Re: [h-cost] Cotehardie Help

2009-09-06 Thread Bambi TBNL
Past patterns is accurate to the point of having about 2 newprint pages of 
dobumentation and the bibliography in with the pattern piecesCoryn Wiegle 
spent a lot of time on it years ago and though it has always been one of the 
top priced pattern lines out there for period clothing...the documentation and 
bibliography makes it well worth the price if one is stymied.

Bambi (To be named later) TBNL

I am made for great things by GOD
and walk with Pride
Walladah bint al Mustakfi c 1100ad
see me dance 
http://www.youtube.com/watch?v=7HMtOoXtMs0

--- On Fri, 9/4/09, Regina Voorhes reginalaws...@gmail.com wrote:


From: Regina Voorhes reginalaws...@gmail.com
Subject: Re: [h-cost] Cotehardie Help
To: h-costume@mail.indra.com
Date: Friday, September 4, 2009, 2:16 PM


I should have elaborated.  He is hard-core, and I want to get this right.
Is the Past Patterns version accurate?  I am out of my specialty and most of
the art of the period shows a hood or mantle over the neckline.  G!

Thanks all,
Regina

On Thu, Sep 3, 2009 at 10:42 PM, Regina Voorhes reginalaws...@gmail.comwrote:

 Hi, my partner wants something like a knee-length cotehardie with a
 standing band collar.  Does this actually exist?  Is it called something
 specific?

 Thanks,
 Regina in L.A.

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume



  
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


[h-cost] cloak or woman's outer garment for 15th century

2009-09-06 Thread Zuzana Kraemerova
Hello,

I recently discovered that I need to make myself a warm cloak or outer garment 
for reenacting events for the 15th century. I was wondering about something 
like garnache - a warm outer garment with sleeves. Cloaks are much less 
practical. But the trouble is, I cannot find any sort of such outer garment for 
15th century women!
Does any of you know of some illustrations or written evidence that would help 
me? Time and location doesn't matter much as anything will help me, but if you 
insist, I'm acting as a mid 15th century middle class woman from France.

Thanks a lot!

Zuzana


  
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] Cotehardie Help

2009-09-06 Thread Hanna Zickermann
True, the documentation stuff is very good, and the pattern gives a 
garment that gives a good overall shape and is a good start. The 
garment construction steps are really modern, though.


Hanna


At 15:57 06.09.2009, you wrote:
Past patterns is accurate to the point of having about 2 newprint 
pages of dobumentation and the bibliography in with the pattern 
piecesCoryn Wiegle spent a lot of time on it years ago and 
though it has always been one of the top priced pattern lines out 
there for period clothing...the documentation and bibliography makes 
it well worth the price if one is stymied.


Bambi (To be named later) TBNL

I am made for great things by GOD
and walk with Pride
Walladah bint al Mustakfi c 1100ad
see me dance
http://www.youtube.com/watch?v=7HMtOoXtMs0

--- On Fri, 9/4/09, Regina Voorhes reginalaws...@gmail.com wrote:


From: Regina Voorhes reginalaws...@gmail.com
Subject: Re: [h-cost] Cotehardie Help
To: h-costume@mail.indra.com
Date: Friday, September 4, 2009, 2:16 PM


I should have elaborated.  He is hard-core, and I want to get this right.
Is the Past Patterns version accurate?  I am out of my specialty and most of
the art of the period shows a hood or mantle over the neckline.  G!

Thanks all,
Regina

On Thu, Sep 3, 2009 at 10:42 PM, Regina Voorhes 
reginalaws...@gmail.comwrote:


 Hi, my partner wants something like a knee-length cotehardie with a
 standing band collar.  Does this actually exist?  Is it called something
 specific?

 Thanks,
 Regina in L.A.

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume




___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume



___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] cloak or woman's outer garment for 15th century

2009-09-06 Thread Rickard, Patty
How strictly 15th c.? Could you do something like a Tudor loose gown?

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On 
Behalf Of Zuzana Kraemerova
Sent: Sunday, September 06, 2009 1:35 PM
To: h-costume
Subject: [h-cost] cloak or woman's outer garment for 15th century

Hello,

I recently discovered that I need to make myself a warm cloak or outer garment 
for reenacting events for the 15th century. I was wondering about something 
like garnache - a warm outer garment with sleeves. Cloaks are much less 
practical. But the trouble is, I cannot find any sort of such outer garment for 
15th century women!
Does any of you know of some illustrations or written evidence that would help 
me? Time and location doesn't matter much as anything will help me, but if you 
insist, I'm acting as a mid 15th century middle class woman from France.

Thanks a lot!

Zuzana


  
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] cloak or woman's outer garment for 15th century

2009-09-06 Thread Zuzana Kraemerova
No, I am afraid, not - it has to be a medieval, not renaissance style:-(


  
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


[h-cost] Holkeboer book - patterns question - long

2009-09-06 Thread Laurie Taylor
Hello,

I'm looking at the Holkeboer book, Patterns for Theatrical Costumes.  I do
understand that the book is intended for theatrical use where down-and-dirty
is so often the rule of the day.  However, I am looking at the first three
sections of historical patterns - Egyptian, Greek and Roman, with the idea
of these being (or not) a reasonable jumping-off point to cut lengths for
hopefully accurate reproduction of the basic garments of those cultures.  My
students are going to get the fun of being handed these lengths and trying
to figure out how to wrap the long pieces to get the correct effect as well
as how to tie the ribbons or belts on the Greek chitons.

The book states that the patterns are in 1/8 scale, with a few in 1/16.  I
grabbed a ruler and calculator and did all the math on those first sections.

This is what I came up with for yardage for the main pieces in each cultural
group.  These would all be approximate amounts with some flexibility as
suited available fabrics.

Egyptian
Man's Kalasiris 48 x 3 1/3 yards
Man's Schenti   22 x 2 2/3 yards
Woman's Sheath  28 x 3 1/8 yards
Woman's Kalasiris 64 x 3 2/3 yards

Greek
Man's Chiton/Exomis 36 x 2 1/2 yards
Man's Himation  48 or 72 x 4-6 yards
Woman's Doric Chiton 1  76 x 74
Woman's Ionic Chiton64 x 6 1/8 yards
Woman's Gathered Chiton 64 x 6 1/8 yards
Woman's Doric Chiton 2  88 x 2 2/3 yards
Woman's Himation60 x 4 yards
Woman's Narrow Himation 24 x 4 yards

Roman
Man's Toga (cut oval)   72 x 6 1/4 yards
Man's Tunic 48 x 2 1/8 yards
Man's Paenula   58 x 3 3/4 yards
Man's Lacerna   38 x 2 1/2 yards
Woman's Stola   60 x 6 2/3 yards
Woman's Palla   60 x 4 yards

Man's Dalmatica 64 x 2 5/8 yards
Woman's Dalmatica   60 x 4 1/8 yards

Of course, as long as no stitching is done to a cut length, it could well
double for different pieces amongst the cultures, i.e. the Greek woman's
chitons and the Roman woman's stola could be done from the same piece.

So, do any of these lengths seem too long for the garment in question?  The
Roman woman's stola seemed like an awful lot of fabric to me, even
understanding the light weight of the period fabrics.  I did use 1/8 as the
scale for all of the patterns where 1/16 was not specified.  The width of
the fabric most often corresponds to the length of the garment on the body,
with the yards amount being somehow wrapped around the body.  

I have tons of fabric to play with, or to permit students to play with, so
we can do a lot of this.  I'm going to cut a few specific pieces which will
even get some non-period trim stitched on as a substitute for the
embroidered or woven designs on the ancient garments.  

Also, does anyone know if there's a connection between Katherine
Strand-Evans and Katherine Strand Holkeboer?  Just curious.

Laurie Taylor

(480) 560-7016

www.costumeraz.blogspot.com

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] cloak or woman's outer garment for 15th century

2009-09-06 Thread Alexandria Doyle
My solution for this has just been more layers.  Either make several
layers in warm fabrics or one layer in an extra warm fabric - with a
fur lining perhaps.

alex

On Sun, Sep 6, 2009 at 12:34 PM, Zuzana Kraemerovazkraemer...@yahoo.com wrote:
 Hello,

 I recently discovered that I need to make myself a warm cloak or outer 
 garment for reenacting events for the 15th century. I was wondering about 
 something like garnache - a warm outer garment with sleeves. Cloaks are much 
 less practical. But the trouble is, I cannot find any sort of such outer 
 garment for 15th century women!
 Does any of you know of some illustrations or written evidence that would 
 help me? Time and location doesn't matter much as anything will help me, but 
 if you insist, I'm acting as a mid 15th century middle class woman from 
 France.

 Thanks a lot!

 Zuzana



 ___
 h-costume mailing list
 h-costume@mail.indra.com
 http://mail.indra.com/mailman/listinfo/h-costume




-- 
So much to do and so little attention span to get it done with…
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


[h-cost] Greenwood Encyclopedia of Clothing through World History

2009-09-06 Thread Suzanne
Published in 2008... has anyone looked at this set yet?  I've only  
got the first volume (of three) so far.  I thought the essay on  
'Byzantine Clothing' was pretty good, and had the expected  
references.  The essay on 'Medieval Clothing' is quite extensive-- 
more than I want to read in one sitting--but most of the sources in  
its Further Reading section are older (with the exception of  
Medieval Fabrications: Dress, Textiles, Clothwork, and Other  
Cultural Imaginings, 2004), the Web Resources listing is mediocre,  
and the publisher had the unhappy idea of adding a list of films with  
medieval themes gag, cough without any annotations.


I'd be interested in hearing what other folks think of this title.

Suzanne

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] Holkeboer book - patterns question - long

2009-09-06 Thread Chiara Francesca
When I first started to use this book I quickly realized that it was neither a 
quick nor dirty way to making costumes really. (But we say it is so that we can 
get new folks learning how to make costumes the best way possible and inspire 
them to learn the accurate way later on.)

If you do not know how to resize patterns then you need to learn how to do it 
first. 

The thing that makes it simple to many of us however is that they use the 
theory of rectangles and draping to make everything. :)

♫
Chiara Francesca
« Ehi Prof.! Che cosa facciamo stasera?»
« Quello che facciamo tutte le sere, Mignolo: tentare di conquistare il mondo! »
(hint: italian)


 -Original Message-
 From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com]
 On Behalf Of Laurie Taylor
 Sent: Sunday, September 06, 2009 4:05 PM
 To: 'Historical Costume'
 Subject: [h-cost] Holkeboer book - patterns question - long
 
 Hello,
 
 I'm looking at the Holkeboer book, Patterns for Theatrical Costumes.  I
 do
 understand that the book is intended for theatrical use where down-and-
 dirty
 is so often the rule of the day.  However, I am looking at the first
 three
 sections of historical patterns - Egyptian, Greek and Roman, with the
 idea
 of these being (or not) a reasonable jumping-off point to cut lengths
 for
 hopefully accurate reproduction of the basic garments of those
 cultures.  My
 students are going to get the fun of being handed these lengths and
 trying
 to figure out how to wrap the long pieces to get the correct effect as
 well
 as how to tie the ribbons or belts on the Greek chitons.
 
 The book states that the patterns are in 1/8 scale, with a few in 1/16.
 I
 grabbed a ruler and calculator and did all the math on those first
 sections.
 
 This is what I came up with for yardage for the main pieces in each
 cultural
 group.  These would all be approximate amounts with some flexibility as
 suited available fabrics.
 
 Egyptian
 Man's Kalasiris   48 x 3 1/3 yards
 Man's Schenti 22 x 2 2/3 yards
 Woman's Sheath28 x 3 1/8 yards
 Woman's Kalasiris 64 x 3 2/3 yards
 
 Greek
 Man's Chiton/Exomis   36 x 2 1/2 yards
 Man's Himation48 or 72 x 4-6 yards
 Woman's Doric Chiton 176 x 74
 Woman's Ionic Chiton  64 x 6 1/8 yards
 Woman's Gathered Chiton   64 x 6 1/8 yards
 Woman's Doric Chiton 288 x 2 2/3 yards
 Woman's Himation  60 x 4 yards
 Woman's Narrow Himation   24 x 4 yards
 
 Roman
 Man's Toga (cut oval) 72 x 6 1/4 yards
 Man's Tunic   48 x 2 1/8 yards
 Man's Paenula 58 x 3 3/4 yards
 Man's Lacerna 38 x 2 1/2 yards
 Woman's Stola 60 x 6 2/3 yards
 Woman's Palla 60 x 4 yards
 
 Man's Dalmatica   64 x 2 5/8 yards
 Woman's Dalmatica 60 x 4 1/8 yards
 
 Of course, as long as no stitching is done to a cut length, it could
 well
 double for different pieces amongst the cultures, i.e. the Greek
 woman's
 chitons and the Roman woman's stola could be done from the same piece.
 
 So, do any of these lengths seem too long for the garment in question?
 The
 Roman woman's stola seemed like an awful lot of fabric to me, even
 understanding the light weight of the period fabrics.  I did use 1/8 as
 the
 scale for all of the patterns where 1/16 was not specified.  The width
 of
 the fabric most often corresponds to the length of the garment on the
 body,
 with the yards amount being somehow wrapped around the body.
 
 I have tons of fabric to play with, or to permit students to play with,
 so
 we can do a lot of this.  I'm going to cut a few specific pieces which
 will
 even get some non-period trim stitched on as a substitute for the
 embroidered or woven designs on the ancient garments.
 
 Also, does anyone know if there's a connection between Katherine
 Strand-Evans and Katherine Strand Holkeboer?  Just curious.
 
 Laurie Taylor
 
 (480) 560-7016
 
 www.costumeraz.blogspot.com
 
 ___
 h-costume mailing list
 h-costume@mail.indra.com
 http://mail.indra.com/mailman/listinfo/h-costume

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] cloak or woman's outer garment for 15th century

2009-09-06 Thread otsisto
Have you looked up pelisse?
I believe that this is = to a wide sleeved coat or a generic to coat and
jacket types of garments and usually fur line or trimmed.
I have seen pelisse used to identify other types of garments.
You will find that coats of various styles can be found pretty far back in
history.
De

-Original Message-
Hello,

I recently discovered that I need to make myself a warm cloak or outer
garment for reenacting events for the 15th century. I was wondering about
something like garnache - a warm outer garment with sleeves. Cloaks are much
less practical. But the trouble is, I cannot find any sort of such outer
garment for 15th century women!
Does any of you know of some illustrations or written evidence that would
help me? Time and location doesn't matter much as anything will help me, but
if you insist, I'm acting as a mid 15th century middle class woman from
France.

Thanks a lot!

Zuzana



___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] Holkeboer book - patterns question - long

2009-09-06 Thread Laurie Taylor
Hi,

Actually, I don't see this book using rectangles and triangles nearly as much 
as was really done, but for my purposes right now, that doesn't matter.  
Grading patterns is no problem either, especially when it's the Greek and Roman 
stuff.


Laurie Taylor

(480) 560-7016

www.costumeraz.blogspot.com


-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On 
Behalf Of Chiara Francesca
Sent: Sunday, September 06, 2009 5:21 PM
To: 'Historical Costume'
Subject: Re: [h-cost] Holkeboer book - patterns question - long

When I first started to use this book I quickly realized that it was neither a 
quick nor dirty way to making costumes really. (But we say it is so that we can 
get new folks learning how to make costumes the best way possible and inspire 
them to learn the accurate way later on.)

If you do not know how to resize patterns then you need to learn how to do it 
first. 

The thing that makes it simple to many of us however is that they use the 
theory of rectangles and draping to make everything. :)

♫
Chiara Francesca
« Ehi Prof.! Che cosa facciamo stasera?»
« Quello che facciamo tutte le sere, Mignolo: tentare di conquistare il mondo! »
(hint: italian)


 -Original Message-
 From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com]
 On Behalf Of Laurie Taylor
 Sent: Sunday, September 06, 2009 4:05 PM
 To: 'Historical Costume'
 Subject: [h-cost] Holkeboer book - patterns question - long
 
 Hello,
 
 I'm looking at the Holkeboer book, Patterns for Theatrical Costumes.  I
 do
 understand that the book is intended for theatrical use where down-and-
 dirty
 is so often the rule of the day.  However, I am looking at the first
 three
 sections of historical patterns - Egyptian, Greek and Roman, with the
 idea
 of these being (or not) a reasonable jumping-off point to cut lengths
 for
 hopefully accurate reproduction of the basic garments of those
 cultures.  My
 students are going to get the fun of being handed these lengths and
 trying
 to figure out how to wrap the long pieces to get the correct effect as
 well
 as how to tie the ribbons or belts on the Greek chitons.
 
 The book states that the patterns are in 1/8 scale, with a few in 1/16.
 I
 grabbed a ruler and calculator and did all the math on those first
 sections.
 
 This is what I came up with for yardage for the main pieces in each
 cultural
 group.  These would all be approximate amounts with some flexibility as
 suited available fabrics.
 
 Egyptian
 Man's Kalasiris   48 x 3 1/3 yards
 Man's Schenti 22 x 2 2/3 yards
 Woman's Sheath28 x 3 1/8 yards
 Woman's Kalasiris 64 x 3 2/3 yards
 
 Greek
 Man's Chiton/Exomis   36 x 2 1/2 yards
 Man's Himation48 or 72 x 4-6 yards
 Woman's Doric Chiton 176 x 74
 Woman's Ionic Chiton  64 x 6 1/8 yards
 Woman's Gathered Chiton   64 x 6 1/8 yards
 Woman's Doric Chiton 288 x 2 2/3 yards
 Woman's Himation  60 x 4 yards
 Woman's Narrow Himation   24 x 4 yards
 
 Roman
 Man's Toga (cut oval) 72 x 6 1/4 yards
 Man's Tunic   48 x 2 1/8 yards
 Man's Paenula 58 x 3 3/4 yards
 Man's Lacerna 38 x 2 1/2 yards
 Woman's Stola 60 x 6 2/3 yards
 Woman's Palla 60 x 4 yards
 
 Man's Dalmatica   64 x 2 5/8 yards
 Woman's Dalmatica 60 x 4 1/8 yards
 
 Of course, as long as no stitching is done to a cut length, it could
 well
 double for different pieces amongst the cultures, i.e. the Greek
 woman's
 chitons and the Roman woman's stola could be done from the same piece.
 
 So, do any of these lengths seem too long for the garment in question?
 The
 Roman woman's stola seemed like an awful lot of fabric to me, even
 understanding the light weight of the period fabrics.  I did use 1/8 as
 the
 scale for all of the patterns where 1/16 was not specified.  The width
 of
 the fabric most often corresponds to the length of the garment on the
 body,
 with the yards amount being somehow wrapped around the body.
 
 I have tons of fabric to play with, or to permit students to play with,
 so
 we can do a lot of this.  I'm going to cut a few specific pieces which
 will
 even get some non-period trim stitched on as a substitute for the
 embroidered or woven designs on the ancient garments.
 
 Also, does anyone know if there's a connection between Katherine
 Strand-Evans and Katherine Strand Holkeboer?  Just curious.
 
 Laurie Taylor
 
 (480) 560-7016
 
 www.costumeraz.blogspot.com
 
 ___
 h-costume mailing list
 h-costume@mail.indra.com
 http://mail.indra.com/mailman/listinfo/h-costume

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] woman's outer garment for 15th century

2009-09-06 Thread Ann Catelli
Dear Zuzana,

You have seen many images of such a garment, I am sure, but seem not to have 
recognized it!

The houppelande and its descendant, the 'Burgundian' V-necked gown, as well as 
less fashionable gouns of various cuts were very often made of wool lined with 
fur.  Even sleeveless and sideless surcotes add quite a lot of warmth.

The layers would be shift of linen, supportive gown of wool lined with linen, 
overgown of wool lined with fur.  (generalities, but useful for a person cold 
in her costume.)

Nice wool hosen, shoes, and pattens, and good head coverings would also assist 
a lot in keeping warm.

And there's nothing to say you couldn't wear more than one supportive gown 
(gothic fitted dress) at a time, if you were still cold.

I, myself, when a little chilly at an event, will often put a hood on so the 
cape part covers my shoulders.  More like images of men's wearing hoods than a 
woman's, but often just the little bit of warmth I need.

Ann in CT

 I recently discovered that I need to make myself a warm
 cloak or outer garment for reenacting events for the 15th century. 
 - a warm outer garment with sleeves.
 But the trouble is, I cannot find any sort of such outer
 garment for 15th century women!
 Does any of you know of some illustrations or written
 evidence that would
 help me? Time and location doesn't matter much as anything
 will help me, but
 if you insist, I'm acting as a mid 15th century middle
 class woman from
 France.
 
 Zuzana


  
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] cloak or woman's outer garment for 15th century

2009-09-06 Thread Heather Rose Jones



 at 12:34 PM, Zuzana Kraemerovazkraemer...@yahoo.com wrote:

Hello,

I recently discovered that I need to make myself a warm cloak or  
outer garment for reenacting events for the 15th century. I was  
wondering about something like garnache - a warm outer garment with  
sleeves. Cloaks are much less practical. But the trouble is, I  
cannot find any sort of such outer garment for 15th century women!
Does any of you know of some illustrations or written evidence that  
would help me? Time and location doesn't matter much as anything  
will help me, but if you insist, I'm acting as a mid 15th century  
middle class woman from France.




This is the general era when women are often depicted in heavy woolen  
gowns with full linings of fur. Being middle class would affect what  
type of fur might be used, but I believe the general idea would still  
be applicable.


For cold conditions, might it be that a heavier, warmer outer layer -  
rather than an additional over-layer - would be appropriate for your  
purposes?


Heather Rose Jones
___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] Holkeboer book - patterns question - long

2009-09-06 Thread Chiara Francesca
YMMV

♫
Chiara Francesca
« Ehi Prof.! Che cosa facciamo stasera?»
« Quello che facciamo tutte le sere, Mignolo: tentare di conquistare il mondo! »
(hint: italian)


 -Original Message-
 From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com]
 On Behalf Of Laurie Taylor
 Sent: Sunday, September 06, 2009 5:36 PM
 To: 'Historical Costume'
 Subject: Re: [h-cost] Holkeboer book - patterns question - long
 
 Hi,
 
 Actually, I don't see this book using rectangles and triangles nearly
 as much as was really done, but for my purposes right now, that doesn't
 matter.  Grading patterns is no problem either, especially when it's
 the Greek and Roman stuff.
 
 
 Laurie Taylor
 
 (480) 560-7016
 
 www.costumeraz.blogspot.com
 
 
 -Original Message-
 From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com]
 On Behalf Of Chiara Francesca
 Sent: Sunday, September 06, 2009 5:21 PM
 To: 'Historical Costume'
 Subject: Re: [h-cost] Holkeboer book - patterns question - long
 
 When I first started to use this book I quickly realized that it was
 neither a quick nor dirty way to making costumes really. (But we say it
 is so that we can get new folks learning how to make costumes the best
 way possible and inspire them to learn the accurate way later on.)
 
 If you do not know how to resize patterns then you need to learn how to
 do it first.
 
 The thing that makes it simple to many of us however is that they use
 the theory of rectangles and draping to make everything. :)
 
 ♫
 Chiara Francesca
 « Ehi Prof.! Che cosa facciamo stasera?»
 « Quello che facciamo tutte le sere, Mignolo: tentare di conquistare il
 mondo! »
 (hint: italian)
 
 
  -Original Message-
  From: h-costume-boun...@indra.com [mailto:h-costume-
 boun...@indra.com]
  On Behalf Of Laurie Taylor
  Sent: Sunday, September 06, 2009 4:05 PM
  To: 'Historical Costume'
  Subject: [h-cost] Holkeboer book - patterns question - long
 
  Hello,
 
  I'm looking at the Holkeboer book, Patterns for Theatrical Costumes.
 I
  do
  understand that the book is intended for theatrical use where down-
 and-
  dirty
  is so often the rule of the day.  However, I am looking at the first
  three
  sections of historical patterns - Egyptian, Greek and Roman, with the
  idea
  of these being (or not) a reasonable jumping-off point to cut lengths
  for
  hopefully accurate reproduction of the basic garments of those
  cultures.  My
  students are going to get the fun of being handed these lengths and
  trying
  to figure out how to wrap the long pieces to get the correct effect
 as
  well
  as how to tie the ribbons or belts on the Greek chitons.
 
  The book states that the patterns are in 1/8 scale, with a few in
 1/16.
  I
  grabbed a ruler and calculator and did all the math on those first
  sections.
 
  This is what I came up with for yardage for the main pieces in each
  cultural
  group.  These would all be approximate amounts with some flexibility
 as
  suited available fabrics.
 
  Egyptian
  Man's Kalasiris 48 x 3 1/3 yards
  Man's Schenti   22 x 2 2/3 yards
  Woman's Sheath  28 x 3 1/8 yards
  Woman's Kalasiris 64 x 3 2/3 yards
 
  Greek
  Man's Chiton/Exomis 36 x 2 1/2 yards
  Man's Himation  48 or 72 x 4-6 yards
  Woman's Doric Chiton 1  76 x 74
  Woman's Ionic Chiton64 x 6 1/8 yards
  Woman's Gathered Chiton 64 x 6 1/8 yards
  Woman's Doric Chiton 2  88 x 2 2/3 yards
  Woman's Himation60 x 4 yards
  Woman's Narrow Himation 24 x 4 yards
 
  Roman
  Man's Toga (cut oval)   72 x 6 1/4 yards
  Man's Tunic 48 x 2 1/8 yards
  Man's Paenula   58 x 3 3/4 yards
  Man's Lacerna   38 x 2 1/2 yards
  Woman's Stola   60 x 6 2/3 yards
  Woman's Palla   60 x 4 yards
 
  Man's Dalmatica 64 x 2 5/8 yards
  Woman's Dalmatica   60 x 4 1/8 yards
 
  Of course, as long as no stitching is done to a cut length, it could
  well
  double for different pieces amongst the cultures, i.e. the Greek
  woman's
  chitons and the Roman woman's stola could be done from the same
 piece.
 
  So, do any of these lengths seem too long for the garment in
 question?
  The
  Roman woman's stola seemed like an awful lot of fabric to me, even
  understanding the light weight of the period fabrics.  I did use 1/8
 as
  the
  scale for all of the patterns where 1/16 was not specified.  The
 width
  of
  the fabric most often corresponds to the length of the garment on the
  body,
  with the yards amount being somehow wrapped around the body.
 
  I have tons of fabric to play with, or to permit students to play
 with,
  so
  we can do a lot of this.  I'm going to cut a few specific pieces
 which
  will
  even get some non-period trim stitched on as a substitute for the
  embroidered or woven designs on the ancient garments.
 
  Also, does anyone know if there's a connection between Katherine
  Strand-Evans and