RE: [lace] lace express

2006-06-13 Thread blackwellc
Hi Andrea !

An interesting observation!  I don't have that publication, but I have noticed 
the same effect in other books and magazines.  Try this:  turn the picture 
upside down.   Now does it look right?  Sometimes the publishers make mistakes, 
and turn photos upside down - especially when there isn't something in the 
picture to make it obvious  "which end is up"!  

But it does beg the question...  why does it work that way?  I don't have an 
answer  -

;)

Clay

Clay Blackwell
Lynchburg, VA  USA 
--
Clay Blackwell
Lynchburg, VA


 Andrea Lamble <[EMAIL PROTECTED]> wrote: 

=
Hi Jenny et al,

Yep, definitely says 1/06 on the cover. Does anyone else get the optical 
illusion effect with the piece illustrated on p37 (a very pleasant torchon 
piece) - when you start to look at it it appears as you would expect - ecru 
lace taken on a white background - as you continue looking at it, slightly 
changing your focal length it looks like it has been 'quilted' on to some 
white fabric. All very intriguing.

Happy lacing

Andrea Lamble
Cambridge, UK - where it is cooler and raining (gently) although as I type 
thunder is rolling in the distance.


>From: Jenny Barron <[EMAIL PROTECTED]>
>Reply-To: Jenny Barron <[EMAIL PROTECTED]>
>To: lace@arachne.com
>Subject: [lace] lace express
>Date: Tue, 13 Jun 2006 09:26:49 +0100 (BST)
>
>was that the first issue of 2006? The web site says it was sent on the 2nd 
>June
>   
>http://www.laceexpress.de/cgi-bin/web_store/web_store.cgi?page=/magazines/le1_06.htm&&cart_id=7730860_2379
>   jenny barron
>   Scotland - where it is far too hot, roll on Autumn
>
>Jackie Bowhey <[EMAIL PROTECTED]> wrote:
>   Greetings all,
>
>Has anyone received their April issue of Lace Express?
>
>Jackie in cold and windy Brisbane
>
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[lace] SNAKES!!

2006-06-10 Thread blackwellc
For those of you who have wanted patterns for the famous Springette Snakes, 
there is a little booklet on eBay right now which is an early edition of her 
patterns.  They should serve your beginning students quite well!  

http://tinyurl.com/l8acb

Clay

--
Clay Blackwell
Lynchburg, VA

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Re: [lace] 8 Times its Weight in Gold

2006-06-05 Thread blackwellc
On the other hand, the hankie I am making now is Binche lace, and is an old 
pattern which has been reconstructed.  I'm using very fine thread (140/2) and 
began working the lace on the day after Christmas, 2005.  I have just (today!) 
turned the third corner.  I estimate that I have worked a few hours a day 
(occasionally all day!) for an average of five days a week on this piece 
(yes...  I'm obsessed!), and still have one full side and a corner to go.

I'd say that I have worked on it at least 10 hours a week since the day after 
Christmas. Taking off two weeks for another project that got in the way, I'm 
going to say 20 weeks at 10 hours a week...  That's 200 hours!!  At $10/hour, 
that's $2000!!  And remember - it's only 3/4 complete right now!!  No wonder 
they called it the lace of Royalty!!


Clay

Clay Blackwell
Lynchburg, VA


 Brenda Paternoster <[EMAIL PROTECTED]> wrote: 

=
UK minimum wage (assuming you are more than 21 years old) is 5.05 GBP 
per hour - so your hankie would "cost" more like 250GBP

Brenda

On 5 Jun 2006, at 19:16, Viv Dewar wrote:

> I timed myself this weekend at 1.75hrs for 4cm. So assuming a “minimum
> wage” of about GBP4.50/hour and allowing about £5 for yarn and the
> simple cotton hankie to attach the lace to – my hankie should “cost”
> about £210!
Brenda
http://paternoster.orpheusweb.co.uk/

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Re: [lace] Thread Type Request

2006-03-24 Thread blackwellc
Hello Rhiannon -

As many people have said before, there is no such thing as a "silly" question 
on this list!!  And getting the right thread is critical, not silly!

At any rate, I found "Plum Pudding" in "A visual Introduction to Bucks Point 
Lace" by Geraldine Stott.  All of the patterns in the book are worked with the 
same size thread, which she recommends as Piper's polycotton #2/80.  She also 
suggests Unity 150, Brok 100/2 or 100/3.  For the gimp, she used Coton a Broder 
18.

Her recommendations are interesting, as the threads are not the same weight!  
Brok 100/3 is heavier than 100/2.  But the Unity thread is roughly the same as 
the 100/3.  And you may have used an Egyptian cotton instead, and in that case 
a 70/2 or 80/2 would have been your choices, I would guess.  

Good luck figuring out which thread is on your pillow!!  Hope this has helped a 
little.

Clay


--
Clay Blackwell
Lynchburg, VA


 Rhiannon Mann <[EMAIL PROTECTED]> wrote: 

=
Thanks to both Dorte and Sue,

I can carry on now and maybe even finish it to start a GARTER - it seems
to be popular at the moment. Not only on the list but I have three people's
weddings to go to and a piece of lace would be a unique present.

Thanks again

Rhiannon

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Re: [lace] Re: Blossoms, Bloopers and other Loehr titles

2006-03-21 Thread blackwellc
When Ulrike talked about her book and the title, she didn't bother with a long 
lesson on German language, she just told us what she was thinking when she came 
up with the title...  While my memory may have mixed up what each word 
literally means, her notions were snowflakes and the changing nature of driving 
snow/snowdrifts...  Somehow, I think her spoken English thoughts about the 
title are good enough for me.  Besides, I expect that even the Germans allow 
for artistic license.

Clay
--
Clay Blackwell
Lynchburg, VA


 Tamara P Duvall <[EMAIL PROTECTED]> wrote: 

=
On Mar 20, 2006, at 18:08, [EMAIL PROTECTED] (Clay) wrote:

> Schneeverweht means snowflake - no argument about that.

Erm... There is, actually  Schneeverveht means "snowbound" (from 
"Schnee" - snow and "verwehen" - "to cover up (something)" or "to blow 
over (something)"); "snowflake" is Schneeflocke. German has that 
peculiar habit of stringing independent words together to form a 
totally new one. English does it sometimes too, but nowhere nearly as 
much... I vaguely remember encountering _one word_ which took more than 
a line, and meant something like "the field first-aid station for 
wounded and dead soldiers" (in Remarque's "All's Silent on the Western 
Front"). Blew my mind away 

> But she described durchgedreht as snowdrifts/blowing snow,

Except that it has to be a verb, I think; a past participle of "drehen" 
(to turn, to roll). With the "durch" (through) indicating just how 
thorough the process had been. Her titles are as difficult to translate 
- properly - into English as poetry is, which is probably the reason 
they never are, even if the rest of the text is.

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Re: [lace] Re: Stylish Blossoms

2006-03-20 Thread blackwellc
I took a class with Ulrike several years ago and she talked a little bit about 
"Schneeverweht und Durchgedreht".  She explained that the German language 
allows lots of latitude in use and connotation.  Schneeverweht means snowflake 
- no argument about that.  But she described durchgedreht as snowdrifts/blowing 
snow, and spoke of the way snow can be blown about and create different 
appearances to the landscape...  I understood that to mean the versatility of 
snowflakes as a ground, the way the different grounds lend totally different 
effects to otherwise similar pieces; and also that durchgedreht refers to the 
way one change in the way a snowflake is worked can make all the difference to 
the whole ground.

And by the way...  the picture on the cover of that book was taken in India.  
She said the actual mountain peak had a nearly vertical face, but when cropped 
and turned almost 45 degrees, the picture took on the appearance of a mountain 
range.   So the concept of looking at something "in context" extends to her use 
of this picture as well.

Clay
--
Clay Blackwell
Lynchburg, VA


 Jo Falkink <[EMAIL PROTECTED]> wrote: 

=
> First, let me reiterate: the u _is_  umlauted (I just can't reproduce it 
> on my keyboard), so nothing to do with "blood" (that one, even I know; had 
> to plow through parts of Remarque all those years ago ).

If a German hasn't an umlaut available, (s)he spells the umlaut as an e 
behind the letter that should get the umlaut. So Bluete, Gruende etc would 
be a correct German spelling hounoring the umlaute.

> There's "Schneeverweht und Durchgedreht" (literally: covered with snow and 
> ?rolled under? )... A book about Binche. Which is a lace full of 
> "snowflakes" and altogether difficult, being made in the finest of 
> threads... No wonder one can feel "snowed under" when making it :)

The Dutch word that looks a lot like Durchgedreht (doorgedraaid) is an 
expression for food or flowers that doesn't meet its minimum price at the 
early morning auction. Usually due to overproduction. The food/flowers is 
taken from the market and destroyed or fed to the cattle. A secondary 
meaning of the word could indeed be interpreted as "snowed under". But more 
precise is: became nuts due to an overload of work/impressions. But these 
paralels in similar languages can sometimes be deceiving.

Jo Falkink 

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Re: [lace] Reconstruction, PS

2006-03-20 Thread blackwellc
Tamara wrote:  >I thought the book _was_ out So why don't 
they have it yet?<

I understood from the Arachne raffle that the book was an advance, and when I 
went to the website in question, there were several books which were just being 
released and would be available in the next few weeks.  This was one of them.

Clay


--
Clay Blackwell
Lynchburg, VA


 Tamara P Duvall <[EMAIL PROTECTED]> wrote: 

=
The following was included in one of the communications I had from the 
Kloeppelbuch:

> we will send the book via cheapest route as soon as we get the book 
> after its release.

I had asked for the cheapest route (no surprise here to anyone who 
knows me and my pocket snake ), but the second part of the sentence 
shook me in my socks... I thought the book _was_ out So why don't 
they have it yet?
-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)
  
  

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Re: [lace] Point de Gaze

2006-03-19 Thread blackwellc
Hi Jane !

Lucky You!!  Any chance you can scan it and post it on the Arachne photo site 
so we can see it?

Clay
--
Clay Blackwell
Lynchburg, VA


 Jane Viking Swanson <[EMAIL PROTECTED]> wrote: 

=
Hi All,  I was in a shop yesterday trying to find a price on an antique
thing for DH.  I spotted a bit of lace for $20.50.  I studied it the best
I could in the dim light to make sure it was handmade.  I'd forgotten that
you can just look at the back and see if it's been sewed onto commercially
made net.  It sure looked like Point de Gaze to me!  That's a needle made
lace for our newbies.

The guy rings it up and I find out it's on sale and the total cost was
$13.04USD.  It's 36" (91.5 cm I think) long and 2" (5cm) wide.  It's a
lovely graceful design with a double layer on the edge roses and tons of
teeny tiny couronnes!!  I've been studying it under a magnifier and I can
tell there were at least two lace makers working on it.  If I'm not mistaken
yardage was often made by more
than one lace maker.  The couronnes (buttonholed rings) on five repeats have
bigger openings in the center than the other seven repeats.  Both lace
makers were very consistent!  Of course, you can only see the difference
under magnification.  It's got a number of repairs and some wear but I'm
quite thrilled with it!  I can even see the basting threads on the back of
some of the motifs.  I gather they got sewed into the lace and it was too
hard to pull them out.  And if you're making yardage as your livelihood you
wouldn't take the time.  It also has a commercially made edge attached that
I've
seen on other pieces of edging.  I think that is what was sewn to the
garment.

I think a lot of PdG was made around 1900 because it was very popular.  I
don't know if this is from then but it could be.  Oh, I know why else I was
writing.  The final cost therefore is a little over $1.00 USD for 3" x 2"
(7.5 cm x 5cm) of lace.  I'm hoping the original lace makers made better
wages than that!

Jane in Vermont, USA hoping I can send this.  The computer or the server or
something in between is acting very odd tonight.
[EMAIL PROTECTED]

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Re: [lace] Re: Reconstruction of Old Laces

2006-03-19 Thread blackwellc
Sorting through all of this, it appears that

1.  PayPal adjusts the conversion rate of international purchases to offset the 
fees it pays to do business with credit cards.  The buyer pays this rate.

2.  PayPal converts the funds before placing in the seller's account.  The 
conversion fee is charged to the seller's account.

3.  With domestic purchases, many sellers say they will not work with PayPal 
purchases involving credit cards.  Presumably that is because PayPal also 
passes the cost of credit on to the seller in domestic transactions.  

Clay  
--
Clay Blackwell
Lynchburg, VA


 Cindy Rusak <[EMAIL PROTECTED]> wrote: 

=
Good Morning Arachnes,

Tamara, I think you would find that the exchange rate that Visa would 
charge you would be about the same as what Paypal charges you.  When we 
first moved to the US and checked into using our US visa cards for foreign 
currency purchases the 'hidden' fees were somewhere about 2-1/2% so I 
continued to use my Canadian Visa for foreign currency purchases because it 
did not have the hidden charges.  Unfortunately about two years ago my 
Canadian Visa also decided it needed that little extra so it doesn't matter 
which card I use now.  What I mean by hidden charges is that in the 
exchange rate they use includes an extra 2-1/2% and it doesn't appear as an 
extra charge.  Maybe you have a better Visa account that doesn't charge a 
fee - you'd have to check your user agreement

Cindy Rusak - in sunny, almost looking like spring, Wisconsin.

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Re: [lace] Re: Reconstruction of Old Laces

2006-03-19 Thread blackwellc
 By the time I learned about www.kloeppelbuch.de, my copy of 
"Reconstruction..." was "in the pipeline".  But I ordered another book which 
caught my eye.  I got a number of emails from Kloeppelbuch:  the first thanking 
me for opening an account, the next confirming my order, the third telling me 
the book was being prepared for shipment, and the fourth telling me that the 
book had been shipped.  But I did not get multiple confirmations with different 
order numbers, so Tamara - you may have two books on their way to you.  

As far as PayPal goes, I also keep a separate account for PayPal to access.  
Seems like a prudent thing to do, if you are able to set up a "free" account at 
your bank.  It's not likely to be worth it if you have to pay bank fees every 
month to maintain it.  But I checked my figures.  My PayPal invoice also came 
in German (which I never studied, but have picked up enough to muddle through 
in the essentials...).  I checked the conversion rate given by PayPal, and then 
checked my PayPal account.  It was spot-on the amount that it should have been. 
 But then I checked an on-line currency conversion table, and noticed that 
while the dollar has weakened about a penny a day for the last week, it was 
never as low as the rate that PayPal was using.  So they're making money 
there...

And when I read the fine print, I saw that the conversion fee is paid by the 
recipient.  So what you see on your PayPal account is what you pay.  The 
booksellers will receive slightly less.  

Clay

--
Clay Blackwell
Lynchburg, VA


 Tamara P Duvall <[EMAIL PROTECTED]> wrote: 

=
On Mar 17, 2006, at 14:33, Tess Parrish wrote:

> All the information that I had lost is now retrieved thanks to all
> those who have written me in the last ten minutes since I posted my
> request.  The best email of all was this one:
> 
>> I think I have found the book, Reconstruction of Old Laces, you want. 
>> Go to www.kloeppelbuch.de.  Or, if that does not work,
>> try http://www.xn--klppelbuch-fcb.de/ It is under their new books. 
>> Some of the site is in English, they will take PayPal and I saw the
>> logo for Visa and Mastercard.  I have not investigated further.  Since
>> the book you want is a new book they will ship it free.

I have just bought the book from the site, and here's an update on the 
above, from a compu-idiot...

1) If there is an option for "plastic" (Visa/Mastercard) it wasn't 
offered to me. Check/Money Order or PayPal were the the only choices 
for payment method. (I chose PayPal). Too bad, since the dollar 
continues to creep upwards and, by the time the Visa bill came, it 
might have been a bit more favourable vis rate of exchange. As it is, 
PayPal calculated it at almost a dollar more than the Currency 
Converter did. Small potatoes, but cents add up to dollars, and dollars 
help the retirement fund :)

2) I used English for the account sign-up, but the PayPal invoice came 
in German. Disconcerting to say the least, given that my German had 
never been all that good, and has rusted through since...

3) The PayPal confirmation came at $25.01 for the 20Euro purchase... 
The fee for the currency exchange was not included, so I'm not sure how 
much the transaction will _actually_ come to. Somewhat important, since 
I have a totally separate bank account to serve PayPal, and keep only 
enough money in it to pay for the current purchases (so that it can't 
be "raided" by some puter-savvy "cowboy"). I'll need to "prime the 
pump" first thing Monday, and it would have been nice to _know_ just 
how much...

I hope the sky won't fall if I don't do it till Monday... I was 
counting on being able to pay by Visa, so didn't worry about the lack 
of funds in the PayPal account. By the time I was told that Visa was 
not an option, I didn't know how to back out of the transaction (with 
the bookseller; PayPal is easy, since "pay" and "cancel" are still in 
English, even if everything else is not ).

4) Although PayPal seems to have charged me only once, I got _two_ 
confirmations of the order-process, each with a different (consecutive) 
number from the Kloeppelbuch, and my account also seems to show two 
orders. We'll see how the cookie crumbles, but I'm not prepared to pay 
twice for a single book, nor do I want two single books... At least 
they _are_ books, not CDs. I hope 

5) Pox on technology... :)

PS The shipping, on new books, _is_ free (for surface mail, up to 20 
kilo, I think), and there was no shipping charge attached to my bill. I 
thought something about getting the upcoming new Voelcker (nee Loehr) 
book from them too, since their price is a whole Euro less than that of 
Fay's, but decided that, all things being equal, I'd not desert an old 
(10 yrs? more?) friend/supplier for such peanuts; treachery has a 
higher sticker price than a Euro :)

Anyway, with the book (Stil-Bluten, umlauted "u"; no idea what it 
means, or where the Ulrike's usual pun is) not due out til

Re: [lace] About me!

2006-03-15 Thread blackwellc
Hello Agnes!

Thank you for your nice "About Me".  I feel that we know you a bit better!  

I applaud the efforts you and your husband are making to provide basic bobbins 
for an affordable price.  It is possible to buy plain bobbins by the sack, but 
it's so much more satisfying to have an array of nice woods on your pillow 
early on!  Beginners will thank you!

Christine Springett is a delightful person and a very good teacher.  You will 
enjoy your workshop in June!!  

Clay

--
Clay Blackwell
Lynchburg, VA


 Agnes Boddington <[EMAIL PROTECTED]> wrote: 
> some friends then also got  interested in 
bobbins and lace, and since then there has been no stopping him, and I 
started to sell bobbins on ebay. We try to keep them affordable, do not 
claim them to be pieces of art, but very functional, nice looking bobbins.

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Re: [lace] S/Z twist - was RTFM - should have know this!

2006-03-15 Thread blackwellc
Dear David --

For once, I read the original note to the list and then followed up by reading 
all the responses before I jumped in with my own 2 cents worth...

And while I found some satisfaction in the fact that I've been at this 
obsession called lacemaking long enough to recognize all the variations on the 
theme of CT, CTC, CTCT and the opposite TC, etc..., I was surprised that your 
response was the only one which related to my own immediate reaction to Jenny's 
original note (which, btw Jenny, I think your attention to detail on this point 
is admirable.  My tendency was to just "do it", and then when I needed to talk 
to someone about a problem, I found that my vocabulary was deficient!!).  

Yes, I agree that bobbins can be wound in either direction, as long as you're 
consistent.  But like you, David, I think that if you're not mindful of the 
twist of your thread, you'll spend a lot of time chasing misbehaving bobbins 
who have thrown their hitch!!

I know that there are two schools of thought on treating Z-twist and S-twist 
threads differently.  Some teachers insist that if you wind your bobbins 
"properly",  the twist is of no consequence.  But I am a firm believer (from my 
own experience with threads, relatively brief though it is...) that if your 
threads usually behave, and suddenly you find yourself with a "rogue thread", 
the chances are that you usually use an "S" twist but have found yourself with 
a "Z" twist and are treating it the same.  (of visa-versa).  

So my suggestion re winding is to keep doing what works for you, but to bear in 
mind that the twist of your thread CAN make a difference, and when those 
bobbins start misbehaving, then rewind them (and then, obviously hitch them) in 
the opposite direction and see if that makes a difference.

Some threads are more difficult than others.  Silks and metallics are unruly, 
no matter how you wind them.  For these threads, I like to use a collar on the 
thread to keep it under control.  This is made easily from a clean drinking 
straw, cut in a length to fit the thread section of the bobbin, and then cut up 
the length to open it.  Fitted over the thread, it closes up again and keeps 
the thread in place.  I still hitch the thread, but it doesn't have the 
tendency to hop off the head of the bobbin that it does without the collar.


Clay

Clay Blackwell
Lynchburg, VA


 David in Ballarat <[EMAIL PROTECTED]> wrote: 

=
Dear Jenny,
>
> Bobbins can be wound clockwise or anticlockwise - it does not matter as
> long as you are consistent
> Ref: Introduction to Bobbin Lace by Rosemary Shepherd page 17

that's quite true, but the important things to consider then is the
direction of the half-hitch which holds the thread on (this too must be
consistent according to direction) and most importantly whether the
direction of winding is effected by whether the thread is a "Z" or "S"
twist. (here we go again...)

David in Ballarat - doing much much mroe than merely lurking :)
>

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Re: [lace] bobbin makers

2006-03-14 Thread blackwellc
Sorry about the confusion!  Yes, Richard Worthen is providing the 
commemoratives at the Spring NCRL lace day.  I was referring to the FALL lace 
day in my note!

Richard's bobbins have a consistent design and are beautifully finished.  When 
made for commemoratives, he has them engraved by laser, for a truly elegant 
look.  His bobbins are mostly a variety of hardwoods with inlays of other 
materials and beads.  He also carries a number of very nice lacemaker's tools 
and display items.

Richard does not have a website but can be reached by email at [EMAIL PROTECTED]

Clay
--
Clay Blackwell
Lynchburg, VA


 CLIVE Rice <[EMAIL PROTECTED]> wrote: 

=
No, the Registration for NCRL says Richard Worthen will provide the 
commemorative bobbin at a cost of $9 each.  I don't know his address or 
contact and suggested that you, Clay, provide that to the list.

B.A.

- Original Message - 
From: <[EMAIL PROTECTED]>
Subject: Re: [lace] bobbin makers


> Yes!  Fran is an excellent choice.  I believe (could be wrong...) that she 
> is providing the commemoratives for the NCRL Fall Lace Day this year.
>
> Clay

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Re: [lace] bobbin makers

2006-03-13 Thread blackwellc
Yes!  Fran is an excellent choice.  I believe (could be wrong...) that she is 
providing the commemoratives for the NCRL Fall Lace Day this year.

Clay

--
Clay Blackwell
Lynchburg, VA


 [EMAIL PROTECTED] wrote: 

=
How about Fran at Knotwork Lace Tools
http://www.lacebobbins.com/

I have several of her Danish bobbins, and love them.  She also makes 
other styles of bobbin.

Robin P.
Los Angeles, California, USA
(formerly  Pittsburgh, Pennsylvania)
[EMAIL PROTECTED]

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[lace] Best wishes to Margaret Adkins

2006-03-12 Thread blackwellc
I've just learned from Susan Wenzel that Margaret Adkins is retiring.  She is 
the person who made the wonder pillow bags and bobbin holders that so many of 
us have used and loved.  I know of at least one person who intended to buy 
another bag before long, and now she won't be able to!

I wish Margaret all the best in her retirement, and hope that this is not being 
forced on her by ill health.  I hope she knows how much we have loved her work!

Clay
--
Clay Blackwell
Lynchburg, VA

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Re: [lace] Quiet List?

2006-03-12 Thread blackwellc
Hi Bev, Betty Ann, and Patsy!!

Thank you for letting me know that it wasn't my server or computer!!  I had 
lots of mail this morning (although still not much from the list!).  

On the other hand, yesterday was our first truly beautiful spring day, so at 
least around here, everyone spent as much time outside as they could!!  I 
thought the sunbather I saw was going a bit far, but the bicyclers and 
gardeners were having a wonderful time!!

Clay
--
Clay Blackwell
Lynchburg, VA


 bevw <[EMAIL PROTECTED]> wrote: 

=
I was wondering the same, then couldn't think of a lace question to
wake up the list!
LOL

I was away and now I'm back.
I have put a few pins in the lng lace for the garter ( = it is
only lng because it seems that way. 1 metre of lace isn't much,
and especially if a person keeps putting off working on it LOL).
and started a tear drop motif from the BBellon book. I can put this
aside any time and work on the garter lace. But I haven't.
:p

On 3/11/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> Is everyone away for the weekend?  I haven't gotten a bit of email for 24 
> hours!  I'm wondering if my new mail server is missing something!!

--
Bev in Sooke BC (on Vancouver Island, west coast of Canada)
Cdn. floral bobbins  www.woodhavenbobbins.com
thinking that tea and lace, for the evening, might be a nice thing to do

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[lace] Quiet List?

2006-03-11 Thread blackwellc
Is everyone away for the weekend?  I haven't gotten a bit of email for 24 
hours!  I'm wondering if my new mail server is missing something!!

Clay
--
Clay Blackwell
Lynchburg, VA

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Re: [lace] Educating the masses

2006-03-08 Thread blackwellc
EXCELLENT suggestion, Jane!  We should all carry a small "show&tell" kit in our 
purse!  Now, to go round up a few little items for mine!!...

Clay
--
Clay Blackwell
Lynchburg, VA


 Jane Dobinson <[EMAIL PROTECTED]> wrote: 

=
Hello Spiders

Today I put into practice my plan to have lace in my purse since I was going
out to lunch with 3 older ladies. I took along a note card with a picture of a
Downton lacemaker that I picked up in Salisbury (thank you Hendrika for the
idea), a Midlands bobbin, my "Jane" pattern hanky and the yellow silk bookmark
that I made for Bev for the Gazette. The perfect opportunity presented itself
and away I went  :)  They were fascinated and the end result is that I have
been invited to attend a group called "Questors" where I'm to give a
presentation on lacemaking ! I think it will be great and will further our
cause :)

Jane
in spring-like Sault Ste. Marie Ontario

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Re: Fw: [lace] Re: Helpful cheap tools--reverse tweezers

2006-03-08 Thread blackwellc
Hi Bobbi -

Yes, Richard Worthen is the maker, and that is the little gadget that I've 
mentioned.  I gave him one of my own swivel hackles and asked him to put a 
bobbin "handle" on it.  Since then, he has made hundreds of them!  They're 
handy to have to help with those really short broken threads.  I guess it bears 
mentioning that once Richard has put a handle on then, they no longer swivel, 
but that's not a necessary component for our use.

Clay

Clay
--
Clay Blackwell
Lynchburg, VA


 Roberta S Donnelly <[EMAIL PROTECTED]> wrote: 

=
Hi all,
First I want to apologize for not being 100% sure of the maker.
But at Convention last year in Denver I bought a bobbin with 
one of these little swivel things on the end. It is exactly the 'rotary
hackle' that Tamara is talking about but in stead of that metal shaft
there is a wooden bobbin (nice looking too!). It's wonderful! I
*think* that the maker was Richard Worthen. Can't find a web 
site for him though. Anyone with any thoughts?
It is a lovely piece though and if anyone is interested I will send
you a photo of mine.
Be safe and make lots of lace!
bobbi

 ~*~
  Do not meddle 
  in the affairs of dragons,
  for you are crunchy,
   and taste good with ketchup.
==
On Mar 7, 2006, at 19:37, [EMAIL PROTECTED] (Robin) wrote:

> I have a pair of reverse tweezers, but I didn't get them from Holly.
> They're a little longer than a bobbin, which I prefer to the very short
> hackle pliers.  And, since they're made from ribbon-shaped metal
> instead of the round (wire-shaped) metal of hackle pliers, I find it
> easier to pinch them open.

Ah... But the hackle pliers on the swivel-handle that Clay had 
introduced me to aren't round at all at the pinch part... :) They're as 
small as others at the "business" (thread holding) end, but they flare 
out immediately into a comfortable 5mm flat width where you pinch them 
to open... And, as Clay had said, the handle is both skinny and as long 
as most bobbins, so can be paired with a bobbin when two need to run 
parallel for a bit (retiring the broken end of a thread and introducing 
a fresh one)... Also, at their widest part, they're still only 5mm 
wide, which means they don't take up as much space on the pillow as the 
more traditional, shorter ones.

They really _are_ great, at least the original ones are. You can see 
them here:
http://www.traditionalangler.com/Griffin_FlyTying_Tools.asp

Griffin-made are the ones I used to get; I don't remember what the 
other brand (the ones where part of the spring protrudes) was, since I 
never got any.

-- 
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Helpful cheap tools

2006-03-07 Thread blackwellc
Bev wrote:There is an unfortunate disadvantage to the stability of the hackle
pliers - you do need strong fingers to open them. V. frustrating if
the fingers are affected, such as with arthritis :(

This is true.  But there are different types of h/p devices, some being stiffer 
than others.  And the electrical wire clamp requires very little finger 
strength.  I'd suggest testing them in the shops to see if one will suit you.

Clay
--
Clay Blackwell
Lynchburg, VA

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Re: [lace] Helpful cheap tools

2006-03-07 Thread blackwellc
Sorry, I hit the "send" button too fast...

The other option if you can't get to a fly-fishing supply shop is to go to a 
place like Radio Shack (electronic supplies).  They have wire clips which 
feature a little "plunger" top which, when depressed,  causes a small metal 
hook to come out of the end.  When you hook your thread in this and release the 
plunger, the hook retreats and the thread is clamped in place.  They're very 
inexpensive and come in a variety of sizes and colors.

Clay  
--
Clay Blackwell
Lynchburg, VA


 The Browns <[EMAIL PROTECTED]> wrote: 

=
For those of us who can't get to fishing shops, possible we could use  
good eyebrow tweezers .Any thoughts?
Sheila in a wet (at last) Sawbo'
www,lace-helpandhistory.info

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Re: [lace] Helpful cheap tools

2006-03-07 Thread blackwellc
The problem with eyebrow tweezers is that they're like scissors - they open and 
close freely, so when you put them down, the thread falls out.   Hackle pliers, 
on the other hand, are like small clamps - they are closed unless you pinch 
them open.  The particular hackles that I like have rubber-like pads on the 
tips so they grip the thread quite well when closed.  This means you can put 
them down and pick them up again just as you would a wound bobbin.

Clay

--
Clay Blackwell
Lynchburg, VA


 The Browns <[EMAIL PROTECTED]> wrote: 

=
For those of us who can't get to fishing shops, possible we could use  
good eyebrow tweezers .Any thoughts?
Sheila in a wet (at last) Sawbo'
www,lace-helpandhistory.info

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Re: [lace] Re: Handy and inexpensive lace tools

2006-03-06 Thread blackwellc
Hello Jane!!

Your method makes PERFECT sense to me, having finally learned the Springett 
method, and also being comfortable with the continental method for tallies.  
Yes, elevating the passives would make it much easier to navigate the worker 
through them, AND...  tensioning on either side is something I learned from 
another participant at Christine's workshop, and really helps me keep the 
tension even from one side to the other.  For many, your method may be just the 
ticket!!

I'm constantly delighted with the power of this list - we cross-pollinate with 
ideas, and everyone benefits!

Clay

--
Clay Blackwell
Lynchburg, VA


 Jane Dobinson <[EMAIL PROTECTED]> wrote: 

=
Hello All
A few years ago, I was determined to master making leaves and so chose a 
doily pattern with leaves all around the centre.  I had been taught by a 
Finnish lady and found her technique very difficult, especially now that I 
have a bad thumb joint.  I decided to try Julie Nichol's method, the one 
commonly used in England I think, where one holds the 3 bobbins in between 
your fingers of your left hand and then works the "weaver" as if it were a 
"shuttle".  I found it to be a real problem with my hand cramping so came up 
with the idea of making a little "pillow" (4"x5"x1/2") of stryrofoam, 
covered in fabric.  I set the bobbins on the "pillow" at the right angles 
and then hold them in place with my left hand on top.  I can then easily use 
my weaver to make the leaf since there is space between the bobbins and 
pillow.  I've used this idea with all my students and they can make good 
leaves from the start and get better the more they make. I teach them to 
tension upwards at both sides.
Hope this makes sense - maybe will help somebody else who's struggling.

Jane
in sunny, mild Sault Ste. Marie Ontario 

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Re: [lace] Springett workshop

2006-03-06 Thread blackwellc
Yes, Christine still uses that expression when describing how to make a picot!  
In our workshop two weekends ago, she told us who coined that phrase, but I 
have forgotten now.  Maybe someone else can remember.  She was careful to give 
credit to a number of teachers who have been important to her.

Clay
--
Clay Blackwell
Lynchburg, VA


 Elizabeth Ligeti <[EMAIL PROTECTED]> wrote: 

=
In the mid 1980's the Springetts came to Australia (Twice), and gave us 
workshops.
When tensioning up carefully, christine told us to "Milk Fairy Cows" (How do 
you do that? - Very Carefully!)  I wonder if she still tells students that!!
It is such a silly phrase, - that one Never, Ever forgets it!

It still makes me smile when I find myself telling me to "Milk Fairy Cows", 
if I am being too enthusiastic with tensioning up

David gave a wonderful talk on bobbins, and the other time Christine gave a 
great slide show of her collection (or some of it).  They were both 
memorable occasions.

Regards from Liz in Melbourne
[EMAIL PROTECTED] 

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Re: [lace] Handy and inexpensive lace tools

2006-03-06 Thread blackwellc
That swivel head hackle from Tamara is like the one I discovered in the 
fly-tying shop!  I gave Tamara one, and between the two of us, we managed to 
briefly clean out the supplies in tackle shops near us and shared them with 
friends all over!

Clay
--
Clay Blackwell
Lynchburg, VA


 Jacqui Southworth <[EMAIL PROTECTED]> wrote: 

=
On Sun, 05 Mar 2006 22:39:28 +, you wrote:


>Nope, I'll have to disclaim the credit for that.  I learnt about them from
>Jacqui Southworth, who lives in a fishing port, so she's a more likely
>source.  Bought mine from the UK Lace Guild at an AGM.  

Thanks for the credit Steph, but I couldn't find any locally because they are 
used in fresh water (fly) fishing. I got mine from somewhere else, but I
can't remember where, and Tamara sent me a pair on a swivel head which are 
really dinky :-)
ttfn Jacqui

Jacqui Southworth, Fleetwood, Lancs, England
[EMAIL PROTECTED]
[EMAIL PROTECTED]
Larkholme Lace - Bobbin Lace Supplies, painted bobbins and tools,books
www.larkholmelace.co.uk
*** Mother's Day and Easter bobbins now available ***

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Re: [lace] Handy and inexpensive lace tools

2006-03-05 Thread blackwellc
Hemostats are indespensible!!  I use them when I spangle bobbins...  It's 
almost as good as having another hand!

Clay
--
Clay Blackwell
Lynchburg, VA


 Barb ETx <[EMAIL PROTECTED]> wrote: 

=
In the same vein, Clay, Coming from a non-fishing family..however a medical
one, I   use hemostats

> hackle plier
which could be used to hold broken threads while repairing, or could be used
when you get to the bitter end of a thread and there isn't enough to hold it
on a bobbin, but there is enough to get to the end of the project!  

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Re: [lace] Handy and inexpensive lace tools

2006-03-05 Thread blackwellc
Years ago, I think it was Steph Peters who introduced us to the hackle plier 
which could be used to hold broken threads while repairing, or could be used 
when you get to the bitter end of a thread and there isn't enough to hold it on 
a bobbin, but there is enough to get to the end of the project!  Eager to 
acquire a couple of these, I went off to the fly-fishing shop where I found 
them.  I also found something called a "swivel hackle", which was just the 
length of a bobbin!  I found that it was perfect for the purpose, and use those 
instead of the smaller ones.  Later, at a lace day, I asked Richard Worthen to 
use one of his broken bobbins to put a bobbin "handle" in place of the metal on 
swivel hackle.  He did, and since then has made and sold hundreds of them!  Of 
course, this fits into the category of "handy", but with Richard's fancy bobbin 
addition, they are no longer inexpensive!  But you don't need the bobbin end on 
it for it to work, and I consider the person who orig
 inally discovered hackle pliers to have "invented" a wonderful lacemaking tool!

I also love to use ultrasuede as a work cloth when working with continental 
bobbins.  The bobbins don't roll quite as quickly on this, but still move when 
you want them to.  But I've found ultrasuede to be unsuitable for spangled 
bobbins - they really don't move on it very well.

Clay
Clay
--
Clay Blackwell
Lynchburg, VA


 Elaine Chock <[EMAIL PROTECTED]> wrote: 

=
Good morning!

At 07:20 AM 3/5/2006, Jo Falkink wrote:

>Don't be impressed too much by the price of many 
>tools. Most have a cheap alternative. For 
>example bobbins of wood bbq-sticks and old 
>magazines (as poited out already), a string as a 
>bobbin winder, the  "JÄLL laundry bag with stand" of Ikea as a pillow stand.

I hadn't thought about using "string as a bobbin 
winder" for ages!  My first teacher taught me how 
to do this, and for ages I carried a string to 
every class or workshop.  Then I got an 
"official" bobbin winder and forgot all about my trusty string.

I also remember the first time I saw one of those 
"tongue depressor"-type bobbin stackers.  It was 
in Belgium, and I thought it was a really neat 
idea.  I've used them ever since.

I once got a homemade gizmo made of two pieces of 
plastic held together with velcro.  This was 
about the size of a silver dollar, and the 
purpose was to sandwich a bobbin's spangle 
between the plastic so the spangle would be 
protected while using a bobbin winder.

I also have a collection of crocheted bobbin 
holders -- you know, those double-stitch things 
that can store a Continental bobbin in every 
hole.  When pinned to the pillow and covered with 
a tight cover cloth, you can take your pillow 
wherever you go, without having the bobbins 
rearrange themselves when you're not looking.

I live near an IKEA, but it never occurred to me 
to use one of their products as a pillow stand.  I'll have to check it out!

This makes me wonder about other things we've 
learned or discovered as we've gone along.  Does 
anyone else remember a tool or technique that you 
once used and have forgotten about?  Or one that 
you've used so long, and it seems so 
simple/effective, that you take it for granted 
and assume everyone else uses it, too?  Perhaps 
you've invented something yourself to fulfill a 
particular lacemaking need.  It might be fun to share these.

Elaine 

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[lace] Change of email

2006-03-05 Thread blackwellc
For those of you who have me in your address books, please note that I have a 
new email address.  I have unsubscribed <[EMAIL PROTECTED]> and will be 
cancelling that account shortly.  My new email address is <[EMAIL PROTECTED]>

Clay

Clay Blackwell
Lynchburg, VA

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Re: [lace] Leaves.

2006-03-04 Thread blackwellc
That's exactly what Christine instructed us to do in our workshop last weekend. 
 So as a result, not only are the leaves wide, they tend to be "plump" as well. 
 We were working with variegated thread which is relatively large, so the 
leaves were "huge"!  She instructed us to gently pull the three passives in 
succession until the leaf lay flat between the two pins.

Clay

--
Clay Blackwell
Lynchburg, VA


 bevw <[EMAIL PROTECTED]> wrote: 

=
I recall that Christine Springett says something similar, in the first
Bedfordshire video. I tried it and it worked! Similarly with plaits,
you work to just past the point where you want the plait to enter the
work, or make a change, place the pin and tension to snug the stitches
into place.
Now contrarily there might be a teacher somewhere who instructs that
we dont' use the pins to tension against, they are merely to hold the
work in position, but I find them useful that way.

On 3/3/06, The Browns <[EMAIL PROTECTED]> wrote:
> Veronica Sorenson used to advise making your leaves slightly longer than
> you needed .info
>
--
Bev in Sooke BC (on Vancouver Island, west coast of Canada)
Cdn. floral bobbins  www.woodhavenbobbins.com
blogging lace at www.looonglace.blogspot.com

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