[lace] Lace Terminology - Bedfordshire/Torchon

2003-09-13 Thread Jane Partridge
In message [EMAIL PROTECTED], Diana Smith
[EMAIL PROTECTED] writes
Another *mistake* is she mentions Nottinghamshire 

Not necessarily.  In the histories of the machine lace industry
(Nottingham in particular) there is mention that John Heathcote watched
the natural movements of the hand lacemakers in order to imitate the
twisting movement in the machinery.  Admittedly he was in Loughborough,
not Nottingham, at the time, but I would suspect that there were
probably pockets of lacemakers in most of the rural communities - we
have, maybe, a tendency to want to package things into easy chunks and
that anything that doesn't fit in the package couldn't possibly have
been so, could it? :-).  

Also, despite tradition, families did move quite large distances in
those days - one of my father's side was born in Kent, moved to York,
and finally settled in Rutland near Peterborough (he was a railway
worker) - though the main area for his family name (Phippen) appears to
be around Honiton! Lacemakers were not only the wives of agricultural
workers - they were also married to railway navvies (and being a
tracklayer's daughter, I'm following the tradition!).  Another section
of Dad's family moved from the Peterborough/Stamford area
(Cambridgeshire/Lincolnshire border and Rutland) to Bradford (Yorkshire)
to work the mines - they were farm workers before that - so it stands a
chance that lacemakers who were married into the more nomadic
agricultural families would not have stayed neatly put in
Northamptonshire, Bedfordshire and Buckinghamshire - they would have
followed their menfolk to where their work was - after all, it was the
men who earned the money to keep the family, the woman's income was
extra to this. 

I once came across some bobbins in a Cotswold antique shop labelled as
West Midlands - this equally could have been a mistake, but also could
have been accurate - we use East Midlands bobbins made in the West
Midlands quite frequently now (and where I am, I am geographically
sitting on the fence!).

Only those around at the time, and their children (and maybe,
grandchildren) will know exactly where lace was made for sure!

Incidentally, Torchon lace was used for furnishings - and possibly
could have meant a lace of low quality and coarse thread - in which case
Bedfordshire of this type (rather than the finer variety used in
clothing) could have been termed Bedfordshire-Torchon ?  So many words
change their meanings over the years!

-- 
Jane Partridge

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[lace] Price of everything - value of nothing

2003-09-13 Thread Wotter01
Some people know the price of everything and the value of nothing!  
People ask to buy an article at which you may have sat and worked 100 hours.  
I consider I am worth as a fairly skilled lacemaker at least 10 to 15 GB 
pounds per hour.  
So that would make the piece in labour costs at least 1000 GBP.  No-one would 
want to pay that price.  
I don't undervalue myself enough to sell at a lower price so I give my pieces 
as gifts to people I love. They treasure them as a gift of love and their 
love in return is of much more value.

Rikki

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Re: [lace] 's Gravenmoer pillow

2003-09-13 Thread Esther Perry
Can anyone tell me - does the replica 's Gravenmoer pillow on the Kleinhout
Lace Supplies web site have moveable blocks in the working area?  Or is it just
a single, flat working surface?
Kleinhout themselves say:

   This pillow is a replica from an original one from 's Gravenmoer
   in Holland,
   which was used in the 19th century.
   At the back-side there is a small compartment and a little
   drawer, the wooden rear panel is decorated with woodcarving. And
   it's still done by hand.
   Originally the pillows were filled with crin, made from the
   leaves of African palmtrees.
   We also use crin as a filling for these pillows.
Reading that, and looking at the larger picture, no, there are no 
movable blocks.
Hope this helps you, Ruth.

Greetings from Beautiful British Columbia
Esther Perry
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[lace] *Witches' Work* - connection to Binche

2003-09-13 Thread Jeriames
Dear Lacemakers,

My lace books did not yield information about *Witches' Work*, but there are 
numerous references to it in Lace Magazine International, which is no longer 
published.  It is possible to order back issues at:

www.lacemaking.com   (This is the address on the gift bobbin attendees at 
IOLI convention received in their goodie bags)

Click on Lace Magazine, and you can read tables of contents of the magazines. 
 The last issue was #56 in 2000.  I do not have a complete collection, but 
here are some references to *Witches' Work* - the name of which has been 
highlighted throughout with asterisks:

2000, Issue #56, page 23 - Title of article:  'Lace Collecting with a Focus'. 
 Quote:  It made mother visibly happy that I was able to distinguish - at a 
glance - a Mechelen lace from a Valenciennes, a Feather Binche, or a 
forerunner of *Witches' Work*.  Text by Lieve Jerger - editor of the magazine.

1998, Issue #46, page 29 - Title of article:  '18th Century Binche Lace 
Recreation'.  Quote in reference to Binche and the term 'Antiek' which is used in 
Belgium for all laces that have the twisted (CTCT/red) open rim, outlining the 
motifs:  Once you have mastered this technique, you can design your own Point 
de Fees, the fabled *Witches Work* which is the finest achievement of Binche 
lace.  Diagrams and Pricking by Michael Giusiana.  Text by Lieve Jerger.

1997, Issue #41, page 15 and Cover - Title of article:  'What is Binche 
Lace?'  Quote:  Binche laces can be sorted in three major groupings: a) 
Feather-Binche  b) Binche based on four strand grounds  c) *Witches Work*, 
Toveressewerk 
or Point de Fees.  Caption of detail of front cover:  Apostoline Sister 
Roberta and others in Bruges today still create *Witches' Work*.  The method used 
for passing threads fluently and neatly from one pattern into another 
descends directly from the halo ring technique found in the early Antwerp laces.  
Surplus threads are worked towards the edge below into a netstitch field.  No 
threads are added or taken out of this lace.  Text by Berthilda Vandoren, late 
mother of Lieve Jerger, with illustrations from the Spieghel Collection.

1995, Issue 36, page 20 - Title of article: 'Lace Instruction in Bruges, 
Belgium'.  Picture caption:  Toveressework or *Witches Work* like this 
illustrates the incredible lace legacy of the Aposteline Nuns who started the 
contemporary Bruges Kantcentrum in 1717.

It is probable that earlier editions contain more references to *Witches' 
Work* and/or the Aposteline Nuns.  You might do further research about Aposteline 
Nuns, Toveressework, or Point de Fees.

For those who enjoy the history of lace and lacemakers, these Lace Magazine 
International publications would be valued reference material for your home 
libraries.  The price has been greatly reduced.  Toward the end of the 
publication of the magazines, the price at Borders book store was $8.50 per issue!

I looked quickly at Michael Giusiana's three books on Binche lace, and did 
not find references to *Witches' Work*.  

However - in connection with another discussion on Arachne last week 
(Costumes for Shakespearean productions) -- Giusiana's  Binche I (Subtitled: Around 
the Corner: Handkerchiefs) has a two-page history of the handkerchief.  The 
historic review goes back to Persian and Roman times, tells when handkerchiefs 
were first standardized as to shape, and ends with the plain Kleenex(tm) now 
in use worldwide.

To the original person who inquired about *Witches' Work*:  There are 
probably several of us who have spent a great deal of time trying to find an answer 
for you.  Very often a question is short, and the answer is not.  What is the 
purpose behind the request?

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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[lace] thread equivelent

2003-09-13 Thread JMMAcademy
Hello ladies,  I need an equivelent to size 80 Condonnet Special.  Could 
someone help me please?Thank You so very much.  Hannah Moad, SW  Missouri

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RE: [lace] *Witches' Work* - connection to Binche

2003-09-13 Thread Marcie Greer
I appreciate and thank those who are delving into this subject on my
behalf!! After I posted my question a few weeks ago on Flanders corners,
Michael Giusiana's Flanders articles in LMi were brought to my
attention. I only own the last two issues, but there is a complete set
of LMi at the house where we have our Wednesday lace session and I
started plowing through them after the Flanders information. Of course
the wonderful Binche articles caught my eye but I didn't have time to do
more than skim through them. That was when I came across the term
Witches' Work and a hint that it was a lace that was on beyond Binche so
I asked the group if anyone knew what it was. Some one thought it might
be another name for Binche but no one really knew for sure. Being a
recent victim of Binche fever I was more than curious about a lace
that might be a step beyond Binche and I figured that there had to be
someone on arachne who knew what this lace was and probably a good many
lacemakers besides myself who would be interested in learning what it
is, if it is still being made, if anyone still teaches it and so forth.
I have been asking other lacemakers since that day and another response
I got was that Witches' Work was like Binche with a lot of tallies. 

Now I can go back through Jeri's references next Wednesday and read them
more closely. Thanks a bunch for weeding through the LMi back issues and
posting these to the forum.

Marcie

Original Post:
To the original person who inquired about *Witches' Work*:  There are
probably several of us who have spent a great deal of time trying to
find an answer for you.  Very often a question is short, and the answer
is not.  What is the purpose behind the request?

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[lace] Bobbins with hooks -- again!

2003-09-13 Thread tataholic
I just want to thank everyone tremendously for all the good information, 
links and photos of hookies that you sent to me privately and via list. 
I was amazed at how many people responded and knew right where to find 
them! I was even more amazed at the variety of bobbins I saw! This is 
such a kind and giving group, always ready to help. I only hope one day 
I'll be able to give some info back to some of you, as well (that is, if 
I *ever* manage to become something more than a beginner g)... Thanks 
SO much for all the info that you sent to me! :-)

Skye in VA
(who's more than a little nervous about the approaching Hurricane Isabel!)
--
This message has been scanned for viruses and dangerous 
content by MailScanner/Bingo, and is believed to be clean.

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[lace] Fwd: 9-11 hearts

2003-09-13 Thread Tamara P. Duvall
Begin forwarded message:

From: Sue Hanson [EMAIL PROTECTED]
Date: Fri Sep 12, 2003  03:47:27 US/Eastern
To: Tamara P. Duvall [EMAIL PROTECTED]
Subject: 9-11 hearts
Hi Tamara,

Could you doo me a great favour please and post this to the Arachne 
list for me?  I got thrown off ages ago when a virus shut it down and 
I just ain't got around to resubbing...  Health is real crook 
unfortuantely  :-((

Thanks sweetie

Love, light  peace
Sue Hanson, SE London, UK
NATA #056
[EMAIL PROTECTED]
--- forwarded message ---

Hi folks, loong time no post...  After much hard work by many folks 
the Rememberance hearts that many Arachne members made and sent on to 
me have made their way  :-)  Many thanks to Emma Crew for the final 
leg of their journey.  :-))

Thank you all that participated - The grand total was 3,781

Love, light  peace
Sue Hanson, SE London, UK
NATA #056
[EMAIL PROTECTED]

Tamara P Duvall
mailto:[EMAIL PROTECTED]
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
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[lace] Antique Bobbin Winder

2003-09-13 Thread Earl Johnson
First, let me introduce myself. I am Ruth Johnson of Ottawa, Ontario, Canada
and this is my first post to this website. I have been making bobbin lace
since 1995.

At a recent antique sale I made an exciting purchase - an antique bobbin
winder. The seller had bought it from another dealer who said it was from the
1830s and Welsh. I haven't been able to find anything on the Internet to
authenticate its age, location of manufacture, rarity, or value. A friend did
some research in her personal library and found something similar in Charles
Freeman's Pillow Lace in the East Midlands, page 42, figure 3. A wooden
screw mechanism holds the winder onto the edge of a table. It seems this
design was made later than the earliest winders, but there is no indication
of when later was. I have no idea what kind of wood it is made from. The
bottom part that clamps to the table appears to have been stained (not
painted) with a black ink-like colour and there is evidence of this colour in
some of the grooves on the flywheel. The winder is in wonderful condition and
runs smoothly. It shows evidence of gentle use and could be used again (but
with the risk of breaking the bobbin holder by forcing a bobbin into it). The
cord on the flywheel has been replaced by a modern elastic band.

I would greatly appreciate any further information anyone can provide to
assist me in learning more about this antique winder.

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[lace] Antique Bobbin Winder

2003-09-13 Thread Earl Johnson
First, let me introduce myself. I am Ruth Johnson of Ottawa, Ontario, Canada
and this is my first post to this website. I have been making bobbin lace
since 1995.

At a recent antique sale I made an exciting purchase - an antique bobbin
winder. The seller had bought it from another dealer who said it was from the
1830s and Welsh. I haven't been able to find anything on the Internet to
authenticate its age, location of manufacture, rarity, or value. A friend did
some research in her personal library and found something similar in Charles
Freeman's Pillow Lace in the East Midlands, page 42, figure 3.  A wooden
screw mechanism holds the winder onto the edge of a table. It seems this
design was made later than the earliest winders, but there is no indication
of when later was. I have no idea what kind of wood it is made from. The
bottom part that clamps to the table appears to have been stained (not
painted) with a black ink-like colour and there is evidence of this colour in
some of the grooves on the flywheel. The winder is in wonderful condition and
runs smoothly. It shows evidence of gentle use and could be used again (but
with the risk of breaking the bobbin holder by forcing a bobbin into it). The
cord on the flywheel has been replaced by a modern elastic band.

I would greatly appreciate any further information anyone can provide to
assist me in learning more about this antique winder.

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Re: [lace] Question about divider pins

2003-09-13 Thread Linda
Hi Candace - I have found that the most satisfactory start for divider pins
is doll making needles.  They are longer than 2, but you need something to
go up into the bead.  The eye of the needle helps the glue and the beads
hold on, they are stronger and stiffer and the points are sharper and
smoother - an important point (please pardon the pun!).  They can be had
from needlework/sewing/hobby shops and catalogues.  I got mine from a shop
specializing in embroidery, knitting, etc.

Good luck,
Linda, the string--a-holic in Oregon


- Original Message -
From: candace [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, September 12, 2003 2:34 PM
Subject: [lace] Question about divider pins


 Hi all,

 My question is where can I buy 2 (50mm) stainless steel straight pins
(without glass heads) for making divider pins. I have several pretty beads
that are too big for spangling but would make great divider pins. The  What
pins do you use to make your own divider pins?

---
[This E-mail Scanned for viruses by Onlinemac.com]

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Re: [lace] Price of everything - value of nothing

2003-09-13 Thread Ruth Budge
I agree!   I know a lady who keeps asking me if I sell my lace, because she'd
like to buy a piece for her daughter.  I don't know whether the daughter would
even appreciate a simple lace bookmark, and as I'm always struggling to find
time to work projects for myself without making lace for others to not
appreciate, I've always declined, telling her that it'd cost too much.

I usually quote the number of hours for the project, then point out that, even
at $AUD5 per hour (about 2 GBP) the cost would be ...   And of course,
even pizza delivery people get more than that!

That usually brings gasps of astonishment, and the person decides they don't
want a piece of lace as badly as they thought.

This particular lady will not accept No for an answer, and she keeps
pestering me.   She is an artist who sells her pictures - and having seen them
in the shop, I know how much she's charging.  However, her last snappy comment
when I told her I didn't sell my lace was to the effect that she thought I
should be prepared to give it away for the pleasure of sharing my skills with
others.

I held my tongue - but the temptation to tell her that the day she gives her
pictures away, I'll give my lace away was very great!!

Ruth Budge (Sydney, Australia) 
[EMAIL PROTECTED] wrote:Some people know the price of everything and the value
of nothing! 
People ask to buy an article at which you may have sat and worked 100 hours. 
I consider I am worth as a fairly skilled lacemaker at least 10 to 15 GB 
pounds per hour. 
So that would make the piece in labour costs at least 1000 GBP. No-one would 
want to pay that price. 
I don't undervalue myself enough to sell at a lower price so I give my pieces 
as gifts to people I love. They treasure them as a gift of love and their 
love in return is of much more value.

Rikki

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[lace] Re: Price of everything - value of nothing

2003-09-13 Thread Tamara P. Duvall
On Saturday, Sep 13, 2003, at 21:53 US/Eastern, Ruth Budge wrote:

the temptation to tell her that the day she gives her
pictures away, I'll give my lace away was very great!!
That's simple enough; if her pictures are anywhere-near decent and 
worth having, you could offer to barter -- skill for skill...:)

Pricing by the hour doesn't really work for us, because most of us 
don't make fast lace. Too many of us hop from one technique to 
another to become really proficient at any. But, even more than that, 
too many of us are too persnickety about the perfection of the product 
-- we spend a lot of time *un*-doing what we'd done, to correct a 
mistake that only we can see. The professional lacemakers didn't do 
that -- and *still* perished, when faced with the competition of 
machines...
-
Tamara P Duvall
mailto:[EMAIL PROTECTED]
Lexington, Virginia,  USA
Formerly of Warsaw, Poland

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Re: [lace] Price of everything - value of nothing

2003-09-13 Thread Malvary Cole
Ruth- if you like her paintings, you could choose the most expensive one in the
shop and offer her an appropriately small bookmark in exchange - on the barter
system.

Malvary

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[lace] *Witches' Work* - connection to Binche - Comment #2

2003-09-13 Thread Jeriames
In a message dated 9/13/03 7:21:20 PM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:

 I appreciate and thank those who are delving into this subject on my
 behalf!! After I posted my question a few weeks ago on Flanders corners,
 Michael Giusiana's Flanders articles in LMi were brought to my
 attention.  
-
Dear Lacemakers,

The above quotation refers to Flanders lace.

In the interest of accuracy, I think it important to note that the Binche 
research reflected in Lace Magazine International was done over a lifetime - by 
Berthilde Vandoren, mother of the editor - Lieve Jerger, and the text of each 
article cited was written by either mother or daughter.  In the articles 
referenced in my reply, Michael Giusiana was mentioned in connection with the 
diagrams and pricking in issue #46, 1998.

It is possible Mr. Giusiana has written about Witches' Work, but I did not 
find it in the editions from which I gave details, and I prefer to be quoted as 
saying texts were written by Mme. Vandoren and Lieve Jerger.  Mr. Giusiana is 
credited elsewhere in these magazines as our Master Pattern Curator at LMi.

In the final edition of LMi (#56), Lieve Jerger wrote a wonderful tribute to 
her mother.  How nice it would be if all our great lace experts could be 
acknowledged in such a comprehensive and loving way.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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Re: [lace] Re: Price of everything - value of nothing

2003-09-13 Thread Ruth Budge
Sorry, Tamara, that won't work.  My DH will tell you that *he* asked me to take
up lacemaking because we'd run out of wall space for my counted cross stitch
and tapestry creations!!

Ruth (Sydney, Australia)

Tamara P. Duvall [EMAIL PROTECTED] wrote:On Saturday, Sep 13, 2003, at
21:53 US/Eastern, Ruth Budge wrote:

 the temptation to tell her that the day she gives her
 pictures away, I'll give my lace away was very great!!

That's simple enough; if her pictures are anywhere-near decent and 
worth having, you could offer to barter -- skill for skill...:)


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[lace-chat] Freeview - Applies to UK only

2003-09-13 Thread Jean Nathan
Looking up our reception ability on the official digital website, the
message for my postcode is that there are no plans for digital. The Freeview
website tells me that Freeview isn't available for my postcode. But a friend
of DH, whose postcode is only supposed to be able to receive 2 digital
channels, decided he'd buy a box and try it anyway. He can get all Freeview
channels on his existing aerial. So he suggest that we borrow it to see if
we could get anything - we can.

We can't get ITV1 or Channel 4, but we've got those on analogue. We can't
get ITV2, Teletext or ITV News. We can receive everything else perfectly,
including 19 digital radio stations, with the aerial that's been strapped to
the chimney for the past goodness-knows-how-many years. If we upgraded our
aerial, we might even be able to get the missing ones, but as the digital
ones are mainly repeats, we probably won't bother. The only problem we had
with the set up was that we'd never read the instruction book for the TV,
but when we die, found we had to press the AV button on the remote to get it
to receive from the digital box, then TV to get back to analogue.

So DH has been listening to a jazz radio programme, watching UK History and
pressing the red button like mad on the TV channels. We can finally get
Channel 5, which we haven't been able to because we're too close to France
and for us to get a strong enough digital signal, it would interfere with
French TV.

Just thought that Arachneans in the UK would like to know that the postcode
digital reception information seems to be complete rubbish, and if anyone's
not been buying a box because of it, it's worth borrowing one to see what
you can get. We'd not gone for cable or satellite because most of the
content of the package didn't appeal to us at all, and we don't see the
point of paying 38 pounds a month for the couple of extra channels we'd
watch.

Jean in Poole

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[lace-chat] Home from England trip

2003-09-13 Thread David
Gentle Spiders,

I have returned (and mostly recovered) from my grand England trip.  In the
interest of conserving bandwidth, I'll give a very brief overview now, and
anyone interested in an in-depth blow-by-blow can email me, and I'll send it
out to them when I get finished (or at least started) on writing it.

With the exception of going light on paintings, I saw, at least briefly,
nearly all the recommended sights, including most of 4 days spent at the
Victoria and Albert.  There was an awful lot of lace in there, and not just
in the textile rooms (I took extensive photographs of most of it, though
they're currently a little dark since I had to do without the flash -- all
will be corrected digitally, eventually).  I saw the Tower, Parliament,
Kensington Palace, Tower Bridge, Buckingham Palace, the Fan Museum, the
Elizabeth I exhibit, the British Museum (with *the* Rosetta Stone!), the
British Library (the Magna Carta, Gutenberg Bible, Lindisfarne Gospels and
many other written treasures), the Costume Museum, Abbey and Roman Spa at
Bath and a bunch of other stuff I'm blanking on at the moment, which is why
I wrote down notes, every day.

I want to thank everyone who sent me advice, reassurance, and offered help
for my trip.  My trip wouldn't have been as smooth or as great without
everything y'all did for me.  I am ever so grateful.

And one last great thing -- since I've been home we've run CATscans and I've
just been told that there is no sign of cancer on them!  (Pam does the happy
dance)  I get to stay completely away from doctors until my next set of
scans, in 3 months!

Pam Dotson

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[lace-chat] Arachne Birthday List

2003-09-13 Thread tatnlace
Here are the most current birthday entries

--
September -2 Jennifer Caveny [EMAIL PROTECTED] WA USA
September 01 Anne Lee [EMAIL PROTECTED] NY USA
September 01 Nancy Peel [EMAIL PROTECTED] PA USA
September 03 Sonya Sherrill [EMAIL PROTECTED] IA USA
September 04 Mary Ann Brooks [EMAIL PROTECTED] OH USA
September 05 Helene Gannac [EMAIL PROTECTED] VIC Australia
September 05 Sherry Graham [EMAIL PROTECTED] GA USA
September 06 Anitra Stone [EMAIL PROTECTED] NC USA
September 06 Fae Evans [EMAIL PROTECTED] OH USA
September 08 Lyn Reynolds [EMAIL PROTECTED] VIC Australia
September 08 Patricia (Pat) LaPointe [EMAIL PROTECTED] MA USA
September 09 Bairbre Guilfoyle [EMAIL PROTECTED]  Ireland
September 09 Charlotte Woodward [EMAIL PROTECTED] PA USA
September 09 Robin Robinett [EMAIL PROTECTED] PA USA
September 11 Julie Sloan [EMAIL PROTECTED] KS USA
September 12 Kenn Van-Dieren [EMAIL PROTECTED] NY USA
September 12 Lindy Taylour [EMAIL PROTECTED]  Ireland
September 12 Lori Cupples [EMAIL PROTECTED] WA USA
September 12 Suzanne Williamson [EMAIL PROTECTED] CA USA
September 13 Jason Parish [EMAIL PROTECTED] MT USA
September 13 Lorraine Wilson [EMAIL PROTECTED] ACT Australia
September 13 Sarah MacDonald [EMAIL PROTECTED] CA USA
September 13 Susan Powers [EMAIL PROTECTED] PA USA
September 14 Annette Meldrum [EMAIL PROTECTED] NSW Australia
September 14 Bernadette P. [EMAIL PROTECTED] MI USA
September 15 Carolyn Purcell [EMAIL PROTECTED] VT USA
September 15 Christiane Oetjen [EMAIL PROTECTED]  Germany
September 15 Elaine Chock [EMAIL PROTECTED] VA USA
September 15 Elizabeth Morgan [EMAIL PROTECTED] NM USA
September 15 Jackie  Simpson [EMAIL PROTECTED] IN USA
September 15 Pam Dotson [EMAIL PROTECTED] WA USA
September 15 Susan Isaac [EMAIL PROTECTED] MER England
September 16 Penelope Piip [EMAIL PROTECTED] MA USA
September 16 Sharon Gittleman [EMAIL PROTECTED] MI USA
September 17 Christine Earp [EMAIL PROTECTED] OR USA
September 18 Christy Zack [EMAIL PROTECTED] CO USA
September 18 Darleen Gray [EMAIL PROTECTED] WA USA
September 19 Dianne Taylor [EMAIL PROTECTED] TN USA
September 19 Sheila Vogtmann [EMAIL PROTECTED] OH USA
September 20 Anne Nicholas [EMAIL PROTECTED] GRL England
September 20 Anne Nicholas [EMAIL PROTECTED] GRL England
September 20 Nicole Gauthier [EMAIL PROTECTED] QUE Canada
September 21 Carrie Baum [EMAIL PROTECTED] OH USA
September 23 Deleenheer Tom [EMAIL PROTECTED]  Belgium
September 23 Donna Weathermon [EMAIL PROTECTED] CO USA
September 23 Janice Lawrenz [EMAIL PROTECTED] NSW Australia
September 23 Michelle Long [EMAIL PROTECTED] VIC Australia
September 23 Nicky Hoewener-Townsend [EMAIL PROTECTED] SUF England
September 24 Christine Nelson [EMAIL PROTECTED] BCO Canada
September 24 Eitel Dunaway [EMAIL PROTECTED] AK USA
September 24 Lois Miller [EMAIL PROTECTED] VT USA
September 26 Cheryl Marriner [EMAIL PROTECTED] VIC Australia
September 26 Zoe Hogg [EMAIL PROTECTED] VIC Australia
September 27 Cordie Kelsay [EMAIL PROTECTED] ID USA
September 27 Helen Clarke [EMAIL PROTECTED] BCO Canada
September 27 Marie-Elena (Laina) Baker [EMAIL PROTECTED] WA USA
September 27 Sonja Sillay [EMAIL PROTECTED] AVO England
September 29 Carol Desrochers [EMAIL PROTECTED] MI USA
September 29 Elizabeth Wells [EMAIL PROTECTED] KEN England
September 29 Valerie Brace [EMAIL PROTECTED] SA Australia
September 30 Debbie Hamlin [EMAIL PROTECTED] OK USA
September 30 Ethel Burnham [EMAIL PROTECTED] CA USA
September 30 Francesca Murphy [EMAIL PROTECTED] CA USA
Time: 9/13/2003 at 12:51:45

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