Re: [h-cost] 16th century dress question embroidery

2007-05-31 Thread Sara Snellings
I think the product you are looking for is Steam a Seam it has protective 
paper on both sides of the webbing, because it is sticky before ironing. Here 
is the website: http://www.warmcompany.com/saspage.html 

Morrghan

- Original Message 
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, May 30, 2007 4:11:52 PM
Subject: RE: [h-cost] 16th century dress question embroidery

vliesofix is wonderunder in the states. What is being looked for is a
fusible webbing the you apply to the back of the fabric and when you remove
the backing the underside is a bit sticky so that it lessens the need for
pins. Almost like basting spray.
De


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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Bjarne og Leif Drews

Hi Deredere,
I would use a gold passing thread wich you couch on the surface, but first i 
would embroider the red areas. You could simply cover the red areas with 
tiny chainstitches. After that couch on the gold passing thread. My guess is 
that it would be quicker to do, than to cut out and aplique the silk to the 
surface, because you had to treat the raw edges somehow.

Lovely portrait.

Bjarne

- Original Message - 
From: Deredere Galbraith [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, May 29, 2007 10:46 PM
Subject: [h-cost] 16th century dress question embroidery



Hi,

Several years ago I found a picture on the internet that I really liked.
http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
And several years ago I bought a very nice blue silk.

I was wondering if red wool felt and gold cord would work for the 
embroidery.


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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Deredere Galbraith
I would love to embroider it by hand but knowing myself I would never 
finish it :-( .


So I have a few options.
Totally embroider it by machine.
Or  appliques of wool or silk and gold cord stichet on by machine.
(I know it is not period but probably the only way for me to make a 
beautiful dress within reasonable time. And having fun making it. 
although I am not happy having it to do it this way)


Silk velvet would be very nice.
The cheapest I found is around 60 euro for a meter and it is white...
1 Meter would hopefully be more than enough.
(I could use some scraps for an other project..)
I have white silk that I would like to dye for the lining.
The lining looks more pink than the red on the dress.
I can easily get that pinkish red from the lining with madder but I 
never got a real red from it..


Should I use some sort of backing for the embroidery?

Greetings,
  Deredere



Deredere Galbraith wrote:

Hi,

Several years ago I found a picture on the internet that I really liked.
http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
And several years ago I bought a very nice blue silk.

I was wondering if red wool felt and gold cord would work for the 
embroidery.


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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Wendy Colbert
A true red from madder is difficult, you will get a better red if you use a 
second dye bath of cochineal or lac after the madder.
Wendy

-Original Message-
From: Deredere Galbraith [EMAIL PROTECTED]
Sent: May 30, 2007 11:05 AM
To: Historical Costume [EMAIL PROTECTED]
Subject: Re: [h-cost] 16th century dress question embroidery

I would love to embroider it by hand but knowing myself I would never 
finish it :-( .

So I have a few options.
Totally embroider it by machine.
Or  appliques of wool or silk and gold cord stichet on by machine.
(I know it is not period but probably the only way for me to make a 
beautiful dress within reasonable time. And having fun making it. 
although I am not happy having it to do it this way)

Silk velvet would be very nice.
The cheapest I found is around 60 euro for a meter and it is white...
1 Meter would hopefully be more than enough.
(I could use some scraps for an other project..)
I have white silk that I would like to dye for the lining.
The lining looks more pink than the red on the dress.
I can easily get that pinkish red from the lining with madder but I 
never got a real red from it..

Should I use some sort of backing for the embroidery?

Greetings,
   Deredere



Deredere Galbraith wrote:
 Hi,

 Several years ago I found a picture on the internet that I really liked.
 http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
 And several years ago I bought a very nice blue silk.

 I was wondering if red wool felt and gold cord would work for the 
 embroidery.

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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread AlbertCat
 
In a message dated 5/30/2007 11:13:34 A.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

Or   appliques of wool or silk and gold cord stichet on by  machine.



***
 
There are some amazing things made now to help you with applique. I used  
this stuff that was, not sticky as in gooey, but a heat activated bonding  
material that clung to whatever you wanted before any heat was applied, so you  
could move it around if you wanted, but it stayed put if you didn't peal it up. 
 
It did not become permanent until you blasted it with the iron. It had paper on 
 both sides since both sides of the bonding stuff was clingy. You drew on one 
 side of the paper the design elements you wanted, then pulled the other,  
unmarked paper off and bonded the whole uncut thing to the back of your  
decorative fabric. Then cut it out [the edges resisted fraying after being  
bonded] 
then placed all the elements where they needed to go, moving them and  
adjusting them as needed [they cling to the fabric] and when you got things in  
place, 
blasted them with steam and heat. They were now on for good.
 
I did this with velvet even, using a velvet board and ironing from the  back. 
Since it clings really well, I could pick up the whole thing and turn it  
over.
Since all the red seems to be outlined in gold cord, this might work out  
well for you. I ran around all my appliques with a tight zig-zag, but you could 
 
get away with a wider one just to make sure everything is down and not going 
to  fray, then cover it up with gold braid or whatever. It'll still be time  
consuming, but look great!



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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Bjarne og Leif Drews

What is the name for that stuff?
Sounds wonderfull!

Bjarne
- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Wednesday, May 30, 2007 6:13 PM
Subject: Re: [h-cost] 16th century dress question embroidery




In a message dated 5/30/2007 11:13:34 A.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:

Or   appliques of wool or silk and gold cord stichet on by  machine.



***

There are some amazing things made now to help you with applique. I used
this stuff that was, not sticky as in gooey, but a heat activated bonding
material that clung to whatever you wanted before any heat was applied, so 
you
could move it around if you wanted, but it stayed put if you didn't peal 
it up.
It did not become permanent until you blasted it with the iron. It had 
paper on
both sides since both sides of the bonding stuff was clingy. You drew on 
one

side of the paper the design elements you wanted, then pulled the other,
unmarked paper off and bonded the whole uncut thing to the back of your
decorative fabric. Then cut it out [the edges resisted fraying after being 
bonded]

then placed all the elements where they needed to go, moving them and
adjusting them as needed [they cling to the fabric] and when you got 
things in  place,

blasted them with steam and heat. They were now on for good.

I did this with velvet even, using a velvet board and ironing from the 
back.

Since it clings really well, I could pick up the whole thing and turn it
over.
Since all the red seems to be outlined in gold cord, this might work out
well for you. I ran around all my appliques with a tight zig-zag, but you 
could
get away with a wider one just to make sure everything is down and not 
going
to  fray, then cover it up with gold braid or whatever. It'll still be 
time

consuming, but look great!



** See what's free at 
http://www.aol.com.

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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread AlbertCat
 
In a message dated 5/30/2007 12:29:06 P.M. Eastern Daylight Time,  
[EMAIL PROTECTED] writes:

What is  the name for that stuff?
Sounds wonderfull!



*
 
Alas, I have no idea. But I picked it up at the local, ho-hum fabric store.  
I'll look for it the next time I'm there, and write the name down so I can 
post  it here. [Unless someone else knows already]



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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Kimiko Small
Steam a Seam 2 is what I used. It keeps the edge of
the velvet appliques I worked on, fused permanently
when I wanted it, was easy enough to sew through
without getting the needle sticky, and comes highly
recommended by embroidery artists and quilt artists I
know. Those artists are the ones who recommend the #2
version, not the regular version. They say the #2
version is lighter, and less likely to gum your
needles. But try both and see what works best for you.
http://www.warmcompany.com/saspage.html
It comes in sheets, and in thin rolls of various
widths. I use the roll SaS2 for holding down trims
before sewing. I really like this stuff.

Kimiko



--- [EMAIL PROTECTED] wrote:

  
 In a message dated 5/30/2007 12:29:06 P.M. Eastern
 Daylight Time,  
 [EMAIL PROTECTED] writes:
 
 What is  the name for that stuff?
 Sounds wonderfull!
 
 *
  
 Alas, I have no idea. But I picked it up at the
 local, ho-hum fabric store.  
 I'll look for it the next time I'm there, and write
 the name down so I can 
 post  it here. [Unless someone else knows already]
 



   
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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Dianne Greg Stucki

At 12:33 PM 5/30/2007, you wrote:


In a message dated 5/30/2007 12:29:06 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:

What is  the name for that stuff?
Sounds wonderfull!



Most like it is fusible webbing. Sold under brand names like Steam A 
Seam or Heat-n-Bond. Warning! Do NOT get the Ultra Hold webbing 
products, they are NOT sewable.
You can also look for fusible embroidery stabilizer, which might do 
the same job.


Dianne


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RE: [h-cost] 16th century dress question embroidery

2007-05-30 Thread otsisto
Was it AppliEase?

-Original Message-
Alas, I have no idea. But I picked it up at the local, ho-hum fabric store.
I'll look for it the next time I'm there, and write the name down so I can
post  it here. [Unless someone else knows already]


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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Deredere Galbraith

Thanx for the idea.
I think I used something like this.
I wanted to buy the stuf that sticks on one side but bought the double 
sided instead.

I didn't know that it existed.
My local shop sells it I think. It is probably not the same but I can 
try if it works.


Kimiko Small wrote:

Steam a Seam 2 is what I used. It keeps the edge of
the velvet appliques I worked on, fused permanently
when I wanted it, was easy enough to sew through
without getting the needle sticky, and comes highly
recommended by embroidery artists and quilt artists I
know. Those artists are the ones who recommend the #2
version, not the regular version. They say the #2
version is lighter, and less likely to gum your
needles. But try both and see what works best for you.
http://www.warmcompany.com/saspage.html
It comes in sheets, and in thin rolls of various
widths. I use the roll SaS2 for holding down trims
before sewing. I really like this stuff.

Kimiko



--- [EMAIL PROTECTED] wrote:

  
 
In a message dated 5/30/2007 12:29:06 P.M. Eastern
Daylight Time,  
[EMAIL PROTECTED] writes:


What is  the name for that stuff?
Sounds wonderfull!

*
 
Alas, I have no idea. But I picked it up at the
local, ho-hum fabric store.  
I'll look for it the next time I'm there, and write
the name down so I can 
post  it here. [Unless someone else knows already]







   
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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Bjarne og Leif Drews

Dear Albertcat,
Yes please do let us know, if you ever find the name for this, i know the 
ordinary iron on both sides with paper backings, its very nice also, but the 
idea that it sticks before you iron it is just what i could use, when you 
are making patterns with cut out motifs.


Bjarne

- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Wednesday, May 30, 2007 6:33 PM
Subject: Re: [h-cost] 16th century dress question embroidery


Alas, I have no idea. But I picked it up at the local, ho-hum fabric 
store.

I'll look for it the next time I'm there, and write the name down so I can
post  it here. [Unless someone else knows already]



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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread garden
In Australia we call in vliesofix. I think its put out by Vilene. I  
used it a lot with Irish dance dresses.


Cheers, Aylwen

On 31/05/2007, at 2:28 AM, Bjarne og Leif Drews wrote:


What is the name for that stuff?
Sounds wonderfull!

Bjarne
- Original Message - From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, May 30, 2007 6:13 PM
Subject: Re: [h-cost] 16th century dress question embroidery




In a message dated 5/30/2007 11:13:34 A.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:

Or   appliques of wool or silk and gold cord stichet on by  machine.



***

There are some amazing things made now to help you with applique.  
I used
this stuff that was, not sticky as in gooey, but a heat activated  
bonding
material that clung to whatever you wanted before any heat was  
applied, so you
could move it around if you wanted, but it stayed put if you  
didn't peal it up.
It did not become permanent until you blasted it with the iron. It  
had paper on
both sides since both sides of the bonding stuff was clingy. You  
drew on one
side of the paper the design elements you wanted, then pulled the  
other,
unmarked paper off and bonded the whole uncut thing to the back of  
your
decorative fabric. Then cut it out [the edges resisted fraying  
after being bonded]

then placed all the elements where they needed to go, moving them and
adjusting them as needed [they cling to the fabric] and when you  
got things in  place,

blasted them with steam and heat. They were now on for good.

I did this with velvet even, using a velvet board and ironing from  
the back.
Since it clings really well, I could pick up the whole thing and  
turn it

over.
Since all the red seems to be outlined in gold cord, this might  
work out
well for you. I ran around all my appliques with a tight zig-zag,  
but you could
get away with a wider one just to make sure everything is down and  
not going
to  fray, then cover it up with gold braid or whatever. It'll  
still be time

consuming, but look great!



** See what's free at http:// 
www.aol.com.

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RE: [h-cost] 16th century dress question embroidery

2007-05-30 Thread otsisto
vliesofix is wonderunder in the states. What is being looked for is a
fusible webbing the you apply to the back of the fabric and when you remove
the backing the underside is a bit sticky so that it lessens the need for
pins. Almost like basting spray.
De

-Original Message-

In Australia we call in vliesofix. I think its put out by Vilene. I
used it a lot with Irish dance dresses.

Cheers, Aylwen

On 31/05/2007, at 2:28 AM, Bjarne og Leif Drews wrote:

 What is the name for that stuff?
 Sounds wonderfull!

 Bjarne


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RE: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Sharon Collier
Are you talking about Wonder Under? It is a fusible material, with paper on
one side. You iron it to your fabric, then you can draw on the paper. Cut
out the design, peel off the paper and you have a custom, iron-on appliqué.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Bjarne og Leif Drews
Sent: Wednesday, May 30, 2007 9:28 AM
To: Historical Costume
Subject: Re: [h-cost] 16th century dress question embroidery


What is the name for that stuff?
Sounds wonderfull!

Bjarne
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, May 30, 2007 6:13 PM
Subject: Re: [h-cost] 16th century dress question embroidery



 In a message dated 5/30/2007 11:13:34 A.M. Eastern Daylight Time,
 [EMAIL PROTECTED] writes:

 Or   appliques of wool or silk and gold cord stichet on by  machine.



 ***

 There are some amazing things made now to help you with applique. I used
 this stuff that was, not sticky as in gooey, but a heat activated bonding
 material that clung to whatever you wanted before any heat was applied, so

 you
 could move it around if you wanted, but it stayed put if you didn't peal 
 it up.
 It did not become permanent until you blasted it with the iron. It had 
 paper on
 both sides since both sides of the bonding stuff was clingy. You drew on 
 one
 side of the paper the design elements you wanted, then pulled the other,
 unmarked paper off and bonded the whole uncut thing to the back of your
 decorative fabric. Then cut it out [the edges resisted fraying after being

 bonded]
 then placed all the elements where they needed to go, moving them and
 adjusting them as needed [they cling to the fabric] and when you got 
 things in  place,
 blasted them with steam and heat. They were now on for good.

 I did this with velvet even, using a velvet board and ironing from the 
 back.
 Since it clings really well, I could pick up the whole thing and turn it
 over.
 Since all the red seems to be outlined in gold cord, this might work out
 well for you. I ran around all my appliques with a tight zig-zag, but you 
 could
 get away with a wider one just to make sure everything is down and not 
 going
 to  fray, then cover it up with gold braid or whatever. It'll still be 
 time
 consuming, but look great!



 ** See what's free at 
 http://www.aol.com.
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[h-cost] 16th century dress question embroidery

2007-05-29 Thread Deredere Galbraith

Hi,

Several years ago I found a picture on the internet that I really liked.
http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
And several years ago I bought a very nice blue silk.

I was wondering if red wool felt and gold cord would work for the 
embroidery.


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Re: [h-cost] 16th century dress question embroidery

2007-05-29 Thread Marie Stewart

Ah yes!  I've seen this portrait before.  My first question, as
always, is what did they do at the time?  Embroidery I will admit is
not my strongest suit and perhaps I am conjuring up the wrong mental
picture of what you mean by wool felt.  But my gut reaction is no,
not wool.

In part it is from my reading of inventories of the day... silk
garments tend to be decorated with silk.

Looking at the garment in Moda A Firenze I can't tell a darn thing.
Oh well, had to try.

Sorry, I hope your research turns up and answer, and that you will
share it with us.
Mari


Several years ago I found a picture on the internet that I really liked.
http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
And several years ago I bought a very nice blue silk.

I was wondering if red wool felt and gold cord would work for the
embroidery.

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Re: [h-cost] 16th century dress question embroidery

2007-05-29 Thread Kimiko Small
Most likely, I am thinking appliques of red velvet,
outlined with cord. Wool felt might work, but won't
look as rich as the velvet would.

Good luck, and I would love to see pictures when you
are done.

Kimiko


--- Deredere Galbraith
[EMAIL PROTECTED] wrote:

 Hi,
 
 Several years ago I found a picture on the internet
 that I really liked.

http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
 And several years ago I bought a very nice blue
 silk.
 
 I was wondering if red wool felt and gold cord would
 work for the 
 embroidery.
 
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Re: [h-cost] 16th century dress question embroidery

2007-05-29 Thread Alexandria Doyle

A quick look at JA's PoF, where an appliqué on silk was done it was
silk, except for the one doublet with leather applique stitched with
silk thread.

I also think that while the wool would work, it would look better with
velvet or silk
alex

On 5/29/07, Deredere Galbraith [EMAIL PROTECTED] wrote:

Hi,

Several years ago I found a picture on the internet that I really liked.
http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
And several years ago I bought a very nice blue silk.

I was wondering if red wool felt and gold cord would work for the
embroidery.

--

I can handle anything that life throws at me.
I may not be able to handle it well, or correctly, or gracefully, or
with finesse, or expediently
-- but I will handle it.
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RE: [h-cost] 16th century dress question embroidery

2007-05-29 Thread otsisto
There is a larger picture online somewhere that shows the red to be
embroidery, probably silk thread. But if you are asking about cutting back
on the embroidery by appliquing wool felt where there is red, I would
recommend a velvet or silk. Not sure they would have appliqued wool on to
silk back then.

De

-Original Message-
Hi,

Several years ago I found a picture on the internet that I really liked.
http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
And several years ago I bought a very nice blue silk.

I was wondering if red wool felt and gold cord would work for the
embroidery.


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