[lace] 's Gravenmoer lace

2006-05-30 Thread Noelene Lafferty
I recently acquired a copy of the book Kant uit Vlaanderen en 's Gravenmoer
and an intrigued by the notation with each pattern.  An example, translated
for me by a Dutch friend, is as follows:

 

Aantal paren: 59   Number pairs

Aantal dike draden: 5  Number of thick threads

Aantal spelden: 68   Number of pins

 

I don't understand the "Number of pins line".  Can anybody offer an
explanation?  Surely one would need more than 68 pins!

 

 

.Noelene in Cooma, Australia

 

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[lace] Tatting lady

2006-05-30 Thread Jane Partridge
In message <[EMAIL PROTECTED]>, Elizabeth
Ligeti <[EMAIL PROTECTED]> writes
>Sounds like the Tatting person is everywhere!!

Sometimes, when the person concerned is grinning ear to ear, you can
tell it is another lacemaker having you on (I once had a group from
the Ring of Tatters, demonstrating at a show at the NEC, in hysterics
after the parting shot of "oh, get on with your macramé!")

But, and I have said this before, there is a reason for the confusion in
the UK at least. One of the books on the history of the Nottingham Lace
industry refers to "tattings" - being odd lengths of *machine-made* lace
- edgings and insertions. So, to many of my mother's and grandmother's
generation, the bobbin lace we are working produces something that looks
the same as that which they would have called a tatting - and hence, in
their minds, we *are* tatting. 

I keep a shuttle with me, to explain the *hand made* lace terms! The
thing is, not to be thrown by any question asked when you are
demonstrating - the least connected this year was from someone who
wanted to know how decoupage was done! (the stand next to me was selling
decoupage prints). This is where the range of craft techniques you
learnt to teach to Guides comes in very handy!

 

-- 
Jane Partridge

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RE: [lace] 's Gravenmoer lace

2006-05-30 Thread Jay Ekers
Aantal spelden is the number of rows of grid points
in a pattern repeat ie double the number of edge stitches. 
If that is not clear  consider that the left hand pair from the last
ground stitch on the left passes out through the left edge gimp and
makes the edge stitch in a pinhole one row below the ground stitch, then
back in through the gimp to make a ground stitch one row below the edge
stitch

Jay
[EMAIL PROTECTED]
Sydney, Australia

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Noelene Lafferty
Sent: Tuesday, 30 May 2006 6:03 PM
To: [EMAIL PROTECTED]
Subject: [lace] 's Gravenmoer lace

I recently acquired a copy of the book Kant uit Vlaanderen en 's
Gravenmoer
and an intrigued by the notation with each pattern.  An example,
translated
for me by a Dutch friend, is as follows:

 

Aantal paren: 59   Number pairs

Aantal dike draden: 5  Number of thick threads

Aantal spelden: 68   Number of pins

 

I don't understand the "Number of pins line".  Can anybody offer an
explanation?  Surely one would need more than 68 pins!

 

 

.Noelene in Cooma, Australia

 

[EMAIL PROTECTED]

http://members.ozemail.com.au/~nlafferty/

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Re: [lace] 's Gravenmoer lace

2006-05-30 Thread Sue Babbs

Yes, you will need lots more than 68 pins!

The "number of pins line" seems to indicate the number of pins, (counting 
down the footside) in the pattern to complete a whole "repeat" . it's easier 
to check on the following pages where the number of pins is lower

Sue



I recently acquired a copy of the book Kant uit Vlaanderen en 's Gravenmoer
Aantal spelden: 68   Number of pins
I don't understand the "Number of pins line".  Can anybody offer an
explanation?  Surely one would need more than 68 pins!


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Re: [lace] 's Gravenmoer lace

2006-05-30 Thread Sue Babbs
More or less the whole pricking on page 145 is one repeat of the pattern. 
That pattern has two different sorts of fillings used, so the repeat is 
twice as long as I initially thought).  I keep losing count but it must be 
about 68 dots from the top of the first diamond to the bottom complete 
little diamond on the page.


So "aanal spelden" seems to be exactly the number of pins in the footside 
(not double them). It is easier to check the number of pins in the footside 
on the patterns on the following pages, where the repeats are much smaller


Sue 


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[lace] tatting - history

2006-05-30 Thread Lynn Carpenter
The earliest documented date I have heard so far is 1840's.  Dan
Russch-Fischer doesn't post much on any of the lists I'm on any more, but
his page

http://www.tribbler.com/tatman/

includes early printed references.  Click on "Misc" at the bottom, then
scroll down to "In Print".

Many tatting books make claims about its origin, but only a few give any
documentation or references to support them.

So tatting is fa-a-ar into the future for anyone doing Elizabethan. :)

Lynn Carpenter in SW Michigan, USA
alwen at i2k dot com
http://lost-arts.blogspot.com/

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Re: [lace] Tatting lady

2006-05-30 Thread Lindy Taylour

Hi Jane

Talking of Nottingham lace, someone asked me recently if I knew of handmade 
"Nottingham Lace".  I understood that it was only made by machine.  Can 
anyone enlighten me?


Lindy in Ireland


- Original Message - 
From: "Jane Partridge" <[EMAIL PROTECTED]>

To: 
Sent: Tuesday, May 30, 2006 10:41 AM
Subject: [lace] Tatting lady





But, and I have said this before, there is a reason for the confusion in
the UK at least. One of the books on the history of the Nottingham Lace
industry refers to "tattings" - being odd lengths of *machine-made* lace
- edgings and insertions. So, to many of my mother's and grandmother's
generation, the bobbin lace we are working produces something that looks
the same as that which they would have called a tatting - and hence, in
their minds, we *are* tatting.



--
Jane Partridge


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Re: [lace] tatting - history

2006-05-30 Thread Lindy Taylour

Dear Spiders

When people talk of Irish lace they usually mean Irish Crochet or 
Carrickmacross lace. They do not know that Tatting was also taught and made 
in here from 1847 around the town of Ardee.


"It was made by poor children and as much as 5,000 Pounds was earned for 
distribution in that district in a very few years, thus affording 
considerable relief at that bad time", according to a booklet I have ... 
"Guide to the Collection of Lace"  in the National Museum in Dublin.  "The 
art of tatting may be traced to the 16th century Italian macrame work, and 
is a variation of the punto a gruppo or knotting stitch."  It was done in 
France in the 18th century.


Lindy in Ireland


- Original Message - 
From: "Lynn Carpenter" <[EMAIL PROTECTED]>

To: <[EMAIL PROTECTED]>
Sent: Tuesday, May 30, 2006 2:01 PM
Subject: [lace] tatting - history



The earliest documented date I have heard so far is 1840's.  Dan
Russch-Fischer doesn't post much on any of the lists I'm on any more, but
his page

http://www.tribbler.com/tatman/

includes early printed references.  Click on "Misc" at the bottom, then
scroll down to "In Print".

Many tatting books make claims about its origin, but only a few give any
documentation or references to support them.

So tatting is fa-a-ar into the future for anyone doing Elizabethan. :)

Lynn Carpenter in SW Michigan, USA
alwen at i2k dot com
http://lost-arts.blogspot.com/

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Re: [lace] tatting - history

2006-05-30 Thread Alice Howell
 "The 
> art of tatting may be traced to the 16th century
> Italian macrame work, and 
> is a variation of the punto a gruppo or knotting
> stitch."  It was done in 
> France in the 18th century.

If it were done that long ago, HOW did they do it? 
What is the oldest reference to a tatting shuttle as
we know it?

Just curious.
Alice in Oregon -- sunny for today, then more rain

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Re: [lace] tatting - history - Long reply, pre-1850 book

2006-05-30 Thread Jeriames
In a message dated 5/30/06 9:05:11 AM Eastern Daylight Time, [EMAIL PROTECTED] 
writes:


> The earliest documented date I have heard so far is 1840's.  Dan
> Russch-Fischer doesn't post much on any of the lists I'm on any more, but
> his page
> 
> http://www.tribbler.com/tatman/
> 
> includes early printed references.  Click on "Misc" at the bottom, then
> scroll down to "In Print".
> 

Dear Lacemakers (especially historians),

I do not have Mrs. Jane Gaugain's 1842 volume cited at the beginning of 
Mark's site.  However, I do have one by her, dated 1847: "Lady's Knitting, 
Netting &
 Crochet Book - Vol. I".  Tess may have scanned it for the Professor's site; 
I do not remember.

Inside cover lists "Works of Mrs Gaugain, already Published, as follows:

"VOL. I.  Lady's Assistant in Knitting, Netting, and Crochet Work - 8th 
thousand, price 5s. 6d.

"VOL. II.  Lady's Assistant in Knitting, Netting, Crochet, Worsted Work, 
Raised Cut Work, and Tatting - 5th thousand, price 10s.6d.

"Accompaniment to Second Volume: or a Book of Prints illustrating all the 
Open Stitches described in Vol. II.; with a number of New and Beautiful 
Specimens 
of Knitting - 4th thousand, price 2s. 6d.

"VOL. III.  Lady's Assistant in Knitting, Netting, and Crochet work.  
Illustrated by upwards of 70 patterns - 2nd thousand, price 10s.6d. without 
plates; 
with plates, 12s. 6d.

"The Knitters' Friend; being a Selection of Receipts for the most Useful and 
Saleable Articles in Knitting, Netting, and Crochet Work - 2nd thousand, price 
2s. 6d.

"Miniature Knitting, Netting, and Crochet Book - 27th thousand, price one 
shilling.

"Crochet D'Oyley Book - price 6d.  And, Crochet Collar Book - price 6d.

"The Materials requisite for the various Receipts in Mrs. Gaugain's Works, 
can be forwarded by post, or otherwise, to any part of the kingdom, on 
receiving 
a remittance, or post-office order, for the amount of goods required."
-
The book I have is cloth bound (which probably contributed to it's survival), 
250 pages tipped in gold on all 3 exposed edges, 6 1/2" x 4 1/4" (would fit 
nicely into a work box or bag).  In the back is a list of patronesses and 
subscribers, alphabetically arranged - starting with:

Her Majesty The Queen Dowager
Her Royal Highness the Duchess of Gloucester
Her Royal Highness the Duchess of Cambridge
Her Royal Highness the Princess Augusta Carolina
followed by a long list of titled ladies, then the ordinary subscribers.

Altogether charming instructions using materials unfamiliar to us today for 
items long out of fashion.  The publisher is I. J. Gaugain (a family member?), 
and it was published in Edinburgh.  I purchased this in 2001 from a collector 
in the small coastal Scottish town of Stone Haven.

Above information may be of value to those who have an interest in 
reproducing items from before 1850, or in seeking the volumes for their own 
collection.

Jeri Ames in Maine USA
Lace & Embroidery Resource Center

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[lace] Nottingham lace

2006-05-30 Thread Jean Nathan

Interesting article on the nottingham lace industry:

http://www.bbc.co.uk/legacies/work/england/nottingham/article_1.shtml

written by Sheila Mason, who, I understand, is one of the leading 
authorities on Nottinghm lace.


I believe anything referred to as "Nottingham lace" is machine made and can 
be made anywhere provided it is made on the original Nottingham lace 
machines. Even if made in Nottingham, it isn't "Nottingham lace" if it isn't 
made on one of these machines.


Jean in Poole, Dorset, UK 


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Re: [lace] 's Gravenmoer lace

2006-05-30 Thread Sue Babbs

I too look forward to the definitive answer from a Dutch member.

Meanwhile, as we seem to be the only people battling the translation 
challenge,  I still do not see how to reconcile your counting with the 
simple pattern on page 146, where there are no variations in the repeats, 
and there seem to me to be a straightforward count of 14 edge pinholes 
between corresponding points on the pattern.

Sue

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[lace] 's Gravenmoer lace

2006-05-30 Thread Laceandbits
According to the International Lace Dictionary, aantal is number and speld is 
pin.  Obviously the ...en ending will alter the meaning somewhat.

As Sue says, the number given definitely equals the count of the footside 
pinholes of one  complete pattern repeat.   What I'm trying to work out why 
this 
is considered to be an important enough piece of information to given 
up-front, as the lacemaker can see quite easily that it's a short/medium/long 
repeat 
just by looking at the pattern.  Does the precise number of pinholes make a lot 
of difference.  It was traditionally worked on a block pillow so the length 
of the repeat doesn't affect the working a lot.  

Perhaps the end use of the lace (this count only seems to be given with the 
traditional patterns) governed whether it was a short repeat or a more ornate 
pattern.

Jacquie in England, still waiting for summer (or even spring!)

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Re: [lace] 's Gravenmoer lace

2006-05-30 Thread Alice Howell
--- Noelene Lafferty <[EMAIL PROTECTED]> wrote:

> I recently acquired a copy of the book Kant uit
> Vlaanderen en 's Gravenmoer

> Aantal spelden: 68   Number of pins
>> 
> I don't understand the "Number of pins line".  Can
> anybody offer an
> explanation?  Surely one would need more than 68
> pins!

When I first got this book, I asked my friend in The
Netherlands.  This is the reply  I got at the time:


the 68 pins  (spelden 68) is a kind of measuring how
large the pattern is in
one repeat : 34 pins on the right side, and 34 pins on
the left
side..
--

Alice in Oregon -- only 15 days till conference. 

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Re: [lace] Tatting lady

2006-05-30 Thread robinlace
From: Jane Partridge <[EMAIL PROTECTED]>
> But, and I have said this before, there is a reason for the confusion 
in
> the UK at least. One of the books on the history of the Nottingham 
> Laceindustry refers to "tattings" - being odd lengths of *machine-
made* lace
> - edgings and insertions. So, to many of my mother's and grandmother's
> generation, the bobbin lace we are working produces something that 
> looksthe same as that which they would have called a tatting - and 
> hence, in their minds, we *are* tatting. 


In the US, crossword puzzles seem to be the culprit.  You very often 
have "tat" in the puzzle (it's short and fills in a corner nicely), and 
the clue is usually "to make lace".  So people who do crossword puzzles 
think all lacemaking is tatting.

Robin P.
Los Angeles, California, USA
(formerly  Pittsburgh, Pennsylvania)
[EMAIL PROTECTED]

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Re: [lace] 's Gravenmoer lace

2006-05-30 Thread Jo Falkink
According to the International Lace Dictionary, aantal is number and speld 
is

pin.  Obviously the ...en ending will alter the meaning somewhat.


-en makes it plural



As Sue says, the number given definitely equals the count of the footside
pinholes of one  complete pattern repeat.


I asked Corrie versluis, ans she says the same


What I'm trying to work out why this
is considered to be an important enough piece of information to given
up-front, as the lacemaker can see quite easily that it's a 
short/medium/long repeat
just by looking at the pattern.  Does the precise number of pinholes make 
a lot

of difference.


I didn't ask that question.


It was traditionally worked on a block pillow so the length
of the repeat doesn't affect the working a lot.

Perhaps the end use of the lace (this count only seems to be given with 
the
traditional patterns) governed whether it was a short repeat or a more 
ornate

pattern.

Jacquie in England, still waiting for summer (or even spring!)


Jo Falkink 


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Re: [lace] 's Gravenmoer lace - guessing

2006-05-30 Thread Alice Howell
--- [EMAIL PROTECTED] wrote:
  Does the precise
> number of pinholes make a lot of difference. ...
> Perhaps the end use of the lace  governed
whether it was a short repeat or a more ornate 
> pattern.

I'm going to make a wild guess on this.  The
traditional end use of this lace was on a bonnet.  A
certain length would be needed for a given bonnet
style or size.  The lace was usually mounted so each
side was symetrical.  The number of lines per repeat
would help figure out just where in the pattern to
start so mid point of the pattern would also be the
mid point of the finished length of lace.

I repeat -- this is a guess, not confirmed.  It comes
from making 's-Grav. lace for a dutch bonnet.

Another guess also relates to the end use.  A shorter
piece of lace would look better with a shorter pattern
repeat while a long piece could use a long repeat. 
The pattern I made was 10 inches per repeat.  I made
three repeats to get the 30 inches I needed.  The next
piece is 36 inches, and I had to do some real figuring
to find the correct starting point since the second
pattern did not fit neatly into the desired length.

Happy lacing,
Alice in Oregon

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[lace] Nottingham lace

2006-05-30 Thread Rosemary Brown
Dear all

I can remember being told by an interested visitor when I was demonstrating, 
that her mother had made Nottingham Lace.  She was quite insistent.  Since I 
was making bobbin lace I had to accept that she meant the same process  (of 
course she might have meant tatting!.) I concluded that either she worked 
in a lace factory, or that, coming from Nottingham and making hand-made lace, 
she simply called it that.

Rosemary in Sussex

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Re: [lace] Nottingham lace - Nottinghamshire Bobbin Lace Society!

2006-05-30 Thread Jeriames
In a message dated 5/30/06 5:02:25 PM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:


> I can remember being told by an interested visitor when I was 
> demonstrating, that her mother had made Nottingham Lace.  She was quite 
> insistent.  Since 
> I was making bobbin lace I had to accept that she meant the same process  (of 
> course she might have meant tatting!.) I concluded that either she 
> worked in a lace factory, or that, coming from Nottingham and making 
> hand-made 
> lace, she simply called it that.
> 
> Rosemary in Sussex
> 

Dear Lacemakers,

Quoting from my memo to Arachne dated 2/28/03:

In 2001, I took an independent travel trip to Nottingham and went to the Lace 
Market Visitors Center (which may now be closed).  There was a lovely 
lacemaker with whom I chatted, sitting in the window, making bobbin lace.  So, 
there 
was a physical tie with what was - in the rest of the center - machine lace.  
Could be misunderstood by anyone passing by, and misconstrued to confirm 
something a mother or grandmother said in social conversation.

It was possible to buy books in this facility.  I purchased two copies of a 
spiral-bound book published by Nottinghamshire Bobbin Lace Society to 
commemorate their 25th anniversary.  This is wonderful documentation of a slice 
of 
local lace history.  I thought it such a nice idea for a lace society to do, 
that 
one copy was dispatched to the New Jersey lace club to which I belong.  The 
book is a fairly thick one, with an introduction by Heather Harris (at the 
time, 
and maybe still - an Arachne)...

At any rate, the Nottinghamshire Bobbin Lace Society probably still exists, 
since I just confirmed one of their websites was last updated in December 2005. 
 Go to Google, put in the name of the society, and you'll find several 
listings.

In the past, there was also a listing for Elizabeth Cooke's World of Lace at:
www.theworldoflace.com
However, I found I could not access it tonight.  It said "catch you later" 
when I tried!  This originally had a illustrated story about lace in Nottingham.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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[lace] 's Gravenmoer lace

2006-05-30 Thread Noelene Lafferty
Many thanks on all the feedback on this.  The concept that the number of
pins denotes the length of the section or repeat makes sense.  My addendum
LOKK book with the patterns for the two caps in it says the hul cap needs
"one ell" of lace, which is "about 3 repeats", so you would really have to
be working out where to start to get precisely the length you want and have
one of the repeats centered in the front.

I would dearly love to buy a copy of the original hardcover book from LOKK
but sadly, it is not only out of print, but seems to be completely
unavailable.  If anyone knows of one for sale, could they let me know direct
please?

Noelene in Cooma, Australia
Mid winter, with a lovely wood fire warming the room, and thoroughly
enjoying my excursion into 's Gravenmoer style lace.
[EMAIL PROTECTED]
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[lace] Tatting everywhere!

2006-05-30 Thread Elizabeth Ligeti
Jane P said"Sometimes, when the person concerned is grinning ear to ear, you 
can

tell it is another lacemaker having you on.."

Yes, I have had that happen a couple of times, too!!!   --- and I was a bit 
naughty and did that to someone once.  I used to knit for a wool company, 
checking the patterns, and took time off from lace demonstrating at the big 
Crafts show to have a walk around, and found the knitting company stand, and 
one of the ladies I knew well showing someone how to knit.  I asked to be 
shown too - and when she looked up and saw me - I got a very rude 
answer! :))  If I had not been lacemaking there - I would have been 
roped in to help on their stand, I think!


I, too, always have a tatting shuttle and thread to hand to show the 
difference, and also a small needlelace pillow with some NL on it, and a 
demonstration piece to show how that is made, too. A lot of people who do 
some type of embroidery can relate to NL more than to BL.
We display a wide variety of different laces, and usually try to have 
different laces on our pillows, so they can see 3 of us all with pillows and 
bobbins that look the same, but very different types of lace coming off  the 
pillows.


We often get some of the same folks coming round each year, and some can 
even pick up - on the display board - the pieces we were working on last 
year!!   So they Really do take notice, sometimes!


Regards from Liz in Melbourne
[EMAIL PROTECTED] 


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