Re: [Hornlist] Vienna Phil
Klaus, not "diasphora" but "DIASPORA". Sorry, I know about your sight & typing problems. But I had Greek lessons for 7 years. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
The problem isn’t going from the US to Austria. The problem is getting from West Virginia to the US. Klaus, himself in the diasphora of everything --- On Sat, 1/3/09, daniel.canaru...@unifi.it wrote: > From: daniel.canaru...@unifi.it > Subject: Re: [Hornlist] Vienna Phil > To: horn@music.memphis.edu > Date: Saturday, January 3, 2009, 9:01 PM > Hello, > do you really _need_ a tour company? > I'd suggest to buy just the air ticket, and maybe fix > the first two nights in Vienna... > > Daniel > > - Messaggio da lz...@suddenlink.net - > Data: Fri, 2 Jan 2009 16:31:53 -0500 > > > After watching the broadcast, I was online looking for > vaction tours to > > Austria. Are there any Americans on the list who can > recommend a good > > tour company? > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/yorkmasterbbb%40yahoo.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
Hello, do you really _need_ a tour company? I'd suggest to buy just the air ticket, and maybe fix the first two nights in Vienna... Daniel - Messaggio da lz...@suddenlink.net - Data: Fri, 2 Jan 2009 16:31:53 -0500 After watching the broadcast, I was online looking for vaction tours to Austria. Are there any Americans on the list who can recommend a good tour company? ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Vienna Phil
This just hit my in box. From ArkivMusic New Year's Concert 2009 / Barenboim, Vienna Philharmonic The New Year's Concert in Vienna has been a glorious tradition for over six decades and a best-selling classical event year after year. Recorded live on January 1st by Decca, the 2009 concert CD will be available exclusively at ArkivMusic on January 13th. Pre-order your copy now! -Original Message- From: horn-bounces+bgross=airmail@music.memphis.edu [mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of Tim Van Gijsegem Sent: Friday, January 02, 2009 9:11 PM To: hans.pi...@t-online.de; The Horn List Subject: Re: [Hornlist] Vienna Phil Tomböck played wonderfully throughout the concert in my opinion. The F-high F was very fitting for the Haydn, at least for him. He made it sound effortless (incredibly clean), but still with a warm, full, horn sound. Also, I noticed Roland Janezic sitting in one of the front rows in the audience, enjoying the concert. Daniel Barenboim did a very good job when looking at the complete picture, it was one of the most enjoyable concerts I've watched, at least for me as the 'audience'. Except of course, in 2006 when the Vienna Horns were showcased in the intermission. --- hans.pi...@t-online.de wrote: From: "hans.pi...@t-online.de" To: "The Horn List" Subject: Re: [Hornlist] Vienna Phil Date: Fri, 02 Jan 2009 21:16:11 +0100 YEs. my source in Vienna confirmed that he used the Paxman f-high F. The other hornplayers were: Lars Michael Stransky, as assistant, sitting left from Tomboeck (from viewer perspective), Jancovic on 2nd (sitting right from Tomboeck, from our view), second row: left: Thomas Joebstl playing 3rd & right: Manuel Huber on 4rth. All horns sound as terrific as the whole orchestra. I have the impression, Barenboim has still kept his beautiful naive romantic musicianship as a very young man. Rare & wonderful. There is no orchestra in the world with a similar warm, velvet & rich & light sound the same time. -Original Message- Date: Fri, 02 Jan 2009 20:18:30 +0100 Subject: Re: [Hornlist] Vienna Phil From: pmji...@aol.com To: horn@music.memphis.edu From the glimpse I got from the broadcast, it looked like Tomboeck was playing a Paxman. I have a DVD of the Mozart little G-minor Symphony on which he and Roland Berger play the Paxman F/ high F doubles. I love hearing Tomboeck, he has such a terrific sound.. Pete Jilka Kansas City, MO -Original Message- From: Paul Rincon To: hans.pi...@t-online.de ; The Horn List Sent: Fri, 2 Jan 2009 8:52 am Subject: Re: [Hornlist] Vienna Phil It seemed as though Tomböck was using a shorter crook for the Haydn "Farewell". If I remember correctly, it had one little turn on it. Maybe an A crook? Probably the best playing of that solo that I've ever heard. The 2nd horn (don't know who it was) sounded amazing as well. Paul On Fri, Jan 2, 2009 at 2:36 AM, hans.pi...@t-online.de < hans.pi...@t-online.de> wrote: > After Herbert von Karajan conducted the 1988 New Year´s Concert, Daniel > Barenboim conducted a wonderful romantic concert. The Vienna Phil sounded > incredibly sweet, velvet & light this year. And Wolfgang Tomböck . and > his colleagues . not only the single F Horns, but also the players . > there is no better adjectiv than IDEAL. > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/parsifal560sec%40gmail.com > ___ post: h...@mu sic.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/pmjilka%40aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka.de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/tim_vg%40techemail.com _ Are you a Techie? Get Your Free Tech Email Address Now! Visit http://www.TechEmail.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil New Years
Why dont you read my messages ? I told all allready ! ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Vienna Phil New Years
Hi friends and happy new year, I didn't see the Vienna New Year's concert but a friend is pretty sure the first horn was not using a Vienna horn on Farewell sym. Any comments on this I can forward. He is really wondering what WAS being used. Leonard in Laredo ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
Tomböck played wonderfully throughout the concert in my opinion. The F-high F was very fitting for the Haydn, at least for him. He made it sound effortless (incredibly clean), but still with a warm, full, horn sound. Also, I noticed Roland Janezic sitting in one of the front rows in the audience, enjoying the concert. Daniel Barenboim did a very good job when looking at the complete picture, it was one of the most enjoyable concerts I've watched, at least for me as the 'audience'. Except of course, in 2006 when the Vienna Horns were showcased in the intermission. --- hans.pi...@t-online.de wrote: From: "hans.pi...@t-online.de" To: "The Horn List" Subject: Re: [Hornlist] Vienna Phil Date: Fri, 02 Jan 2009 21:16:11 +0100 YEs. my source in Vienna confirmed that he used the Paxman f-high F. The other hornplayers were: Lars Michael Stransky, as assistant, sitting left from Tomboeck (from viewer perspective), Jancovic on 2nd (sitting right from Tomboeck, from our view), second row: left: Thomas Joebstl playing 3rd & right: Manuel Huber on 4rth. All horns sound as terrific as the whole orchestra. I have the impression, Barenboim has still kept his beautiful naive romantic musicianship as a very young man. Rare & wonderful. There is no orchestra in the world with a similar warm, velvet & rich & light sound the same time. -Original Message- Date: Fri, 02 Jan 2009 20:18:30 +0100 Subject: Re: [Hornlist] Vienna Phil From: pmji...@aol.com To: horn@music.memphis.edu From the glimpse I got from the broadcast, it looked like Tomboeck was playing a Paxman. I have a DVD of the Mozart little G-minor Symphony on which he and Roland Berger play the Paxman F/ high F doubles. I love hearing Tomboeck, he has such a terrific sound.. Pete Jilka Kansas City, MO -Original Message- From: Paul Rincon To: hans.pi...@t-online.de ; The Horn List Sent: Fri, 2 Jan 2009 8:52 am Subject: Re: [Hornlist] Vienna Phil It seemed as though Tomböck was using a shorter crook for the Haydn "Farewell". If I remember correctly, it had one little turn on it. Maybe an A crook? Probably the best playing of that solo that I've ever heard. The 2nd horn (don't know who it was) sounded amazing as well. Paul On Fri, Jan 2, 2009 at 2:36 AM, hans.pi...@t-online.de < hans.pi...@t-online.de> wrote: > After Herbert von Karajan conducted the 1988 New Year´s Concert, Daniel > Barenboim conducted a wonderful romantic concert. The Vienna Phil sounded > incredibly sweet, velvet & light this year. And Wolfgang Tomböck . and > his colleagues . not only the single F Horns, but also the players . > there is no better adjectiv than IDEAL. > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/parsifal560sec%40gmail.com > ___ post: h...@mu sic.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/pmjilka%40aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka.de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/tim_vg%40techemail.com _ Are you a Techie? Get Your Free Tech Email Address Now! Visit http://www.TechEmail.com___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
Han, Can you please relay our congratulations to the horn section of the Vienna Philharmonic via your source? It was a terrific concert! After watching the broadcast, I was online looking for vaction tours to Austria. Are there any Americans on the list who can recommend a good tour company? Luke Zyla - Original Message - From: To: "The Horn List" Sent: Friday, January 02, 2009 3:16 PM Subject: Re: [Hornlist] Vienna Phil YEs. my source in Vienna confirmed that he used the Paxman f-high F. The other hornplayers were: Lars Michael Stransky, as assistant, sitting left from Tomboeck (from viewer perspective), Jancovic on 2nd (sitting right from Tomboeck, from our view), second row: left: Thomas Joebstl playing 3rd & right: Manuel Huber on 4rth. All horns sound as terrific as the whole orchestra. I have the impression, Barenboim has still kept his beautiful naive romantic musicianship as a very young man. Rare & wonderful. There is no orchestra in the world with a similar warm, velvet & rich & light sound the same time. -Original Message- Date: Fri, 02 Jan 2009 20:18:30 +0100 Subject: Re: [Hornlist] Vienna Phil From: pmji...@aol.com To: horn@music.memphis.edu From the glimpse I got from the broadcast, it looked like Tomboeck was playing a Paxman. I have a DVD of the Mozart little G-minor Symphony on which he and Roland Berger play the Paxman F/ high F doubles. I love hearing Tomboeck, he has such a terrific sound.. Pete Jilka Kansas City, MO -Original Message- From: Paul Rincon To: hans.pi...@t-online.de ; The Horn List Sent: Fri, 2 Jan 2009 8:52 am Subject: Re: [Hornlist] Vienna Phil It seemed as though Tomböck was using a shorter crook for the Haydn "Farewell". If I remember correctly, it had one little turn on it. Maybe an A crook? Probably the best playing of that solo that I've ever heard. The 2nd horn (don't know who it was) sounded amazing as well. Paul On Fri, Jan 2, 2009 at 2:36 AM, hans.pi...@t-online.de < hans.pi...@t-online.de> wrote: After Herbert von Karajan conducted the 1988 New Year´s Concert, Daniel Barenboim conducted a wonderful romantic concert. The Vienna Phil sounded incredibly sweet, velvet & light this year. And Wolfgang Tomböck . and his colleagues . not only the single F Horns, but also the players . there is no better adjectiv than IDEAL. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/parsifal560sec%40gmail.com ___ post: h...@mu sic.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/pmjilka%40aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka.de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/lzyla%40suddenlink.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
At 12:26 PM -0800 1/2/09, Jerry Houston wrote: Did anyone else think of Punxutawney Phill when they first saw this subject line? No, but I thought of my buddy Phil Steinkopf, born in Vienna, and now a fine dentist. Carlberg mail2web LIVE Free email based on Microsoft® Exchange technology - http://link.mail2web.com/LIVE ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
Did anyone else think of Punxutawney Phill when they first saw this subject line? ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
YEs. my source in Vienna confirmed that he used the Paxman f-high F. The other hornplayers were: Lars Michael Stransky, as assistant, sitting left from Tomboeck (from viewer perspective), Jancovic on 2nd (sitting right from Tomboeck, from our view), second row: left: Thomas Joebstl playing 3rd & right: Manuel Huber on 4rth. All horns sound as terrific as the whole orchestra. I have the impression, Barenboim has still kept his beautiful naive romantic musicianship as a very young man. Rare & wonderful. There is no orchestra in the world with a similar warm, velvet & rich & light sound the same time. -Original Message- Date: Fri, 02 Jan 2009 20:18:30 +0100 Subject: Re: [Hornlist] Vienna Phil From: pmji...@aol.com To: horn@music.memphis.edu From the glimpse I got from the broadcast, it looked like Tomboeck was playing a Paxman. I have a DVD of the Mozart little G-minor Symphony on which he and Roland Berger play the Paxman F/ high F doubles. I love hearing Tomboeck, he has such a terrific sound.. Pete Jilka Kansas City, MO -Original Message- From: Paul Rincon To: hans.pi...@t-online.de ; The Horn List Sent: Fri, 2 Jan 2009 8:52 am Subject: Re: [Hornlist] Vienna Phil It seemed as though Tomböck was using a shorter crook for the Haydn "Farewell". If I remember correctly, it had one little turn on it. Maybe an A crook? Probably the best playing of that solo that I've ever heard. The 2nd horn (don't know who it was) sounded amazing as well. Paul On Fri, Jan 2, 2009 at 2:36 AM, hans.pi...@t-online.de < hans.pi...@t-online.de> wrote: > After Herbert von Karajan conducted the 1988 New Year´s Concert, Daniel > Barenboim conducted a wonderful romantic concert. The Vienna Phil sounded > incredibly sweet, velvet & light this year. And Wolfgang Tomböck . and > his colleagues . not only the single F Horns, but also the players . > there is no better adjectiv than IDEAL. > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/parsifal560sec%40gmail.com > ___ post: h...@mu sic.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/pmjilka%40aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka.de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
Jay Kosta wrote: My wife (an extremely good 'listener' of music), thought the VPO played better in this year's New Year's Day concert than they had in the previous 5 or 6. She attributed it to the players seeming to really enjoy being there, and that they were enjoying the music. Also she mentioned that the sound was more clear, and each section and soloist could be heard more distinctly. In past years, she said it sounded like the players had 'telephoned in' their parts I think there are several reasons for the success of this year's broadcast. An important one is that the quality of the sound recording has improved significantly. I saw it on an older analog TV with decent but unexceptional sound, but the engineering was such that I could hear textures, balances, and even the room acoustic quite well. Another important factor was Daniel Barenboim. I performed under him only one concert series, when he was a young guest conductor of the Chicago Symphony and I was singing in the chorus. He did not connect well with the chorus, but the orchestra members really liked him. Notwithstanding some very pompous public statements he made when announcing his resignation from Chicago, I believe the orchestra continued to hold him in high regard throughout his tenure as music director. He is such a fine performer in his own right that he commands great respect. A lot of his conducting on the broadcast was clearly just for show to the audience - set the VPO on course with a chimpanzee on the podium and they'd still sound great. Willi Boskovsky used to conduct pops concerts from the concertmaster's desk. Barenboim works companionably with groups he respects. (But I've heard he threw temper tantrums when conducting the Chicago Civic Orchestra, the fine training orchestra of the CSO. And his poor success with the chorus was because he made it clear that he considered us sub-humans.) I think the way they staged the Haydn Abschied symphony indicated a comfortable and friendly collaboration. By contrast, I remember some years back that Loren Maazel had the temerity to play violin solos when he conducted the New Years concert, and there were camera shots of some section violinists looking meaningfully at each other all the while. That did not look like a companionable relationship. My 2 cents. Richard Hirsh, Chicago ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
From the glimpse I got from the broadcast, it looked like Tomboeck was playing a Paxman. I have a DVD of the Mozart little G-minor Symphony on which he and Roland Berger play the Paxman F/ high F doubles. I love hearing Tomboeck, he has such a terrific sound.. Pete Jilka Kansas City, MO -Original Message- From: Paul Rincon To: hans.pi...@t-online.de ; The Horn List Sent: Fri, 2 Jan 2009 8:52 am Subject: Re: [Hornlist] Vienna Phil It seemed as though Tomböck was using a shorter crook for the Haydn "Farewell". If I remember correctly, it had one little turn on it. Maybe an A crook? Probably the best playing of that solo that I've ever heard. The 2nd horn (don't know who it was) sounded amazing as well. Paul On Fri, Jan 2, 2009 at 2:36 AM, hans.pi...@t-online.de < hans.pi...@t-online.de> wrote: > After Herbert von Karajan conducted the 1988 New Year´s Concert, Daniel > Barenboim conducted a wonderful romantic concert. The Vienna Phil sounded > incredibly sweet, velvet & light this year. And Wolfgang Tomböck . and > his colleagues . not only the single F Horns, but also the players . > there is no better adjectiv than IDEAL. > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/parsifal560sec%40gmail.com > ___ post: h...@mu sic.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/pmjilka%40aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
I agree with Jay. Too bad my TV has such poor sound. Even so, it was an amazing performance. The video and sound engineering is outstanding! This production made the NY Philharmonic's broadcast look and sound like a home video. Luke Zyla - Original Message - From: "Jay Kosta" To: Sent: Friday, January 02, 2009 9:28 AM Subject: [Hornlist] Vienna Phil My wife (an extremely good 'listener' of music), thought the VPO played better in this year's New Year's Day concert than they had in the previous 5 or 6. She attributed it to the players seeming to really enjoy being there, and that they were enjoying the music. Also she mentioned that the sound was more clear, and each section and soloist could be heard more distinctly. In past years, she said it sounded like the players had 'telephoned in' their parts Jay Kosta Endwell NY ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/lzyla%40suddenlink.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
It seemed as though Tomböck was using a shorter crook for the Haydn "Farewell". If I remember correctly, it had one little turn on it. Maybe an A crook? Probably the best playing of that solo that I've ever heard. The 2nd horn (don't know who it was) sounded amazing as well. Paul On Fri, Jan 2, 2009 at 2:36 AM, hans.pi...@t-online.de < hans.pi...@t-online.de> wrote: > After Herbert von Karajan conducted the 1988 New Year´s Concert, Daniel > Barenboim conducted a wonderful romantic concert. The Vienna Phil sounded > incredibly sweet, velvet & light this year. And Wolfgang Tomböck . and > his colleagues . not only the single F Horns, but also the players . > there is no better adjectiv than IDEAL. > > > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/parsifal560sec%40gmail.com > ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Vienna Phil
My wife (an extremely good 'listener' of music), thought the VPO played better in this year's New Year's Day concert than they had in the previous 5 or 6. She attributed it to the players seeming to really enjoy being there, and that they were enjoying the music. Also she mentioned that the sound was more clear, and each section and soloist could be heard more distinctly. In past years, she said it sounded like the players had 'telephoned in' their parts Jay Kosta Endwell NY ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil
After Herbert von Karajan conducted the 1988 New Year´s Concert, Daniel Barenboim conducted a wonderful romantic concert. The Vienna Phil sounded incredibly sweet, velvet & light this year. And Wolfgang Tomböck . and his colleagues . not only the single F Horns, but also the players . there is no better adjectiv than IDEAL. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Vienna Phil
Bravo Vienna Philharmonic for a terrific New Year's Day Concert. What a beautiful horn sound! Luke Zyla ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Vienna Phil
For those interested in horn history: I have added two interesting pages to my site. They contain the travel & program data of the two South America Tours 1922 & 1923 of the Vienna Philharmonic. It is incredible, what they had to play. The only free day were the days on sea. Their program included all Beethoven symphonies from no.1 to no.8, the RING & 8 of R.Strauss´ symphonic poems, which they did besides other pieces during a 5 days program in Montevideo, where R.Strauss himself conducted. Have a look at www.pizka.de/VPO1922.htm Prof.Hans Pizka, Pf.1136 D-85541 Kirchheim - Germany Fax: 49 89 903-9414 Phone: 903-9548 home: www.pizka.de email: [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil New Year Concert
Thank you very much, Hans. I will now be able to identify them to my students if I bring up one of the pictures that I captured on my computer. I will use the pictures to show my younger students examples of Pumpenhorns... Walt Lewis At 08:20 PM 1/7/04 +0100, you wrote: For all interested on the New Year Concert from Vienna: Ronald Janezic play first, assisted by Sebastian Mayr (sitting left to him, seen from the camera), his father Willibald Janezic playing 2nd horn (sitting at Ronalds right side), Guenther Hoegner played 3rd (second row at left) & Volker Altmann played 4rth (second row at right). Prof.Hans Pizka, Pf.1136 D-85541 Kirchheim - Germany Fax: 49 89 903-9414 Phone: 903-9548 home: www.pizka.de email: [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/welewis%40myexcel.com --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.554 / Virus Database: 346 - Release Date: 12/20/03 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.554 / Virus Database: 346 - Release Date: 12/20/03 ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil New Year Concert
Herzlichen dank Herr Prof. Pizka. Prosit Neujahr, Giovanni :-> > > From: [EMAIL PROTECTED] (Hans Pizka) > Date: 2004/01/07 Wed PM 01:20:39 CST > To: "'The Horn List'" <[EMAIL PROTECTED]> > CC: "'Papierniak, Mike'" <[EMAIL PROTECTED]> > Subject: [Hornlist] Vienna Phil New Year Concert > > For all interested on the New Year Concert from Vienna: > > Ronald Janezic play first, assisted by Sebastian Mayr (sitting left to > him, seen from the camera), his father Willibald Janezic playing 2nd > horn (sitting at Ronalds right side), Guenther Hoegner played 3rd > (second row at left) & Volker Altmann played 4rth (second row at right). > > > Prof.Hans Pizka, Pf.1136 > D-85541 Kirchheim - Germany > Fax: 49 89 903-9414 Phone: 903-9548 > home: www.pizka.de > email: [EMAIL PROTECTED] > > > > ___ > post: [EMAIL PROTECTED] > set your options at > http://music.memphis.edu/mailman/options/horn/giovanniarcangeli%40verizon.net > ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Vienna Phil New Year Concert
For all interested on the New Year Concert from Vienna: Ronald Janezic play first, assisted by Sebastian Mayr (sitting left to him, seen from the camera), his father Willibald Janezic playing 2nd horn (sitting at Ronalds right side), Guenther Hoegner played 3rd (second row at left) & Volker Altmann played 4rth (second row at right). Prof.Hans Pizka, Pf.1136 D-85541 Kirchheim - Germany Fax: 49 89 903-9414 Phone: 903-9548 home: www.pizka.de email: [EMAIL PROTECTED] ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil.
From: <[EMAIL PROTECTED]> Reply-To: The Horn List <[EMAIL PROTECTED]> To: "The Horn List" <[EMAIL PROTECTED]> Subject: Re: [Hornlist] Vienna Phil. Date: Sun, 7 Sep 2003 14:31:01 -0400 Speaking of Vienna Phil, I just heard their recoding of Sibelius 1, under Loren Maazel (sp.?) and their horn section knocked my socks off. Wow! It doesn't get better than that, in my not-so-humble opinion. As many hundres of times I've listened to that particular work, they brought out horn parts I never heard before. They also put real character and expression into the exposed parts, not to mention that tone. Yikes, Horn Heaven! Anne Megenity, principal (don't ask where in FL,USA) - Original Message - From: Robert Fagan <[EMAIL PROTECTED]> To: 'The Horn List' <[EMAIL PROTECTED]> Sent: Sunday, September 07, 2003 12:53 PM Subject: [Hornlist] Vienna Phil. > Hi all, > The Vienna Phil. played in Dublin last night and would you believe they > sang (well croaked and hummed mostly) the William Tell overture as their > encore!! Top marks for laughs anyway;) > > Robert > > > And remember... a friend will help you move, a good friend will help you > move a body. > > Robert Fagan, > Moyne Institute, > Trinity College, > D.2, > Ireland. > > > ___ > post: [EMAIL PROTECTED] > set your options at http://music.memphis.edu/mailman/options/horn/amegenity%40comcast.net ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/lindsaycarrick%40hotmail.com If you enjoy the VPO horn playing i suggest you get hold of the Wiener Horn Ensemble CD entitled "Lebenszeichen" which contains some fabulous playing by the current young Viennese players. The sixties recordings probably have Roland Berger on Ist horn who was one of the greatest players of the 20th century and his pupils have inherited much of his tremendously exciting style of playing. Try the Solti "Ring" also and "Elektra" and "Salome" on Decca amongst others. Lindsay carrick _ Hotmail messages direct to your mobile phone http://www.msn.co.uk/msnmobile ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Vienna Phil.
The early-mid '60s VPO/ Maazel LPs of the Sibelius and Tchaikovsky symphonies have stunning recorded sound in Decca's best tradition. The performances are exciting and the horn playing is as hot as described by Anne. If you liked the Sibelius 1, listen to the Tchaikovsky Symphony 1. Decca have reissued these on CD, but they don't beat the sound of a pristine LP played on a great system. Enjoy, Steve Ovitsky Sotone Historic Recordings www.sotone.com -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Sunday, September 07, 2003 1:31 PM To: The Horn List Subject: Re: [Hornlist] Vienna Phil. Speaking of Vienna Phil, I just heard their recoding of Sibelius 1, under Loren Maazel (sp.?) and their horn section knocked my socks off. Wow! It doesn't get better than that, in my not-so-humble opinion. As many hundres of times I've listened to that particular work, they brought out horn parts I never heard before. They also put real character and expression into the exposed parts, not to mention that tone. Yikes, Horn Heaven! Anne Megenity, principal (don't ask where in FL,USA) - Original Message - From: Robert Fagan <[EMAIL PROTECTED]> To: 'The Horn List' <[EMAIL PROTECTED]> Sent: Sunday, September 07, 2003 12:53 PM Subject: [Hornlist] Vienna Phil. > Hi all, > The Vienna Phil. played in Dublin last night and would you believe they > sang (well croaked and hummed mostly) the William Tell overture as their > encore!! Top marks for laughs anyway;) > > Robert > > > And remember... a friend will help you move, a good friend will help you > move a body. > > Robert Fagan, > Moyne Institute, > Trinity College, > D.2, > Ireland. > > > ___ > post: [EMAIL PROTECTED] > set your options at http://music.memphis.edu/mailman/options/horn/amegenity%40comcast.net ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/stevo%40execpc.com ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil.
I have a similar experience with a Vienna recording. Never used to like Mahler 6 until I heard their recording made 5-6 years ago under Boulez. The horns were all over those parts with supreme confidence and bravura. I'm going to look for that Sibelius recording. Fred Sacramento, CA (USA) - Original Message Follows - > Speaking of Vienna Phil, I just heard their recoding of > Sibelius 1, under Loren Maazel (sp.?) and their horn > section knocked my socks off. Wow! It doesn't get better > than that, in my not-so-humble opinion. As many hundres > of times I've listened to that particular work, they > brought out horn parts I never heard before. They also put > real character and expression into the exposed parts, not > to mention that tone. Yikes, Horn Heaven! > > Anne Megenity, principal (don't ask where in FL,USA) > > > > > - Original Message - > From: Robert Fagan <[EMAIL PROTECTED]> > To: 'The Horn List' <[EMAIL PROTECTED]> > Sent: Sunday, September 07, 2003 12:53 PM > Subject: [Hornlist] Vienna Phil. > > > > Hi all, > > The Vienna Phil. played in Dublin last night and would > > you believe they sang (well croaked and hummed mostly) > > the William Tell overture as their encore!! Top marks > for laughs anyway;) > > > Robert > > > > > > And remember... a friend will help you move, a good > > friend will help you move a body. > > > > Robert Fagan, > > Moyne Institute, > > Trinity College, > > D.2, > > Ireland. > > > > > > ___ > > post: [EMAIL PROTECTED] > > set your options at > http://music.memphis.edu/mailman/options/horn/amegenity%40comcast.net > > ___ > post: [EMAIL PROTECTED] > set your options at > http://music.memphis.edu/mailman/options/horn/fbaucom%40access4less.net ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Phil.
Speaking of Vienna Phil, I just heard their recoding of Sibelius 1, under Loren Maazel (sp.?) and their horn section knocked my socks off. Wow! It doesn't get better than that, in my not-so-humble opinion. As many hundres of times I've listened to that particular work, they brought out horn parts I never heard before. They also put real character and expression into the exposed parts, not to mention that tone. Yikes, Horn Heaven! Anne Megenity, principal (don't ask where in FL,USA) - Original Message - From: Robert Fagan <[EMAIL PROTECTED]> To: 'The Horn List' <[EMAIL PROTECTED]> Sent: Sunday, September 07, 2003 12:53 PM Subject: [Hornlist] Vienna Phil. > Hi all, > The Vienna Phil. played in Dublin last night and would you believe they > sang (well croaked and hummed mostly) the William Tell overture as their > encore!! Top marks for laughs anyway;) > > Robert > > > And remember... a friend will help you move, a good friend will help you > move a body. > > Robert Fagan, > Moyne Institute, > Trinity College, > D.2, > Ireland. > > > ___ > post: [EMAIL PROTECTED] > set your options at http://music.memphis.edu/mailman/options/horn/amegenity%40comcast.net ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Vienna Phil.
Hi all, The Vienna Phil. played in Dublin last night and would you believe they sang (well croaked and hummed mostly) the William Tell overture as their encore!! Top marks for laughs anyway;) Robert And remember... a friend will help you move, a good friend will help you move a body. Robert Fagan, Moyne Institute, Trinity College, D.2, Ireland. ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
