Re: [Hornlist] S.W. Lewis Horns
Last I heard, a Lewis is competitively priced at around $7000 for the base model, 'bout the same as all the other custom horn makers. Gary Get Firefox!!http://www.mozilla.org/products/firefox/central.html ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Music (was Elliot Carter Horn Concerto)
Well, if you really want to go there, one of my "top five" favorite composers is Krysztof Penderecki. I skipped many (too many) classes as an undergrad, sitting in the music library listening to his music and following the scores. The payoff, I suppose, was teaching the last two sessions of music history. My professor admitted that he knew less about 20th century music than I did, being the staunch Romantic that he was. Never have played any Penderecki, and let's face it...it's not very likely even in the major leagues. There is also a wonderful Requiem by Frigyes Hidas; he scored it for soloists, choir, and band. I met him at the Midwestern Band and Orchestra Convention in Chicago. Wonderful man...he seemed genuinely humbled, if not a little surprised, that an American was familiar with his music. He gave me a couple of CDs. And whilst we are on the subject of Carter, let us not forget the Eight Etudes and a Fantasy for Woodwind Quartet. Gary Get Firefox!!http://www.mozilla.org/products/firefox/central.html ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Music (was Elliot Carter Horn Concerto)
This is all too hard. I think I'll just sniff the Crazy Glue and then fantasize I play horn and write humorous posts as well as Kendall Betts, the Barry Bonds of the horn world (meaning, he hits lots of home runs, with or without Crazy Glue). Fred -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of [EMAIL PROTECTED] Sent: Monday, November 19, 2007 9:34 PM To: horn@music.memphis.edu Subject: [Hornlist] Re: Music (was Elliot Carter Horn Concerto) Yes, discussing MUSIC has a place on this list. The subject breached was ELLIOT CARTER! Reminds me of a story about Sir Thomas Beecham. He was being interviewed by the BBC. The interviewer asked "Sir Thomas, do you ever perform the music of Arnold Schoenberg?" He replied "No. But I stepped in some, once." As to high f above high c, the only time I've ever played them in public was during performances of the Schultz Concerto Ex Dis. Several of them. Didn't miss any. Had a lot of 16th notes, so I oiled my valves really well, too. Ended the cadenza with a lip trill on a high c. Got paid a nice fee for the gig. Wouldn't have done the piece for free, even at home, alone. I was lucky that the piece was all in Eb and had very few rests, unlike Rigoletto. Also lucky that the most bars rest after the opening tutti was only four, so no problem counting those on one hand. Continuo player brought me in the first time by yelling "Now" really loud at the appropriate moment since the tutti was 32 bars long and I had run out of digits. Since I was a 1st horn player at the time, I was use to having an asst. count for me and bring me in. I prepared by lifting weights with my chops for months ahead of time. Also took my teacher's advice as he states in his treatise, "Hooked on Hornonics." I practiced Kopprasch No. 1 up an octave in Eb horn. That way I played high g's routinely, and loud! The f's in mf felt like third space c in comparison. Also got my front crowns re-cemented in with Crazy Glue. Delta Dental did not honor the claim. Like I said earlier, insurance is a racket I got the idea from that commercial on TV with the guy hanging from the steel beam by his hard hat. The reviewer for the paper accused me of using steroids in order to enhance my performance. He retracted the statement and apologized publicly later after I explained in a letter to the editor that Kopprasch was not a steroid, just good healthy exercise. Sorry to stray from music to discuss adhesives, steroids and critics. KB PS: If you receive a horn by UPS with loose braces because they dropped it or whatever, file the claim, collect the money and then fix them yourself with Crazy Glue thus pocketing the insurance money. You can really scam them if you buy an old junker on eBay, unsolder the braces and add a few dents, ship it to a trusted friend insured for $25,000 making sure they write "High Value Item: $25,000" in magic marker on the box, bang up the box when it arrives just in case they didn't, file the claim for a totaled horn, collect the money, let UPS keep the horn, have a big party, take a vacation to Hawaii or Las Vegas, whatever. This works good with cars, also, but don't try shipping a car UPS as they will make you double box it and you will spend more on bubble wrap and packing peanuts than the car is worth, unless it is an old Jugo or Ford Pinto. If you ship a Pinto, make sure you write "FLAMMABLE" on the box in big red letters. In a message dated 11/19/2007 1:00:42 P.M. Eastern Standard Time, Richard of Seattle writes: Chacun a son gout...I guess. Nevertheless, I thought the whole point of blowing the horn was to make music, so doesn't talking about music have a place on this list? Comparing the various attributes of valve oil makes for interesting chit-chat, now and then, but I don't think that it's an end in itself, do you? What's the point of playing that high f above c without a musical context? Might as well take up weight lifting. I'm an old reprobate. I didn't like Schoenberg until the first time I played a Schoenberg composition. Ditto Webern and Petrassi. I didn't think much of Berio until a trombonist friend of mine, Stu Dempster, performed---and I do mean "performed"---a Berio piece. While I still would rather play anything by Brahms or Mozart or [insert name of favorite composer here] in comparison to some contemporary composers, the fact remains that our instrument is being presented with new challenges that are certainly worth discussing. Richard in Seattle Susan Thompson wrote: > I agree that valve oil is more interesting...even when I'm playing natural > horn. > > --Susan Thompson > > Kendall Betts wrote: > > Personally, I don't care much for Elliot Carter's music. Valve oil and > it's related subjects are more interesting. Anybody agree? > > KB ** See what's new at http://www.aol.com
Re: [Hornlist] Re: Music (was Elliot Carter Horn Concerto)
Hehe, Oh Kendall, I miss you so much. Best, Allen Fogle --- [EMAIL PROTECTED] wrote: > > Yes, discussing MUSIC has a place on this list. The > subject breached was > ELLIOT CARTER! > > Reminds me of a story about Sir Thomas Beecham. He > was being interviewed by > the BBC. The interviewer asked "Sir Thomas, do you > ever perform the music > of Arnold Schoenberg?" He replied "No. But I > stepped in some, once." > > As to high f above high c, the only time I've ever > played them in public > was during performances of the Schultz Concerto Ex > Dis. Several of them. > Didn't miss any. Had a lot of 16th notes, so I > oiled my valves really well, too. > Ended the cadenza with a lip trill on a high c. > Got paid a nice fee for > the gig. Wouldn't have done the piece for free, > even at home, alone. I was > lucky that the piece was all in Eb and had very few > rests, unlike Rigoletto. > Also lucky that the most bars rest after the > opening tutti was only four, so no > problem counting those on one hand. Continuo > player brought me in the first > time by yelling "Now" really loud at the > appropriate moment since the tutti > was 32 bars long and I had run out of digits. > Since I was a 1st horn player > at the time, I was use to having an asst. count for > me and bring me in. I > prepared by lifting weights with my chops for > months ahead of time. Also took > my teacher's advice as he states in his treatise, > "Hooked on Hornonics." I > practiced Kopprasch No. 1 up an octave in Eb horn. > That way I played high g's > routinely, and loud! The f's in mf felt like third > space c in comparison. > Also got my front crowns re-cemented in with Crazy > Glue. Delta Dental did > not honor the claim. Like I said earlier, insurance > is a racket I got the > idea from that commercial on TV with the guy hanging > from the steel beam by his > hard hat. The reviewer for the paper accused me of > using steroids in order > to enhance my performance. He retracted the > statement and apologized > publicly later after I explained in a letter to the > editor that Kopprasch was not a > steroid, just good healthy exercise. > > Sorry to stray from music to discuss adhesives, > steroids and critics. > > KB > > PS: If you receive a horn by UPS with loose braces > because they dropped it > or whatever, file the claim, collect the money and > then fix them yourself with > Crazy Glue thus pocketing the insurance money. You > can really scam them if > you buy an old junker on eBay, unsolder the braces > and add a few dents, ship > it to a trusted friend insured for $25,000 making > sure they write "High Value > Item: $25,000" in magic marker on the box, bang up > the box when it arrives > just in case they didn't, file the claim for a > totaled horn, collect the money, > let UPS keep the horn, have a big party, take a > vacation to Hawaii or Las > Vegas, whatever. This works good with cars, also, > but don't try shipping a car > UPS as they will make you double box it and you > will spend more on bubble > wrap and packing peanuts than the car is worth, > unless it is an old Jugo or > Ford Pinto. If you ship a Pinto, make sure you > write "FLAMMABLE" on the box in > big red letters. > > In a message dated 11/19/2007 1:00:42 P.M. Eastern > Standard Time, Richard of > Seattle writes: > > Chacun a son gout...I guess. Nevertheless, I thought > the whole point of > blowing the horn was to make music, so doesn't > talking about music have > a place on this list? Comparing the various > attributes of valve oil > makes for interesting chit-chat, now and then, but I > don't think that > it's an end in itself, do you? What's the point of > playing that high f > above c without a musical context? Might as well > take up weight lifting. > > I'm an old reprobate. I didn't like Schoenberg until > the first time I > played a Schoenberg composition. Ditto Webern and > Petrassi. I didn't > think much of Berio until a trombonist friend of > mine, Stu Dempster, > performed---and I do mean "performed"---a Berio > piece. While I still > would rather play anything by Brahms or Mozart or > [insert name of > favorite composer here] in comparison to some > contemporary composers, > the fact remains that our instrument is being > presented with new > challenges that are certainly worth discussing. > > Richard in Seattle > > Susan Thompson wrote: > > I agree that valve oil is more interesting...even > when I'm playing natural > > horn. > > > > --Susan Thompson > > > > Kendall Betts wrote: > > > > Personally, I don't care much for Elliot Carter's > music. Valve oil and > > it's related subjects are more interesting. > Anybody agree? > > > > KB > > > > > > > > ** See what's > new at http://www.aol.com > ___ > post: horn@m
[Hornlist] Re: Music (was Elliot Carter Horn Concerto)
Yes, discussing MUSIC has a place on this list. The subject breached was ELLIOT CARTER! Reminds me of a story about Sir Thomas Beecham. He was being interviewed by the BBC. The interviewer asked "Sir Thomas, do you ever perform the music of Arnold Schoenberg?" He replied "No. But I stepped in some, once." As to high f above high c, the only time I've ever played them in public was during performances of the Schultz Concerto Ex Dis. Several of them. Didn't miss any. Had a lot of 16th notes, so I oiled my valves really well, too. Ended the cadenza with a lip trill on a high c. Got paid a nice fee for the gig. Wouldn't have done the piece for free, even at home, alone. I was lucky that the piece was all in Eb and had very few rests, unlike Rigoletto. Also lucky that the most bars rest after the opening tutti was only four, so no problem counting those on one hand. Continuo player brought me in the first time by yelling "Now" really loud at the appropriate moment since the tutti was 32 bars long and I had run out of digits. Since I was a 1st horn player at the time, I was use to having an asst. count for me and bring me in. I prepared by lifting weights with my chops for months ahead of time. Also took my teacher's advice as he states in his treatise, "Hooked on Hornonics." I practiced Kopprasch No. 1 up an octave in Eb horn. That way I played high g's routinely, and loud! The f's in mf felt like third space c in comparison. Also got my front crowns re-cemented in with Crazy Glue. Delta Dental did not honor the claim. Like I said earlier, insurance is a racket I got the idea from that commercial on TV with the guy hanging from the steel beam by his hard hat. The reviewer for the paper accused me of using steroids in order to enhance my performance. He retracted the statement and apologized publicly later after I explained in a letter to the editor that Kopprasch was not a steroid, just good healthy exercise. Sorry to stray from music to discuss adhesives, steroids and critics. KB PS: If you receive a horn by UPS with loose braces because they dropped it or whatever, file the claim, collect the money and then fix them yourself with Crazy Glue thus pocketing the insurance money. You can really scam them if you buy an old junker on eBay, unsolder the braces and add a few dents, ship it to a trusted friend insured for $25,000 making sure they write "High Value Item: $25,000" in magic marker on the box, bang up the box when it arrives just in case they didn't, file the claim for a totaled horn, collect the money, let UPS keep the horn, have a big party, take a vacation to Hawaii or Las Vegas, whatever. This works good with cars, also, but don't try shipping a car UPS as they will make you double box it and you will spend more on bubble wrap and packing peanuts than the car is worth, unless it is an old Jugo or Ford Pinto. If you ship a Pinto, make sure you write "FLAMMABLE" on the box in big red letters. In a message dated 11/19/2007 1:00:42 P.M. Eastern Standard Time, Richard of Seattle writes: Chacun a son gout...I guess. Nevertheless, I thought the whole point of blowing the horn was to make music, so doesn't talking about music have a place on this list? Comparing the various attributes of valve oil makes for interesting chit-chat, now and then, but I don't think that it's an end in itself, do you? What's the point of playing that high f above c without a musical context? Might as well take up weight lifting. I'm an old reprobate. I didn't like Schoenberg until the first time I played a Schoenberg composition. Ditto Webern and Petrassi. I didn't think much of Berio until a trombonist friend of mine, Stu Dempster, performed---and I do mean "performed"---a Berio piece. While I still would rather play anything by Brahms or Mozart or [insert name of favorite composer here] in comparison to some contemporary composers, the fact remains that our instrument is being presented with new challenges that are certainly worth discussing. Richard in Seattle Susan Thompson wrote: > I agree that valve oil is more interesting...even when I'm playing natural > horn. > > --Susan Thompson > > Kendall Betts wrote: > > Personally, I don't care much for Elliot Carter's music. Valve oil and > it's related subjects are more interesting. Anybody agree? > > KB ** See what's new at http://www.aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] S.W. Lewis Horns
Hi All, Anybody out there know what the current price is for a new Lewis horn, and how long the wait list is? I can't believe he still doesn't have a website! Josh ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Carter Concerto
Really? A major American composer writes a new piece for our instrument (which isn't exactly swimming in concerto repertoire) and we aren't interested in hearing about the piece, the premiere, the performance? I, for one, would love hear about someone's impressions of hearing Jamie play the new Carter piece. Great player, great orchestra, great hall, significant composer... anyone?___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Carter Concerto
Really? A major American composer writes a new piece for our instrument (which isn't exactly swimming in concerto repertoire) and we aren't interested in hearing about the piece, the premiere, the performance? I, for one, would love hear about someone's impressions of hearing Jamie play the new Carter piece. Great player, great orchestra, great hall, significant composer... anyone?___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [hornlist] Soundwear
I recently purchased this gig bag and have been very impressed. While it is a softside bag, it is much sturdier than most other bags I looked at including Reunion Blues. I think what I like best is that the horn sits upright in the case - not upsidedown on the leadpipe. I play an 8D and it is a tight fit, but that also means that the horn is not sliding around inside the case. The storage area on the end is a great size. My tuner, oils, repair stuff and my stopmute all fit without any problems. In addition, it comes with a mouthpiece case that would probably hold at least two mouthpieces - maybe more. I purchased mine from Dillon Music in NJ - www.dillonmusic.com. They did not have the bag in stock at the time I ordered it so it took a few weeks to get, but it was well worth the wait. I also thought their price for the bag was fair and shipping was reasonable if you pick the standard UPS shipping. If you are looking for a sturdy gig bag, this is defititly a bag to consider. > -Original Message-> While researching gig bags for fixed bell horns, > I came upon> a vendor I never heard of: Robert Tucci Musikintrumente, of> > Eichenau, [home of the Peppermint Museum!] about 12 miles> west of Munich. > The web site is> > > http://www.hornboerse.de/lshop,shopstart,1195154416-15028,e,> ,.htm> > > They sell a Soundwear gig bag, said to be of German> manufacture, pictured > at> http://www.hornboerse.de/lshop,showrub,1195154416-15028,e,,z> > ub.htm.> > I was not able to establish the name of the manufacturer of> > Soundwear products. Does anyone know anything about that> maker or have any > experience with their products? Given the> current USD to EURO exchange rate, > this is not the best time> to buy European products, but the price is not > prohibitive,> if the product is worthwhile.> > > ___> post: > horn@music.memphis.edu> unsubscribe or set options at> > http://music2.memphis.edu/mailman/options/horn/hans%40pizka.> de> _ Share life as it happens with the new Windows Live.Download today it's FREE! http://www.windowslive.com/share.html?ocid=TXT_TAGLM_Wave2_sharelife_112007___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Horn Digest, Vol 59, Issue 22
Hi Loren wrote: > Personalized mutes are expressions of your individual beauty; but why = > black? It is so Victorian (mournful) and besides, black is not even = > a color. Black seems a logical choice. Partly because it isn't a colour - and therefore won't clash with other colours. Partly because, as I see it a black mute is more "discreet" and contributes to a less "fussy" stage. Then again - the fact that we had a can of black spray paint lying around was also a factor! regards, Graham (PS The concert went well in spite of a head-cold and a two and a half hour rehearsal the same afternoon.) -- Jag använder gratisversionen av SPAMfighter för privata användare. 1998 spam har blivit blockerade hittills. Betalande användare har inte detta meddelande i sin e-post. Hämta gratis SPAMfighter här: http://www.spamfighter.com/lsv ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] My travel in India & Himalay - have been asked for a report (a bit horn related)
Hans, Still waiting for part 2. As I recall, you were going to set the world altitude record for playing horn--am I correct? Did you succeed? Carlisle On Nov 18, 2007, at 1:14 AM, hans wrote: [snip] Continued tomorrow. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] kruspe answer
What will your minimum be if I might ask? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Dawn McCandless Sent: Monday, November 19, 2007 1:20 PM To: The Horn List Subject: [Hornlist] kruspe answer It is a single horn in F. Looked up the pictures on line and it is definately a Leipzig model. I've had a long time set up with eBay to sell a few things here and there. Mostly buy my guitar supplies and watch for necessary brass things to buy such as my son's sused baritone, etc. When the stupid city codes comes along and kicks one out of their house because the stupid gas company turned off their gas other priorities come into affect. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/huntt%40waldorf.edu ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] kruspe answer
It is a single horn in F. Looked up the pictures on line and it is definately a Leipzig model. I've had a long time set up with eBay to sell a few things here and there. Mostly buy my guitar supplies and watch for necessary brass things to buy such as my son's sused baritone, etc. When the stupid city codes comes along and kicks one out of their house because the stupid gas company turned off their gas other priorities come into affect. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] M. Jiracek Model 101
At 6:51 PM + 11/19/07, Peter C. Miller wrote: I was wondering if anyone had tried this horn yet and if so what are your opionions of it? I liked the way it looked. Two years ago I visited them ready to buy one, which I didn't do. Maybe the one they had in the shop wasn't one of their best. One could look at http://www.hornplayer.net/sections.asp section listings to see who's playing them. -- Carlberg Jones Skype - carlbergbmug Cornista - Orquesta Sinfónica de Aguascalientes Aguascalientes, Ags. MEXICO ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] M. Jiracek Model 101
I was wondering if anyone had tried this horn yet and if so what are your opionions of it? -- Peter C. Miller, M.M., M.M.Ed. Private Consultant (334) 524-0161 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Mute problem
Personalized mutes are expressions of your individual beauty; but why black? It is so Victorian (mournful) and besides, black is not even a color. This propensity for black for formal use has its source in Prince Albert's premature death in 1861. Prior to that life was much more colorful colorful; but Queen Victoria never overcame her mourning for Albert and ordered just about everything in England to be black which order lasted until her death. By then, black had stuck. That is why so much decorative wrought iron is black, many doors were painted black (Dublin is an exception) and formal attire became black. Somehow this even filtered to a large degree to the United States probably in sympathy because of our country's English roots. Loren Mayhew [EMAIL PROTECTED] 001 (520) 289-0700 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Monday, November 19, 2007 9:35 AM To: horn@music.memphis.edu Subject: Re: [Hornlist] Re: Mute problem Graham, et al., It's a pleasure to be of assistance. I'm glad you painted your mute. Some people would be taken aback to find out how many professional players are still playing their old "red & whites" tricked out with black paint and a wrist loop, just as you have done. (Hint: cover the corks with tape before spray painting!) Choice of mute is just as personal as choice of horn, and if you prefer your H&B then so much the better for you. When you paint your old mute black you eliminate the critic who tends to "listen with his eyes". Dave Weiner Brass Arts Unlimited -Original Message- From: Graham Jarvis <[EMAIL PROTECTED]> To: horn@music.memphis.edu Sent: Fri, 16 Nov 2007 3:51 pm Subject: [Hornlist] Re: Mute problem Hi (yet again) personal record - three postings in one go) Dave Weiner (Brass Arts Unlimited) wrote: >Ok, here's how to replace those Humes and Berg corks. I just wanted to report back with news of a successful operation. My good old &B has never been so good. Dave's instructions were wonderful and I took the hance to spraypaint the mute with black paint (very stylish) and fit a loop to acilitate quick changes. we play the Beethoven Violin Concerto and a West Side tory pot pourri on Sunday and I need the mute for both. Thanks again, raham -- ag använder gratisversionen av SPAMfighter för privata användare. 1977 spam har blivit blockerade hittills. Betalande användare har inte detta meddelande i sin e-post. ämta gratis SPAMfighter här: http://www.spamfighter.com/lsv __ ost: horn@music.memphis.edu nsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/brassartsunlim%40aol.com Email and AIM finally together. You've gotta check out free AOL Mail! - http://mail.aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/loren%40mayhews.us ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Mute problem
Graham, et al., It's a pleasure to be of assistance. I'm glad you painted your mute. Some people would be taken aback to find out how many professional players are still playing their old "red & whites" tricked out with black paint and a wrist loop, just as you have done. (Hint: cover the corks with tape before spray painting!) Choice of mute is just as personal as choice of horn, and if you prefer your H&B then so much the better for you. When you paint your old mute black you eliminate the critic who tends to "listen with his eyes". Dave Weiner Brass Arts Unlimited -Original Message- From: Graham Jarvis <[EMAIL PROTECTED]> To: horn@music.memphis.edu Sent: Fri, 16 Nov 2007 3:51 pm Subject: [Hornlist] Re: Mute problem Hi (yet again) personal record - three postings in one go) Dave Weiner (Brass Arts Unlimited) wrote: >Ok, here's how to replace those Humes and Berg corks. I just wanted to report back with news of a successful operation. My good old &B has never been so good. Dave's instructions were wonderful and I took the hance to spraypaint the mute with black paint (very stylish) and fit a loop to acilitate quick changes. we play the Beethoven Violin Concerto and a West Side tory pot pourri on Sunday and I need the mute for both. Thanks again, raham -- ag använder gratisversionen av SPAMfighter för privata användare. 1977 spam har blivit blockerade hittills. Betalande användare har inte detta meddelande i sin e-post. ämta gratis SPAMfighter här: http://www.spamfighter.com/lsv __ ost: horn@music.memphis.edu nsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/brassartsunlim%40aol.com Email and AIM finally together. You've gotta check out free AOL Mail! - http://mail.aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] RE: Wood Horn Mutes
Thanks for the additional information, and taking the time to share it. --J > From: [EMAIL PROTECTED]> To: horn@music.memphis.edu> Date: Sat, 17 Nov 2007 > 15:51:20 -0600> Subject: [Hornlist] RE: Wood Horn Mutes> > HI Jennie I > believe John Kowalchuk makes a birchwood horn mute > > Tom Greer writes"Mutes > from the clever craftsman John Kowalchuk. > Premium-quality handmade mutes > and other custom work. Check out John's > Canadian web site: > http://home.ca.inter.net/~horn1/ " > > > > Distinguished Colleagues,> > > Recently I borrowed a birchwood horn mute from a horn professor (while > traveling) to play some chamber music repertoire with strings. > > Jennie > > > > > -> ___> post: > horn@music.memphis.edu> unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/jennie_ficks%40hotmail.com _ Share life as it happens with the new Windows Live.Download today it's FREE! http://www.windowslive.com/share.html?ocid=TXT_TAGLM_Wave2_sharelife_112007___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
