our library. 
>  Dang!
> 
> j
> 
> On Mar 4, 2016, at 2:48 PM, Mark Toscano <mrkt...@gmail.com> wrote:
> 
>> The transfer on the Treasures IV set was supervised by the inimitable Mr 
>> Bill Brand, who knows the films intimately, and also has helped supervise 
>> restorations and digital mastering of numerous other Frampton films.
>> 
>> Mark T
>> 
>> On Fri, Mar 4, 2016 at 10:22 AM, Ken Eisenstein <ken7...@gmail.com> wrote:
>> 
>> 
>> Cf. the version on Treasures
>> 
>> http://www.filmpreservation.org/dvds-and-books/treasures-iv-american-avant-garde-film
>> 
>> 
>> 
>> 
>> On Fri, Mar 4, 2016 at 1:06 PM, John Muse <jm...@sonic.net> wrote:
>> Having checked with the usual suspects, I'm at a loss to explain the 
>> discrepancy between the version of (nostalgia) on the 2012 Criterion disk 
>> and the version described by a few folks, one being Shari Segal, who in a 
>> 2005 essay entitled From the Private to the Public" writes:
>> 
>>> Each voice-over begins fifteen to twenty seconds after the new photograph 
>>> appears, precisely the amount of time permitted before the photograph’s 
>>> destruction visibly begins.
>> 
>> This doesn't describe the voice-over to image relationship I see in the 2012 
>> disk.  The voice-overs begin before the new image arrives, not 20 seconds 
>> after.  Is she wrong?  Or did she see a different film?
>> 
>> Clues?  And I apologize if the answer is obvious.
>> 
>> j/PrM
>> 
>> *
>> 
>> john muse
>> visiting assistant professor of independent college programs
>> haverford college
>> http://www.finleymuse.com
>> http://www.haverford.edu/faculty/jmuse
>> http://haverford.academia.edu/JohnMuse
>> 
>> *
>> 
>> 
>> 
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>> 
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> 
> j/PrM
> 
> *****
> 
> john muse
> visiting assistant professor of independent college programs
> haverford college
> http://www.finleymuse.com
> http://www.haverford.edu/faculty/jmuse
> http://haverford.academia.edu/JohnMuse
> 
> *
> 
> 
> 
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> 

Michael Zryd • Associate Professor 
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

YORK UNIVERSITY 
York Lanes 230 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca • http://ampd.yorku.ca/about-us/our-faculty/michael-zryd • 
ampd.yorku.ca 


York University, one of 2015 Canada’s Greenest Employers


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Re: [Frameworks] experimental cinema and the anthropocene

[Michael Zryd]

Terra Long’s film _Notes from the Anthropocene_ (2014) would seem appropriate..

http://www.vtape.org/video?vi=8330



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[Frameworks] please post: MA & PhD in Cinema & Media Studies, York University

[Michael Zryd]

There is a long tradition of excellent scholarship on experimental film, video 
art, and other experimental media at York University in Toronto Canada (and in 
the MFA program, experimental filmmaking). Please circulate this call to any 
interested and qualified students. 


**
MA and PhD in Cinema and Media Studies - York University

Applications are invited to the MA and PhD programs in Cinema and Media Studies 
(CMS) at York University. Applications are due January 15, 2016 
<http://film.gradstudies.yorku.ca/apply/>. Applicants will be contacted by 
early March. Late applications will be considered.

 

film.gradstudies.yorku.ca <http://film.gradstudies.yorku.ca/>
 
Cinema and Media Studies at York University offers students a comprehensive and 
rigorous immersion in the study of the moving image in all its forms, both 
historical and contemporary. Building on York’s longstanding commitment to 
deliver innovative and interdisciplinary post-graduate training, the program 
offers a curriculum that encourages rich and dynamic synergies between creative 
and scholarly research with a unique focus on social justice, diversity, equity 
and sustainability. 

 
Our faculty <http://film.gradstudies.yorku.ca/faculty/> make outstanding 
contributions in the areas of film theory, film history, national and 
transnational cinema, emerging screen technologies and digital media theory, 
global media industries, documentary, experimental and avant-garde film and 
media, affect studies, post-colonial theory, urban media studies, labor 
studies, feminism and sexuality and political economy. 

 
Our students <http://film.gradstudies.yorku.ca/students/>, faculty, and large 
alumni network are part of Toronto’s lively and diverse film and media culture 
and its many opportunities for festival programming, curation, symposia, and 
lectures. The city of Toronto, housing Canada’s most important media industry 
infrastructure, provides students with exceptional opportunities for field 
placements, access to film screenings, museums and galleries, festivals (over 
100 film festivals occur each year, including the Toronto International F <>ilm 
Festival, Hot Docs, and Images Festival), and resources like the Ontario 
Archives (now housed on York University campus), TIFF’s Film Reference Library, 
and other unique research collections. 

 
We welcome applicants with educational backgrounds in Cinema/Film Studies, 
Media Studies, Communications, Cultural Studies, Art History, English, Women’s 
Studies, Queer and Sexuality Studies, Comparative Literature, Philosophy, Urban 
Studies, and other disciplines that nurture research in sound and moving image 
media. 
 
The MA <http://film.gradstudies.yorku.ca/ma-cinema-studies/> is a rigorous 
two-year (5-term) program involving course work and the completion of a Major 
Research Paper, a Major Research Field Placement Project, or a 
Research-Creation Project. A combined MBA/MA 
<http://film.gradstudies.yorku.ca/mba-joint-degree/> in Arts and Business 
Administration 
<http://schulich.yorku.ca/client/schulich/Schulich_LP4W_LND_WebStation.nsf/page/study-options-artm?OpenDocument>
 is also offered with the Schulich School of Business. 

 
Teaching, publication, and professional academic development are key components 
of the PhD <http://film.gradstudies.yorku.ca/phd-cinema-studies/>, a minimum 
four-year degree with guaranteed funding for six years. After completing course 
work and comprehensive exams, students complete a research dissertation or 
research creation dissertation that makes a decisive intervention in the 
discipline. 

 
Each year the program selects a small group of exceptional students to join its 
vigorous and stimulating intellectual community, where students attend small 
and engaging seminars and receive close attention from faculty supervisors.  
Our MA and PhD programs provide specialized training for careers in academic, 
research and government organizations, arts and entertainment industries 
(television, film, new media), festivals, producing, programming and curation, 
teaching, critical writing and publishing, publicity, and much more.

 
Students interested in the MA and PhD programs are encouraged to contact Prof. 
Sharon Hayashi, Graduate Program Director, haya...@yorku.ca 
<mailto:haya...@yorku.ca>.


For questions related to the application process please contact Kuowei Lee, 
Graduate Program Assistant, film...@yorku.ca <mailto:film...@yorku.ca>.

 
APPLICATION DEADLINE: JANUARY 15, 2016

 
futurestudents.yorku.ca/graduate/programs/cinema-and-media-studies 
<http://futurestudents.yorku.ca/graduate/programs/cinema-and-media-studies>
 
Graduate Program in Film

Department of Cinema and Media Arts

School of the Arts, Media, Performance and Design

York University

Centre for Film and Theatre 224

4700 Keele St.

Toronto, ON M3J 1P3 CANADA

Tel: 416-736-2100 x 22174

film.g

Re: [Frameworks] Musical Noir?

[Michael Zryd]

Janie Geiser’s Immer Zu
 On Jun 18, 2015, at 11:10 PM, Shashwati Talukdar m...@shashwati.com wrote:
 
 I am looking for examples of the use of music and songs in films that can be 
 described as noir. Where music plays an integral role in moving the film 
 along. Mainstream examples also welcome.
 
 -- 
 regards,
 
 Shashwati Talukdar
 夏雪莉
 ---
  https://www.facebook.com/fournineandahalf http://vimeo.com/shashwati 
 https://www.linkedin.com/profile/preview?vpa=publocale=en_US 
 https://twitter.com/cinedevi
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Michael Zryd • Associate Professor 
Department of Film
School of the Arts, Media, Performance  Design

YORK UNIVERSITY 
CFT 236 • 4700 Keele Street 
Toronto ON • Canada M3J 1P3
T 416.736.2100 ext 22173 F 416.736. 5710 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca mailto:z...@yorku.ca • 
http://ampd.yorku.ca/about-us/our-faculty/michael-zryd 
http://finearts.yorku.ca/about-us/our-faculty/michael-zryd • ampd.yorku.ca 
http://ampd.yorku.ca/ 




This electronic mail (e-mail), including any attachments, is intended only for 
the recipient(s) to whom it is addressed and may contain information that is 
privileged, confidential and/or exempt from disclosure. No waiver of privilege, 
confidentiality or any other protection is intended by virtue of its 
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[Frameworks] 16mm print of Ballet Mecanique -- version by William Moritz

[Michael Zryd]

Does anyone on Frameworks know where to source a 16mm film print of William 
Moritz's 'reconstruction' of Leger/Murphy's Ballet méchanique? It has a 
soundtrack that attempts to provide a sense of Antheil's original score, and it 
also has some colour tinting in some sections.

This version is on YouTube, and I've seen a VHS version, but would love to 
access a print. I have already checked EYE, Lightcone, FMC, Canyon, MoMA, and 
CVM.

Thanks!
--
Michael Zryd
Associate Professor, Cinema and Media Studies
York University, Department of Film, CFT 236, 4700 Keele St., Toronto, ON M3J 
1P3 CANADA
tel: 416-736-2100 x22173 / fax: 416-736-5710 / cell: 647-430-8680 / Skype: 
mjpzryd
z...@yorku.ca / http://finearts.yorku.ca/about-us/our-faculty/michael-zryd

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