Re: [Hornlist] Konzertstuck descant

2003-12-09 Thread Hans Pizka
His name was Gottfried von Freiberg not Freiburg. Yes I know this recording
also & could find out who played that recording. I will listen to it once
again & tell you, who played first horn, later, as I can distinguish Velebas
tone from Freibergs tone.

The Dvorak New Worls with R.Berger is on Video.

=
> > There is also a Dvorak New World Symphony on video, where R.Berger uses
> > a F-high F descant and, as far as I remember a Bruckner 4. But even he
> > had problematic times (alcohol), but mastered it later.
> 
> I have just bought a CD reissue of a Decca recording from the early 50's
> of
> the Dvorak New World. I used to have a copy of this on vinyl as a child
> and
> enjoyed it very much, hence my recent re-purchase. It is conducted by
> Rafael
> Kubelik, and would have been recorded during the time of von Freiburg and
> Veleba.
> 
> I was interested to hear in the solo after the 2nd time bar in the 1st
> movement, the distinctive sound of an F alto horn. There is no doubt, I am
> sure, as the solo is quite close miked, and of course the player also used
> it in the last movement solo with the high B.
> 
> All the rest of the part seemed to be on normal F horn.
> 
> In my young days, before I played the horn myself, I never noticed this,
> of
> course. It is a great recording and all the horn playing is first rate, as
> one would expect.
> 
> Cheers,
> 
> Graeme Evans
> (Principal Horn, Melbourne Symphony Orchestra)
> +61 3 9318 0690(H), +61 419 880371(B), +61 3 93180893(Fax)
> E-mail: [EMAIL PROTECTED]
> 
> 
> 
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> 

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RE: [Hornlist] Konzertstuck descant

2003-12-08 Thread c y
The mahler 7 video(vienna, berger, bernstein) is one of the most amazing displays of 
horn playing I have ever seen...
anyone on the list who has not seen it should watch it.
 


Hans Pizka <[EMAIL PROTECTED]> wrote:
There is also a Dvorak New World Symphony on video, where R.Berger uses
a F-high F descant and, as far as I remember a Bruckner 4. But even he
had problematic times (alcohol), but mastered it later.
==

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of c y
Sent: Monday, December 08, 2003 9:43 PM
To: The Horn List
Subject: RE: [Hornlist] Konzertstuck descant

single hi f descant ...single F pumpen horn
same thing :)

Hans, 
I am sure you have the video with Berger playing beethoven 7 on a high F
horn though?
you know the one I speak of...same vintage as the mahler laser disc set

Hans Pizka wrote:
The Vienna Phil horn players play Beethoven no.7 on single F Pumpen
Horns. They sound rich .believe me. This is THE HORN SOUND, not
for all and everything, but for all the classic & romantic stuff.




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Re: [Hornlist] Konzertstuck descant

2003-12-08 Thread Graeme Evans
> There is also a Dvorak New World Symphony on video, where R.Berger uses
> a F-high F descant and, as far as I remember a Bruckner 4. But even he
> had problematic times (alcohol), but mastered it later.

I have just bought a CD reissue of a Decca recording from the early 50's of
the Dvorak New World. I used to have a copy of this on vinyl as a child and
enjoyed it very much, hence my recent re-purchase. It is conducted by Rafael
Kubelik, and would have been recorded during the time of von Freiburg and
Veleba.

I was interested to hear in the solo after the 2nd time bar in the 1st
movement, the distinctive sound of an F alto horn. There is no doubt, I am
sure, as the solo is quite close miked, and of course the player also used
it in the last movement solo with the high B.

All the rest of the part seemed to be on normal F horn.

In my young days, before I played the horn myself, I never noticed this, of
course. It is a great recording and all the horn playing is first rate, as
one would expect.

Cheers,

Graeme Evans
(Principal Horn, Melbourne Symphony Orchestra)
+61 3 9318 0690(H), +61 419 880371(B), +61 3 93180893(Fax)
E-mail: [EMAIL PROTECTED]



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Re: [Hornlist] Konzertstuck descant

2003-12-08 Thread Hans Pizka
Hello Paul, he was just curious, because R.Berger played an high F descant
sometimes (on video), but this is a long time ago. Berger retired from first
horn twenty years ago.

Merry Christmas

Hans
> Sorry but I fail to get what this is about.
> 
> Paul Mansur
> 
> 
> On Monday, December 8, 2003, at 03:42 PM, c y wrote:
> 
> > single hi f descant ...single F pumpen horn
> > same thing :)
> 
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> post: [EMAIL PROTECTED]
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> 

-- 
H.P.

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RE: [Hornlist] Konzertstuck descant

2003-12-08 Thread Hans Pizka
There is also a Dvorak New World Symphony on video, where R.Berger uses
a F-high F descant and, as far as I remember a Bruckner 4. But even he
had problematic times (alcohol), but mastered it later.
==

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of c y
Sent: Monday, December 08, 2003 9:43 PM
To: The Horn List
Subject: RE: [Hornlist] Konzertstuck descant

single hi f descant ...single F pumpen horn
same thing :)
 
Hans, 
I am sure you have the video with Berger playing beethoven 7 on a high F
horn though?
you know the one I speak of...same vintage as the mahler laser disc set

Hans Pizka <[EMAIL PROTECTED]> wrote:
The Vienna Phil horn players play Beethoven no.7 on single F Pumpen
Horns. They sound rich .believe me. This is THE HORN SOUND, not
for all and everything, but for all the classic & romantic stuff.




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Re: [Hornlist] Konzertstuck descant

2003-12-08 Thread Paul Mansur
Sorry but I fail to get what this is about.

Paul Mansur

On Monday, December 8, 2003, at 03:42 PM, c y wrote:

single hi f descant ...single F pumpen horn
same thing :)
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RE: [Hornlist] Konzertstuck descant

2003-12-08 Thread c y
single hi f descant ...single F pumpen horn
same thing :)
 
Hans, 
I am sure you have the video with Berger playing beethoven 7 on a high F horn though?
you know the one I speak of...same vintage as the mahler laser disc set

Hans Pizka <[EMAIL PROTECTED]> wrote:
The Vienna Phil horn players play Beethoven no.7 on single F Pumpen
Horns. They sound rich .believe me. This is THE HORN SOUND, not
for all and everything, but for all the classic & romantic stuff.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Monday, December 08, 2003 6:48 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Konzertstuck descant

Now that I think of it, I heard Beethoven 7th done by an orchestra
where 
both players used single hi f descants. I suppose they played very well
but 
the only note you could actually hear was G# where the horn finally got
long 
enough (2-3) to have some ring to it. Otherwise it was mostly swallowed
up in 
the trumpet sound. It made the trumpets sound unusually bright as well
since 
there wasn't the horn sound ringing an octave below them.
-Steve Mumford
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Re: [Hornlist] Konzertstuck descant

2003-12-08 Thread Valkhorn
I have a great recording of Beethoven no. 7 with the Vienna Phil... it's my 
favorite recording of that symphony without a doubt :)

-William

In a message dated 12/8/2003 11:55:01 AM Pacific Standard Time, 
[EMAIL PROTECTED] writes:

> The Vienna Phil horn players play Beethoven no.7 on single F Pumpen
> Horns. They sound rich .believe me. This is THE HORN SOUND, not
> for all and everything, but for all the classic &romantic stuff.

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RE: [Hornlist] Konzertstuck descant

2003-12-08 Thread Hans Pizka
The Vienna Phil horn players play Beethoven no.7 on single F Pumpen
Horns. They sound rich .believe me. This is THE HORN SOUND, not
for all and everything, but for all the classic & romantic stuff.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Monday, December 08, 2003 6:48 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Konzertstuck descant

Now that I think of it, I heard Beethoven 7th done by an orchestra
where 
both players used single hi f descants.  I suppose they played very well
but 
the only note you could actually hear was G# where the horn finally got
long 
enough (2-3) to have some ring to it.  Otherwise it was mostly swallowed
up in 
the trumpet sound.  It made the trumpets sound unusually bright as well
since 
there wasn't the horn sound ringing an octave below them.
-Steve Mumford
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Re: [Hornlist] Konzertstuck descant

2003-12-08 Thread Chris Tedesco
If the 1st horn isn't necessarily heard disctinctly, that's not necessarily a
bad thing.  A good amount of the part writing is done so that the first horn
really merely has to float on top of others' sound.  In fact, the first horn is
the "softest" (I like to think the most blended) part of them all.  The
Philharmonia recording sounds like it's almost a 1st horn concerto from the way
it was mixed and recording, but listen go say the CSO or Peter Damm's recording
and the ensemble sound is vastly different.  I think that is the more standard
way of interpretation.  

Would you know of a recording where the 1st horn uses a standard double?  I'd
love to hear it.


Chris
--- [EMAIL PROTECTED] wrote:
> In a message dated 12/8/03 12:31:33 AM Eastern Standard Time, Hans Pizka 
> writes:
> 
> 
> > MY 25-year-old GANTER DOUBLE HORN. A descant Bb/high-F does not help
> > much. Just for the high d3 & e3 ? No, if you don't have these notes on
> > the Bb-side, better not to try to play this piece. If one plays a lot on
> > the F-side, even in op.86, - and it is possible, then the Bb-side (the
> > "trigger") will help for the "extremes", but still the tone quality will
> > be (nearly) the same - not with the pinching high F descant.
> > 
> 
>I've heard the Konzertstuck lots of times where the 1st horn used a 
> descant and the other 3 used regular double horns and my impression has
> always been 
> that you just can't hear the 1st horn very well in those situations.  Too 
> short of a horn, the sound not as rich as the others so it gets swallowed up.
>  I 
> like the balance much better if the 1st player also uses a regular double. 
> By 
> the way, I did hear a tape of a performance where all 4 players used Bb hi f 
> descants.  That was unusual.  
> Now that I think of it, I heard Beethoven 7th done by an orchestra where 
> both players used single hi f descants.  I suppose they played very well but 
> the only note you could actually hear was G# where the horn finally got long 
> enough (2-3) to have some ring to it.  Otherwise it was mostly swallowed up
> in 
> the trumpet sound.  It made the trumpets sound unusually bright as well since
> 
> there wasn't the horn sound ringing an octave below them.
> -Steve Mumford
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