Re: [Hornlist] orchestral Sousa
Of interest on Sousa score. The University of Michigan Music Library has a photographic copy of Sousa's original draft of "The Stars and Stripes" march. It is for band but with parts for violins (2) violas, celli and bass written in the bottom five staves of the score. It is in D major. The horn parts are Horns 1 and 2 in F and Horn 3 and 4 in D. Sousa's use of horns in D probably relates to his composing period when he wrote operas, at least six of them, I think. Horn parts in D were scored extensively. Regards. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Slur - or phrase marking?
A couple of words to be very careful with are "never" and "always." Sooner or later you'll find exceptions. Paul Mansur On Jan 14, 2008, at 12:26 PM, Herbert Foster wrote: That's what I always thought, but I've had a well known teacher say it's always a slur. The piece in question was Pavanne For a Dead Princess. Herb Foster - Original Message From: Paul Mansur <[EMAIL PROTECTED]> To: The Horn List Sent: Monday, January 14, 2008 9:31:21 AM Subject: Re: [Hornlist] Slur - or phrase marking? In a word, you judge from the context. There are all sorts of clues, tempo, style markings, etc. Paul Mansur On Jan 14, 2008, at 5:26 AM, Graham Jarvis wrote: Hi I can't believe I've ben playing the horn for as long as I have without having cleared this question up but better late than never. How do I know whether a curved line over (or below) a series of denotes is meant to denote a slur (notes connected without tonguing) or a phrase-mark (notes connected musically but not ruling out tongued articulation between notes)? The issue arose when I was looking at the Concone studies which I recently bought. But thinking back over rcent orchestra rehearsals I can remember times when I've made decisions based in instinct rather than theory. Are there rules out there? Regards, Graham -- Jag använder gratisversionen av SPAMfighter för privata användare. 2333 spam har blivit blockerade hittills. Betalande användare har inte detta meddelande i sin e-post. Hämta gratis SPAMfighter här: http://www.spamfighter.com/lsv ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/ options/horn/p_mansur1%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/herb_foster% 40yahoo.com __ __ Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http:// mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/ options/horn/p_mansur1%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Slur - or phrase marking?
In my opinion, the best practice would be for editors to stop putting in "phrase markings". Susan Thompson -Original Message- >From: Herbert Foster <[EMAIL PROTECTED]> >Sent: Jan 14, 2008 12:26 PM >To: The Horn List >Subject: Re: [Hornlist] Slur - or phrase marking? > >That's what I always thought, but I've had a well known teacher say it's >always a slur. The piece in question was Pavanne For a Dead Princess. > >Herb Foster > >- Original Message >From: Paul Mansur <[EMAIL PROTECTED]> >To: The Horn List >Sent: Monday, January 14, 2008 9:31:21 AM >Subject: Re: [Hornlist] Slur - or phrase marking? > > >In a word, you judge from the context. There are all sorts of clues, >tempo, style markings, etc. > >Paul Mansur > >On Jan 14, 2008, at 5:26 AM, Graham Jarvis wrote: > >> Hi >> I can't believe I've ben playing the horn for as long as I have >> without having cleared this question up but better late than never. >> >> How do I know whether a curved line over (or below) a series of >> denotes is meant to denote a slur (notes connected without >> tonguing) or a phrase-mark (notes connected musically but not >> ruling out tongued articulation between notes)? >> >> The issue arose when I was looking at the Concone studies which I >> recently bought. But thinking back over rcent orchestra rehearsals >> I can remember times when I've made decisions based in instinct >> rather than theory. >> >> Are there rules out there? >> >> Regards, >> Graham >> >> -- >> Jag använder gratisversionen av SPAMfighter för privata användare. >> 2333 spam har blivit blockerade hittills. >> Betalande användare har inte detta meddelande i sin e-post. >> Hämta gratis SPAMfighter här: http://www.spamfighter.com/lsv >> >> >> ___ >> post: horn@music.memphis.edu >> unsubscribe or set options at http://music2.memphis.edu/mailman/ >> options/horn/p_mansur1%40comcast.net > >___ >post: horn@music.memphis.edu >unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/herb_foster%40yahoo.com > > > > > > > >Be a better friend, newshound, and >know-it-all with Yahoo! Mobile. Try it now. >http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ > >___ >post: horn@music.memphis.edu >unsubscribe or set options at >http://music2.memphis.edu/mailman/options/horn/didoslament%40earthlink.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Slur - or phrase marking?
That's what I always thought, but I've had a well known teacher say it's always a slur. The piece in question was Pavanne For a Dead Princess. Herb Foster - Original Message From: Paul Mansur <[EMAIL PROTECTED]> To: The Horn List Sent: Monday, January 14, 2008 9:31:21 AM Subject: Re: [Hornlist] Slur - or phrase marking? In a word, you judge from the context. There are all sorts of clues, tempo, style markings, etc. Paul Mansur On Jan 14, 2008, at 5:26 AM, Graham Jarvis wrote: > Hi > I can't believe I've ben playing the horn for as long as I have > without having cleared this question up but better late than never. > > How do I know whether a curved line over (or below) a series of > denotes is meant to denote a slur (notes connected without > tonguing) or a phrase-mark (notes connected musically but not > ruling out tongued articulation between notes)? > > The issue arose when I was looking at the Concone studies which I > recently bought. But thinking back over rcent orchestra rehearsals > I can remember times when I've made decisions based in instinct > rather than theory. > > Are there rules out there? > > Regards, > Graham > > -- > Jag använder gratisversionen av SPAMfighter för privata användare. > 2333 spam har blivit blockerade hittills. > Betalande användare har inte detta meddelande i sin e-post. > Hämta gratis SPAMfighter här: http://www.spamfighter.com/lsv > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at http://music2.memphis.edu/mailman/ > options/horn/p_mansur1%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/herb_foster%40yahoo.com Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Humperdink "Evening Prayer" from "Hansel Und Gretal"
Dear Steve, Bryan, I took you up on the suggestion to listen to the samples on amazon.com - sounds very nice, indeed. Do you know enough about the tubas used that you'd care to provide a primer on different sizes of tuba, and then which were used in this recording? I confess I know next to nothing about the tuba, but there are some moments in the samples where, at least if the volume on your PC is low as it was on mine, you could easily enough mistake the sound for a French Horn choir. Here are the players and what they played on: Enrique Crespo - Tenor Tuba Walter Hilgers - F Bass Tuba Samuel Pilifian - CC ContraBass Tuba Basically small, medium and large. I am glad you liked the sounds! Take care, Bryan -S- -Original Message- From: BVD Press [mailto:[EMAIL PROTECTED] Sent: Sunday, January 13, 2008 12:15 PM To: The Horn List Subject: RE: [Hornlist] Humperdink "Evening Prayer" from "Hansel Und Gretal" Dear Hans, >Bryan, I am very sorry about your short sighted view. At age nearly 66 >and having worked as professional horn player (a lot more to play than >tuba !) in big full time profgessional orchestras (40 years in one of >the big ten !) If you feel it is a competition, the horn wins hands down when it comes to more notes compared to the tuba part. Honestly I could care less, but if it helps your ego congrats to you for pointing this out! If you want to count notes, take a look at a violin part and they will win the contest overall! >and been >participant on many horn ore brass conferences I had many occasions to >listen to "arrangements". I have no doubt you have listened to many arrangements at conferences etc., but since you mentioned Tuba Octet my question was "have heard some recordings of Tuba Ensembles playing pieces form the classical era?" If not, please do and then get back to me on your opinion of a Haydn String Quartet for Tubas. If you need a CD, one of finest around can be found here: http://www.amazon.com/Tuba-Six-Musical-Romp/dp/B02SKB There are samples at the link, but I would be more than willing to pick up a copy of the CD and send it to you so you can listen the entirety of each piece. After reading everything below, I assume you have an opinion of the Hansel and Gretel recorded by the Vienna Horns found here: http://poperepair.com/store/index.php?main_page=product_info&p roducts_id=70&zenid=47e96d53b622a1e532e88d14f4aad58b Has it been destroyed, is it in the "Simpson style", did it lose its' "octavations" or "thicken the sound" too much? From your site, I see many arrangements of Beethoven, Bruckner, Wagner, Rossini, etc. for Horn Octet? Do these fall in what you describe as "Simpson style"? Or are these the pieces "which can be arranged for a complete different ensemble without harming the character of the piece"? I agree some pieces should not be arranged for another instrumentation, but there are many, in the hands of a good arranger, that will work regardless of the instrumentation. Of course a positive performance of any depends upon who is playing the music. Thanks for the conversation. It is always nice gets the opinion of others. Wishing you well, Bryan Doughty BVD Press and Cimarron Music Press 79 Meetinghouse Lane Ledyard, CT 06339 [EMAIL PROTECTED] 860 536-2185 http://www.bvdpress.com/ http://www.cimarronmusic.com/ > >Arranging & arranging are two different pair of shoes. There are >pieces, which can be arranged for a complete different ensemble without >harming the charcter of the piece. There are also other pieces, which >turn out as caricatures if arranged for another setting. Well, these >are suited for our communities of players or enthusiasts but not for >serious concerts for "innocent" listeners. If these listeners are far >away from any serious music education, it would not matter what kind of >pieces you would serve to them. > >Then there are pieces which are destroyed, if arranged differently. So >it will remain a mere walk on a precipice to decide if & how to arrange >a piece differently. I said before, if you do it the funny or comic >way, no problem, but just for a special understanding audience. But a >Haydn Symphony, a Schubert romance, certain prayers, may they be as >great as they are, better not or if, for a small & similar ensemble to >keep the character. 8 horns & 4 tubas for the prayer ? What will you do >else than thicken the sound by octavations ? Yes, you could implement a >soul singer perhaps to do the solo. > >It will turn out in the "Simpson style", perhaps, "big duck ass, >dressed in washed out mustard yellow T-shirt & pink lavender bermudas >and a socialist washed out red baseball cap with trebble clef as logo >(in gold), cattying a sack of muffins & two water bottles in a bright >orange plus ketchup colored carrying device hanging from the shoulder.. > >If it is Wagner, R.Strauss (be careful,
[Hornlist] Finke price update
Better news! The upcoming Finke price increase I announced last week has been adjusted downward. It is now projected to be around $300, not the $1,000 I reported last. In the USA, either Bob Osmund or I will be happy to assist you in placing your order for a new Finke horn. Sincerely, Loren Mayhew, Owner Computer Intelligence LLC, dba CI Music [EMAIL PROTECTED] www.mayhews.us/CI/Finke 001 (520) 289-0700 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
SV: [Hornlist] Fingering
Jonathan, Thank´s a lot for your detailed answers to my questions. They will certainly help me in understanding my grand son´s development as a french horn player. Borje ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Slur - or phrase marking?
In a word, you judge from the context. There are all sorts of clues, tempo, style markings, etc. Paul Mansur On Jan 14, 2008, at 5:26 AM, Graham Jarvis wrote: Hi I can't believe I've ben playing the horn for as long as I have without having cleared this question up but better late than never. How do I know whether a curved line over (or below) a series of denotes is meant to denote a slur (notes connected without tonguing) or a phrase-mark (notes connected musically but not ruling out tongued articulation between notes)? The issue arose when I was looking at the Concone studies which I recently bought. But thinking back over rcent orchestra rehearsals I can remember times when I've made decisions based in instinct rather than theory. Are there rules out there? Regards, Graham -- Jag använder gratisversionen av SPAMfighter för privata användare. 2333 spam har blivit blockerade hittills. Betalande användare har inte detta meddelande i sin e-post. Hämta gratis SPAMfighter här: http://www.spamfighter.com/lsv ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/ options/horn/p_mansur1%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: [horn] I Found My Horn
I received my copy on Saturday, so I would imagine that anyone who pre-ordered a copy will receive it soon. I have not had time to read it cover-to-cover, but I really have enjoyed the bits that I did read. I read "Hold It Like A Man!" first. Jasper was at KBHC the same week that I was, so I was especially interested in what he had to say about that. I was not disappointed! >= Original Message From [EMAIL PROTECTED] = >Dear Horn Listers, > >Please allow me this opportunity to inform you of the publication of a new >book, I Found My Horn, by British journalist and amateur horn player, Jasper >Rees. This is an autobiographical account of Jasper's return to horn playing >after a 22 year hiatus. The title comes from the humorous Flanders and Swann >song that uses the rondo of Mozart No. 4, K.495 as its melody. The book is >being released in the UK on January 24 by Wiedenfeld and is scheduled for >release in the US later this year by HarperCollins with the title A Devil to >Play, taken from the same source. Apparently, HC found the original title a bit >too racy! That aside, I can personally say that Jasper is an excellent >writer and a "jolly good chap" as I was privileged to have him as a participant at >KBHC as he made his "quest for the grail." > >There is an extract published in the Daily Telegraph, the paper that Mr. >Rees mainly writes for, >_http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.xm l_ >(http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.xm l) which gives a flavor of the bookâs tone. Rest >assured that there is also a lot of serious consideration of the hornâs history >too. For example, he's attempted to gather in one place every known fact >about Leutgeb. There is also a chapter which is called âHold It Like A Man!â >after something Hermann Baumann said to him rather too forcefully one hot >afternoon at KBHC. > >The BBC has named I Found My Horn its "Book of the Week. Five edited >extracts are being read as an audio book on BBC Radio 4 from Monday 14 Jan through >Friday 18 Jan. The official broadcast time for the program is 9.45 AM, local >time, and then thereâs a repeat for European insomniacs at 12.30 AM, which is >early-mid evening, depending on your time zone, in the US. It is possible to >listen online by going to _http://www.bbc.co.uk/radio4/_ >(http://www.bbc.co.uk/radio4/) and clicking on the Listen Live tab on the right. However, there >is also a Listen Again option online which allows you to catch it for up to a >week afterwards. It can be found here: >_http://www.bbc.co.uk/radio4/arts/book_week.shtml_ (http://www.bbc.co.uk/radio4/arts/book_week.shtml) . Thus the >Monday episode is available for seven days from the moment of broadcast, the >Tuesday one for seven days, and so on. > >Copies of the first release may currently be ordered at Amazon.com >_http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011/ ref=sr_1_4/ >202-3095876-5926215?ie=UTF8&s=gateway_ >(http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011/ ref=sr_1_4/202-3095876-5926215?ie=UTF8&s >=gateway) . > >A copy is on its way to me and I'll give a review here, ASAP. Please join >me in congratulating Jasper in his monumental accomplishment in adding to the >sparse assortment of horn related writings! > >Sincerely, > >Kendall Betts > > > >**Start the year off right. Easy ways to stay in shape. >http://body.aol.com/fitness/winter-exercise?NCID=aolcmp0030002489 > > >[Non-text portions of this message have been removed] > > > > >Yahoo! Groups Links > ><*> To visit your group on the web, go to: >http://groups.yahoo.com/group/horn/ > ><*> Your email settings: >Individual Email | Traditional > ><*> To change settings online go to: >http://groups.yahoo.com/group/horn/join >(Yahoo! ID required) > ><*> To change settings via email: >mailto:[EMAIL PROTECTED] >mailto:[EMAIL PROTECTED] > ><*> To unsubscribe from this group, send an email to: >[EMAIL PROTECTED] > ><*> Your use of Yahoo! Groups is subject to: >http://docs.yahoo.com/info/terms/ -- Jonell Lindholm Reisterstown, MD USA [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] I Found My Horn
Thank you for this lead. I look forward to your review. I might even leap off and buy the thing before you get your review published. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Monday, January 14, 2008 6:36 AM To: horn@music.memphis.edu; [EMAIL PROTECTED] Subject: [Hornlist] I Found My Horn Dear Horn Listers, Please allow me this opportunity to inform you of the publication of a new book, I Found My Horn, by British journalist and amateur horn player, Jasper Rees. This is an autobiographical account of Jasper's return to horn playing after a 22 year hiatus. The title comes from the humorous Flanders and Swann song that uses the rondo of Mozart No. 4, K.495 as its melody. The book is being released in the UK on January 24 by Wiedenfeld and is scheduled for release in the US later this year by HarperCollins with the title A Devil to Play, taken from the same source. Apparently, HC found the original title a bit too racy! That aside, I can personally say that Jasper is an excellent writer and a "jolly good chap" as I was privileged to have him as a participant at KBHC as he made his "quest for the grail." There is an extract published in the Daily Telegraph, the paper that Mr. Rees mainly writes for, _http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.x ml_ (http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.x ml) which gives a flavor of the book's tone. Rest assured that there is also a lot of serious consideration of the horn's history too. For example, he's attempted to gather in one place every known fact about Leutgeb. There is also a chapter which is called "Hold It Like A Man!" after something Hermann Baumann said to him rather too forcefully one hot afternoon at KBHC. The BBC has named I Found My Horn its "Book of the Week. Five edited extracts are being read as an audio book on BBC Radio 4 from Monday 14 Jan through Friday 18 Jan. The official broadcast time for the program is 9.45 AM, local time, and then there's a repeat for European insomniacs at 12.30 AM, which is early-mid evening, depending on your time zone, in the US. It is possible to listen online by going to _http://www.bbc.co.uk/radio4/_ (http://www.bbc.co.uk/radio4/) and clicking on the Listen Live tab on the right. However, there is also a Listen Again option online which allows you to catch it for up to a week afterwards. It can be found here: _http://www.bbc.co.uk/radio4/arts/book_week.shtml_ (http://www.bbc.co.uk/radio4/arts/book_week.shtml) . Thus the Monday episode is available for seven days from the moment of broadcast, the Tuesday one for seven days, and so on. Copies of the first release may currently be ordered at Amazon.com _http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011 /ref=sr_1_4/ 202-3095876-5926215?ie=UTF8&s=gateway_ (http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011 /ref=sr_1_4/202-3095876-5926215?ie=UTF8&s =gateway) . A copy is on its way to me and I'll give a review here, ASAP. Please join me in congratulating Jasper in his monumental accomplishment in adding to the sparse assortment of horn related writings! Sincerely, Kendall Betts **Start the year off right. Easy ways to stay in shape. http://body.aol.com/fitness/winter-exercise?NCID=aolcmp0030002489 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/bgross%40airmail.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] I Found My Horn
Dear Horn Listers, Please allow me this opportunity to inform you of the publication of a new book, I Found My Horn, by British journalist and amateur horn player, Jasper Rees. This is an autobiographical account of Jasper's return to horn playing after a 22 year hiatus. The title comes from the humorous Flanders and Swann song that uses the rondo of Mozart No. 4, K.495 as its melody. The book is being released in the UK on January 24 by Wiedenfeld and is scheduled for release in the US later this year by HarperCollins with the title A Devil to Play, taken from the same source. Apparently, HC found the original title a bit too racy! That aside, I can personally say that Jasper is an excellent writer and a "jolly good chap" as I was privileged to have him as a participant at KBHC as he made his "quest for the grail." There is an extract published in the Daily Telegraph, the paper that Mr. Rees mainly writes for, _http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.xml_ (http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/12/20/bmrees120.xml) which gives a flavor of the book’s tone. Rest assured that there is also a lot of serious consideration of the horn’s history too. For example, he's attempted to gather in one place every known fact about Leutgeb. There is also a chapter which is called “Hold It Like A Man!” after something Hermann Baumann said to him rather too forcefully one hot afternoon at KBHC. The BBC has named I Found My Horn its "Book of the Week. Five edited extracts are being read as an audio book on BBC Radio 4 from Monday 14 Jan through Friday 18 Jan. The official broadcast time for the program is 9.45 AM, local time, and then there’s a repeat for European insomniacs at 12.30 AM, which is early-mid evening, depending on your time zone, in the US. It is possible to listen online by going to _http://www.bbc.co.uk/radio4/_ (http://www.bbc.co.uk/radio4/) and clicking on the Listen Live tab on the right. However, there is also a Listen Again option online which allows you to catch it for up to a week afterwards. It can be found here: _http://www.bbc.co.uk/radio4/arts/book_week.shtml_ (http://www.bbc.co.uk/radio4/arts/book_week.shtml) . Thus the Monday episode is available for seven days from the moment of broadcast, the Tuesday one for seven days, and so on. Copies of the first release may currently be ordered at Amazon.com _http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011/ref=sr_1_4/ 202-3095876-5926215?ie=UTF8&s=gateway_ (http://www.amazon.co.uk/I-Found-my-Horn/dp/0297852256/sr=8-4/qid=1156923011/ref=sr_1_4/202-3095876-5926215?ie=UTF8&s =gateway) . A copy is on its way to me and I'll give a review here, ASAP. Please join me in congratulating Jasper in his monumental accomplishment in adding to the sparse assortment of horn related writings! Sincerely, Kendall Betts **Start the year off right. Easy ways to stay in shape. http://body.aol.com/fitness/winter-exercise?NCID=aolcmp0030002489 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Finke Horns
Then our work is done. Now to find a more appealing target. -Original Message- Sent: Monday, January 14, 2008 5:16 AM To: The Horn List Subject: Re: [Hornlist] Finke Horns Not to mention that the war on the middle class is also going quite well... JEN ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Finke Horns
Not to mention that the war on the middle class is also going quite well... JEN Fred <[EMAIL PROTECTED]> wrote: Hmm...heading toward possible recession, and, our dollar buys less everyday in overseas markets. Well, at least we have our success in Iraq to feel good about. Fred On 1/11/08, Loren Mayhew wrote: > > Listers, > If you are contemplating purchasing a new Finke horn, now would be > a > good time to order it. I have just been informed that soon there will be > another round of price increases in the order of $1,000 due to the falling > US dollar. Orders placed now will be billed at current prices. > > Sincerely, > > Loren Mayhew, Owner > Computer Intelligence LLC, dba > CI Music > [EMAIL PROTECTED] > www.mayhews.us/CI/Finke > 001 (520) 289-0700 > > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/fbaucom%40gmail.com > ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/jenstermeister%40yahoo.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Slur - or phrase marking?
Hi I can't believe I've ben playing the horn for as long as I have without having cleared this question up but better late than never. How do I know whether a curved line over (or below) a series of denotes is meant to denote a slur (notes connected without tonguing) or a phrase-mark (notes connected musically but not ruling out tongued articulation between notes)? The issue arose when I was looking at the Concone studies which I recently bought. But thinking back over rcent orchestra rehearsals I can remember times when I've made decisions based in instinct rather than theory. Are there rules out there? Regards, Graham -- Jag använder gratisversionen av SPAMfighter för privata användare. 2333 spam har blivit blockerade hittills. Betalande användare har inte detta meddelande i sin e-post. Hämta gratis SPAMfighter här: http://www.spamfighter.com/lsv ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
