[lace] Jean's lace patterns

2004-01-22 Thread Beth Schoenberg
Hi, Jean and all,

I like to see patterns in books done on a graph (usually pale grey with 
black pattern-markings, or pale grey or blue with colored markings).   
That way, no matter what percentage of reduction or enlargement is 
used/needed, the lace-maker can *manually* change size as much as they 
want.

I'm just enough of a curmudgeon not to completely trust any technology, 
and lace patterns, if well done, will outlast every copy-technology we 
currently use.   :-D  I like to think I'll still be around in 20, 
30, 40 years, and still trying new things (even though the eyes are 
going already   ;-D ), and will still want to use patterns produced in 
the last ten years.   Copy-machine and computer technology will only 
get better and more sensitive, but compensating for the inefficiencies 
of current and past copying is a burden no lace-maker really wants -- 
we just put up with it if we have to.   Having a manual-based "back-up" 
system (such as a graph scale-background on the original pattern) is a 
short-cut to getting around the inevitable changes in technology.

Jean, will your group be making the book available to lace-makers 
outside of the UK?

Beth
-- in beautiful downtown Canberra, Oz
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Re: [lace] all day class versus half-day

2004-01-22 Thread Ann-Marie Lördal
Hello
I have taken weekend classes in Sweden that started at 9 am and ended 4.30
pm, both on Saturday and Sunday. Pause for lunch and coffe both am and pm.
That did not include my travelling time from hotel to place which took, for
me, about 30 min, and for some of the others about 2 hours each way.
Travelling to the hotel from where I lived took 4 hours by bus on Friday
night and Sunday night. A bit tough but we were two with RA and fibromyalgi
and even if we slept VERY well on Saturday night it was worth it as I find I
get more "in to" the lace and make more and can ask more questions if it is
a whole day class. The time slips by so fast when you are doing lace.  We
could also choose if we wanted to try different techniques during the class.
We had the same teacher both days and she is familiar with many techniques.
Ann-Marie
http://community.webshots.com/user/annma1
If there is an attachment that is called sanitizer along with my mails
it is from my mailserver that checks all my in- and outcoming mails
for viruses.

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[lace] Re:patterns?

2004-01-22 Thread Tamara P. Duvall
On Jan 22, 2004, at 21:48, Helen Bell wrote:

OR a page that is a fold out page?
Those are particularly hard to copy precisely...

I'm one of those sticky tape challenged people that just
as you get them lined up and ready to put the tape on, one piece moves 
a
fraction, and by then you already have some of the tape in place :-) )
That's why I swear by the re-positionable, dry, glue-stick. Prefereably 
the Scotch brand (I'm not often influenced by brand names, but had some 
bad experiences with Avery). It's dry, so it doesn't distort (stretch) 
the pieces of paper you're trying to glue together. And it's 
re-stickable; if you plunk your piece a dot or two off, you can lift 
the piece and re-position it where it *needs* to go... It's my "best 
friend" when the printed pattern is 3" long, and I need 14"+ to go 
around the roller.

-
Tamara P Duvall
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/
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[lace] Re: Reduced Prickings

2004-01-22 Thread Tamara P. Duvall
On Jan 22, 2004, at 21:51, Adele Shaak wrote:

Just wanted to add that if you do decide to reduce the prickings, it 
would be a kindness to include on each pattern a straight line that 
was, say 5 cm (2 inches) long when the pattern was full size. That 
will give the photocopy-enlargement-challenged some way to know 
whether or not the pattern came out the right size.
Thanks Adele; I meant to say that too, but my message got so long, I 
lost track of it myselfAs a matter of fact, I'd appreciate a 
line reference (calibrated or not) even with full-sized patterns. I 
could measure that, and see how far off/on target the copied pattern is 
(or, even, the pattern in the book) and adjust accordingly (if by a 
hit-and-mis process). I never reduce/enlarge by measuring the *area* of 
the pricking; always by the *distance*, usually between the pinholes on 
the straight; I *can * figure things out if I know what the distance 
is, and what it's suposed to be...

-
Tamara P Duvall
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/
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[lace] RE: lace crafts quarterly

2004-01-22 Thread Helen Bell
Yeah, I remember these - I think I have a couple of issues too.  Not
quite my cup of tea, but I think I bought the issues because they were
"lace" related, and I was less discriminate with my $ in those days :-)

Cheers,
Helen

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[lace] Reduced Prickings

2004-01-22 Thread Adele Shaak
Hi, Jean and other Arachnes

Just wanted to add that if you do decide to reduce the prickings, it 
would be a kindness to include on each pattern a straight line that 
was, say 5 cm (2 inches) long when the pattern was full size. That will 
give the photocopy-enlargement-challenged some way to know whether or 
not the pattern came out the right size.

A lot of people have a problem with re-enlargements. If you say that 
you reduced it to 80% when you made it smaller, you have to make it 25% 
bigger to get back to the original size, and a lot of people think you 
would make it 20% bigger. With a scale line of some kind you know where 
you are.

Adele
North Vancouver, BC
(west coast of Canada)
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[lace] RE:patterns?

2004-01-22 Thread Helen Bell
Jean,

How about 2 other ideas for consideration for "oversized patterns" -
either a folder in the back for the oversized ones - and they can be on
a larger sheet of paper and folded OR a page that is a fold out page?  I
know it might be a little more expensive, but they are 2 other options.

I personally prefer my patterns in one piece - partly because it's
difficult to get a perfect match on the 2 halves, when you're putting
them together (I'm one of those sticky tape challenged people that just
as you get them lined up and ready to put the tape on, one piece moves a
fraction, and by then you already have some of the tape in place :-) )

Cheers,
Helen, Aussie living in lovely, sunny Denver! 

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re: [lace] patterns

2004-01-22 Thread Bev Walker
oops realized too late it is Jean in Cleveland UK in charge of patterns.
sorry Jean in Poole!

-- 
bye for now
Bev who at least knows she's in Sooke, BC (west coast of Canada)

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re: [lace] patterns

2004-01-22 Thread Bev Walker
Hi everyone and Jean in Poole who has a pattern task ;)

I for one am completely ok with prickings reduced 50% (or whatever) to fit
a page in a book. It seems more efficient, and economical from a
publishing point of view, and less bulk to store and less costly to mail
(perhaps), if there are lots of biggish patterns where a pattern pack
might be an option.

I'm going to photocopy the pricking regardless, in order to use it - I
might make the exact piece of lace, or change the pattern somewhat, and
lately I've been photocopying twice, once for the pricking, a second one
for my notes, figuring, compulsive diagramming, etc. often changing the
thread type, and having to enlarge at a different percentage anyway.

It's a moot point as I'm up to my lacemaking ears in projects of my own
design - but if I was buying a lace book for its patterns, the reduced
size wouldn't be a problem.

 --
bye for now
Bev in Sooke, BC (west coast of Canada)

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[lace] Re: Lace Crafts Quarterly

2004-01-22 Thread Jane Viking Swanson
Hi All,  Betty Ann gave a good overview.  I love these magazines.  I
have them all also and need to look through them again.  Different articles
are of interest now.  They have a lot of articles on different kinds of lace
and interviews with the "heavy hitters" of the lace world.  They have
articles on some of the lesser known laces that we arachnes like to discuss
so much!  Many of the authors are quite well known, I'm pretty sure Pat
Earnshaw wrote some articles.  I can't find my issues right now or I'd be
more specific.

I think I got all the issues by subscription but when she stopped publishing
you could buy 25 issues for $50.00 USD (I think that's right, it was a while
ago).  Eunice Sein Jurado was a soul sister for me - she also loved
Battenberg lace and did a lot to promote it at the time.  We never met or
spoke except when I ordered tape but we sure love B'berg .  She also had
a mail order lace supplies business.

Anyway, they're great magazines and cover all types of lace.
Actually I think I saw her name in the previous IOLI Bulletin for
making a donation.

Jane in Vermont, USA where I walked in a snow squall for 5 minutes today.
Quite dramatic!
[EMAIL PROTECTED]

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Re: [lace] Re: patterns

2004-01-22 Thread Clive and Betty Ann Rice
I agree with those who want full-sized patterns for the same reasons Tamara
has.  It's not because we're obsessive; we're both LIBRAS and like balance and
order

Betty Ann in Roanoke, Virginia USA

Tamara wrote:

>In general, I prefer patterns in full size; as someone else has
>mentioned, enlarging "dilutes" them. It also enlarges the pin-dots,
>making it more difficult to prick accurately (yeah, I know y'all think
>I'm nuts to insist on half mm accuracy, when some of you don't
>pre-prick at all, but there's no reasoning with an obsessive
>personality

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[lace] Re: patterns

2004-01-22 Thread Tamara P. Duvall
On Jan 22, 2004, at 3:49, Jean Barrett wrote:

Some patterns are larger than this. If you were buying a book would 
you prefer to have such patterns cut in half, probably with an overlap 
so that you can put them together again, or would you prefer them to 
be reduced with the % enlargement noted so that you can print them out 
actual size yourself?
6 of one, and half the dozen of t'other, as far as I'm concerned...

In general, I prefer patterns in full size; as someone else has 
mentioned, enlarging "dilutes" them. It also enlarges the pin-dots, 
making it more difficult to prick accurately (yeah, I know y'all think 
I'm nuts to insist on half mm accuracy, when some of you don't 
pre-prick at all, but there's no reasoning with an obsessive 
personality ). That's one of the reasons I tend to design in 
oversize (sometimes on diagram scale) and then reduce to where I really 
want it - it "concentrates" the pattern.

I am -- severely -- "mathematically challenged".  As far as I'm 
concerned, the percentage sign -- % -- is an accurate representation of 
what happens; one eye rolls in one direction, t'other in t'other, and 
the twain never act in accord because of the dividing line :) You tell 
me how much the pricking has been reduced, and I have no idea what I 
should copy it *at*. You tell me what I should copy it at, and, if it 
has to be done in two stages (some copiers have a limit both in 
reduction and enlarging), and I'm lost...

OTOH (this is a Libra speaking )... We've all had experience of 
trying to piece a pattern which had been presented in bits, and the 
beginning/ending dots not matching. Especially true of bound (hardback) 
books, which can't be spread totally flat in a copier, thus adding 
*extra* distortion to whatever the copier itself "serves".

Clay's idea of printing oversized patterns on separate sheets (like the 
Green Sheets in "Lace") is, probably, best. It, too, has some 
drawbacks: unless the patterns are printed one per sheet (and not 
fitted in with other oversized ones) and unless you're prepared to use 
the sheet as your pricking, it's still back to the copier and piecing. 
But, at least, a sheet is flat, so it's easier to copy. And, if you do 
all your copying on the same copier, in a single session, all your 
pieces ought to match.

To go back to your original question ("If you were buying a book, would 
you prefer..."). In the long run, I'll probably be motivated by 
*patterns*, not by their presentation... If I like the patterns, I'll 
buy the book and cope with problems later (asking on Arachne for help, 
if necessary); if I don't like the patterns, the problems won't arise.

Unless it's a workshop, I almost never make the pattern in the size 
it's given; it's easier for me to get the pattern re-sized than to get 
the recommended threads, so I start with the threads I have, and make 
the *pattern* fit. So it doesn't matter much what size the pattern 
*starts* at; it's not likely to *end up* the same anyway...

Yours, ever "helpful" ,

-
Tamara P Duvall
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/
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Re: [lace] Movie - girl in pearl earring

2004-01-22 Thread Pene Piip
Janice asked if there was any lacemaking in the book on
which the movie is based.
I read the book last year, & thought it very well written.
I remember reading that Vermeer's older daughters were
sent outside, to sit on a bench & make lace.
I'm looking forward to an opportunity of seeing it soon.

Just wishing for some sunshine & warmer weather,

Penelope Piip
originally from Sydney, Australia,
now a resident of Groton, MA, USA.
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[lace] Airport Security and lace in hand luggage

2004-01-22 Thread Liz Beecher
Guys,

Had a word with other half about lace pillows and hand luggage.  Now
that he has actually seen one, he knows what I'm talking about.

OK, so, question was, when he was security at Adelaide Airport (which
was upto last week) would I have been allowed to bring my lace equipment
through as hand luggage?

Answer - empty pillow - yes.  bobbins - yes.  Everything else - no.

Pins, scissors etc no way - they would have to go into the main luggage
in the hold.

He said that whilst you could make arrangement with the airline to take
it, it would be very unlikely that they would allow it through security.

This means that at least you would be turned back when you went to fly
out - or you could get all the way to your destination and be refused to
bring it in - or worse still, be about to return home and be refused.

He said that whilst this may be partly ignorance of what the equipment
was, mainly it was simply down to the fact that pins and needles were
not allowed as hand luggage - don't even ask about your scissors!

I understand that this is the same situation in the UK for domestic and
international flights.

Hope this helps

Liz

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[lace] IOLI - New Teachers

2004-01-22 Thread Elizabeth Ligeti
A few days ago, someone remarked that there were a lot of "unknown" teachers
at this year's IOLI Conference, and they did not seem to approve.
Well, all the "known" teachers were unknown once upon a time!  Being
"unknown" does not mean they cannot teach. Quite the oppoiste - they may be
very good teachers, but they have not written a book, or travelled around
much.  These "unknowns" are the backbone of the craft, and work hard at
grass-roots level,  and without them the craft would flounder and die out.
On the other side - just because someone has written a book, and been
overseas, does not necessarily make them a good  workshop tutor.
So, Please,  - give the newcomers a "Fair Go". Fresh ideas, and new faces,
should be welcomed.

from Liz in Melbourne, Oz,
[EMAIL PROTECTED]

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[lace] Re patterns

2004-01-22 Thread Karen Butler
Dear Jean,

I  would prefer correct size patterns. For those of us without easy access
to a good copy shop, this means that we don't have to find somewhere which
can enlarge A4 onto A3 paper and make costly errors getting the size
correct.  Not to mention, the time and petrol to get to the other side of
the city and the expense of paying them for the copying at that particular
shop (That would not be a self service option).

Otherwise, to enlarge something printed on A4, I would have to enlarge and
then stick A4 sheets together.  A straight forward copy and then stick
sheets together would be preferable and less prone to error.

Look forward to the pattern book.

Karen, in Coventry

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Re: [lace] all day class versus half-day

2004-01-22 Thread Ruth Budge
Just a minor correction here - one of the AGM's I attended all the workshops
started at 9 a.m., not 10 and finished at 4 p.m.   However, in Adelaide last
year, workshops started at 9.30 a.m. and finished at 3.30 p.m.

Helene wasn't able to get there last year, as she was so recently returned from
her lovely trip to France.

Ruth Budge (Sydney, Australia)

Helene Gannac <[EMAIL PROTECTED]> wrote: > Hi, there,
> 
> just a general comment, as I am not a member of AIOLI and don't want to
> influence their practices, but here in Australia, we always have all day
> classes for 2 or 4 days at our AGM. The AGM starts on Sunday evening,
> usually with drinks and dinner to meet everyone, and to get the
> instructions for the week. Classes are run on Monday and Tuesday from 10am
> to 4pm, with a meeting or slide show after dinner, around 7.30pm"
> Wednesday is free, with one or two excursions planned by the Committee for
> those who want to go, then we start anopther set of classes on Thursday
> and Friday, same times. Some of the classes are continuations of the first
> set, or you can start a new class if you wish, the teachers teach both
> newies and people with 2 days experience :-)
> On Saturday, we have the AGM, Suppliers'Fair, and an extra nice dinner in
> the evening where we dress up, and Sunday morning, we say farewell.
> I have never heard anyone complain about the length of the day classes,
> usually it's more like groans from everyone because it's finished already.
> I can see that some people might find them tiring, but we do have
> handicapped people participating , and they seem to cope all right. Of
> couse, having a whole day means that you don't need to hurry so much to
> catch up with the teacher, and she has more time to get back to everyone
> who needs help. You can also usually stay back at the end of the day, or
> during lunchtime if you're not an enthusiastic eater like me :-).
> I am very happy with the all-day classes, and would resent it verty much,
> I think if they changed to half a day every day. The only thing I would be
> happy to change is only having suppliers on the Saturday, but since many
> of them are also lacemakers, and are either studying in or giving a class,
> I can see that it would be difficult for them!
> 
> Yours in lace,
> 


http://personals.yahoo.com.au - Yahoo! Personals
New people, new possibilities. FREE for a limited time.

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Re: [lace] Lace Crafts Quarterly... on ebay

2004-01-22 Thread Clive and Betty Ann Rice
I have all the Lace Crafts magazines that were published.  It was a marvelous
quarterly published in Tallahassee, FL by Elaine Sein.  I don't recall why she
quit publishing, but she did ask me to submit an article but I never got around
to it.

The Premier Issue was Winter 1987 and the last one was Fall of 1992.  I
subscribed after I found it on the local news stand and liked it so much that I
bought all the previously published issues.

The last issues, Vol. 5, Nos. 1, 2, & 3 were 8½ inches wide and 14 inches tall
and were labeled *Designs from the Past,* and printed on a beige coarse paper.
They didn't fit in my book case (too tall) and many of the articles were not
complete with pattern working directions stoping in the middle of a sentence.
However, I treasure the magazines and they would be worth bidding on if I didn't
have them.

The newsstand price was USD $5.95 for the Premier Issue and $5.00 for the rest
of them.  The last issues, Designs of the Past, were $3.95.  I don't recall the
subscription price; I got these prices from the covers. This will give you a
comparison.  They're worth more now, I can guarantee.

Usual disclaimers,
Betty Ann in Roanoke, Virginia USA

Clay Blackwell wrote:

> Does anyone on the list remember this magazine?
>
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3581971802&category=1140
>

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[lace] Lace Crafts Quarterly (2)

2004-01-22 Thread Jean Nathan
It appears that GLLGI stands for Great Lakes Lace Group Inc.

Jean in Poole

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[lace] Lace Crafts Quarterly on ebay

2004-01-22 Thread Jean Nathan
Did a quick google on Lace Crafts Quarterly. GllGI Library (whatever that
is) has most of 1998 (do they mean 3?) and one from 1999. IOLI say they have
the complete set.

No other information came from the search.

Jean in Poole

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Re: [lace] patterns

2004-01-22 Thread Clay Blackwell
My initial reaction to this question was that I prefer the
prickings  and diagrams to be "of a piece"... that is, not
chopped up.  But that's not always possible in a book.  So
my NEXT best preference is to have an oversized sheet tucked
into a pocket in the back cover of the book.  EXCELLENT
solution - and how expensive is it?  Don't know...

Clay

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Re: [lace] Movie - girl in pearl earring

2004-01-22 Thread Clay Blackwell
Hmmm... I read the book and loved it.  It has more to do
with painting than it does with lace, and I don't really
remember anything about lace.  So, given my obsession with
the stuff, I'd say it's safe to say that it really isn't
there (not lace *making*...  there might be some lace worn
by members of the family, and cared for by one of the
maids...)

But then, you have to remember that my "first love" was
art...

Clay

- Original Message - 
From: "Janice Blair" <[EMAIL PROTECTED]>
To: "lace-digest" <[EMAIL PROTECTED]>
Sent: Thursday, January 22, 2004 4:46 PM
Subject: [lace] Movie - girl in pearl earring


> I saw an ad on tv last night for the movie about the
painting of a girl in a pearl earring based on the novel
which I have not read yet.  Did I read on Arachne that there
was lace making in the book?  I wonder if there is lace
making in the movie?  Has anyone seen it yet. So far it is
only out in some cities so it might take a while to get
here.
> Janice
> Crystal Lake, IL where I am glad my heating is working
today, temp is 0ºF today plus high winds.
>
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Re: [lace] Movie - girl in pearl earring

2004-01-22 Thread TwoHappyBees
Hi Janice & spiders,

I haven't seen the movie yet but I want to.  I think the lace connection may 
have to do with the fact that it's about the painter Vermeer, who painted "The 
Lacemaker" as well as "The Girl in the Pearl Earring".  (Vermeer is played by 
Colin Firth who is fast becoming one of my favorite actors!)

Vicki in Maryland where we are having a veritable "heat wave" today.got 
up to 46F/4C but back down to 20F/-6C tonight with snow predicted for the 
weekend   

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[lace] Lace Crafts Quarterly... on ebay

2004-01-22 Thread Clay Blackwell
Does anyone on the list remember this magazine?  There is a
collection of them listed on ebay currently, and from the
picture, it looks to be '70's or '80's vintage.  Too bad it
isn't still being printed.  Someone probably lost their
shirt on this venture...

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3581971802&category=1140

Clay

Clay Blackwell
Lynchburg, VA

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[lace] Movie - girl in pearl earring

2004-01-22 Thread Janice Blair
I saw an ad on tv last night for the movie about the painting of a girl in a pearl 
earring based on the novel which I have not read yet.  Did I read on Arachne that 
there was lace making in the book?  I wonder if there is lace making in the movie?  
Has anyone seen it yet. So far it is only out in some cities so it might take a while 
to get here.
Janice
Crystal Lake, IL where I am glad my heating is working today, temp is 0ºF today plus 
high winds.

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Re: [lace] patterns

2004-01-22 Thread W & N Lafferty
Hi Jean
I too would like to vote for a full size pattern, but the bits placed
on a page with a good margin on the binding side, so the page can
be copied or scanned properly.Reduced prickings, when 
enlarged, seem to "dilute" the density of the print and you often loose
clarity.

Noelene in Cooma
[EMAIL PROTECTED]

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Re: [lace] patterns

2004-01-22 Thread zneedle
I would like the patterns to be actual size.  This if there are no cost
restraints (i.e. a "give away book).  For me,I think that actual size
patterns are easier to review invision the project and difficulty.

Diane Z
Lubec, Maine

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Re: [lace] patterns

2004-01-22 Thread Sonja Sillay
 Hello Jean,
 
Looking forward to be able to buy a copy of the book - 
always nice with a new book.
 
 I vote for whole pricking and % given so I can print it out in 
the original size - or -
if I want to reduce it and use a thinner thread I have a whole 
pricking without having to "fiddle" to get it together.
 
 Good luck with all the job/Sonja
 
 Sonja Sillay in Bristol  UK
 [EMAIL PROTECTED]
 http://community.webshots.com/user/sonjasillay
 

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RE: [lace] IOLI Convention

2004-01-22 Thread Panza, Robin
>>>The bit I liked best about this one is Robin's confidence that the first 
piece of lace will be finished, leaving the pillow and bobbins free for the
second class.<<<

Oh, that's hilarious!  I've been crowned Queen of Unfinished Projects!  Last
time I finished something (other than a gift), my friends were *thoroughly*
shaken--the earth crumbled a bit.  

No, I figure I can cut off whatever I did in the first class and have the
stuff ready for the next class.  Or at least move the project to styrofoam,
unwind the bobbins, and have them available.  I don't like having to figure
out which bundle I need for the morning class (when I have enough trouble
putting clothes on right--I'm *not* a morning person), and then there's the
tools which are used for both classes, and of course they're with the other
bundle and I have to go running back for pins or whatever.

>>>Interesting discussion when looked at from the outside.  There are good 
arguements being made all round.<<<

Good point.  This is a reason for allowing the debate to continue on
Arachne, since the points raised are useful to organizers of any convention.

Robin P.

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Re: [lace] IOLI Convention

2004-01-22 Thread Laceandbits
In a message dated 20/01/2004 19:42:37 GMT Standard Time, 
[EMAIL PROTECTED] writes:

> I rather like the idea of having one class all-day for 2 days,
> followed by a different class all-day for two days.  I can use the same
> equipment for the second class, which means I pack half as much. 

The bit I liked best about this one is Robin's confidence that the first 
piece of lace will be finished, leaving the pillow and bobbins free for the second 
class.

Interesting discussion when looked at from the outside.  There are good 
arguements being made all round.

Jacquie

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Re: [lace] all day class versus half-day

2004-01-22 Thread Dmt11home
I am very interested to hear about how things are done in other countries. I 
also prefer all day classes because you don't have to spend so much of the 
class packing and unpacking equipment. I very much like the 24 hour classes at 
the convention because when you reach the more difficult laces it is impossible 
to do anything but frustrate yourself in a shorter class. 
Although I am now in the age category in which I like a nice long tea break 
occasionally, in my salad days I would have welcomed even longer classes. About 
15 years ago, I had a young child and my husband, who is a saint, would take 
a week of his precious vacation to accompany me to the IOL Convention and do 
child care. He did this because it was my dearest wish to use this once a year 
opportunity to make a meteoric leap in my lace skills. I would have been quite 
happy to have 8 hours a day of classes, or a post dinner session. In fact, 
the thing I liked best about the St. Raphaela event in the Philadelphia area was 
that we worked from 9 am to 9 pm, taking long meal breaks and tea breaks 
during this time. If someone was fatiqued, they could go for a walk outside or 
take a nap. The fact that you had a 12 hour stretch meant you didn't feel like 
you had to go at full speed every minute, but over the course of 12 hours you 
could get a lot done. 
I often see Lace Groups giving children's classes with the thought in mind 
that they are trying to insure the future of lacemaking. But I never see 
special, intensive, marathon like experiences being offered for people who are young, 
have a lot of stamina, and want to progress very quickly. And yet, as with so 
many things, if people are able to reach a high level of proficiency in their 
30's, they may be teaching, writing books and pouring hours of unpaid labor 
into the organization for many years to come.
I have been studying the convention schedule trying to figure out how I could 
take the maximum hours of instruction for my investment of time. I think I 
have worked out a way that I can be learning for 39 hours. But I will have to 
take 3 different classes to accomplish this. I wish I could take the entire 39 
hours in either Binche or Withof! 
Devon
wishing this opportunity had presented itself 15 years ago

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Re: [lace] patterns

2004-01-22 Thread Scotlace
jean, I vote for actual size patterns with overlap when cut in two.  

Patricia in very wet Wales who may buy a copy.
Scotlace

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[lace] patterns

2004-01-22 Thread Jean Barrett
Good morning All,
Can I canvas opinions on how patterns are presented in books. The 
background to this is that our Lace Guild is preparing a book of 
patterns to be published for our 25th Anniversary. We have collected 
designs from many different lacemakers and they are of many types of 
lace and many different sizes. The book will be A4 size, 21mm. or 8.3 
inches wide, less a bit for binding. Some patterns are larger than 
this. If you were buying a book would you prefer to have such patterns 
cut in half, probably with an overlap so that you can put them together 
again, or would you prefer them to be reduced with the % enlargement 
noted so that you can print them out actual size yourself?
Any ideas will be much appreciated. yes you have guessed I am the lucky 
person who said they would prepare the patterns for printing.
Jean in Cleveland U.K.

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[lace] all day class versus half-day

2004-01-22 Thread Helene Gannac
Hi, there,

just a general comment, as I am not a member of AIOLI and don't want to
influence their practices, but here in Australia, we always have all day
classes for 2 or 4 days at our AGM. The AGM starts on Sunday evening,
usually with drinks and dinner to meet everyone, and to get the
instructions for the week. Classes are run on Monday and Tuesday from 10am
to 4pm, with a meeting or slide show after dinner, around 7.30pm"
Wednesday is free, with one or two excursions planned by the Committee for
those who want to go, then we start anopther set of classes on Thursday
and Friday, same times. Some of the classes are continuations of the first
set, or you can start a new class if you wish, the teachers teach both
newies and people with 2 days experience :-)
On Saturday, we have the AGM, Suppliers'Fair, and an extra nice dinner in
the evening where we dress up, and Sunday morning, we say farewell.
I have never heard anyone complain about the length of the day classes,
usually it's more like groans from everyone because it's finished already.
I can see that some people might find them tiring, but we do have
handicapped people participating , and they seem to cope all right. Of
couse, having a whole day means that you don't need to hurry so much to
catch up with the teacher, and she has more time to get back to everyone
who needs help. You can also usually stay back at the end of the day, or
during lunchtime if you're not an enthusiastic eater like me :-).
I am very happy with the all-day classes, and would resent it verty much,
I think if they changed to half a day every day. The only thing I would be
happy to change is only having suppliers on the Saturday, but since many
of them are also lacemakers, and are either studying in or giving a class,
I can see that it would be difficult for them!

Yours in lace,

Helene, the froggy from Melbourne

...I rather like the idea of having one class all-day for 2 days,
followed by a different class all-day for two days.  I can use the same
equipment for the second class, which means I pack half as much.  I can
think only about that class and not get those instructions muddled with 
the other, which means I'll get more out of each class.

  


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[lace] Re: Interior B.C. Canada lacemakers?

2004-01-22 Thread Addicks
Yoo-hoo, looking for lacemakers in Trail, Grand Forks, Nelson, Rossland? We now 
have a wee tiny group of lacemakers in Colville, WA and we're looking for 
company - a lace day, perhaps, after the snow is gone?  Do reply off list, many 
thanks, Alison Addicks

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