Re:[lace] Spider Web fabric

2011-06-10 Thread pene piip

I had a look  found The Very Busy Spider fabric with blue, black  white
backgrounds - priced at $9.00 per yard.

http://www.carlemuseum.org/Shop/Fabric/The_Very_Books_Fabric_Line

I liked the Just Saturday Food fabric.
Pene

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[lace] Re Address confirmation

2011-06-10 Thread Diana Smith
Thank you arachne members I now have confirmation of Pam's snail mail 
address and also email.


Diana in Northants 


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Re: [lace] Jean's Floral Bucks Book

2011-06-10 Thread David C COLLYER

Dear Janice,



Hey David,  when you start the poppies piece, can you send us updates with
photos, especially one of the finished lace that we can put with the book.
 There are so many wonderful pieces in the small book and I will 
definitely be

using it for show and tell during the beginning bucks class I am teaching in
July.


No worries. But I can tell you now that I will not be making a 
working diagram. I'm sure it would just slow me down to distraction. 
I'll keep you informed, but it looks like I won't be starting it till 
after Aug 10th when I return from Fiji.


The last couple of inches on the Chantilly piece are proving to be 
very slow and trying owing to the lack of room for work.

David in Ballarat

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Re: [lace] Jean's Floral Bucks Book

2011-06-10 Thread Janice Blair
Dear David,
Okay, no working diagrams but how about telling us if you experience any 
difficulties or places where you had to fudge it.  Can we expect a finished 
photo by Christmas?  

Enjoy your vacation in Fiji and avoid getting beaten up.
Janice
 Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org





From: David C COLLYER dccoll...@ncable.net.au
To: Janice Blair jbl...@sbcglobal.net; lace lace@arachne.com
Sent: Fri, June 10, 2011 9:59:55 AM
Subject: Re: [lace] Jean's Floral Bucks Book


 Dear Janice,

 Hey David,  when you start the poppies piece, can you send us updates with
 photos, especially one of the finished lace that we can put with the book.
  There are so many wonderful pieces in the small book and I will definitely be
 using it for show and tell during the beginning bucks class I am teaching in
 July.

No worries. But I can tell you now that I will not be making a working diagram. 
I'm sure it would just slow me down to distraction. I'll keep you informed, but 
it looks like I won't be starting it till after Aug 10th when I return from 
Fiji.

The last couple of inches on the Chantilly piece are proving to be very slow 
and 
trying owing to the lack of room for work.
David in Ballarat

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[lace] Teaching at IOLI convention

2011-06-10 Thread Janice Blair
Maria  wrote:
Do you really mean she might be invited to teach in MN in 2012?
Martina
would love to.
For those interested in having a look at Martina´s
book, here is the link
http://www.wolter-kampmann.de/verlag.html

I wish you
all a nice weekend !


I would think that the hosts of the Minnesota
convention have their teacher list 
for MN 2012 as they will be making their
presentation at this years convention. 
 2013 might be possible though.  If
anyone is interested in teaching at IOLI 
conventions, they should probably
contact the Education Chair.  That is Barbara 
Bulgarelli.  The Education
Committee have a database of teachers which is sent 
to future hosts if they
request it.  I think Martina could ask to be included in 
the database.  You
can get an email address for Barbara on the IOLI website on 
the Officers page
at http://www.internationaloldlacers.org/officers.html

The database is made
up of teachers that have already taught at previous 
conventions, but there
has to be a way to be included for those that have not 
done that yet.
Barbara will tell you if I am wrong in my assumption.
Janice
 Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org

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RE: [lace] Jean's Floral Bucks Book

2011-06-10 Thread Sue
Thats the only thing I think is missing from what is a beautiful book I do
so like to see a finished picture of the lace and the poppies is the only
pattern in the book that does not show this, maybe its just me that likes to
see what its supposed to look like.   I guess its because the pattern takes
up two pages.

 

Sue M Harvey

Norfolk UK

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Re: [lace] Jean's Floral Bucks Book

2011-06-10 Thread Janice Blair
I can usually figure out a pattern from the finished lace picture.  I like to 
see how dense the cloth stitch areas should be and if there is something 
unexpected in the pattern.  I know I could choose my own preference for that, 
but I still like to see the photo.  I am sure David will oblige us, or maybe 
Jean has made it and can post it to the Arachne web shots.

Janice
 Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org





From: Sue 2harv...@tiscali.co.uk
To: Janice Blair jbl...@sbcglobal.net; lace lace@arachne.com
Sent: Fri, June 10, 2011 4:16:05 PM
Subject: RE: [lace] Jean's Floral Bucks Book


Thats the only thing I think is missing from what is a beautiful book I do so 
like to see a finished picture of the lace and the poppies is the only pattern 
in the book that does not show this, maybe its just me that likes to see what 
its supposed to look like.   I guess its because the pattern takes up two pages.
 
Sue M Harvey
Norfolk UK

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Re: [lace] of lace bicycle baskets

2011-06-10 Thread Joy Beeson

I just noticed that the texture on my plastic wastebasket is
an enlargement of needle-made lace, sufficiently detailed
that I can tell that the needle in question was in an
embroidery machine.  They must have scanned a piece of
chemical lace to create the design.  The effect is similar
to the bicycle basket (it's even the same color!), but I'm
pretty sure we didn't pay $70 for it.

I don't think thread lace would be a good trimming for a
bicycle basket, as stuff on the outside of a vehicle doesn't
take any time at all to get filthy.  One might make
really-coarse lace and soak it in spar varnish.

Which brings up the idea of replacing my wire panniers with
wire-lace panniers, but even if I had the requisite tools
and skills, I don't think I'd like hooking my ugly old
bungees into wire lace.  Not to mention the question of
working the reflectors into the design.

--
Joy Beeson
http://roughsewing.home.comcast.net/
http://home.comcast.net/~debeeson/DaveCam/
west of Fort Wayne, Indiana, U.S.A.
where the not-rainy interval is over.

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Re: [lace] Jean's Floral Bucks Book

2011-06-10 Thread Clay Blackwell
I'm going out on a limb here...I believe that having the last 
pattern designed by Joyce Symes presented without a picture or a diagram 
is because this lovely lady's work was sadly interrupted, and 
unfinished!   Therefore, it is up to the experienced Floral Bucks 
devotees who buy this book to work this piece as a challenge.


The pricking itself is impressive.  I don't have a clue how I would 
approach it, but am eagerly awaiting the reports of experienced Bucks 
Point lacemakers who have found satisfactory solutions!!  This, in my 
opinion, is even nicer that the often swooned-over Miss Channer's Mat!!


So please, all of you who have the skills and experience to do this 
piece...  keep the rest of us humble lacemakers aware of your progress!!


Clay
In blistering hot Central Virginia, USA, and preparing for Lace at Sweet 
Briar   where the temperatures are forecast to moderate into the 
lower 80's for at least the beginning of our retreat!  Let's keep our 
fingers crossed!!!




On 6/10/2011 5:33 PM, Janice Blair wrote:

I can usually figure out a pattern from the finished lace picture.  I like to
see how dense the cloth stitch areas should be and if there is something
unexpected in the pattern.  I know I could choose my own preference for that,
but I still like to see the photo.  I am sure David will oblige us, or maybe
Jean has made it and can post it to the Arachne web shots.

Janice
  Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org




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Fw: [lace] Jean's Floral Bucks Book

2011-06-10 Thread Sue Babbs
But I like that - a challenge to make it yourself. It's like doing a jigsaw 
without the picture. Extra satisfying when it's done!!


Sue

sueba...@comcast.net
-Original Message- 
From: Sue

Sent: Friday, June 10, 2011 4:16 PM
To: 'Janice Blair' ; 'lace'
Subject: RE: [lace] Jean's Floral Bucks Book

Thats the only thing I think is missing from what is a beautiful book I do
so like to see a finished picture of the lace 


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Re: [lace] Black thread vs. white thread

2011-06-10 Thread Jeriames
Dear thread users,
 
When I wrote about the effect of dyes on thread fibers, I expected to start 
 a discussion, and have been successful.  I know you both (and many  
others) have much experience, with threads and dyes.  
 
When I joined the Embroiderers' Guild of America in 1968, some of the first 
 classes I took at their headquarters, then in New York City, were with 
teachers  of various ethnic embroideries.  These were teachers experienced in 
Greek,  Swiss, German, Danish embroidery on linen.  They actually showed  
examples that proved to me that it is important to pay attention to how much  
coverage different DMC colors gave, and if the result was weak, to add a  
strand.  This also proved to be important with wool, when I went on to  
learn about canvas work from expert teachers.
 
Unfortunately, I did not think to ask about this when on a private tour of  
the DMC factory in France, near the Switzerland border, about 30 years  
ago.  I do remember seeing the dyeing operation - in fact, every phase of  
thread production.  And since I think the quality standards have slipped a  bit 
in recent years due to pressures from the huge discounters, I think it  is 
very important to keep reminding lacemakers to closely examine threads at  
point of purchase.  In fact, thread quality was discussed in my review  of 
Barbara Ballantyne's book The Structure of Threads for Lace, in  March.  
 
Alison, I hope you will love your vintage Singer Featherweight  machine.  
Mine is now 54 years old, and still in good shape, after  replacing the foot 
pedal once.  Now, that is what quality used to be all  about!!  It is always 
my go-to machine, though I own another newer electric  machine and two 
antique machines that are entirely powered by this  human.  
 
Kind regards, Jeri
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center  

 
In a message dated 6/10/2011 5:58:12 P.M. Eastern Daylight Time,  
paternos...@appleshack.com writes:

I have  to agree with Alison.  

In a few threads (Empress Mills cottons  and Swiss Maid come to mind) the 
white threads are measurably finer than the  coloured equivalents.  Whether 
that is because the dye adds to the bulk  of the coloured threads or the 
bleach takes away from the white I'm not sure,  but definitely it's the 
coloured 
threads which are  thicker.

Brenda

On 10 Jun 2011, at 20:41, Alison and Gary  Addicks wrote:

 The thread becomes progressively thinner depending  on how 
 much dye is absorbed by the fibers.
 
 Jeri,  this just doesn't make sense to me.  Procion dyes and vat dyes  
which
 are routinely used in dyeing cottons adhere to the fiber via  chemical 
bonds,
 and while I know the mercerization process (caustic  soda bath is one
 version) reduces the grist of the fiber, the  difference produced by the 
dye
 process, though small, would increase  the diameter of fiber, not reduce 
it.
 The dye process is additive, not  subtractive.  Where am I amiss in this? 

Brenda in  Allhallows
www.brendapaternoster.co.uk

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Re: [lace] Black thread vs. white thread

2011-06-10 Thread Lora
Could it be just a trick of the eye? That the darker shades appear finer and so 
to get the same visual effect an additional thread is added, or is there a 
measurable physical difference?

On 11 Jun 2011, at 05:36, jeria...@aol.com wrote:

 Dear thread users,
 
 When I wrote about the effect of dyes on thread fibers, I expected to start 
 a discussion, and have been successful.  I know you both (and many  
 others) have much experience, with threads and dyes.  
 
 When I joined the Embroiderers' Guild of America in 1968, some of the first 
 classes I took at their headquarters, then in New York City, were with 
 teachers  of various ethnic embroideries.  These were teachers experienced in 
 Greek,  Swiss, German, Danish embroidery on linen.  They actually showed  
 examples that proved to me that it is important to pay attention to how much  
 coverage different DMC colors gave, and if the result was weak, to add a  
 strand.  This also proved to be important with wool, when I went on to  
 learn about canvas work from expert teachers.
 
 Unfortunately, I did not think to ask about this when on a private tour of  
 the DMC factory in France, near the Switzerland border, about 30 years  
 ago.  I do remember seeing the dyeing operation - in fact, every phase of  
 thread production.  And since I think the quality standards have slipped a  
 bit 
 in recent years due to pressures from the huge discounters, I think it  is 
 very important to keep reminding lacemakers to closely examine threads at  
 point of purchase.  In fact, thread quality was discussed in my review  of 
 Barbara Ballantyne's book The Structure of Threads for Lace, in  March.  
 
 Alison, I hope you will love your vintage Singer Featherweight  machine.  
 Mine is now 54 years old, and still in good shape, after  replacing the foot 
 pedal once.  Now, that is what quality used to be all  about!!  It is always 
 my go-to machine, though I own another newer electric  machine and two 
 antique machines that are entirely powered by this  human.  
 
 Kind regards, Jeri
 
 Jeri Ames in  Maine USA
 Lace and Embroidery Resource Center  
 
 
 In a message dated 6/10/2011 5:58:12 P.M. Eastern Daylight Time,  
 paternos...@appleshack.com writes:
 
 I have  to agree with Alison.  
 
 In a few threads (Empress Mills cottons  and Swiss Maid come to mind) the 
 white threads are measurably finer than the  coloured equivalents.  Whether 
 that is because the dye adds to the bulk  of the coloured threads or the 
 bleach takes away from the white I'm not sure,  but definitely it's the 
 coloured 
 threads which are  thicker.
 
 Brenda
 
 On 10 Jun 2011, at 20:41, Alison and Gary  Addicks wrote:
 
 The thread becomes progressively thinner depending  on how 
 much dye is absorbed by the fibers.
 
 Jeri,  this just doesn't make sense to me.  Procion dyes and vat dyes  
 which
 are routinely used in dyeing cottons adhere to the fiber via  chemical 
 bonds,
 and while I know the mercerization process (caustic  soda bath is one
 version) reduces the grist of the fiber, the  difference produced by the 
 dye
 process, though small, would increase  the diameter of fiber, not reduce 
 it.
 The dye process is additive, not  subtractive.  Where am I amiss in this? 
 
 Brenda in  Allhallows
 www.brendapaternoster.co.uk
 
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