[Hornlist] Attn; Steve Mumford please contact me offlist.

2009-08-30 Thread lewhorn9
Hi Everyone. Sorry to clog up the list, but Steve Mumford, would you contact me 
off list. 

Walt Lewis
lewho...@yahoo.com

Thanks. 
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: wp...@aol.com

Date: Sun, 30 Aug 2009 20:21:12 
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Horn Supervisor.



Even though The Holton Horn Supervisor was working there in the late 70's, 
the problems he was finding apparently were nothing new. 

?

In my inexperienced youth and in the flush of a sudden increase in my teaching 
salary,?I?acquired a supposedly new H 179 in 1973 that was a mass of problems 
similar to the very ones he described being extant in his time there.? I had 
tried out a?horn, and it was a certain improvement over my,?ah, hem,?Josef Lidl 
(Yes, there really were reasonably sane appearing people out there who tried to 
play them), and then ordered it a few weeks later to be shipped.? (Duh !? I 
know)?The crooks at the?so called reputable music store in San Diego must have 
thought they had died and gone to heaven and unloaded on me what I later 
suspected may have been?a 1970 vintage?reject from their school music rentals 
program.?(They knew about my?Lidl, so probably?thought, he'll never notice, 
heh, heh.) Well, even if I didn't (denial), everyone else in the local groups 
did, including a conductor who was a personal friend of Mr Pascucci, and who 
was pissed that I had not ordered it through him (so he c
 ould get the commission?)?Live and Learn. Had to send it back to Holton 
LeBlanc, yet after two months and?their saying that they had made it right, it 
was still not right.? Several trips to shops over the next two decades and it 
was okay, but still not quite right.? Eventually got stopped using it after I 
found an old Elkhart 28 D, which today remains my main ax.?Perhaps Holton makes 
very good instruments these days, but I shall never know since as far as I am 
concerned the ten foot pole rule still applies.? Now, if Holton would like to 
give a new H 105, my feelings won't be so hurt.



Irony, someone once said, is one of the higher forms of humor.

?

PS: I still have the Lidl.?It is for me like the weights baseball players put 
on their bats when they warm up. ??Live and Learn, indeed.
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Re: [Hornlist] Semi-HR

2009-08-26 Thread lewhorn9
Probably the Principal horn, John...

Walt
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Re: [Hornlist] NHR Healthcare in Europe

2009-08-20 Thread lewhorn9
Carlberg,

I couldn't agree more with you. The reason I remain on this list and not on the 
Yahoo list is Free Speech! 

Differing viewpoints are just what we need. 

Walt
--Original Message--
From: carlbergjo...@prodigy.net.mx
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
To: h...@yahoogroups.com
ReplyTo: carlbergjo...@prodigy.net.mx
ReplyTo: The Horn List
Subject: Re: [Hornlist] NHR  Healthcare in Europe
Sent: Aug 19, 2009 1:54 PM


At 6:01 AM -0400 8/19/09, Luke Zyla wrote:
I really do not think we should discuss NHR topics on this list.

No offence to Luke, but I think that anything that's interesting to us horn
players goes a long way to being better 
players.

Lots of times I gain insight from talking to folks who know nothing about
whatever project I'm pondering; just a 
different viewpoint helps!

So, please keep any NHR topics on the list.

Thanks.

Carlberg


mail2web - Check your email from the web at
http://link.mail2web.com/mail2web


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Re: [Hornlist] Health Care

2009-08-20 Thread lewhorn9
But what if you develop say TMJ or a breathing disorder as one member who lurks 
this has, or even dealing with trying to play after suffering a stroke as 
another member on the list has. 

We can't look always through rosecolored glasses. We all will grow old and 
eventually our health will decline. 

I know that there are hornists in my area that don't have the luxury (at this 
time) of having health care bennies. 

Walt Lewis
--Original Message--
From: Robert Gibson
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] Health Care
Sent: Aug 20, 2009 2:12 PM

This is a Horn Related site not a Health Care free for all!!
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Re: [Hornlist] Confusing transposition (double post)

2009-08-17 Thread lewhorn9
 of  Kopprasch Throughout the Solar System
Founder and Guru Extraordinaire,  Clammers Anonymous (a twelve half step 
program)
Grand Poobah of the  Koppraschian Kult
Director and Program Manager, The All Kopprasch Channel  (AKC), Kopprasch 
Public Radio (KPR)
Host of The Kopprasch Factor on AKC and  All Kopprasch Considered on KPR
Owner-Operator, Bad Corner Petroleum  Laboratory, The Worlds Largest Valve 
Oil Factory
Founder and Disseminator  of CLAMSAA, the Universal Holiday for Horn Players
Interplanetarily Known  Soloist and Artist of Record
Exclusive Anborg, Bundy, Carl Fischer, Olds  Ambassador, Sansone, Val*Mart 
and Conn Artist Who Does Not Get His Horns For  Free
 


Prof. I. M.  Gestopftmitscheist
Principal 8th horn and Principal 4th Wagner Tuber,  Schplittenotendorf am 
Oedland Staatsoper und Philharmoniker, (ret.)
Solo  Horn, Bad Corner Brass Quintet
Hornist, Broken Winds WW  Quintet
Solo 4th Horn (Leader, call me for bookings), Smirnoff Horn  Quartet
Assistant Associate Principal Mellophone, NJ Turnpike Authority Drum  and 
Bugle Corps, The Phantom Lane Changers (ret., bad knees)
Hornist as  Needed, L'Ensemble du Chambre des Palourdes
Principal Natural Horn, I  Soloisti di Feces
Principal Baroque and Hunting Horn, Camarata  Vongoleforte
Adjunct, Part-time, Arms-length Professor of Horn and Pest  Control, Exit 2 
Community College, Exit 2, NJ (Ret.)
Adjunct, Part-time,  Arms-length Professor of Horn, Pest Control and Home 
Petroleum  Studies, Northern New Hampshire Technical Institute, Bad Corner,  
NH
Author, The Kopprasch Connection, Kopprasch for Fun and Profit,  
Kopprasch for the New Millenium: Where Do you Fit In? Hooked on Hornonics,  
What If Saddam Had Given Ouday and Qusay Olds Ambassador or Conn Pan American 
 Single F Horns and a Kopprasch Book Instead of AK 47's, Booze and Porn? 
and  The DaVinci Clam: Was Kopprasch God's Other Son? 
Founder, Director  and CEO, Universal Institute for the Study, Preservation 
and Dissemination of  Kopprasch Throughout the Solar System
Founder and Guru Extraordinaire,  Clammers Anonymous (a twelve half step 
program)
Grand Poobah of the  Koppraschian Kult
Director and Program Manager, The All Kopprasch Channel  (AKC), Kopprasch 
Public Radio (KPR)
Host of The Kopprasch Factor on AKC and  All Kopprasch Considered on KPR
Owner-Operator, Bad Corner Petroleum  Laboratory, The Worlds Largest Valve 
Oil Factory
Founder and Disseminator  of CLAMSAA, the Universal Holiday for Horn Players
Interplanetarily Known  Soloist and Artist of Record
Exclusive Anborg, Bundy, Carl Fischer, Olds  Ambassador, Sansone, Val*Mart 
and Conn Artist Who Does Not Get His Horns For  Free

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Re: [Hornlist]. Conductor's. Was Confusing transposition

2009-08-17 Thread lewhorn9
Ah yes, Scott. To be young and still think that most conductors are infallable 
and that they are god... 

Sorry to burst your bubble, but I can tell stories and I don't play at the 
level that Hans and others on this forum have worked. I personally have worked 
under conductors that in some cases were totally clueless. 

Some of our colleagues on this list in the Metropolitan area where I reside 
(the name of the community shall remain nameless to protect the innocent, lol) 
know of a certain conductor that if you watched him, you were sure to get lost 
when he conducted a piece in three that really was in four. I am not joking!

He also liked to play John Williams' music at a VERY slow tempo. I have said he 
couldn't conduct his way out of a paper bag. 

Now that my colleagues from my area are hopefully chuckling, I withdraw 
probably to be flamed. 

Walt Lewis
--Original Message--
From: scott...@msn.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: FW: [Hornlist] Confusing transposition (double post)
Sent: Aug 17, 2009 4:15 PM


 Walt Lewis wrote:
 Won't that infuriate most conductors, even those that are so bad they can't 
conduct electricity let alone Wagner, Mendelssohn, Brahms et al?

My question is how do you know they cannot conduct electricity unless you 
try... hard.
Respectfully Submitted,
Scott Young
 

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Re: [Hornlist] Audition help!

2009-07-19 Thread lewhorn9
I know it's in the Thompson Edition. The only kicker is that the entire 
Thompson Edition for Auditions is expensive. I bought mine at the K-zoo 
Symposium and it was a $100.00 in 2001. No telling how much it's increased in 
price since then. It was worth the price there many complete parts to his work. 
A couple of noteable exceptions are the Pines of Rome and Pictures at an 
Exhibition. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Bill Gross william.s.gr...@gmail.com

Date: Sun, 19 Jul 2009 11:34:21 
To: mfri...@erols.com; 'The Horn List'horn@music.memphis.edu
Subject: RE: [Hornlist] Audition help!


FWIW, I'm not sure this is the case (orchestra's providing copies).  My
limited experience with smaller groups is that they just publish the list.
As I recall last May the Houston Symphony didn't provide music just a list
of audition material.  

-Original Message-
From: horn-bounces+william.s.gross=gmail@music.memphis.edu
[mailto:horn-bounces+william.s.gross=gmail@music.memphis.edu] On Behalf
Of Margaret Dikel
Sent: Sunday, July 19, 2009 11:18 AM
To: The Horn List
Subject: Re: [Hornlist] Audition help!


Hey everyone,
I am in need of some help, I need to track down the second horn part to 
Shostakovitch 5 (1st mvmnt) and the Ravel Piano Concerto in G 2nd horn
part.
I have exhausted local resources and am curious if anyone can lend a hand.

The orchestra for whom you are auditioning should be prepared to provide you
with parts since both of these pieces are under copyright (and you can't get
the easily).
So call them.

Then, if that doesn't work, email me privately.
mfri...@erols.com

Margaret Dikel
Symphony of the Potomac
symphonypotomac.org


Margaret F. Dikel
The Riley Guide
11218 Ashley Dr.
Rockville, MD  20852
301-881-0122
mfri...@erols.com
www.rileyguide.com
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Re: [Hornlist] Beginning Horn Methods

2009-06-16 Thread lewhorn9
I concur with the Getchell studies. They are excellent in my opinion. I like 
the fact that he exposes the student to key signatures they normally don't see 
in traditional band programs. Getchell also makes good use of changing rhythms 
within an etude. He first might show a student a pattern with a half and two 
quarters in a four four bar, and then will vary the rhythm making the student 
have to count. I kid with my students that when they miss these patterns, that 
they've been Getchelled. 

Walt Lewis
--Original Message--
From: Ellie Jenkins
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] Beginning Horn Methods
Sent: Jun 16, 2009 1:33 PM

I really like the The French Horn Student books (3 volumes) by 
James Ployhar, along with Robert Getchell's First and Second Book of 
Practical Studies. The Getchell's make great transposition workbooks 
later on, too.
Ellie



Hello All,
I am starting a doctoral teaching fellowship at the University of
Illinois, and as a part of my fellowship I am responsible for teaching
horn methods to music education majors. I have thought up an assignment
for my class that will require the students become familiar with several
beginner method books.  My question to the horn list community is what
are some great beginner method books that I might not be familiar with
and I should check out.  When I was a young horn player I was brought up
through the old Rubank method books for band, as well as Essential
Elements and Standard of Excellence.  Throughout my private teaching I
have come across another great book, the Boosey Brass Method. What might
be some other books that some of you all might use and I should
incorporate into my class? I appreciate any feedback you might have.

Thank you,
Marc Zyla
University of Illinois Urbana-Champaign
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Re: [Hornlist] Copycat Musical Themes

2009-06-12 Thread lewhorn9
I agree wholeheartly! We play the most beautiful sounding instrument known to 
man and some of these hacks can only write us f#?/+*g afterbeat parts. I did a 
Summer concert last year, struggled to get to a basement rehearsal room with an 
arthritic hip  (which I had replaced) to ultimately play twelve pieces of which 
10 were nothing but afterbeat crap parts. What a waste of my time! The pain 
wasn't worth it. When I was asked to sign up again for this summer, I said I 
want to know what we're going to play before I commit to playing that junk. 

End of rant. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Bill Gross william.s.gr...@gmail.com

Date: Fri, 12 Jun 2009 06:12:14 
To: 'The Horn List'horn@music.memphis.edu
Subject: RE: [Hornlist] Copycat Musical Themes


Good on ya, mate!  Anything that gives Anderson a payback for all the
crappy horn parts he created over the years is well deserved.  

-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
[mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
Eldon Matlick
Sent: Wednesday, June 10, 2009 3:48 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Copycat Musical Themes


Sorry to reply so late to an old post, but I thought you all might like
this.  Certainly there are many selections when the phrasing and chord
changes can cause some interesting interpolations.

We were doing a tribute concert to Leroy Anderson a few years back.  Oh, a
tremendously exciting concert for us to be sure (Our Music Director
likes to pull these insipid things out from time to time.

We were doing 'The First Day of Spring,' an especially sappy arrangement,
when I noticed that I could hum the theme to The Flintstone's  along with
it.  Of course, to break the boredom I played it softly on the next run
through.

My brass colleagues lost it and it took several bars for the winds to catch
on.  The conductor, of course, was not terribly amused, but we all got a
good chuckle, but of course, I didn't do it again.

Being a bad boy in OKC,


Dr. Eldon Matlick,  Horn Professor, University of Oklahoma Principal
Hornist, OK City Philharmonic 500 W Boyd Norman, OK  73019
(405) 325-4093 off. (405) 325-7574 fax
Conn-Selmer Educational Artist
http://ouhorns.com




  
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Re: [Hornlist] Blog Address

2009-06-04 Thread lewhorn9
Thanks for the blog, Leigh. I wish I could attend but money is tight, I have to 
be caregiver to my 5 year old grand daughter (that's best of all) and I have a 
great playing job this weekend and next. 

So I will enjoy your comments and photos. It was good to see the one of Rick 
Seraphinoff playing and teaching. I've known Rick since he was a very young kid 
playing trumpet in a Summer Band with the gentleman that taught us both how to 
play, Tom Shaner. 

Rick and both graduated from Lincoln High School, Warren, Michigan. I was 4 
years ahead of him. 

If you should get the opportunity, please give Rick my best wishes. 

Walt Lewis
--Original Message--
From: Leigh Alexander
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Hornlist
ReplyTo: The Horn List
Subject: [Hornlist] Blog Address
Sent: Jun 4, 2009 11:04 AM


oh good lord: here's the address for my blog.

Many apologies to all.

http://leighsmentallint.blogspot.com/

Leigh

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Re: [Hornlist] wearable fixed bell case?

2009-06-03 Thread lewhorn9
I am using my dent bag right now, but I am fearful of ANY bump along the way. 
I have seen ProTek and Walt Johnson fixed bell cases that have a strap that 
goes over one shoulder blade, in fact, I've got a Walt Johnson case that I use 
with my fixed bell Alex 103. I don't like it very well, not much storage for 
oils or lubes, let alone any extra places to put sheet music. 
I did have a ProTec, it was large, clunky and heavy. A good case for the 
Wintertime ice  snow, it will hold oils, lube and has a pouch for sheet music. 
The best one I've seen is the fixed bell Marcus Bona, but those are expensive!

Good luck finding what you want. 

Walt Lewis
--Original Message--
From: Joe Scarpelli
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: 'The Horn List'
ReplyTo: The Horn List
Subject: RE: [Hornlist] wearable fixed bell case?
Sent: Jun 3, 2009 12:06 PM

http://www.hornplayer.net/forsale/f8922.html


Joe

-Original Message-
From: horn-bounces+joescarpelli=earthlink@music.memphis.edu 
[mailto:horn-bounces+joescarpelli=earthlink@music.memphis.edu] On Behalf Of 
valkh...@aol.com
Sent: June 03, 2009 11:49 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] wearable fixed bell case?

Where can you get them?
 
-William
 
 
In a message dated 6/3/2009 11:44:28 A.M. Eastern Daylight Time,  
cwilhj...@pascack.k12.nj.us writes:

I have a  really nice Marcus Bono case for my fixed bell Alex 103.  Works
on a  plane and has backpack straps.  
c

**We found the real ‘Hotel California’ and the ‘Seinfeld’ 
diner. What will you find? Explore WhereItsAt.com. 
(http://www.whereitsat.com/#/music/all-spots/355/47.796964/-66.374711/2/Youve-Found-Where-Its-At?ncid=eml
cntnew0007)
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Re: [Hornlist] Re: Horn Digest, Vol 78, Issue 1

2009-06-01 Thread lewhorn9
Lawrence,

Our (U.S. Marines) were insituted on November 10, 1775 to assist in the fight 
against King George III, and his notion of taxation without representation. 
They are the World's best riflemen, (those that play in the bands are 
considered riflemen first and then musicians, excepting those in the 
President's Own) and I am proud that my son was a member of The few, The Proud, 
The Marines. Thanks to the British for angering us to institute the Marine 
Corps. 

I am sure Jack Dutton can give us more info since he is a Marine (once a 
Marine, always a Marine)

Ooorah!
Walt Lewis

--Original Message--
From: Lawrence Yates
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] Re: Horn Digest, Vol 78, Issue 1
Sent: Jun 1, 2009 3:05 PM

What are these marine things you keep going on about?  (I know about our
Royal Marines here in England - they have red hats)


Cheers,


Lawrence

-- 
Lawrenceyates.co.uk
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Re: [Hornlist] Re: Horn Digest, Vol 78, Issue 1

2009-06-01 Thread lewhorn9
I did remark about musicians being riflemen, do you consider us Hornists not to 
be musicians, Martin? When I attended my son's graduation from recruit training 
the Parris Island Bandsmen used Horns, not the bastardized Mellophones. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Martin Bender em...@magma.ca

Date: Mon, 1 Jun 2009 22:04:41 
To: lewho...@yahoo.com; The Horn Listhorn@music.memphis.edu
Subject: Re: [Hornlist] Re: Horn Digest, Vol 78, Issue 1


Please folks-- don't forget to use the NHR in your post.

If I want to know more about the history of the U.S. Marines, I'll  
search for it-- but not on this forum.

Thanks!
martin bender





On 1-Jun-09, at 9:58 PM, lewho...@yahoo.com wrote:

 Lawrence,

 Our (U.S. Marines) were insituted on November 10, 1775 to assist in  
 the fight against King George III, and his notion of taxation  
 without representation. They are the World's best riflemen, (those  
 that play in the bands are considered riflemen first and then  
 musicians, excepting those in the President's Own) and I am proud  
 that my son was a member of The few, The Proud, The Marines. Thanks  
 to the British for angering us to institute the Marine Corps.

 I am sure Jack Dutton can give us more info since he is a Marine  
 (once a Marine, always a Marine)

 Ooorah!
 Walt Lewis

 --Original Message--
 From: Lawrence Yates
 Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
 To: The Horn List
 ReplyTo: The Horn List
 Subject: Re: [Hornlist] Re: Horn Digest, Vol 78, Issue 1
 Sent: Jun 1, 2009 3:05 PM

 What are these marine things you keep going on about?  (I know  
 about our
 Royal Marines here in England - they have red hats)


 Cheers,


 Lawrence

 -- 
 Lawrenceyates.co.uk
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Re: [Hornlist] Technique vs Hardware

2009-05-15 Thread lewhorn9
 options at 
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Re: [Hornlist] New Amsterdam Brass Band and the Tenor Horn

2009-05-04 Thread lewhorn9
 baritones (played by Emilee Bennett and Barry Morrison, neither name
 familiar to me).  I found this article on the difference between the
 two instruments: http://www.dwerden.com/eu-articles-bareuph.cfm - and
 that seems to cover the issue pretty well, but I would appreciate
 knowing one more thing - does someone who really knows the difference
 between these two instruments write differently for them?  Im
 guessing, based on what I've read, that a baritone might play slightly
 higher and/or lighter parts.

 Is the 4th valve something like the thumb trigger of a double French
 Horn? (And, if so, what pitch does it take the instrument up or down
 into?)

 3)  There were no French Horns, but something called a Tenor Horn
 which seemed, more or less, to play in French Horn register.  A bit
 more online research and I learn that this is also known as an Alto
 horn - I have been given Alto horn parts to play, especially marches
 when playing in a band.  Is this the instrument a French Horn player
 would play in such a band?  I imagine it's a bit of a transition to
 make, as it's fingered right-handed.

 The alto/tenor horn appears to be an Eb instrument - do they make
 these in F, too?  And do they make 4-valve models?

 Thanks much in advance.

 -S-
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Re: [Hornlist] abbreviations (was: Rare horn piece...)

2009-04-20 Thread lewhorn9
How about this orchestra. I've been with them for 25 years. It's the Lake St. 
Clair Symphony Orchestra, or LSCSO. The orchestra was known originally as the 
St. Clair Shores (Michigan)  Symphony. The name was changed to reflect that the 
orchestra was trying to be regional, not just one city. The regional aspect 
never panned out but the name stuck. 

Walt Lewis
--Original Message--
From: daniel.canaru...@unifi.it
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: RE: [Hornlist] abbreviations (was: Rare horn piece...)
Sent: Apr 18, 2009 3:39 PM

But why do you need such abbreviations at all?
It seems to me that they are used only in the US (maybe also in UK?).

Daniel

- Message from lo...@mayhews.us -

   It seems that 2-letter abbreviations work for state and country
 abbreviations, 3-letter abbreviations are sufficient worldwide for baggage
 claim tickets, but orchestras need 4-letter abbreviations. That is why my
 orchestra is abbreviated SASO (Southern Arizona Symphony Orchestra). You
 might think symphony and orchestra are redundant words but it makes our
 abbreviation necessary and unique.

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Re: [Hornlist] Beethoven 4, B-flat alto or basso?

2009-04-18 Thread lewhorn9
Hi Carl!

This time you got through! Don't feel bad, as my Blackberry was making my posts 
scrambled. 

Thanks for your insight,

Walt Lewis 
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: ba...@fenwickparva.com

Date: Sat, 18 Apr 2009 16:21:18 
To: The Horn Listhorn@music.memphis.edu
Subject: RE: [Hornlist] Beethoven 4, B-flat alto or basso?


I hope this message goes through.

I am a real person and horn player. I started playing horn at age 6,
almost 60 years ago. My teachers have included Wally Linder,  Dave
Krehbiel, Joe Singer, and Gunther Schuller.

 It is also clearly marked in my Kalmus (Breitkopf) score and parts as
basso. It is not so marked in the first editions printed during
Beethoven's life time. Since Haydn and Mozart wrote horn parts for
B-flat alto, what is the evidence that Beethoven wrote for basso, Maybe
the basso is only a conductor or hornist's desire that it be easier to
play, not one of B's concerns.

This is not a poll for your preference, but a serious question for
musicology about performance practice. It is quite possible to play the
piece in B -flat alto, and Mozart and Haydn routinely wrote for high
horn. What is the evidence that Beethoven wanted basso? 
Why can't I find any period B-flat basso horns? Are there any, or clear
reference to them.

 Over the years there have been many unwarranted changes made to
Beethoven's works, so it is not unreasonable to ask this question.

Carl

 Original Message 
Subject: Re: [Hornlist] Beethoven 4, B-flat alto or basso?
From: Dan Phillips d...@music.memphis.edu
Date: Sat, April 18, 2009 1:30 pm
To: The Horn List horn@music.memphis.edu


On Apr 18, 2009, at 3:29 PM, Lawrence Yates wrote:

 Looks like someone having problems - I seem to remember Hans having 
 similar
 problems when he was out of his home country. Is it Carl Bangs 
 trying to
 post?



Yes, it's the same problem Hans has occasionally. He's sending through 
a webmail program that incorrectly formats the outgoing mail.

Dan


Dan Phillips
Associate Professor
Rudi E. Scheidt School of Music
University of Memphis
d...@music.memphis.edu


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Re: [Hornlist] Rare horn piece to be performed

2009-04-17 Thread lewhorn9
Would that be the Dallas Symphony or the Detroit Symphony? A number of years 
ago Karl Pituch gave tickets to lurking list member Bob Losin. He shared with 
me and John Kowalchuk. It was a very good performance. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: William Gross william.s.gr...@gmail.com

Date: Fri, 17 Apr 2009 14:10:51 
To: The Horn Listhorn@music.memphis.edu
Subject: Re: [Hornlist] Rare horn piece to be performed


Well not sure how you categorize rare.  It was done, rather well IMHO, by
the DSO last spring.

On 4/17/09, Natasha Stehr natasha.st...@oae.co.uk wrote:

 Dear all,
 Just thought you might be interested to hear about this concert coming up
 in London, featuring Schumann's Konzertstück for four horns and orchestra:

 Romantic connections
 Wednesday 20 May 2009, 7:00pm
 Queen Elizabeth Hall

 Bennett The Naiades Overture, Op.15
 Schumann Konzertstück for four horns and orchestra, Op.86
 Mendelssohn Symphony No.3 in A minor, Scottish

 Robin Ticciati conductor
 Horn soloists of the OAE

 TICKETS 0871 663 2597
 www.southbankcentre.co.uk/oae


 Natasha Stehr
 Marketing Officer
 Orchestra of the Age of Enlightenment
 Kings Place
 90 York Way
 London
 N1 9AG
 020 7239 9374
 www.oae.co.uk

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Re: [Hornlist] Rare horn piece to be performed

2009-04-17 Thread lewhorn9
Bill,  Not to start a pissing contest, but here in Michigan we think of the DSO 
as the nearly 100 year old World class Detroit Symphony Orchestra. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Bill Gross william.s.gr...@gmail.com

Date: Fri, 17 Apr 2009 20:56:52 
To: lewho...@yahoo.com; 'The Horn List'horn@music.memphis.edu
Subject: RE: [Hornlist] Rare horn piece to be performed


Dallas, of course.

-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
[mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
lewho...@yahoo.com
Sent: Friday, April 17, 2009 8:50 PM
To: The Horn List
Subject: Re: [Hornlist] Rare horn piece to be performed

Would that be the Dallas Symphony or the Detroit Symphony? A number of years
ago Karl Pituch gave tickets to lurking list member Bob Losin. He shared
with me and John Kowalchuk. It was a very good performance. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: William Gross william.s.gr...@gmail.com

Date: Fri, 17 Apr 2009 14:10:51 
To: The Horn Listhorn@music.memphis.edu
Subject: Re: [Hornlist] Rare horn piece to be performed


Well not sure how you categorize rare.  It was done, rather well IMHO, by
the DSO last spring.

On 4/17/09, Natasha Stehr natasha.st...@oae.co.uk wrote:

 Dear all,
 Just thought you might be interested to hear about this concert coming up
 in London, featuring Schumann's Konzertstück for four horns and orchestra:

 Romantic connections
 Wednesday 20 May 2009, 7:00pm
 Queen Elizabeth Hall

 Bennett The Naiades Overture, Op.15
 Schumann Konzertstück for four horns and orchestra, Op.86
 Mendelssohn Symphony No.3 in A minor, Scottish

 Robin Ticciati conductor
 Horn soloists of the OAE

 TICKETS 0871 663 2597
 www.southbankcentre.co.uk/oae


 Natasha Stehr
 Marketing Officer
 Orchestra of the Age of Enlightenment
 Kings Place
 90 York Way
 London
 N1 9AG
 020 7239 9374
 www.oae.co.uk

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Re: [Hornlist] Mouthpiece comparator

2009-04-14 Thread lewhorn9
Hi, If you're looking for a new mouthpiece, check out Tom Greer's website  at 
Hornmouthpiece.com. Tom owns MooseWood mouthpieces and in my opinion, his are 
the best!

Best Wishes,

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Robson Adabo de Mello robson.ad...@gmail.com

Date: Tue, 14 Apr 2009 15:47:37 
To: The Horn Listhorn@music.memphis.edu
Subject: Re: [Hornlist] Mouthpiece comparator


Dave



Nothing is better than play testing the mouthpiece, but if you live in
Brazil (like I do) this kind of information is very important. If I want o
to try a mouthpiece here, I need to buy. We don’t have large stores like
Osmun, Rayburn, Dillon Music... In fact the biggest music store here in São
Paulo is not working anymore with french horn mouthpieces (because they use
to sell just a couple every year).



When you read mouthpiece specifications you can see the diameter of the
mouthpiece, if the rim is flat or round, thin or thick and if the cup is
deep or shallow, but sometimes this kind of information is very confusing.
What is deep for a company can be just medium for the other.



Kanstul link will never substitute play testing the mouthpiece, but it can
give good tips for people that need to buy without testing it. I believe
that the behavior of the mouthpiece is at least partially predictable.



Sorry Dave, but what kind of asymmetries are you talking about? I didn’t
get.


Robson

2009/4/14 Brass Arts Unlimited i...@brassarts.com

  It's a very interesting link for trumpet players:
 [link deleted]
 Is there anything similar for horn mouthpieces?  

 I find it interesting when you use the Kanstul mouthpiece comparator that
 there are asymmetries in the profiles, which one can only assume are
 derived
 from Kanstul's own CNC machining programs.  Artifacts of aliasing the
 curves, perhaps?

 BTW, what would this tell you about how the mouthpiece performs?  If this
 were available for horn mouthpieces, how much useful information would you
 get from it?

 Regards,
 Dave Weiner
 Brass Arts Unlimited
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Re: [Hornlist] Paul Mansur

2009-04-14 Thread lewhorn9
I had the pleasure of meeting Paul at an IHS Symposium. He asked me about my 
Alma Mater, Harding University and he told me about his sister attending 
Harding in the late 1940's. Paul was a fine gentleman, and I for one will miss 
him. Rest in Peace, Paul. 

Walt Lewis
--Original Message--
From: Lawrence Yates
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] Paul Mansur
Sent: Apr 14, 2009 6:30 PM

I didn't see any announcement on this list.  I was sorry to hear of his
passing.

Lawrence

Lawrenceyates.co.uk
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Re: [Hornlist] THE FRENCH HORN ; SOME NOTES ON THE EVOLUTION OF THE INSTRUMENT AND OF ITS TECHNIQUE

2009-03-26 Thread lewhorn9
Nelson,

I've wanted the Morley Pegge for a long time but it's out of print! Hopefully 
the IHS can get it re-printed someday. 

Walt Lewis
--Original Message--
From: dalle...@bellsouth.net
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] THE FRENCH HORN ;SOME NOTES ON THE EVOLUTION OF THE 
INSTRUMENT AND OF ITS TECHNIQUE
Sent: Mar 25, 2009 9:22 PM

Morley-Pegge was a horn player (Student of Bremond) and musical historian, 
published his book The French Horn in 1960. It is comprehensive and well 
illustrated, at least the first edition, which is in my library. For those 
seriously interested in the horn, this book- plus those by Robin Gregory, 
Horace Fitzpatrick, Bernhard Bruchle and Birchard Coar should be in their 
library. Regards.
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Re: [Hornlist] Holtons

2009-03-26 Thread lewhorn9
The 177 has a smaller bell throat and is considered to be a medium large horn, 
where the 179 is the large horn and has a larger bell throat. 

Walt Lewis
--Original Message--
From: Ashley Grothe
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: Hornplayer net
ReplyTo: The Horn List
Subject: [Hornlist] Holtons
Sent: Mar 26, 2009 11:02 AM


My German teacher and I were conversing and I found out she plays horn. She 
told me that a friend had given her a horn and she knew it was a Holton. We 
determined it is a Holton 177. I play on a Holton 179. We looked the specs up 
online and it does not seem to have any differances. Does anyone know what they 
might be?

 

Thanks

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Re: [Hornlist] RE: Oil horn mayonnaise

2009-03-22 Thread lewhorn9
I don't have that problem since my horn is raw brass. I personally don't care 
how shiny mine is, I do know it's nearly 40 years old, valves are tight and no 
pitting of the brass, anywhere. 

Walt Lewis
--Original Message--
From: wells123...@juno.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] RE: Oil  horn mayonnaise
Sent: Mar 21, 2009 8:17 PM

Val wrote:
 warm (not hot) water
 
Would you (i.e. generally) expound on the reasons for this, please?
Simon

I'm embarrassed to tell you how I KNOW hot water is bad for your horn. Once, 
when I was cleaning one of my horns, I got distracted as the plastic bin with 
my horn in it was filling with water.  The water got too hot and damaged the 
laquer finish. Under bright lights it's kind of hazey looking where the hot 
water touched. As far as I know, it's permanent. :o( 

Valerie Wells
The Balanced Embouchure for French Horn  


Looking for insurance?  Click to compare and save big.
http://thirdpartyoffers.juno.com/TGL2131/fc/BLSrjnsHF6xrmBRNMkSEFNw47LuKjy1MoQVqBIXgDV7LWUwZ1SOAVOV4XXC/
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Re: [Hornlist] Yamaha Alexander 103

2009-03-15 Thread lewhorn9
Lawrence,

I am wondering, was your Alex 103 made in the early 70's? That is when my fixed 
bell 103 was made, and the springs look close to what I've got. 

Just curious,

Walt Lewis
--Original Message--
From: Lawrence Yates
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] Yamaha  Alexander 103
Sent: Mar 15, 2009 4:17 PM

2009/3/15 Debbie Schmidt jason...@aol.com

 Bob looks intersting why did it not work? Actually that is an assumption
 but I assume there were issues if they stopped using them?

 Debbie Schmidt Sent from my iPhone

 Hi Debbie,

As I said above, it does work (or at least it works on mine) - I've had this
horn for a long long time (I bought it new) and have had absolutely no
problems with it (other than those stemming from my own deficiencies).

I presume it was a cost issue.

Cheers,

Lawrence
Lawrenceyates.co.uk
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Re: [Hornlist] help with appraisal

2009-03-14 Thread lewhorn9
Hi Jill,

If possible, contact the maker and ask what the replacement value would be. I 
have my horns insured with a rider on my home owners policy. The insurance co. 
asked for an appraisal on the horns which I was able to get from my local music 
store. The company didn't ask for a written appraisal. Good luck,

Walt Lewis
--Original Message--
From: Jill Jaques
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] help with appraisal
Sent: Mar 14, 2009 9:14 PM


Hi all - 

I'm wondering if anyone can offer some advice for me:

I need to get my horn insured - a recent rash a break-ins in the neighborhood 
is making me feel kinda nervous about letting my horn go uninsured this long.  
Clarion wants an appraisal or a comp before they will insure it.  Here's the 
tricky part:  I play a Lechniuk, of which there are only 20-something ever made 
and they never come up for sale, and a lot of people (esp. here on the West 
Coast) have never heard of them.  So getting a comp or an appraisal is proving 
very difficult.  

Any thoughts?  Suggestions?  Ideas of who to get in touch with that might be 
willing to provide me with a number?  It doesn't have to be a formal appraisal, 
just a number I can show them.

I REALLY appreciate any help y'all can offer...

Thanks!!

Jill (in Seattle)



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Re: [Hornlist] Alex 103 copy

2009-03-11 Thread lewhorn9
I also tried a Durk copy of the Alex 103. The only I didn't like was the lever 
on the change valve. For me, it was uncomfortable. 

By the way Brent, please give Ray Hankins my best regards. 

Walt Lewis
--Original Message--
From: Brent Shires
Sender: 
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] Alex 103 copy
Sent: Mar 11, 2009 1:59 PM

All,
I tried the Durk D3 at Southeast, which is the Alex 103 copy. It really 
surprised me, in its evenness of tone and intonation, as well as overall 
response. It sells for a lower price-point, making it easier for anyone to pick 
up an Alex in troubled economic times. I would definitely recommend that 
people try the Durk before committing to an Alex.

Brent



Brent A. Shires, DMA
Horn Instructor, University of Central Arkansas
Studio Phone:  501-450-5768
Cell Phone: 501-472-3350
email: bshi...@uca.edu
web: http://www.uca.edu
http://www.arkansashorn.org
Third Horn, Arkansas Symphony Orchestra
Principal Horn, Conway and Pine Bluff Symphonies
Horn Instructor, Dixie Band Camp and Blue Lake Fine Arts Camp

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Re: [Hornlist] Leadpipe Question

2009-03-05 Thread lewhorn9
It very well could be the pipe. I won't ask who made your replacement pipe for 
you, but I would think a custom would work well since a Kruspe is so similar to 
an 8D. 

A couple of years ago I was looking for a replacement pipe for my Alex 103, I 
consulted with Paul Navarro at an IHS Symposium, as soon as Paul learned the 
pipe was for an Alex, he told me to get another Alex pipe. It was good advice, 
my Alex plays great with the replacement Alex pipe. 

Good luck with your pipe. 

Walt Lewis
--Original Message--
From: William Gross
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: [Hornlist] Leadpipe Question
Sent: Mar 5, 2009 10:08 AM

I'm experimenting with a new leadpipe for a Horner Model Kruspe.  I attached
it last night and found that there was one note, high A Flat, that I just
couldn't get to respond.  I am doing this via mail order, so I can't take
the horn into the gentleman doing the work.

Is it possible that the physics of the match of the new leadpipe and the
horn prevent that note from sounding?

Is it memorex or is it me?
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Re: [Hornlist] Lube Jobs

2009-03-04 Thread lewhorn9
Kendall,

I sure hope the Prof. decides to use Ovonic Amorophis Solar Cells (made in 
Michigan) which are the best Solar Cells in the World! I know, my darling wife 
has worked for Ovonic Battery for over twenty years. Some Hybred cars are 
powered with Ovonic Batteries (don't ask or I literally might get offed by my 
wife). Who knows, if the Prof does use Ovonic Solar Cells, I just might buy one 
for my students to practice on after they play a good lesson. 

Walt Lewis
--Original Message--
From: kendallbe...@aol.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] Lube Jobs
Sent: Mar 4, 2009 9:03 AM

Yes and no, I agree and disagree completely with what everyone has  said.
 
Seriously, if you value your instrument, you should keep it properly  
lubricated including the rotors. What you use is not as important as how  often 
you 
use it.  I recommend petroleum based products including the  recent synthetics. 
 I'm not a fan of animal based fats on a horn, nor  teflon or silicone.  
There are plenty of commercial products out  there.  Most are the same or 
similar 
formulas.  One slide  grease brand mentioned here is actually repackaged 
automotive  lubricant.  Lately, I've been using Valvolene Synthetic grease in 
the  
shop.  I paid $3.97 for the stuff at WalMart.  That container will  last for a 
year or more in the shop.  For the average player, a tub of  grease should 
last a lifetime.  If you need a small container to carry  in your case, put 
some 
in an old Carmex or  cosmetic jar.  Valve oils are kerosene based.  Triple  
refined odorless lamp oil is a good valve oil base.  Most rotor and key  
oils are 5W mineral oil.  Additives  for viscosity/anti-corrosiveness, etc. are 
readily available at your  local auto store.  The right mixture will give you 
a superior  lubricant.  You can make your own valve oil with the right  
ingredients very cheaply if you wish.  The bottles cost more than the  
ingredients 
even when oil was a gazillion dollars per barrel. 
 
Oh no, I just gave away the Professor's secrets!   Well, the  World's 
Largest Valve Oil Factory will probably have to close, anyway, if the  economy 
doesn't improve!   BTW, French Horn Hero will be available in  a solar powered 
green version, as well.
 
KB
 
 
 
 
 
**Need a job? Find employment help in your area. 
(http://yellowpages.aol.com/search?query=employment_agenciesncid=emlcntusyelp0005)
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Re: [Hornlist] Re: Recording Techniques

2009-02-24 Thread lewhorn9
 was happy, and

the release is   truly live and unedited.

The plus side now is cleaner technical  product.  The negative side  is
that 
in the old days, you  needed a damn fine group of musicians to make  decent  
recordings.  Now, any bunch of hacks can get a great  recording  given
enough 
time (and money). 

What this has  done, along with other changes in the business (most notably  
the  lack of full time music directors with any kind of vision beyond  their
own  
jet-set careers) is to destroy the individuality of  orchestras,  worldwide.

Personally, I mourn the loss of regional  and international  sounds and 
lament the generic results attained  in the recording  industry today.  It's
all 
about product  now, not music, IMHO.  I  definitely miss performers such  as
Lucien 
Thevet, Gottfried von Freiberg,  Domenico Ceccarossi,  Georges Barbeteau, 
Aubrey and Dennis Brain, Alan Civil,  Vitaly  Buyanovsky, and of course,
Mason 
Jones!  It is a  continuing  delight (and education) for me, though, to hear 
Hermann Baumann   perform when he comes to KBHC!  I encourage all serious
horn  
players to  get old recordings of both soloists and orchestras and  study
these  
styles and learn why they played the way they  did.  I feel that there  is
now a 
certain emotional element  missing from most new recordings and you  can't be

sure of the  performers' technical skills, either, sue to the editing   
capabilities in our digital age.  It's not quite sampled midi yet  but  it
seems to get 
closer to that all the time.  When is  the last time you  heard live
musicians on 
a jingle?  I will  say, though, that the Vienna  Philharmonic has retained 
it's  individuality better than any other, for some  very obvious  reasons
such as 
the Vienna horns and oboes.  The most  obvious,  though, is the dogged 
determination of its musicians to  maintain their  traditions of playing.
What other 
orchestra places  the snare  drummer in the clarinet section and then the guy

plays  his part like he's  in a chamber group in regard to balance?  NO  ONE!
Ah, 
don't  get me started!   When I want to listen  to symphonic music, I listen 
to  re-issues of 78's and LP's of the  likes of Stokowski, Bruno Walter, 
Bernstein,  Toscanini, Klemperer,  von Karajan, Cluytens, etc.  When I want
to  listen 
to horn  soloists from a student perspective these days, I dig out my   
recordings of Hermann, Dennis and Mason, first.

I do like this idea  now that the LSO and Berlin are doing in offering  
recordings of live  performances both in the hall and on line.  It is
difficult to  
tell them apart on recordings, though, these days.  I always   liked, despite

the obvious stress, that in MN we went out live on MPR  every  Friday night 
though I think there was some editing done for  the national  re-broadcasts
on NPR 
by using tapes of the other  performances of the week.   I would hope that 
serious students  who perhaps can't attend live orchestra  concerts on a
regular  
basis would avail themselves the opportunity to hear  recorded  live
performances, 
though.  There really is no substitute  for  hearing an orchestra live, 
though, especially in its home  venue.

But, then again, I may be just another Ol' Faht at this point  and  
youngins know best. I report, you  decide!

KB


In a message dated 2/20/2009 1:00:59 P.M. Eastern  Standard Time,  
horn-requ...@music.memphis.edu  writes:

date:  Thu, 19 Feb 2009 13:07:12 -0500
from: Joe  Scarpelli  joescarpe...@earthlink.net
subject: RE: [Hornlist]  Mason Jones  Passes

I would like to relay a story I heard from  Fred Hinger who was  a
percussionist in Philly during Mr. Jones'  tenure. I met Fred when he was  at
the Met circa 1968 while he was  residing in an apartment building where  I
worked just after High  School. Here it goes:

When they were  recording, if Mason heard  something he didn't like in the
Horn section, he  would kick over his  stand which would of course force them
to start over.  It wasn't clear  if this was a onetime occurrence or
multiple.


Kendall perhaps  you validate this story. I hope it is  true. I loved it as
it
you  can see it stayed with me for 40   years.

Joe


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Re: [Hornlist] Re: Recording Techniques

2009-02-24 Thread lewhorn9
Greg replied:

Now don't get ahead of yourself. You'll have to wait another year for 
French Horn Hero 2: Hottest Mellophone Party just like everyone else.

is that like the Girls gone wild videos? I sure hope so! Boy, oh boy! Topless 
female Mellophone players marching and playing the Long Call and marching 
down a football field! Whatta Country! LOL!

With my tongue firmly planted in my cheek,

Walt Lewis
Sent from my Verizon Wireless BlackBerry

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Re: [Hornlist] elkhart 8D

2009-02-13 Thread lewhorn9
Joe,

Keep your Eastlake and learn to play it well. You'll have plenty of time to get 
what ever you want later! Heck, you might even end up like me and be an Alex 
Driver, they are great horns, I'll take my 103 against any 8D on the planet. 

Learn to play well on anything, then get an Elkhart. BTW, I sold an Elkhart 8D 
35 years ago to marry the love of my life, I've NEVER regretted selling that 
8D. 34 years, 2 kids and 3vgrand children later, I'm the luckiest man on the 
planet. 

Walt Lewis
Happy Alex Driver, and Papa to three beautiful little girls.  
--Original Message--
From: Joseph Scriva
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: blackhawkjoe2...@yahoo.com
ReplyTo: The Horn List
Subject: [Hornlist] elkhart 8D
Sent: Feb 13, 2009 7:16 PM

 ok. I made the mistake of buying an eastlake 8DS (screw bell). I'm now 
just realizing that i should have gotten an elkart 8D or maybe even a 28D. I 
know that this sounds really dumb thats because it probably is... but is 
there anyone out there willing to trade their elkhart (2)8D for an eastlake 
one? Im going to go into music as a career (I'm only a junior in high school) 
and I need an instrument that I can use even after college, because we all know 
an eastlake 8D is more of a high school/ college horn, so I would have to 
upgrade eventually, and I figured, why not now? It's virtually brand new and it 
only has minor scratching on the bell (barely noticable) and 2 medium-small 
dents, both on the bell. It's an ok horn, and it's serial number is #161770 
(made in 2006). It was a demo horn at a local music store for about 2 years, 
which is where the scratching came from. I'll take any elkhart 8D even if 
it's really beat up and has leaky
 valves. I'm planning on doing music repair when i get older, so a beat up 8D 
would be a perfect project. I would appreciate it so much if someone would help 
me out. 
Thanks,
Joe Scriva



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Re: [Hornlist] Re: Why is shortest valve slide in the middle?

2009-02-07 Thread lewhorn9
 to
 squeeze out results for the unavoidable
 concours. There are students who can only read
 their parts because they have written in the names of the
 notes and often fingerings as well. Their teachers are their
 regular school music teachers and private lessons are not
 the norm. It's a nightmare. But the kids deserve better
 so I do what I can.
 
 When I start pointing out that a whole movement can be
 played with one valve pressed the whole time I am considered
 eccentric or a show-off. I can rarely convince anyone that
 it's actually simpler that way since they don't have
 the harmonic series in their heads so for them it IS more
 difficult than fingering on the Bb side. :-(
 
 Sorry, getting off track. End rant here
 
 Simon
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Re: [Hornlist] US Marine Band and Chamber Orchestra

2009-02-07 Thread lewhorn9
Margaret,

NO DISRESPECT was ever intended by any post I wrote about the President's Own 
Marine Corps Band. I have had the pleasure of hearing them twice in my life, an 
they were far and above the best band I've ever heard. Marines that spend a 
minimum of 12 weeks in boot camp really want the equality from the President's 
own musicians. I had the priviledge of speaking to the Colonel that directs the 
U.S. Army Field Band when the City of Warren Michigan hosted them. All of their 
members go through Army Boot camp. 

My son worked very hard to earn his rank, and he felt justified in having some 
resentment  that a musician was an Instant Sergent. I don't think he even took 
the musicians long hours of practice into account. 

Still a proud Marine Dad,

Walt Lewis
Member: Warren Cultural Commission
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Margaret Dikel mfri...@erols.com

Date: Sat,  7 Feb 2009 14:55:24 
To: horn@music.memphis.edu
Subject: [Hornlist] US Marine Band and Chamber Orchestra


You know, I'm so thrilled that so many of you support our fellow musicians who 
choose to serve in the US Armed Forces, 
even those who (shudder the thought) never actually go through basic training. 
Just makes me proud.

For those of you who wonder about the quality of the US Marine Chamber 
Orchestra and are so concerned about where they get strings, may I point you 
towards this paragraph from the band's website at 
http://www.marineband.usmc.mil/

The U.S. Marine Chamber Orchestra officially emerged as a concert ensemble at 
the White House, under the leadership of William H. Santelmann, Marine Band 
Director from 1898-1927. Santelmann, who auditioned for the band on clarinet, 
baritone, and violin, developed the Marine Chamber Orchestra by requiring all 
wind and percussion performers to be proficient on a stringed instrument. This 
requirement was eliminated in 1955. Today’s Marine orchestra musicians hail 
from some of the nation’s most prestigious conservatories and display an 
intense and musical mastery of their instruments.

Here in the Washington DC region, the members of the Marine Band (and that 
includes the chamber orchestra) are considered some of the finest musicians 
arounds. I don't hear members of the Navy, Air Force, or Army bands dissing 
their colleagues for not getting muddy. They have a job to do like everyone 
else, and the USMC owns their backsides 24-hours a day just like everyone else. 

And I'm sure the members of the Marine Band would be surprised to hear that 
they are not respected by other Marines. Articles about them have consistently 
noted that while they do not enter the Corps the same way everyone else does, 
they earn and return the respect of other Marines. 

Now if they could just earn the respect of the members of this list, all would 
be good I'm sure.

Margaret




Margaret F. Dikel
The Riley Guide
11218 Ashley Dr.
Rockville, MD  20852
301-881-0122
mfri...@erols.com
www.rileyguide.com
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Re: [hornlist] Inauguration picture

2009-02-07 Thread lewhorn9
John,

Would that be the course that the author WEB Griffin describes as learning not 
to piss in the potted palms? Ooohrah!!!

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: John Dutton dutto...@gmail.com

Date: Fri, 6 Feb 2009 17:30:32 
To: horn@music.memphis.edu
Subject: RE: [hornlist] Inauguration picture


[quote] True, they don't go through the training, but an article in
the Washington Post a few years ago pointed out that many take leave
and go through training, thereby earning their rifles honestly.

At the time of the article, the NCO bandmaster was preparing for his
second tour of Iraq.

They are Marines. They just take a slightly different path than most.   [/quote]
-

The Washington Post was wrong.  The President's Own and all assigned
to it are non deployable.  End of story.  The only Fleet Marines that
are there are some few that have duties such as loading crew and
public affairs and a couple of other things.  These Marines rotate in
and out of that duty station like all Marines but are not musicians.
There would be a senior NCO of that group but he would not be a
Bandmaster.  The senior NCO of the President's Own would be the Drum
Major who is non-deployable.  Any normal Marine that wins a playing
position with the PO then becomes non-deployable as well.

The term Bandmaster refers to the Fleet Marine Forces 12 field bands
and by definition is the NCOIC and senior enlisted member of a given
band.  These Bandmasters would indeed deploy if their band deployed.
A Bandmaster might or might not also have been a Drum Major.  Perhaps
the news article was confusing the PO with a Field Band or the School
of Music there at Little Creek.

The musicians of the President's Own do not go to Recruit Training and
cannot detach to go do so.  They do go through an orientation/crash
course in Marine Corps protocol etc.   I would wager that most of them
won't in their career learn enough to speak Marine.  You former
Jarheads out there will know what I mean!   It is the Drum Major's job
to teach them how to march and carry their instruments and push the
paperwork and

Traditionally the head Drum Major has been a Fleet Marine and that
person might very well have deployed in the past prior to accepting a
posting to the President's Own.  Col. Foley succeeded in setting a
precedent for promoting a non-fleet Marine as DM but that didn't last
long and the normal tradition resumed with Thomas Kohl.  Ironically,
the current assistant DM was one of my Marines from San Diego.  He
deployed overseas to Iraq (several times possibly) prior to his
winning a posting to 8th  I.  Browne, the senior DM, was also a Fleet
Marine prior to joining the PO.  I have no idea whether he served in a
combat area or not but he did get posted with the very excellent NATO
band in Europe.

The Jack Attack!
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Re: [hornlist]Inauguration picture

2009-02-06 Thread lewhorn9
I am wondering if the officers being talked about are 2nd Johns which 
everyone in the Military knows are dumber than dog shit. LOL! So if so, the 
REALLY are useless. 

Walt Lewis
--Original Message--
From: scott...@msn.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: RE: [hornlist]Inauguration picture
Sent: Feb 6, 2009 12:44 PM


 Date: Fri, 6 Feb 2009 09:11:10 -0700 Subject: Re: [hornlist]Inauguration 
 picture From: dutto...@gmail.com To: horn@music.memphis.edu
Sadly, Fleet Marines are forced to give up their normal insignia upon 
acceptance to the President's Own.
 
My understanding from talking to the few Devil Dogs that are in the 
President's Own is that you can keep the crossed rifles if you are a Staff 
Sergeant and above until you are promoted, then you revert to a music lyre.  
When I was visiting there (around the time you were, Jack), the drum major was 
from FMF, and a Master Gunnery Sergeant before he came over, so he kept the 
bursting bomb. The DM of our band, a Gunny at the time, finished second, but if 
he had won, he would have kept the crossed rifles until he was promoted to 
Master Sergeant.
Two of them are officers (and hence next to useless)
 
Hence their pay grade designator, Zero-1 through Zero-6 ;)
 
Respectfully (somewhat) Submitted,
Scott Young
 
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Re: [Hornlist] RE: Dent Bags

2009-02-02 Thread lewhorn9
Cabbage,

Would one then lube their slides with grape jelly? If so, my wife makes really 
good jelly from our own grapes. I would think the seeds from strawberry would 
mess with the valves if the jelly got that far. 

Walt Lewis
--Original Message--
From: horncabb...@aol.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] RE: Dent Bags
Sent: Feb 2, 2009 1:57 AM

James M wrote

I once read about a science teacher assigning a problem to his class.
The  problem was to design a case or package to have a hen egg
dropped from third story window to the side walk below without
damage to the egg. Two students solved the problem.
Perhaps instead off getting an engineer to do the job, give the job to
high school students to protect  the horn.
Just a thought.

***
I used to sponsor Physics Olympics at San Jose State.   Students
from local high schools would compete in various events.   One
involved encasing a raw egg so that it would be undamaged after
falling 15 meters.   Parachutes were not allowed.   Generally,
about half the entries were successful, so we awarded prizes
to the smallest, lightest containers.   One year a successful entrant 
dropped their egg inside a jar of peanut butter.   I think that
would be the ideal way to protect a horn.

Gotta go,
Cabbage



**
Great Deals on Dell Laptops. Starting at $499. 
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Re: [Hornlist] Dent bags

2009-02-01 Thread lewhorn9
Dave,

If you were an unethical person, you could talk the mother into cutting the 
bell, and selling her a Marcus Bona flight case. LOL. That surely generate some 
more work for your business. 

Walt Lewis
--Original Message--
From: Brass Arts Unlimited
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] Dent bags
Sent: Feb 1, 2009 3:14 PM

 Gig bags are actually dent bags.  It's not a
matter of if  it's when and how bad.  

Jerry is right, of course. I just had a kid bring in a horn in a gig bag.
She had been playing it with a flattened (quite literally) finger hook,
multiple serious dents, multiple broken solder joints, bent mouthpipe, bell
rim creases, out of round bell throat, and on.  $350 later I suggested to
the mom that a hard case was in order.  Of course, that hard case would be
bad for business. ;D

Dave Weiner
Brass Arts Unlimited
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Re: [Hornlist] Dent bags

2009-02-01 Thread lewhorn9
William, you're right in one aspect, but when one gets older and near his 
golden years with back problems, a case with wheels works even better than a 
backpack! I bought a Marcus Bona flight bag, and carried it for quite a while, 
until I started to suffer with back and hip problems. I adapted a luggage 
carrier by bunge cording my case to it. Voila! a wheeled case! I only have a 
very small problem pushing it through the snow. My physical therpist remarked 
what a good idea, and she also said most guys over 50 should be doing what I do 
to save wear and tear on their backs. 

Walt Lewis
--Original Message--
From: valkh...@aol.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: Re: [Hornlist] Dent bags
Sent: Feb 1, 2009 3:55 PM

Correction, that should be a dent bag, not dent back.
 
But back to the point, when you have to deal with walking several miles  with 
a case (airports come to mind) nothing beats something you can wear as a  
backpack.
 
-William
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Re: [Hornlist] Dent bags

2009-02-01 Thread lewhorn9
Sure hope that drink is a pint of stout! If so, enjoy one for me as well. 

In your words, Cheers!

Walt Lewis
--Original Message--
From: Lawrence Yates
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] Dent bags
Sent: Feb 1, 2009 4:25 PM

Sorry, my misunderstanding (played first in Walton Symphony 1 last night -
it did my head in and I've still not recovered)

Can I go and have a drink now?

Cheers,

Lawrence

2009/2/1 valkh...@aol.com


 Gotcha. I agree - I did have a soft fabric type case a long time ago but I
 got rid of it.

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Re: [Hornlist] Dent bags

2009-02-01 Thread lewhorn9
Beer cooler! Best idea of all, Jerry!!!

Will have to get the hornlist team of crack engineers on this most important 
project!

Walt Lewis
Walt Lewis
--Original Message--
From: jerryol...@aol.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: Re: [Hornlist] Dent bags
Sent: Feb 1, 2009 4:57 PM

 
In a message dated 2/1/2009 3:09:55 P.M. Central Standard Time,  
william.s.gr...@gmail.com writes:

Comments  guys and gals have tossed out in the design of a better horn case.
1)  Wheels
2) Integral garment bag.




3) Integral beer cooler.
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Re: [Hornlist] Dent bags

2009-02-01 Thread lewhorn9
The burning question is:

Now days, how many Mellophones would the average High schooler destroy (not a 
bad thing, in my opinion) carrying out the research?

Walt Lewis
--Original Message--
From: James Maddrey
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: List Horn
ReplyTo: The Horn List
Subject: [Hornlist] Dent bags
Sent: Feb 1, 2009 8:39 PM

I once read about a science teacher assigning a problem to his class.
The  problem was to design a case or package to have a hen egg
dropped from third story window to the side walk below without
damage to the egg. Two students solved the problem.
Perhaps instead off getting an engineer to do the job, give the job to
high school students to protect  the horn.
Just a thought.

youngjim 
  

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Re: [Hornlist] RE: Opinions on inexpensive cases and gig bags

2009-02-01 Thread lewhorn9
Hate to say this, but, you will see a dent eventually. 

Walt Lewis
--Original Message--
From: Valerie WELLS
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn list
ReplyTo: The Horn List
Subject: [Hornlist] RE: Opinions on inexpensive cases and gig bags
Sent: Feb 1, 2009 9:00 PM


I love carrying my cut bell horn in my light weight ProTec gig bag.  I bought 
it used for $80 from a list member who heard me whining about injuring my back 
from lugging around my horn in it's two ton Holton wooden case.  My gig bag is 
for a fixed bell horn, so I don't have to mess with screwing that darn bell on 
 off every time I go some place.  For me, that's a BIG plus.  
 
That said ... I know that gig bags don't protect horns as well as a more rigid 
case.  Someone once told me that a gig bag is a horn repairman's best friend!  
I handle my horn with TLC while it's in the bag, but I know my horn is still 
more vulnerable to damage in the bag than it would be in a case.  I've carried 
my horn to 1 to 4 gigs a week for over two years  I so far see no evidence of 
damage.  (Knock on wood!)
 
I recently saw something that I want to take a better look at though.  I went 
to a gig w/ a horn player who recently bought a new Accent double horn.  Her 
horn in it's case was no heavier, and perhaps even lighter than my horn in my 
ProTec gig bag.  I examined her case. The inside was lined w/ a soft velvety 
fabric.  The outside shell was a rigid solid molded material like fiberglass or 
plastic resin.  From what I could tell, the padding between the shell  the 
fabric lining was also a solid molded piece of some light weight material, 
something like styroform and was several inches thick.  The case came with a 
shoulder strap.  The Accent French horn case seems to offer the lightweight 
convenience of my gig bag with more protection than a gig bag.
 
I don't know how much the Accent horn case costs.
 
Valerie  ___
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Re: [Hornlist] WAM

2009-01-29 Thread lewhorn9
Adam,

I'd gladly trade you some snow for some warmth! In Southeastern Michigan the 
region has had over 40 inches of snow thusfar. It has been cold, so no melting 
of the snow. I'm so tired of snow boots, scraves and parkas!

The local governments are nearly out of money to clear the roads following snow 
storms. 

Walt Lewis 
--Original Message--
From: Adam Black
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: RE: [Hornlist] WAM
Sent: Jan 29, 2009 1:18 PM


Whilst waiting for your ice to melt, we here in Adelaide, Australia are in the 
middle of a heatwave, where ice would be welcome. Two days ago, we had our 
hottest recorded temp. in 70 yrs (45degs celsius). Can I dive into your snow if 
you have some?
Adam Black Date: Thu, 29 Jan 2009 11:51:54 -0600 Subject: Re: [Hornlist] WAM 
From: william.s.gr...@gmail.com To: taoist70...@yahoo.com; 
horn@music.memphis.edu CC:   Too busy waiting for the ice to melt and 
listenting to all Mozart all the time on local classical music station.  On 
Thu, Jan 29, 2009 at 11:19 AM, Ronald Rhodes taoist70...@yahoo.comwrote:   
Fellow listers,   What a surprise and disappointment to note that Mozart's 
birthday  on Jan. 27 passed without notice on this list. Belated birthday  
greetings to Wolfie.   Ron Rhodes 
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Re: [Hornlist] Re: Flugelhorn vs Trumpet

2009-01-19 Thread lewhorn9
I saw Arkady at the IHS shindig in K-Zoo and he was outta sight! My favorite 
memory was his motif of Salt Peanuts on Alp Horn! The next day I went up to 
him and complemented on his performance. He replied by hugging me! He was just 
a regular guy, he didn't do the star bit, he ate and went to the Master 
classes just like he was a regular kind of guy. 

(From a very snowy Michigan)
Walt Lewis
--Original Message--
From: Steven Mumford
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: mumfordhornwo...@att.net
ReplyTo: The Horn List
Subject: [Hornlist] Re: Flugelhorn vs Trumpet
Sent: Jan 19, 2009 2:57 PM



    You might look around and find out about Arkady Shilkloper.  He plays jazz 
horn with amazing virtuosity and also plays flugelhorn.  I haven't heard a 
recording of him on flugel, but run out and buy all of his horn recordings, you 
won't regret it.

- Steve Mumford
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Re: [Hornlist] RE: (no subject)

2009-01-09 Thread lewhorn9
Do'ah!!!

I've been cabbaged after all these years! Look what happens when one forgets 
one three letter word!

Thanks for pointing out my error... Darned Blackberry! (Gotta blame it on that 
small keyboard)

Walt Lewis
--Original Message--
From: horncabb...@aol.com
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] RE: (no subject)
Sent: Jan 9, 2009 1:08 PM

Walt L wrote:

I can't comment on the Texas Horns, as I've heard it.

***
I can't comment on your message, as I've read it.

Gotta go,
Cabbage


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Re: [Hornlist] (no subject)

2009-01-08 Thread lewhorn9
I have the London Horns and was given a copy of Vienna Horns. In my opinion, 
they both are virtuoso performances! I can't comment on the Texas Horns, as 
I've heard it. 

Walt Lewis
--Original Message--
From: Anne Megenity
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: [Hornlist] (no subject)
Sent: Jan 6, 2009 6:01 PM

For the Poll :  Not familiar with the Texas Horns, but my choice would be The 
London Horns. Magnificent.
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Re: [Hornlist] Mouthpiece problem - the Day after

2009-01-01 Thread lewhorn9
Which one? My Alex 103 with the cut bell, uncut bell, or my Cor Solo...

All will rest today. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Bill Gross william.s.gr...@gmail.com

Date: Thu, 1 Jan 2009 09:58:44 
To: 'The Horn List'horn@music.memphis.edu
Subject: RE: [Hornlist] Mouthpiece problem - the Day after


New PSA (Public Service Announcement):  

It's 10 AM, do you know where your horn is?

-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
[mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
yateslawre...@aol.com
Sent: Thursday, January 01, 2009 9:49 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Mouthpiece problem - the Day after

Hi Luke,
 
Happy New Year - I hope your head is feeling better than mine is!   (and I 
still don't know where my horn is!)
 
Cheers,
 
Lawrence
 
lawrenceyates.co.uk
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Re: [Hornlist] mouthpiece

2009-01-01 Thread lewhorn9
Since Milton brought up the bore problem, I suggest you check with Tom Greer at 
his mouthpiece company, MooseWood. He will take time to make sure the taper is 
correct for your new 8D. I know there has to be a bunch of us playing on 
MooseWood's. 

Walt Lewis
--Original Message--
From: Milton Kicklighter
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: kicklighg...@yahoo.com
ReplyTo: The Horn List
Subject: [Hornlist] mouthpiece
Sent: Jan 1, 2009 7:53 PM

Joe,
 
Just a quick one from me.  I have been away from my computer for some time and 
didn't have time to read all the mouthpiece replies to you.  BUT:  
 
How the shaft of the mouthpiece fits into the lead-pipe is critical
 
I have two Alexanders, and I use the exact same mouthpiece for both horns: rim. 
bore etc.  
 
However the two lead pipes are totally different diam and even though both 
mouthpiece's will fit both horns,  the sound, response, register, etc. is awful 
if I don't use the correct mouthpiece shaft with its horn.
 
Meaning:  if the shaft doesn't fit, then the mouthpiece won't work as it should.
 
If someone else already said this forgive.  As I said I didn't have time to 
read all of the other responses.  
 
Happy New Year All
 
Milton
Milton Kicklighter
4th horn Buffalo Phil



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Re: [Hornlist] Mouthpiece problem You know your a horn geek when....

2008-12-31 Thread lewhorn9
Speaking of being a Horn Geek (a former student paid me the ultimate complement 
by calling me the biggest Horn geek he ever knew) who was that woman Hornist 
playing the Schmid Triple with the NY Phil. She did a good job!

Happy New Year! Today (the 31st) is my 57th B-Day. 

Walt Lewis
--Original Message--
From: Luke Zyla
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] Mouthpiece problem You know your a horn geek when
Sent: Dec 31, 2008 8:29 PM

You know your a horn geek when you sit at home on New Years Eve talking 
about horn mouthpieces and watching the NY Philharmonic on public TV.
Luke Zyla
- Original Message - 
From: yateslawre...@aol.com
To: horn@music.memphis.edu
Sent: Wednesday, December 31, 2008 7:19 PM
Subject: Re: [Hornlist] Mouthpiece problem


 I'm sure it must be the time difference but I cannot believe that people 
 are
 discussing mouthpiece problems on New Year's Eve!  :-)

 All the best for the new year to all of you.

 cheers,

 Lawrence

 lawrenceyates.co.uk
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Re: [Hornlist] Flugel horn subbed for French horn -- it worked!

2008-12-27 Thread lewhorn9
Shuddering a la Homer Simpson...  Alto Saxes! Huhuhuhuhuh. It would be worse 
yet it if the Saxes played like Kenny G!!! 

I did a Xmas gig with these nice Lanny Goss arrangements a few years back, it 
was all good at the rehearsals until the gig when this Alto player showed to 
double my part with me! I was pissed off to say the least! His playing totally 
ruined the work the other Horn and had achieved in rehearsal, and I said as 
much to my partner. When the church director called me the next year, I 
tactfully declined the gig. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Bill Gross william.s.gr...@gmail.com

Date: Sat, 27 Dec 2008 16:00:45 
To: 'The Horn List'horn@music.memphis.edu
Subject: RE: [Hornlist] Flugel horn subbed for French horn -- it worked!


That's interesting and quick thinking.  It's a good thing there weren't any
Alto Saxophones around.  

-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
[mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
Valerie WELLS
Sent: Saturday, December 27, 2008 1:36 PM
To: horn list
Subject: [Hornlist] Flugel horn subbed for French horn -- it worked!


On a Tuesday in December I learned that my second horn player had gotten the
dates mixed up and had a set-in-stone conflict for our holiday concert the
following Friday.  I contacted every horn player I knew in the south Puget
Sound area  every single one was booked.  I was desparate.  We were playing
this totally cool Franz Josef Haydn Organ Concerto in F in a local church
w/ a fabulous pipe organ.  This piece has a horn duet that's absolutely
critical for the success of the piece.  So at the final rehearsal, I had to
face the conductor w/ the terrible news that I'd have to play the part
alone.  Our trumpet principal overheard me  asked, Could you rewrite the
second horn part in Bb and let me try it on my flugel horn?  I went home 
rewrote it having no idea how it would turn out.  The trumpet principal  I
got together early before the concert  went over the part.  To my
amazement, he was able to make his flugel horn sound like a French horn.
(He's very skilled.)  There were a few notes he had to play up an octave,
but it all turned out great.  Who knew a flugel horn could sound so warm 
sonorous as to pass for a second horn part?  Have any of you had the
priviledge of playing this rarely played piece?  It's SOOO fun.
 
Another piece we did that was especially fun for me was Mozart's Three
German Dances (with Sleigh Ride and hand bells).  In the second movement
(or dance) the horn carries the melody all the way through.  It was so cool.

 
Valerie
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Re: [Hornlist] Folding Horn Stands

2008-12-19 Thread lewhorn9
I have one and really like it. It folds down fairly flat and is more stable 
than one of those guitar stands, which was the first type I used. I also have a 
KH which I use in my studio. 

Happy Holidays!

Walt Lewis
--Original Message--
From: Steve Freides
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: 'The Horn List'
ReplyTo: The Horn List
Subject: [Hornlist] Folding Horn Stands
Sent: Dec 18, 2008 2:53 PM

[Apologies if this is a double posting but I sent it a day or two ago and
didn't see it on the list.]

I have one of these, a KM:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=190274011228

I remember costing about half what they're selling it for - ouch! - but it
works well enough.  Several people have, in the past, referred to these as
kicking tees, but mine sits at the side of the room and, so far, no one has
attempted to punt my horn.

I'm considering the purchase of one of these, a Hercules folding stand:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=350140758711

I'd appreciate any comments on the fold-up kind, which is the second listed
above - I've got a second horn I want to keep out, and this is much less
expensive and therefore my first choice if it works as well.

Also, if anyone who has one thinks it might work for a small guitar or
mandolin - I also need a stand for my mandolin.

Thanks in advance.

Steve so many instruments, so little time Freides

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Re: [Hornlist] Folding Horn Stands

2008-12-19 Thread lewhorn9
DO'AH!!!

I meant to say my new one is a Hercules. Sorry if confused anyone. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: lewho...@yahoo.com

Date: Fri, 19 Dec 2008 14:57:59 
To: The Horn Listhorn@music.memphis.edu
Subject: Re: [Hornlist] Folding Horn Stands


I have one and really like it. It folds down fairly flat and is more stable 
than one of those guitar stands, which was the first type I used. I also have a 
KH which I use in my studio. 

Happy Holidays!

Walt Lewis
--Original Message--
From: Steve Freides
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: 'The Horn List'
ReplyTo: The Horn List
Subject: [Hornlist] Folding Horn Stands
Sent: Dec 18, 2008 2:53 PM

[Apologies if this is a double posting but I sent it a day or two ago and
didn't see it on the list.]

I have one of these, a KM:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=190274011228

I remember costing about half what they're selling it for - ouch! - but it
works well enough.  Several people have, in the past, referred to these as
kicking tees, but mine sits at the side of the room and, so far, no one has
attempted to punt my horn.

I'm considering the purchase of one of these, a Hercules folding stand:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=350140758711

I'd appreciate any comments on the fold-up kind, which is the second listed
above - I've got a second horn I want to keep out, and this is much less
expensive and therefore my first choice if it works as well.

Also, if anyone who has one thinks it might work for a small guitar or
mandolin - I also need a stand for my mandolin.

Thanks in advance.

Steve so many instruments, so little time Freides

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Re: [Hornlist] Re: Official Start of CLAMSSA?

2008-12-19 Thread lewhorn9
Lord help all of us if the Professor is a card carrying member of the 
Reboobigan party! Palin is dumb enough on her own, the Professor would have to 
spend too much time trying to teach her not to call it a French Horn. She 
would want to campaign in Paris. 

Walt Lewis
Sent from my Verizon Wireless BlackBerry

-Original Message-
From: Fred fbau...@gmail.com

Date: Tue, 16 Dec 2008 09:34:29 
To: The Horn Listhorn@music.memphis.edu
Subject: Re: [Hornlist] Re: Official Start of CLAMSSA?


Given the Professor's eBay win of the Senate seat, I am looking forward with
great anticipation to 2012, when hopefully we will have the Palin /
Gestopftmitsheist ticket as standard bearers of the Republican party.  I
believe, in my heart, the Professor to be every bit as qualified to lead our
nation, in the event of unfortunate clammity befalling Ms. Palin, as Ms.
Palin herself !!!  Here's to better times ahead!

Fred


On Tue, Dec 16, 2008 at 6:28 AM, kendallbe...@aol.com wrote:

 Dear Hornlorn,

 I spoke to the Professor yesterday by short-wave radio as his phone is  now
 tapped by the FBI.  He is in Illinois where he is changing his  driver's
 license (he's using the address of Geyer's old shop,  now demolished and
 replaced
 with the 164 story  office/residential tower housing the main offices of
 the
 Society  for Tearing Down the Lights at Wrigley Field, a Chicago based non
 profit) so that he can become the US Senator from that state, which he won
  on Ebay
 last week.  That said, please remember that CLAMSSA is a perpetual
 holiday, with no official start and no end to it.  That is why  it is
 universal.
 He knows that ALL of you observe it on a daily basis,  whether you know it
 or
 not, both publicly and privately, and that is the  true spirit of
 CLAMSAA.
 That said, the current holiday season is a  good time to bring up the
 subject,
 as Scott mentions, to family members so that  you can get the horn gift(s)
 of
 your desires, such as a fresh copy of Kopprasch  No. 1 or a new quadruple
 horn
 or a copy of Dennis Brain's mouthpiece, or a  lifetime prescription for
 Inderal or Zoloft or Flomax or Pepto Bismal, or a case  of Jack Daniels or
 a
 truckload of Coors Light, for example.

 The Professor assured me that he will make his annual post(s) to the horn
 lists with a reminder about CLAMSAA so that you can publicly show your
 observances during the holiday concert and ballet season, even though there
 is  no
 doubt that you will, anyway.  He has the utmost confidence in all of
  you!!!

 Just so you know what you are doing, (and observing the holiday by the
 book), please refer to his lecture in Denver
 (_http://tinyurl.com/http-tinyurl-com-Clamology_ (
 http://tinyurl.com/http-tinyurl-com-Clamology) )  if you have
 not already done so.

 Seasonings Greetonings and Mostest of Clamifications from an ice encrusted
 and now treeless Bad Corner, NH!

 KB



 In a message dated 12/16/2008 7:11:54 A.M. Eastern Standard Time,
 h...@yahoogroups.com writes:

 Does any  one know the official start of CLAMSSA this year?  I suspect it
 is
 on  a lunar calender, due to the tides, etc. Clamsgiving leftovers are
 getting  stale (Off-key with stuffy G and splooee, clamberry sauce, and
 clamkin pie  topped with whipped clam), and besides, due to the official
 web
 site, I  have convinced my family that CLAMSSA is a gift giving opportunity
 for the  hornist in their life.  Can anyone start us off with a rousing
 chorus  of Over the Mahler and through the Brahms, to the Mother-of-Clams*
 I

 Go?

 Respectfully Submitted,
 Scott  Young


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Re: [Hornlist] Official Start of CLAMSSA?

2008-12-15 Thread lewhorn9
 exclaim, ere he drove out of sight

Happy clamsaa to all, to all a bad night.

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Re: [Hornlist] Rotor Valves

2008-12-13 Thread lewhorn9
From reading your post, you might need a valve job. Try wiggling the stop arms 
on each valve back and forth, if there is movement in the valve, and if you 
push your valve slide in and there is no popping sound, the compression in the 
valve is weak. I know that Ken Pope and others on this list can better address 
your situation. 

Good luck. 

Walt Lewis
--Original Message--
From: Ashley Grothe
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: Hornplayer net
ReplyTo: The Horn List
Subject: [Hornlist] Rotor Valves
Sent: Dec 12, 2008 1:17 PM


I have a slight problem with my rotor valves...My second valve has a clicking 
noise and has had it for a while. I am not too concerned about it so I have 
just left it alone. However, as of late my first, third, and trigger have been 
slow and sticky. My third valve makes like a grinding noise when it is 
pressed.Like I said, I am not really concerned about the second valve, but if 
anyone has encountered this problem and knows how to fix it that would be 
great. I do want to fix my other three since it is actually hindering the 
playing. I know I will probably have to take it into a shop, but I am hesitant 
because I've had bad luck with them (Yeah, they get the job done but they also 
add some dents and/or scratches to it!) I was just wondering if anyone knew 
what might be wrong and/or how to fix it...(and yes, I do oil it 
regularly...)Thanks in advanceAshleyPSIf it matters I have a Holton Farkas 
179...
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Re: [Hornlist] Conn Schmidt copy stolen--D.C. area

2008-11-26 Thread lewhorn9
Howard, - sure hope you are able to recover your your horn. I know you must be 
just sick! Good luck in getting it back.

I'll keep a good thought for you, and I sure hope you had it insured.

Walt Lewis
--Original Message--
From: Howard Sanner
Sender: 
To: horn@music.memphis.edu
To: [EMAIL PROTECTED]
ReplyTo: The Horn List
Subject: [Hornlist] Conn Schmidt copy stolen--D.C. area
Sent: Nov 26, 2008 2:48 PM

Sometime before noon on Nov. 25, 2008, my Conn Schmidt copy was  
stolen. The serial number, located on the piston change valve, is  
211039. There are links to pictures of it at (you may have to copy and  
paste the link into your browser for it to work):

http://www.ampexguy.com/horn/conn-schmidt/conn-schmidt.html

In addition to the serial number, patches, and other identifying  
characteristics, the valves are about as leaky as valves can be, and  
there's a crack in the leadpipe that will show up as a drop of water  
after a couple of minutes of playing.

This horn, obviously, is no prize, but I'd still like to have it back.  
Please email [EMAIL PROTECTED] and also call the police if  
it crosses your path.

No one was injured. So, all in all, it could have been much worse.

Thanks.

Howard Sanner
[EMAIL PROTECTED]


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Re: [Hornlist] 100 year old recording

2008-11-16 Thread lewhorn9
My thoughts exactly, Fred!

With my new titanium hip, I'm now the bionic hornist!

Walt Lewis
--Original Message--
From: Fred Baucom
Sender: 
To: The Horn List
ReplyTo: [EMAIL PROTECTED]
ReplyTo: The Horn List
Subject: Re: [Hornlist] 100 year old recording
Sent: Nov 16, 2008 9:16 PM

Don't leave us hanging, Leonard!  What did they sound like?

Fred

On Sun, Nov 16, 2008 at 5:51 PM, Leonard  Peggy Brown 
[EMAIL PROTECTED] wrote:

 This may be the wrong list.  On one of the horn lists someone said that
 there was no way we could know what horn players sounded like 100 years ago.
 So far, I have only dug up a quartet recording from 1914.  I don't know if
 there are any earlier, but this is durn close to 100 years old.

 LLB
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