[Hornlist] 5 books

2008-05-07 Thread Hunt,Thomas
Bach cello suites
Kling 40
Reynolds 48
Pottag 335 book 1
Pottag 335 book 2


-Original Message-
From: [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent: Wed 5/7/2008 8:32 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Desert Island Mozart
 
 
Lenny of Laredo writes:

The ol'  desert island question with a twist:

If you could only have 5  recordings of the Mozart concertos (all 4) which 
artist would you  choose?

This doesn't mean they are "the best", just your favorites for  some reason.

So far I have 3 on my list:

Dennis Brain
Aubrey  Brain
Lowell Greer...



Dennis Brain
Hermann Baumann with valves
Hermann Baumann without valves
Alan Civil w/Marriner
Guenter Hoegner
 
Now, here's another question:
 
If you could only have 5 pieces of music (including etude books) to  play on 
your horn during your exile, what would they be?  
 
KB
 



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RE: [Hornlist] your 5 mozarts

2008-05-07 Thread Hunt,Thomas
No one includes Seifert?


-Original Message-
From: [EMAIL PROTECTED] on behalf of Adrian Hitchborn
Sent: Wed 5/7/2008 9:40 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] your 5 mozarts
 
One of Alan Civil's 3 recordings would be a must, followed by :

Dennis Brain
Erich Penzel
Barry Tuckwell's first set
Anthony Halstead (Natural horn)
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RE: [Hornlist] Brahms Trio...mit euphonium??????

2008-04-16 Thread Hunt,Thomas
any real eupher player would it in horn range


-Original Message-
From: [EMAIL PROTECTED] on behalf of joey horn guy
Sent: Wed 4/16/2008 12:37 AM
To: The Horn List
Subject: [Hornlist] Brahms Trio...mit euphonium??
 

I never thought it could be possible:

http://br.youtube.com/watch?v=xP9gguw7OB4&feature=related



   
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RE: [Hornlist] My killer lick page.

2008-04-08 Thread Hunt,Thomas
Which book is Wendell's?


tom in iowa

-Original Message-
From: [EMAIL PROTECTED] on behalf of hans
Sent: Tue 4/8/2008 12:23 AM
To: 'The Horn List'
Subject: RE: [Hornlist] My killer lick page.
 
Hello Valerie, well done. You save a lot of time this way,
because you will not repeat all the things you do well
anyway. If you add one more attitudes, you will do better
again.

Try to memorize these special "licks" & practise them from
memory. But do not forget refreshing the memory by sometimes
using your "killer lick page" again, just to controö &
refresh your memory.


Greetings

Hans

PS: I do it that way, ´that I first try to get things back
into memory or excavate from deep memory WITHOUT the horn,
just humming pieces but moving my fingers as I would use the
horn. It works even for the concert repertory. After all is
back, I take up the horn & play these pieces from memory. It
is a great way to save time & energy. This excavating from
deep memory works also while driving the car 


=

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Monday, April 07, 2008 10:53 PM
To: horn@music.memphis.edu
Subject: [Hornlist] My killer lick page.

I posted last year about my frustration & feeling
overwhelmed w/ trying to manage everything I want to squeeze
into my practice schedule. I've come up w/ a helpful little
solution which is a combination of the recommendations of
Wendell Rider & Matthew Scheffleman (sorry about the
spelling, Matthew). I've made a killer lick page. Whenever I
stumble upon a particularly tough lick in a piece I'm
working on, I write out the few measures that really need
wood shedding on staff paper, cut it out & tape it to my
killer lick sheet.  I slip this sheet in the warm up section
of Wendell's book. So every day after I'm totally warmed up
& loose, I take a few minutes to run through all the licks.
That way, if I don't have time later in the day to work on
ALL the pieces I'm studying, at least I've hit the hardest
spots. When I get to rehearsal, I'm better prepared than I
would be otherwise. It's a real time saver for me. If any of
you have additional suggestions or refinements to add, I'm
all ears. Thanks.

Valerie, come back horn playing granny in Tacoma

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RE: [Hornlist] NHR (M*A*S*H)

2008-02-14 Thread Hunt,Thomas
I did Peter and Wolf with him in Gainesville, way back when, 1992 I
think. The narrator was Michael J Fox. They came up from Orlando and did
it for free. It was very cool.

Tom in Iowa, soon to be in Ohio



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
David Crane
Sent: Thursday, February 14, 2008 12:48 PM
To: The Horn List
Subject: Re: [Hornlist] NHR (M*A*S*H)

David Ogden Stiers also conducts the Newport Symphony in Oregon at least

once per season and also usually the 4th of July concert.  He is
actually way 
better than some folks who work at it full time AND he is very nice to
us 
horns!

Dave

"Be yourself; everyone else is already taken."
   Oscar Wilde
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RE: [Hornlist] Kvandal and Wilder

2008-02-06 Thread Hunt,Thomas
Tom Hunt
445 South Clark
Forest City Iowa 50436
USA


DANKE

tom


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
hans
Sent: Wednesday, February 06, 2008 8:48 AM
To: 'The Horn List'
Subject: RE: [Hornlist] Kvandal and Wilder

Send me your postal address & I will send you a printed
exemplare FREE, as I still have them from my acquisition of
the KaWeEdition 24 years ago and cannot deal with them due
to restrictions by the Hansen Edition. Airmail costs me less
than doing the scan.

It is a pleasure to serve.

Kindest greetings

Hans


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Hunt,Thomas
Sent: Wednesday, February 06, 2008 1:40 PM
To: The Horn List
Subject: [Hornlist] Kvandal and Wilder

I am missing the horn parts to the Kvandal Introduction and
Allegro as well as to Wilder Sonata #3. I have only the
piano accompaniments in my file. Could any one scan these to
me. I would be most grateful!

tom in iowa

[EMAIL PROTECTED]


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[Hornlist] Kvandal and Wilder

2008-02-06 Thread Hunt,Thomas
I am missing the horn parts to the Kvandal Introduction and Allegro as well as 
to Wilder Sonata #3. I have only the piano accompaniments in my file. Could any 
one scan these to me. I would be most grateful!

tom in iowa

[EMAIL PROTECTED]
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RE: [Hornlist] My Warmups

2008-01-08 Thread Hunt,Thomas
Love to see it in PDF

Tom in iowa

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Carlberg Jones
Sent: Tuesday, January 08, 2008 4:57 PM
To: The Horn List
Subject: [Hornlist] My Warmups


Greetings -

If anybody's interested I can send you what I do 
for warmups. It's two PDF files of 148KB and 
168KB, or a ZIP file of 296KB. If you want them, 
please let me know which way.

The first part is Earl Saxton's warmup, which I 
do on my mouthpiece alone. The second part, 
Additional Warmups, comes from many different 
sources. It takes me 35-40 minutes. My minimum is 
all of Earl's plus the long tone exercise.

Of course I have no idea what will work for whom, as this is just what I do.

Regards,

Carlberg

-- 
Carlberg Jones
Skype - carlbergbmug
Cornista - Orquesta Sinfónica de Aguascalientes
Aguascalientes, Ags.
MEXICO
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RE: [Hornlist] Continous Clamsaa!

2008-01-02 Thread Hunt,Thomas
Just received my CD, will give it a listen tonight!


Thanks howard!

Tom in iowa
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Howard Sanner
Sent: Sunday, December 30, 2007 12:33 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Continous Clamsaa!

The highly esteemed Prof. I. M.  Gestopftmitscheist writes:
 >

> On the fifth day of Clamsaa,  my true love gave to me,
> 
> 
> FIVE ELKHART  CONNS!


If she really were your true love, she'd have given you five 
*Lawson* horns!  And it scans, too

Ducking and running,

Howard Sanner

[EMAIL PROTECTED]



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RE: [Hornlist] Auf dem strom

2007-12-31 Thread Hunt,Thomas
touche

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
David Goldberg
Sent: Monday, December 31, 2007 3:14 PM
To: The Horn List
Subject: Re: [Hornlist] Auf dem strom

Hunt,Thomas wrote:
> In Eb?
>
> It is in E!!
>
> Tom in iowa
>   

That depends on what the meaning of "is" is.

David Goldberg

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RE: [Hornlist] Auf dem strom

2007-12-31 Thread Hunt,Thomas
In Eb?

It is in E!!

Tom in iowa



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Daniel Canarutto
Sent: Monday, December 31, 2007 1:44 PM
To: The Horn List
Subject: Re: [Hornlist] Auf dem strom

>Happy new year everybody !!
>Does anyone know of a good recording of Auf dem strom in Eb?
>Alon Reuven

Yes, the recording of Wolgang Tomboeck on the CD "The Art of Vienna 
Horn". You can also get it from iTunes.

Greetings,
Daniel
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[Hornlist] anyone ever heard this?

2007-12-19 Thread Hunt,Thomas
surfing, I found this LP. Any one ever heard it?

Julius Watkins - French Horns For My Lady
Label:  Philips
Catalog#:   PHS 600-001
Format: Vinyl, LP
Country:US
Released:   1962
Genre:  Jazz
Style:  Smooth Jazz, Easy Listening
Credits:Arranged By, Conductor - Billy Byers
Bass - George Duvivier
French Horn - Bob Northern , Gunther Schuller , Jimmy Buffington , John Barrows 
, Julius Watkins
Percussion [Congas] - Ray Barretto
Piano, Vibraphone - Eddie Costa
Producer - Quincy Jones
Trumpet - Roger Mozian
Tuba - Jay McAllister
Notes:  Recorded in New York City in 1962. Printed inner sleeve.


tom in iowa
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RE: [Hornlist] Yamaha 667V

2007-12-18 Thread Hunt,Thomas
Is it certain that the 667v is not as hand made as the 861? Inst the bell one 
piece, not two?


-Original Message-
From: [EMAIL PROTECTED] on behalf of David A. Jewell
Sent: Tue 12/18/2007 9:15 AM
To: The Horn List
Subject: Re: [Hornlist] Yamaha 667V
 
Okay, Dave and Tom - you win.  The more I get into this discussion the 
differences that I acknowledge are indeed greater than I at first thought.  
Airstream direction is certainly a major difference, and after looking at a 
catalog photo of the 667V I realize that the F branch is wound more differently 
than on a "regular" Geyer style.  As far as the difference between custom and 
professional, I would have to go with Dave W. and believe that the custom 
series was perhaps more hand built/assembled rather than machine mass produced.
Paxmaha





  

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RE: [Hornlist] Yamaha 667V

2007-12-16 Thread Hunt,Thomas
Geyer style horns all have similar characteristics. The differences you 
acknowledge are larger differences than one ususally sees from one Geyer wrap 
to the next. Thus, the 667v is not similar enough to the 667 to warrant giving 
it the same number. That is my point. I think it was a mistake on Yamaha's part.

The could have called it 865, 861v, 867v or 871. Anything but 667v.

tom in Iowa 


-Original Message-
From: [EMAIL PROTECTED] on behalf of David A. Jewell
Sent: Sun 12/16/2007 7:50 AM
To: The Horn List
Subject: Re: [Hornlist] Yamaha 667V
 
I beg to differ.  The wraps are similar except for two major differences.  The 
use of the dual plane valve is one, and the unique wrap of the 1st Bb slide [it 
enters underneath the  1st F valve slide] are quite substantial I agree.  The 
rest of the wrap is very definitely similar to the normal Geyer style 667.


- Original Message 
From: "Hunt,Thomas" <[EMAIL PROTECTED]>
To: The Horn List 
Sent: Sunday, December 16, 2007 12:29:00 AM
Subject: RE: [Hornlist] Yamaha 667V

the 667 and the 667v have nothing to do with each other. They are completely 
different horns. their wraps are not even close to similar

Yamaha should have stuck with the 800 designation, like 861 and 867 for their 
custom horns. Calling 667v is a misnomer.


tom in iowa

-Original Message-
From: [EMAIL PROTECTED] on behalf of Ishizaki
Sent: Sat 12/15/2007 9:41 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Yamaha 667V

On Sat, 15 Dec 2007 18:42:22 -0500
"Steve Freides" <[EMAIL PROTECTED]> wrote:

> 
> Having owned and enjoyed a Yamaha 667 with detachable bell for a while, I
> would like to know what the "v" means after the 667.
> 

"v" means "v"alve is somewhat special.
In case of 667V, the change valve is a patented Dual Plane Valve.

This naming rule is just for Horns, not for other instruments.

Regards,

|  Yoshinobu Ishizaki  |
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-Inline Attachment Follows-

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RE: [Hornlist] Yamaha 667V

2007-12-15 Thread Hunt,Thomas
the 667 and the 667v have nothing to do with each other. They are completely 
different horns. their wraps are not even close to similar

Yamaha should have stuck with the 800 designation, like 861 and 867 for their 
custom horns. Calling 667v is a misnomer.


tom in iowa

-Original Message-
From: [EMAIL PROTECTED] on behalf of Ishizaki
Sent: Sat 12/15/2007 9:41 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Yamaha 667V
 
On Sat, 15 Dec 2007 18:42:22 -0500
"Steve Freides" <[EMAIL PROTECTED]> wrote:

> 
> Having owned and enjoyed a Yamaha 667 with detachable bell for a while, I
> would like to know what the "v" means after the 667.
> 

"v" means "v"alve is somewhat special.
In case of 667V, the change valve is a patented Dual Plane Valve.

This naming rule is just for Horns, not for other instruments.

Regards,

| Yoshinobu Ishizaki   |
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[Hornlist] Yamaha 667V

2007-12-15 Thread Hunt,Thomas

I am personally a BIG fan of the Yamaha custom horns (861 and 667v, don't 
personally know the 867). Some folks say the 667v in particular is too light, 
to which I say, "Wow, this horn is nice and light!" 

The 667v tends to be quite bright, so I use a C10 instead of a C12. This gives 
it all the velvet and "ooohness" that I need. It has as secure a high Bb as any 
horn--ever, You cannot miss it! Mozart 2 or 4, Strauss 1+2, Ein Heldenleben--no 
fear. The high A with no valves is pretty close though I still like it with 1+2.

The 861 is darker is color, no doubt, and is made with metal that is very soft, 
so it can dent easily. Yamaha dissected some old geyers to make this horn, so 
it is really a copy, although its wrap is not round but sort of egg shaped (I 
am told in Japan it was nicknamed "the egg").

You can play all over the horn with the thumb valve in, especially with the 
861, but also with the 667v, without going "trombonish" as you do on the 8d 
(large-belled Kruspe) styled instruments. All horns tend to become recalcitrant 
somewhere just below the staff (with regard to volume); the Yamaha customs less 
than most horns. It easily stay "open" across that break. And it roars down low!

There was a long time when the used 861s and 667vs were going for 75-80% of the 
new price. Lately people are asking 90-95% of new but will usually come down. 

I cannot speak to the 867 which was produced after the 861 and before the 667v. 
It is modeled after the Knopf. Fewer of them were made than the other two. 
There may have been some trouble with the layout of the thumb mechanism. The 
one for sale on Hornplayer.net seems to have been adapted and changed for that 
reason. It has been on and off the list for three months at 5200. 4600-4800 is 
a better price. 

I just bought a 667v from Ken Pope for $4600. I love it! That seems like the 
right price, given that you can get a new one for 5800 or so. Nonetheless right 
now everyone is asking 5200-5500 for used. Dicker 'em down to the mid-high 40's 
and everyone should be happy.

The 667v is a magnificent instrument. Buy one used. If you don't like it it 
will sell at what you paid. But it will be a huge change from your 8d. You'll 
need to do lots of things differently. 


my 2 cents 
tom hunt in iowa

-Original Message-
From: [EMAIL PROTECTED] on behalf of Brad Gregory
Sent: Sat 12/15/2007 2:17 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Yamaha 667V?
 
Hi everyone.  I am brand new to the horn list, and am certainly looking
forward to being an active member from now on.  I currently play on a great
Eastlake 8DS, but feel as though it is not well suited to my playing needs.
I have been considering the Yamaha 667V for quite some time now, but have
yet to get my hands on one.  If you have one, or have opinions (either way)
on this particular horn, please email me...I would certainly appreciate any
input from you all.  If this horn has been addressed on the mailing list
recently, I do not want to re-ignite an old topic...so feel free to email me
directly.  Thanks for your help, and have a great weekend!

Brad
[EMAIL PROTECTED]
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opinions 
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RE: [Hornlist] Website

2007-12-14 Thread Hunt,Thomas
We are going to settle for a 180, a 178 or a YHR667, with slight preference for 
the Yamaha. We have time. If she blossoms like I think she will, she will 
outgrow it in two years.

Keep you eyes peeled if you can for one of those. I'd much prefer to buy a horn 
form you than from anyone else. It's always easy, always smooth.

tom 


-Original Message-
From: [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent: Wed 12/12/2007 4:40 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Website
 
So... it's only taken me a year...(ok...longer), but the new site is up with
hundreds of new additions.  
There are probably lots of bugs to work out - please bear with me while I
learn this new program.
Thanks
Ken

"Just Put Your Lips Together And Blow"
http://www.poperepair.com
US Dealer:  Kuhn Horns & Bonna Cases
Pope Instrument Repair
80 Wenham Street
Jamaica Plain, MA 02130
617-522-0532
 

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RE: [Hornlist] Re: [horn] Recordings/Advice

2007-12-13 Thread Hunt,Thomas
What if some one put this on CD's for folks?that would be cool. This
record and the Barrow's Wilders. Yeah. That would be cool.

Tom Hunt in Iowa

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
David Crane
Sent: Thursday, December 13, 2007 9:59 AM
To: David A. Jewell
Cc: horngroup; hornlist
Subject: [Hornlist] Re: [horn] Recordings/Advice

>From the LP James Chambers Plays the French Horn

Side 1
Sonata in F   Corelli
   Prelude
   Gavotta
   Giga
Concerto  L. Mozart
   Andante
   Allegro Moderato
March, IN Canon   Bradford-Anderson
Sarabande M. Poot
Concerto for Horn Herman

Side 2

Chant, Sans Paroles   R. Clerisse
Air de Chasse L. Piatoni
Cavatina  V. Bakaleinikoff
Sonata for Horn & Piano   B. Heiden
   Moderato
   Tempo di Minuetto
   Rondo

Dave

"Be yourself; everyone else is already taken."
   Oscar Wilde

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[Hornlist] krol

2007-11-25 Thread Hunt,Thomas

an anyone suggest where one might order Krol's Laudatio with some small chance 
of it being in stock?

tom hunt in iowa

-Original Message-
From: [EMAIL PROTECTED] on behalf of Bill Gross
Sent: Sun 11/25/2007 3:33 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Re: Kruspe and Benge MP, band music
 
Having moved from a community band to a community symphony I have discovered
(thanks to Hans for reminding us of this) that in a lot of symphonic works
with horns playing off beats the composer often writes them as chords rather
than unison.  Then listening carefully to the other horn parts and blending
in makes that work really enjoyable. 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Ron
Boerger
Sent: Sunday, November 25, 2007 3:03 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Kruspe and Benge MP, band music


> message: 1
> date: Sun, 25 Nov 2007 00:12:37 -0500
> from: "Dawn McCandless" <[EMAIL PROTECTED]>
> subject: [Hornlist] Kruspe and Benge MP, band music
>
>
> [snip] We're getting ready for some Holiday concerts. One other listing I
saw 
> quickly was about horn arrangements for band.  There definitely needs to
be more harmony and melody in modern band arrangements for horn. There is so
much more to the horn than just a back up drum (omm-pah's) or all the horns
having the same one line harmony. =20
>
> DMM




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RE: [Hornlist] kruspe answer

2007-11-19 Thread Hunt,Thomas
What will your minimum be if I might ask?

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Dawn McCandless
Sent: Monday, November 19, 2007 1:20 PM
To: The Horn List
Subject: [Hornlist] kruspe answer

It is a single horn in F.  Looked up the pictures on line and it is
definately a Leipzig model.  I've had a long time set up with eBay to
sell a few things here and there.  Mostly buy my guitar supplies and
watch for necessary brass things to buy such as my son's sused baritone,
etc.  When the stupid city codes comes along and kicks one out of their
house because the stupid gas company turned off their gas other
priorities come into affect.

  
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RE: [Hornlist] Kruspe horn- last call

2007-11-18 Thread Hunt,Thomas
Try the hornplayer first. Talk to Ken Pope and te Brss Arts Unlimited folks 
first.
 
Is it a single f or Bb?
 
tom in iowa



From: [EMAIL PROTECTED] on behalf of Dawn McCandless
Sent: Sun 11/18/2007 9:15 PM
To: The Horn List
Subject: [Hornlist] Kruspe horn- last call



Hi Everyone,

Due to sudden crisis in our lives other things are more important to us right 
now I have decided to sell my battered Kruspe single horn.  I know eBay is 
unconventional for professional horn people. I'm just letting you know if this 
is allowed.  That is where I occasionally sell a few things to put food on the 
table and the like.  I'm sure most of you that are looking for Kruspe horns 
probably check out eBay but just in case you don't

D.M.M.

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RE: [Hornlist] Ralph Hermann Solo

2007-11-15 Thread Hunt,Thomas
Can one get permission to copy from the original publisher?


Tom Hunt

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Steve Burg
Sent: Thursday, November 15, 2007 10:00 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Ralph Hermann Solo

I have (actually it belongs to my wife) a purchased copy with Piano
accompaniment.

Don't know if it's still in print or not.

Steve Burg
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RE: [Hornlist] Ralph Hermann Concerto for Horn

2007-11-14 Thread Hunt,Thomas
I am interested in this as well

Tom Hunt in Iowa

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Ellen Manthe
Sent: Wednesday, November 14, 2007 2:10 PM
To: The Horn List; [EMAIL PROTECTED]
Subject: [Hornlist] Ralph Hermann Concerto for Horn

Dear Fellow Listers,
Please accept my apology for the question to both lists.  T one
time, I
owned a copy of the solo part of the Ralph Hermann "Concerto for Horn,"
which is for Horn and Band or Horn and Orchestra, or, I think, also Horn
and
Piano.  I have not seen it since I moved to Tennessee and probably long
before then.  Does anyone have a copy of this solo if it is out of
print?
If it is available for sale, please let me know where I can purchase it.
I
have done an exhaustive search of every dealer and publisher that I can
think of.  Every search engine that I know of has been tried.  I found
the
band portion owned by a community band somewhere, but cannot relocate
the
web-site to contact the librarian for the name of the publisher.  It is
on
the U.S. Marine Band's Concerto Competition list this year, but the site
gives no way to find the piece.  Any assistance would be much
appreciated.
If you know where to find it, I would think that others on the list
might be
interested.  Thank you for any assistance.  It is quite an accessible
and
easy work, as I recall.  Since Hermann's heirs and assigns should still
be
getting royalties, I would think that he would want us to be able to
purchase his concerto.
Best wishes and thank you,
Ellen Manthe, DMA
Horn Player, teacher, and music lover


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RE: [Hornlist] "Watery" horn

2007-11-02 Thread Hunt,Thomas
With the dirty horn you never really get all the water out. It sort of
hangs on the crud

tom hunt

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Valerie WELLS
Sent: Friday, November 02, 2007 12:25 PM
To: horn@music.memphis.edu
Subject: [Hornlist] "Watery" horn

I have a friend who purchased a used horn.  She noticed that it was very

"watery", that is, it needed draining more than the horn she'd
previously 
played.  She had it professionally cleaned & it changed.  It no longer
was a 
"watery" horn.  For reasons I don't quite grasp, the clean horn seems to

gather less water.  Maybe some of you will have some insight as to why
this 
is so?  Does built-up grease & grime promote water condensation?  Is
metal 
corrosion more hydrophillic than clean metal?  "Inquiring minds want to 
know."

Valerie, happy Balanced Embouchure student


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RE: [Hornlist] Elegies

2007-10-17 Thread Hunt,Thomas

The third movement of the Brahms Trio is said to be an elegy in memory of 
Brahms' mama!

tom hunt in podunk iowa

-Original Message-
From: [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent: Wed 10/17/2007 12:41 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Elegies
 

I am doing research on elegies and memorial works (such as threnodies, laments, 
and dirges) that feature horn.? I am particularly interested in unpublished or 
out of print works that I may not have found yet.? Any suggestions?

Sherry Baker
DMA candidate, CCM


Email and AIM finally together. You've gotta check out free AOL Mail! - 
http://mail.aol.com
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RE: [Hornlist] Music Trivia

2007-10-03 Thread Hunt,Thomas
Wow


Fast!

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Mathew James
Sent: Wednesday, October 03, 2007 11:43 AM
To: The Horn List
Subject: Re: [Hornlist] Music Trivia

IS it UMI?

On 10/2/07, Bill Gross <[EMAIL PROTECTED]> wrote:
>
> I came across this in our daily fish wrap.  (for our non-US
> correspondents,
> there are two fellows who write about investing and economics under
the
> byline Montley Fools)  This is form their column of today.
>
> Motley Fool Investing Column
>
> Foolish Trivia
>
> Who Am I?
>
> Founded in Manhattan in 1853, I'm a world leader in musical
instruments.
>
> My brands include Vincent Bach brass, Selmer USA woodwinds, C.G. Conn
> Brass,
> King brass, Armstrong woodwinds, Ludwig and Musser percussion, and
Glaesel
> string instruments.
>
> I'm the number one make of band and orchestra instrument.  My pianos
take
> a
> year to make and are chosen by 90 percent of the worlds performing
concert
> pianist.
>
> Harry Connick, Jr. has said of my pianos, "With a tone so rich, I
would
> never be afraid of the dark."
>
> My annual sales top $80million, who am I?
>
>
>
> ___
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> unsubscribe or set options at
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>



-- 
Mathew James
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[Hornlist] tracking them down

2007-10-01 Thread Hunt,Thomas
I am trying to tack dwon Phil Stanley in the north suburbs of Chicago
and Sarah Kaplan in Indiana.Can any one provide me with a phone # or an
email address?

 

 

 

 

Thomas A. Hunt

Director of the Waldorf Wind Symphony

Waldorf College

106 South 6th Street

Forest City, Iowa 50436

office: 641 585 8179

cell:  641 512 5117

 

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RE: [Hornlist] Offer for hurricane victims

2005-09-12 Thread Hunt,Thomas
Yikes I am too busy

How does one unsubrcribe?

Tom in iowa

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Brent Shires
Sent: Monday, September 12, 2005 9:21 AM
To: horn@music.memphis.edu; [EMAIL PROTECTED]
Subject: [Hornlist] Offer for hurricane victims


Dear lists,
It occurred to me after I posted this note on the MTNA bulletin board
that I can reach many more people by sending it here! If you or someone
you know fits this decription, or can use this offer, please don't
hesitate to take advantage of it!

"I would be happy to help any horn player needing assistance. I have a
number of standard solos and studies I can donate to a student or
teacher who has lost their library to the hurricane/floods. I can also
donate mouthpieces. 

I would also be willing to give lessons to any horn students displaced
in Arkansas, and if necessary I may be able to drive to your location."

Hoping to help,
Brent 




Brent A. Shires
Horn Instructor, University of Central Arkansas
Studio Phone:  501-450-5768
Cell Phone: 501-472-3350
email: [EMAIL PROTECTED]
web: http://www.arkansashorn.org



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RE: [Hornlist] RE: Copyright violation URGENT

2005-09-08 Thread Hunt,Thomas
This is not appropriate tone for our list. Let's keep it professional.

Tom in iowa

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
James Ray Crenshaw
Sent: Thursday, September 08, 2005 4:23 PM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Copyright violation URGENT


> Very sorry, Lucinda,
> I have never altered your article nor used it


Don't worry about her. She frequented this list years ago and showed her
colors at that time also. My recollection is she simply COULD NOT ABIDE
Prof Pizka's inhabiting the same planet as she. I think her heartburn
may be due to her reproductive organs being internal, but that's just a
guess.

In spite of her importance to the world, she was gracious enough to find
the time to include her usual bit of self-aggrandizement in her post.

Nothing new under the sun,

jrc in SC

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RE: [Hornlist] Re: tone quality of E horn

2005-09-06 Thread Hunt,Thomas
The entire Berlin Phil plays on the Bb side, at least when I was there 
studying. E horn is hardly a nightmare. I don't think it ever phased Dennis 
Brain, and it certainly doesn't bother me.

Tom Hunt

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Hans
Sent: Tuesday, September 06, 2005 12:43 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Re: tone quality of E horn 


But for many people, it remains a big problem. If one has learned transposition 
beginning with Kopprasch no.1, transposition is an automatic thing. But if 
people are not exposed to transposition, they will forget it or at least some 
of them. It should never be a problem for the professional.

But still, transposing an E-horn part while playing the Bb-side, remains a 
nightmare for the majority. They deserve it because their unbelievable stubborn 
hanging on the Bb-side only.



 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Tuesday, September 06, 2005 12:48 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Re: tone quality of E horn 

 
Wait a sec... why should transposition be a problem?
 
-William
 
In a message dated 9/6/2005 1:52:52 A.M. Central Standard
Time, [EMAIL PROTECTED] writes:

William,  what all the talk about alternate fingerings when people have enough  
problems (usually) to think the transposition ??? Isn´t it much better, to  
avoid any confusion to be able to concentrate oneself to the  musical flow ? 

If I think about pieces in E, real solo pieces,  Weber´s concertino comes to 
mind, where even first valve (on the
F-horn)  is rarely used. Just valve 2 is busy all the time.

But the topic was:  how the sound (timbre) changes when
using the F- or E-crook.  This  applies to the hand horn
only.
There is a very light shift only. If  compared with the
valve horn, there is quite no shift in timbre as one is
using the E-horn mostly anyway, when playing the E part on
the  F-side (2nd valve is E-horn).


 
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de

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RE: [Hornlist] Horn solos - grade levels

2005-08-25 Thread Hunt,Thomas
Thank you

That was the spelling that was given by the lister who expressed himself
about her work. 

Again thanks

Tom in iowa

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Dan Phillips
Sent: Thursday, August 25, 2005 6:46 PM
To: The Horn List
Subject: Re: [Hornlist] Horn solos - grade levels



On Aug 25, 2005, at 5:07 PM, Hunt,Thomas wrote:

> No googling I did seemed to reveal a presence of Mary Kislinger on the

> internet


It's easier if it's spelled right ;-)

http://www.hornplayer.net/teachers/t3008.html

Dan



Dan Phillips
Associate Professor of Horn, University of Memphis
site administrator: music.memphis.edu

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RE: [Hornlist] Horn solos - grade levels

2005-08-25 Thread Hunt,Thomas
No googling I did seemed to reveal a presence of Mary Kislinger on the
internet

Any other hints

Tom in iowa

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Paul Mansur
Sent: Thursday, August 25, 2005 12:27 PM
To: The Horn List
Cc: [EMAIL PROTECTED]; "Sievert  I'm searching for a list of horn solos that are either
> listed by grade level(1,2,3, etc), or have that info
> included somewhere.  Anyone have such a list or know
> where to get a hold of one?
>
> Thanks!
> Liz Sievert
>
>
>   
> 
> Start your day with Yahoo! - make it your home page 
> http://www.yahoo.com/r/hs
>
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RE: [Hornlist] Re: slow music

2005-08-20 Thread Hunt,Thomas
butter?


-Original Message-
From:   [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent:   Sat 8/20/2005 6:18 PM
To: horn@music.memphis.edu
Cc: 
Subject:Re: [Hornlist] Re: slow music
 
In a message dated 8/20/2005 4:58:20 P.M. Central Daylight Time,  
[EMAIL PROTECTED] writes:

I'll  take a guess at STP.

Paul Mansur




Nope.
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[Hornlist] Teachers in Desmoines

2005-08-19 Thread Hunt,Thomas
A friend is looking for a horn teacher in Desmoines for a high school
senior.  Any tips?

Tom in Iowa

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Nielsen Dalley
Sent: Friday, August 19, 2005 1:47 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re:Mozart norn concertos


Urtext editions with original transposition horn parts are available
from a number of sources, such as Bretikopf and Hartel, Barenreiter
Verlag, etc. Edited editions containing varying degrees of editing (
ranging from a few phrasing marks, to as much as almost rewriting the
piece ) are also available and most edited versions provide transposed
horn parts. It is embarrasing to say, but I have a dozen different
publications of each concerto, but I use a copy of the urtext edition
when I performed them with orchestra and edit the part to my own tastes.
I have one edited version for valve horn and another edited version for
hand horn. I use copies because the orchestral parts from various
publishers are not alike, and some are of different length. So I had to
adjust the solo part accordingly. When playing with piano accompaniment,
I prefer the Jones - Schirmer edition because I think the piano
reduction is better. The Dalley Horn Catalogue lists 54 different
publications of the concertos. That is too many to discuss their merits
here. Ragards. Harriet & Nielsen Dalley
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[Hornlist] Ethel Merker

2005-08-18 Thread Hunt,Thomas
Dear Ethel,

Could you please send me a quick private e mail.

Tom Hunt in Iowa

[EMAIL PROTECTED] 

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RE: [Hornlist] Clarinet/Horn duets

2005-08-15 Thread Hunt,Thomas
I would like them too

Hans Pitzka publsihes these and there are definietly some harmonic "fixes" that 
need to be undertaken.  I;d love to see the originals.

tom in iowa


-Original Message-
From:   [EMAIL PROTECTED] on behalf of LOTP
Sent:   Mon 8/15/2005 11:42 AM
To: The Horn List
Cc: 
Subject:Re: [Hornlist] Clarinet/Horn duets
David,
I, and my clarinettist son, would greatly appreciate  a copy of the duets.

Paul
[EMAIL PROTECTED]


- Original Message -
From: "David Goldberg" <[EMAIL PROTECTED]>
To: 
Sent: Sunday, August 14, 2005 11:48 PM
Subject: [Hornlist] Clarinet/Horn duets


> A few years ago I offered to send listers copies of the Georges Fuchs
> op.56 duets for horn and clarinet.  This is a group of 24 pieces forming 6
> duets.  They are very 18th century - lots of noodles for both players.
> The copies come from the Bibliotheque National de France.
>
> In this electronic age, the paper is now scanned and I am happy to email
> to anyone here who wants it.  The package consists of an attachment of 17
> jpgs totalling about 900K.
>
>
>   {  David Goldberg:  [EMAIL PROTECTED]  }
>   { Math Dept, Washtenaw Community College }
>   { Ann Arbor Michigan }
> ___
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[Hornlist] 180-280

2005-08-14 Thread Hunt,Thomas
I am looking for a Holton H 180 or an H 280. Does any one know of one for sale?

tom in iowa


-Original Message-
From:   [EMAIL PROTECTED] on behalf of Aleks Ozolins
Sent:   Sat 8/13/2005 9:31 PM
To: horn@music.memphis.edu
Cc: 
Subject:[Hornlist] Leather Bonna Case



Hi Everyone,

I'm looking to buy an MB4 case in leather.

If any of you have a picture of the burgundy and or brown leather that Bonna 
uses I'd really appreciate it if you sent me a picture of it. I want to see all 
the colors before I drop 500$ on a case :-)

Sincerely,
Aleks Ozolins
NYC
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Re: [Hornlist] Bach Suites for Horn?

2005-07-03 Thread Hunt,Thomas

This is a cool site no doubt

but  . . . if you plat them as is . . .  untransposed, surely you change the 
octave. For example the 5th suite movement 1. It starts on a C an octave below 
the staff. Surely you start on middle c?

tom in iowa

The edition by Wendell Hoss from Southern Music is a lot of fun to play!

tom 

-Original Message-
From:   [EMAIL PROTECTED] on behalf of Klaus Bjerre
Sent:   Sun 7/3/2005 3:04 PM
To: The Horn List
Cc: 
Subject:Re: [Hornlist] Bach Suites for Horn?
> From: "Aleks Ozolins" <[EMAIL PROTECTED]>

> 
> Don't transpose! Just play it as is from the Cello part... works well.


The cello version, in .pdf format, can be downloaded for free from this
page:

http://icking-music-archive.org/ByComposer/J.S.Bach.html

You will have to scroll about 75% down the page to find it.

Klaus

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Re: [Hornlist] New sacred music for horn

2005-06-17 Thread Hunt,Thomas

Is the horn and piano one in the same key as the trumpet (i.e. is it
really in the horn range) 
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
John Jay Hilfiger
Sent: Monday, June 13, 2005 9:01 AM
To: horn@music.memphis.edu
Subject: [Hornlist] New sacred music for horn


My newest composition for horn and organ/piano, Partita on "Neander," 
has just been published.

 From the publisher's web site:
The hymn tune "Neander," also known as "Unser Herrscher," was composed 
by Joachim Neander in the 17th century.   Well known in the present day 
as the melody of "Open Now Thy Gates of Beauty" and "Rise, Ye Children 
of Salvation," this tune has been published with at least seven other 
hymn texts.  Dr. Hilfiger has used "Neander" as the starting point for 
the Partita, which is a set of elaborate variations on the familiar 
tune.  The hymn melody makes this work a natural choice for use in 
worship, perhaps as prelude or during the offering, but the composition 
is interesting enough to be suitable for recitals as well.  The 
composer prefers organ accompaniment, but Partita also works quite well 
with piano accompaniment.

Performance time for the full work is about 4:20, but the variations 
could be played separately, if desired.  The publisher is Really Good 
Music:

http://www.reallygoodmusic.com/

For a list of my previously published works:

http://users.penn.com/~jhilf/

John Jay Hilfiger
[EMAIL PROTECTED]

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Re: [Hornlist] horn and percussion

2005-06-09 Thread Hunt,Thomas
There is acute alec wilder piece

Do you own the brass players guide?

Get one from Robert King Music

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Julia H
Sent: Thursday, June 09, 2005 10:19 AM
To: horn@music.memphis.edu
Subject: [Hornlist] horn and percussion

A friend and myself are going to give a recital for horn and percussion
in 
the fall.  So far we're doing one solo each with piano (or unaccompanied
in 
his case), a piece for horn and timpani, and a piece for trumpet and
marimba 
that we transcribed for horn.  Does anyone have any suggestions for horn

solos that the accompaniment would be fairly easy to transcribe for
marimba? 
  Or, does anyone have any suggestions of pieces for horn and percussion
in 
general?  I've found the Verne Reynolds piece "Hornvibes", but we're
looking 
for something that is only one or two movements because the recital
would be 
really long otherwise.  Thanks for the suggestions ahead of time!

J

_
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[Hornlist] holton 192 or 176

2005-06-05 Thread Hunt,Thomas
Anybody had a chance to try the H-192.  It is a Gye wrap with the Merker dual 
bore.

what about horns they make with bronze bells, the 105 and the 176? Any 
epxerience?


tom in iowa

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[Hornlist] 280

2005-05-28 Thread Hunt,Thomas
Does anyone know if the ring on the Holton 280 will allow for any other
rings form other makes to be used. i.e. is it like an Alex ring?

Tom in iowa
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RE: [Hornlist] quintets

2005-05-23 Thread Hunt,Thomas

Is jrc not in tune the post modern perspectivalist position?



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
James Ray Crenshaw
Sent: Monday, May 23, 2005 7:14 AM
To: horn@music.memphis.edu
Subject: [Hornlist] quintets


> If it is appropriate to you, then it's probably OK.


Hey, that's exactly what the moneychangers in the temple yard thought!

jrc
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[Hornlist] quintets

2005-05-22 Thread Hunt,Thomas
I coach a fledgling college brass quintet. We are looking for a couple of 
collections of stuff appropriate for church.  What publications have most 
appealed to you folks?

tom in iowa

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[Hornlist] Andromeda - full recording?

2005-04-30 Thread Hunt,Thomas

I think that is a Belwin publication arr. by Reid Poole.  If you look carefully 
it will tell you atleast the Beethoven Opus #. If I reacall correctly it is 
originally a slow mv't from a piece of chamber music with strings. 

tom in iowa

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RE: [Hornlist] Holton's German Design team

2005-04-25 Thread Hunt,Thomas
I was at Schilkes once and they showed me a long straight horn many feet
in length, and with a bell and variosu tapers going to it. I was told
this was the beginning of the Farkas Model.

Tom in Iowa   
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[Hornlist] Villanelle and William!!!

2005-04-10 Thread Hunt,Thomas
I am with you William!  Your post was perfectly cool. Absolutely typical
for a budding 18 year old talent! Be a swashbuckler who owns the whole
world, but doesn't mind if everyone else owns it with him. 

As you see, the horn world is full of people who want to tell you what
to do.  Listen to them. . . . But don't be afraid to have some ATTITUDE!


I read your post exactly as you intended it. You wanted us to know you
are are a serious player and provided some anecdotes. You HAVE to blow
you own horn sometimes.  And always LAUGH when you do it!  Your gonna be
just fine in the horn world.

With gusto! 

Tom Hunt






-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
William Foss
Sent: Sunday, April 10, 2005 10:07 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Villanelle clarification


I would like to apologize for the way that my message sounded. I am not
very 
good at writing, and I did not realize the amount of unnecessary or 
out-of-context information that I included in my previous post.

As a high school student, I am not able to work up a piece like the 
Villanelle very quickly, and in saying a year, I did not mean that this
has 
been the only thing that I have worked on, instead, I have taken it
piece by 
piece, as instructed by my teacher, and worked it out.
I did not mean to sound cocky, but when I have asked questions about the

piece before, everyone is surprised that a high school student would
take on 
such a piece.
In regard to the scholarship, now that I reread what I wrote, it does
sound 
cocky, and I apologize. It was unnecessary information and I should not
have 
included it.
I posted because I felt that maybe I was missing some insight into the 
piece, and that was not in black and white should be taken into 
consideration, however, I have not progressed far enough to know on my
own 
what I should do. I realize that I should have read what I wrote more 
carefully, and I apologize for the tone of my message.

William Foss


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[Hornlist] work

2005-03-29 Thread Hunt,Thomas
Wes


We have Yamaha 561 and 662 and two not so bad Reynolds Contemporas
(brass).  They all need work.  A student has a avery nice 180 with end
play (loud).  If I get these to you around May 1 would you have time
over the that month to work on them?

I am remembering how nice my 190 turned out after you stripped it and
owrked on the valves and the bell.  The 662 is a nice horn, and I like
playing it.

Be in touch

tom
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[Hornlist] Paul?

2005-03-28 Thread Hunt,Thomas

Hey Paul,

where are you?  

are you still in Mexico??

love to hear from you!

tom hunt, now in iowa

-Original Message-
From:   [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent:   Mon 3/28/2005 10:06 AM
To: horn@music.memphis.edu
Cc: 
Subject:[Hornlist] 8D on EBAY
 Hello All-
In support of what Ken Pope has written, the sellers of this instrument have 
been informed that the bell is not an Elkhart bell and that they are 
advertising the horn as an Elkhart horn. Their answer is "thank you for the 
information."
This borders very closely as fraudulent advertising.
If you completely restore an Elkhart 8d and replace the original bell with an 
Eastlake bell, you then no longer have an Elkhart 8d.

Paul Navarro
Custom Horn
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RE: [Hornlist] fixed bell and airlines

2005-03-13 Thread Hunt,Thomas

when you get to the security check, doesnt everything have to fit through the 
scanner?  I would think that would be the place you get hassled.  You are 
saying that is not the case?

thanks for your response

tom hunt


-Original Message-
From:   [EMAIL PROTECTED] on behalf of Shane McLaughlin
Sent:   Sun 3/13/2005 10:22 PM
To: The Horn List
Cc: 
Subject:Re: [Hornlist] fixed bell and airlines
If possible, book a window seat.  Put the flat part under the seat in
front of you, hide the bell with your feet.  Even better if you have a
coat to put over it.
If you're flying southwest, check in early so you can get a window seat.
Most flight attendants just don't want to bother with making you get
back off the plane to check it, etc, even if it isn't 100% FAA OK.  The
window seat makes it where no one would have to climb over your horn in
an emergency.  Don't get the emergency exit row.  This will upset them.
Some planes have closets that you put coats in; the bottom is usually
empty and perfect for horns.
Most importantly, act like carrying the thing onto the plane is natural
and common.  Smile, etc.
I have a fixed bell horn in a Johnson case.  I could check it without
being really scared.  If you worry about whatever your horn is in, look
into Walt Johnson's cases.  I once flew on an airline that did make me
gate check it, and it was fine.  I don't fly on them anymore, and no one
else has ever given any trouble about the horn.

Good luck. 

Shane McLaughlin
2nd, Knoxville
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[Hornlist] fixed bell and airlines

2005-03-13 Thread Hunt,Thomas
hey listers!

Those of you who have fixed bell horns, what do you do when you fly?  Do you 
check it and hope for the best.  Do you take your chances getting it on the 
plane, knowing it might not work?

I am in the market for a horn, and I'd like to look at horns with fixed bells, 
but I also need to fly with the horn.

What's your guys advice?

tom hunt

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RE: [Hornlist] IHS

2005-03-13 Thread Hunt,Thomas
Hi DAvid

You also had Adam Magaard over there. Cara and Adam were two of my very 
favorite students.


I just listened to adams senior recital.  He sounded great!


Tell her I said hello

she knows me as Dr Hunt

tom hunt


-Original Message-
From:   [EMAIL PROTECTED] on behalf of David B. Thompson
Sent:   Sun 3/13/2005 4:48 PM
To: 'Old Horn List'
Cc: 
Subject:RE: [Hornlist] IHS
Tom Hunt wrote:
>btw cara sawyer, do you still subscribe to this list?  be in touch!

I am not at all certain that Cara is subscribed to the Memphis list, but she
is studying here in Barcelona this year - though this week she is down in
the Canaries playing with the Tenerife orchestra - and I will certainly pass
along your message when she returns.


David B. Thompson
Professor of Horn, Escola Superior de Música de Catalunya


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[Hornlist] IHS

2005-03-12 Thread Hunt,Thomas
There is quite a long list of used horns at the IHS site.  I get a message that 
the page is down, when I click on any of them.  Anybody know if these kinds of 
thigs are short-term, or maybe it's already been down a long time and isnt 
coming up any time soon.

tom in iowa

btw cara sawyer, do you still subscribe to this list?  be in touch!


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