Re: Lilypond 2.7.15 ----- Any news on a release for windows?
Trent J. writes: DIV class=RTEIs there any news on when 2.7.15 will be released for windows... we seem to be 3 versions behind the rest at the moment../DIV Funny you should mention it, I have been working quite hard on the windows 2.6.4 release. FWIW, I consider development snapshots a bonus, esp. considering CVS hasn't been usable lately. Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond 2.7.15 ----- Any news on a release for windows?
Considering the amount of internal brain surgery that seems to have been done since 2.7.12, I wouldn't be surprised if the latest Windows version is much more stable than 2.7.15, so maybe you shouldn't complain. On the other hand, it means that fewer people get the chance to discover and report the bugs. /Mats Trent J wrote: Hi all, Is there any news on when 2.7.15 will be released for windows... we seem to be 3 versions behind the rest at the moment.. Trent ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \book usage
Graham Percival wrote:
But are there any other problems that you solve easier with
lilypond-book?
Yes. The above produces:
collection.pdf (includes piece1, with pages numbered 1 and 2)
collection-1.pdf (includes piece2, with pages numbered 1 and 2 as well)
(assuming piece1 and 2 are both 2 pages)
If you get two PDF output files, then you still have some \book{...} left
in one of the included files! Just remove all of them and you should get
all your pieces in a single PDF with continuous page numbering.
/Mats
Now, I _could_ manually set piece2 to start on page 3, and I could
probably find some command-line tool to stick foo.pdf and foo-1.pdf
together as fooall.pdf (I know pstools can do this with ps files)...
but I found it easier to use lilypond-book.
The automatic page numbering is a bigger issue than sticking pdfs
together. Once I've found the tool (pdftools ?), I can just include
those commands in a script and have it done automatically. But if I
change the order of pieces in a collection, or add an extra page of
text at the beginning or whatever, I'd have to change all the manual
page numbers again.
Cheers,
- Graham
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Signal Processing
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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Re: 2 conversion problems 2.4.6-2.6.3
Thomas Ruedas wrote: Hi, ... 2.) The other problem concerns the width of the braces at the beginning of the piano staff. While these were just perfect in the old version, they are too wide in the new one, although I didn't change anything in the source. How is that possible, and how do I fix it? Do you mean that they are too high or are you talking about the horizontal width? I tried to compare the following pages from the manual of versions 2.4 and 2.7, respectively and can't notice any difference (unfortunately the on-line manual for 2.6 hasn't been updated since version 2.6.1, which had a bug so the braces were not shown at all) http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Piano-staves.html#Piano-staves http://lilypond.org/doc/v2.7/Documentation/user/out-www/lilypond/Piano-staves.html#Piano-staves /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond-Book (under winXP)-Help on Env. Variables
Hi to all!
while running lilypond-book.py
=
C:\Program Files\MUSIC\LilyPond\usr\binlilypond-book.py --psfonts
D:\Lilypond-Scores\Lilybook\deneme.lytex
=
I got the following error:
**
Reading D:\Lilypond-Scores\Lilybook\deneme.lytex...
Running latex...The system cannot find the path specified.
-- this is probably the main error..
lilypond-book.py: error: `latex' failed (signal 1)
lilypond-book.py: error: The error log is as follows:
Traceback (most recent call last):
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1675,
in ?
main ()
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1641,
in main
chunks = do_file (file)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1503,
in do_file
set_default_options (source)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 680, in
set_default_option
textwidth = get_latex_textwidth (source)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1322,
in get_latex_textwid
ly.system ('latex %s' % tmpfile)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilylib.py, line 296, in system
sys.stderr.write (open (error_log_file).read ())
IOError: [Errno 2] No such file or directory: 'tmpb6ycn-latex.errorlog'
**
however my environment variables and file locations are as follows:
Path (user) : C:\texmf\miktex\bin;
%SystemRoot%\system32;
%SystemRoot%;
%SystemRoot%\system32\WBEM;
...[irrevelant entries removed]...
LYEDITOR=C:\Program Files\Editors\WinEdit\WinEdt.exe;-this one doesn't
seem to work either
C:\Python24;
latex=C:\texmf\miktex\bin\latex.exe
Path (System) : C:\texmf\miktex\bin;
%SystemRoot%\system32;%SystemRoot%;
%SystemRoot%\system32\WBEM;
C:\Program Files\Utilities\Diskeeper\;
C:\Python24;
LYEDITOR=C:\Program Files\Editors\WinEdit\WinEdt.exe;
latex=C:\texmf\miktex\bin\latex.exe
I messed with them to some extend..
Thanks for any help
-
Best regards,
Mehmet Okonşar, pianist-composer
www.okonsar.com
[EMAIL PROTECTED]
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Re: 2 conversion problems 2.4.6-2.6.3
[...] But I know that OSX and windows have built-in software character map, and I'm certain that many exist for linux and windows. For Linux: gucharmap Best, Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond-Book (under winXP)-Help on Env. Variables
I'm working on this problem! By the way, please always tell exactly
what LilyPond package you use.
/Mats
Mehmet Okonsar wrote:
Hi to all!
while running lilypond-book.py
=
C:\Program Files\MUSIC\LilyPond\usr\binlilypond-book.py --psfonts
D:\Lilypond-Scores\Lilybook\deneme.lytex
=
I got the following error:
**
Reading D:\Lilypond-Scores\Lilybook\deneme.lytex...
Running latex...The system cannot find the path specified.
-- this is probably the main error..
lilypond-book.py: error: `latex' failed (signal 1)
lilypond-book.py: error: The error log is as follows:
Traceback (most recent call last):
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1675, in
?
main ()
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1641, in
main
chunks = do_file (file)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1503, in
do_file
set_default_options (source)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 680, in
set_default_option
textwidth = get_latex_textwidth (source)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilypond-book.py, line 1322, in
get_latex_textwid
ly.system ('latex %s' % tmpfile)
File C:\Program Files\MUSIC\LilyPond\usr\bin\lilylib.py, line 296, in system
sys.stderr.write (open (error_log_file).read ())
IOError: [Errno 2] No such file or directory: 'tmpb6ycn-latex.errorlog'
**
however my environment variables and file locations are as follows:
Path (user) : C:\texmf\miktex\bin;
%SystemRoot%\system32;
%SystemRoot%;
%SystemRoot%\system32\WBEM;
...[irrevelant entries removed]...
LYEDITOR=C:\Program Files\Editors\WinEdit\WinEdt.exe;-this one doesn't
seem to work either
C:\Python24;
latex=C:\texmf\miktex\bin\latex.exe
Path (System) : C:\texmf\miktex\bin;
%SystemRoot%\system32;%SystemRoot%;
%SystemRoot%\system32\WBEM;
C:\Program Files\Utilities\Diskeeper\;
C:\Python24;
LYEDITOR=C:\Program Files\Editors\WinEdit\WinEdt.exe;
latex=C:\texmf\miktex\bin\latex.exe
I messed with them to some extend..
Thanks for any help
-
Best regards,
Mehmet Okonşar, pianist-composer
www.okonsar.com
[EMAIL PROTECTED]
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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Re: what is wrong with this \markup /padding?
In your original question, you didn't really say what you wanted to achieve
and you didn't include any complete example. A \markup{...} is used just
like any text string and within a score, you either have to attach it to
a note
like
b4^\markup{\italic Moderato }
or if you want it right at the top of the piece or over a bar line, use
\mark \markup{\italic Moderato }
Read about Text Scripts and Text Marks in the manual for more information
on these two options. Also, note that if you want to override the padding
property, you need different commands for these two options, since different
layout objects are used.
s1 itself is a spacing note (i.e. an invisible note), so you definitely
don't
want to add it in a voice of music. Spacing notes are sometimes used
in some parallel voice, for example to be able to put a text script or a
dynamic
indication or whatever at a place where you don't have any note starting.
In the example you sent earlier today, my guess is that you really want
something
like
\tempo 4=80
\time 3/4
\once \override TextScript #'staff-padding = #4.0
b4^\markup{ Pelleagato }^\markup{ \italic Andantino } \mf c d
or combining both into a single two-line markup
\tempo 4=80
\time 3/4
b4^\markup{ \column {\italic Moderato Pelleagato }} \mf c d
or using \mark (changing the alignment from default center to left)
\tempo 4=80
\time 3/4
\once \override Score.RehearsalMark #'padding = #4.0
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup{ \column {\italic Moderato Pelleagato }}
b4 \mf c d |
In the first of these three examples, I didn't use padding but
staff-padding,
since otherwise you get a very wide spacing also between the two markups
(try it yourself, to see what I mean).
Regarding the tremolo, the number after the : should indicate the
duration of each subdivision. I don't know the standard notation for
guitar music, but on most other instruments you use 3 beams to indicate
tremolo, i.e. b8:32
/Mats
Jay Hamilton, Sound and Silence wrote:
This sort of worked, whereas the other two suggestions did not work at
all.
However what it did not do was raise the word 'Moderato' above the
tempo marking the word Pelleagato appears next to the tempo marking
which would be sufficient/acceptable except I still don't know what is
going on.
My guess is that s1^ is doing something even though it's doing
something different in each case- which means that I don't know what/why.
I suspect that Han-Wen did answer thoroughly but I accidently deleted
that response.
I apologize.
Jay
Martial wrote:
\once \override TextScript #'padding = 2.0
\markup{ \italic Moderato }
test this :
{
\once \override TextScript #'padding = #2.0
s1^\markup{ \italic Moderato }
s1^\markup{ Pelleagato }
}
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: 2 conversion problems 2.4.6-2.6.3
Windows XP: Start Menu - Programs - accessories - System Tools - Character Map. /Mats Gilles wrote: [...] But I know that OSX and windows have built-in software character map, and I'm certain that many exist for linux and windows. For Linux: gucharmap Best, Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: was markup/padding but now tremolo and that markup/padding
for me Moderato is above the line Pellagato;
I use Lilypond 2.7.12 for window
My guess is that s1^ is doing something even though it's doing something
different in each case- which means that I don't know what/why.
s1 is a silence tempo breve
You can change s1 by a note sample c1
c1^\markup{ \italic Moderato }
--
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http://cathemline.org
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midi for many pieces
Hello I working with a composition with many pieces. I structure all they
in a book enviroment like this:
--- file book.ly --
:
: Flute = \relative c'' {
: \key c \major
: \time 4/4
: a b c d f g a
: } flute = {
: \set Staff.instrument = Flute
: \set Staff.midiInstrument = flute
: \clef treble
: \context Staff \Flute
: }
:
: Violin = \relative c'' {
: \key c \major
: \time 4/4
: g f e d c b a g
: } violin = {
: \set Staff.instrument = Violin
: \set Staff.midiInstrument = violin
: \clef treble
: \context Staff \Violin
: }
:
: \book {
: \header {
: title = Book test
: composer = My name
: }
:
: \score {
: \header { piece = Piece 1 }
:
: \context Staff = flute \flute
:
: \layout { }
: \midi { \tempo 4=60 }
: }
:
: \score {
: \header { piece = Pice 2 }
:
: \context Staff = violin \violin
:
: \layout { }
: \midi { \tempo 4=60 }
: }
: }
:
---
But when I compile the *.ly file it generate only the midi for the second
score. For the compilation comments above I think that it overwrite the
first score.
[EMAIL PROTECTED] lilypond book.ly
GNU LilyPond 2.4.5
Processing `book.ly'
Analizando...
Interpreting music... [2]
Preprocessing graphical objects...
Calculating line breaks...
Interpreting music...
Salida MIDI a `book.midi'...
Track...
Interpreting music... [3]
Preprocessing graphical objects...
Calculating line breaks...
Interpreting music...
Salida MIDI a `book.midi'...
Track...
Layout output to `book.tex'...
Converting to `book.dvi'...
Converting to `book.ps'...
Converting to `book.pdf'...
I want to get one midi file, with the two consecutive scores, or two midi
files, one for each score. Do you know how can I do it?
Thanks
Daniel Hernandez
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Re: midi for many pieces
I seem to recall that this was a bug in version 2.4 that has been fixed
in later
versions. On possibility might be to put each \score{...} within its own
\book{...}, at least for the MIDI outputs (if you do that for the paper
output,
you will get one PDF file for each \book). Note also that the \book in your
example below is completely redundant.
/Mats
Daniel Hernandez wrote:
Hello I working with a composition with many pieces. I structure all they
in a book enviroment like this:
--- file book.ly --
: : Flute = \relative c'' {
: \key c \major
: \time 4/4
: a b c d f g a
: } flute = {
: \set Staff.instrument = Flute
: \set Staff.midiInstrument = flute
: \clef treble
: \context Staff \Flute
: }
: : Violin = \relative c'' {
: \key c \major
: \time 4/4
: g f e d c b a g
: } violin = {
: \set Staff.instrument = Violin
: \set Staff.midiInstrument = violin
: \clef treble
: \context Staff \Violin
: }
: : \book {
: \header {
: title = Book test
: composer = My name
: }
: : \score {
: \header { piece = Piece 1 }
:
: \context Staff = flute \flute
:
: \layout { }
: \midi { \tempo 4=60 }
: }
: : \score {
: \header { piece = Pice 2 }
:
: \context Staff = violin \violin
:
: \layout { }
: \midi { \tempo 4=60 }
: }
: }
:
---
But when I compile the *.ly file it generate only the midi for the
second score. For the compilation comments above I think that it
overwrite the first score.
[EMAIL PROTECTED] lilypond book.ly
GNU LilyPond 2.4.5
Processing `book.ly'
Analizando...
Interpreting music... [2]
Preprocessing graphical objects...
Calculating line breaks...
Interpreting music...
Salida MIDI a `book.midi'...
Track...
Interpreting music... [3]
Preprocessing graphical objects...
Calculating line breaks...
Interpreting music...
Salida MIDI a `book.midi'...
Track...
Layout output to `book.tex'...
Converting to `book.dvi'...
Converting to `book.ps'...
Converting to `book.pdf'...
I want to get one midi file, with the two consecutive scores, or two
midi files, one for each score. Do you know how can I do it?
Thanks
Daniel Hernandez
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: midi for many pieces
But when I compile the *.ly file it generate only the midi for the second score. For the compilation comments above I think that it overwrite the first score. [EMAIL PROTECTED] lilypond book.ly GNU LilyPond 2.4.5 ^ That's a known bug. The only way out is to upgrade to 2.6.x. Best, Gilles ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: New and bug-free 2.6.4-4 for Windows [WAS: text font problems with 2.6.4 for windows?]
Python and midi2ly seem OK, but now lilypond.exe doesn't seem to do anything useful. I tried: lilypond -h lilypond somefile.ly both from a Windows command prompt and from within Cygwin and there are no printouts or output files whatsoever. It doesn't make any difference if I specify a full path for the executable. Also, I noticed that the uninstaller (at least for some of the previous versions) didn't remove the changes done to the environment variables, so now I have .PY both at the front and at the end of PATHEXT, for example. /Mats Jan Nieuwenhuizen wrote: Mats Bengtsson writes: Thanks for your efforts! However, is it really that hard to make a simple test case yourself? There are still a number of problems to solve: Please have a look at the new and bug-free 2.6.4-4! Python and argv0 relocation should both work now (at least, they work for me :-) Jan. -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
What plug-ins to use in Jedit
Hi, I have just installed Jedit, and I wandered... There is so many plug-ins to install, should I only install "LilyPond Tool" or is there anyone else to use in benifit of LilyPond? Best Regards Jannik ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grob Direction error
i've been getting this since 2.7.14 too. (macos 10.4.2)
has this been addressed further on the lists? (i found no reply to
this mail).
here's an example of code that gives me this. it occurs as soon as i
put in the tie.
best,
sean
\version 2.7.15
eOrg = \relative c' {
\time 3/8
\clef treble
\tieDashed
fis, d' gis a8~\longfermata fis d' gis a4 |
}
\new Staff \eOrg
Sean Reed
Hamburg, Germany
Web: www.seanreed.de
On 28.10.2005, at 09:41, Neil Killeen wrote:
Hi
have just upgraded to 2.7.14 from 2.6.31 (Mac version).
I now get the rather drammatic error message
programming error: Grob direction requested while calculation in
progress.
the output looks fine so I am wondering if this is a debug statement
in the development version ?
cheers
Neil
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Re: Grob Direction error
I'm afraid that the comment on brain-surgery at the end of
http://lists.gnu.org/archive/html/info-lilypond/2005-10/msg3.html
is still valid in 2.7.14 and 2.7.15.
/Mats
Sean Reed wrote:
i've been getting this since 2.7.14 too. (macos 10.4.2)
has this been addressed further on the lists? (i found no reply to
this mail).
here's an example of code that gives me this. it occurs as soon as i
put in the tie.
best,
sean
\version 2.7.15
eOrg = \relative c' {
\time 3/8
\clef treble
\tieDashed
fis, d' gis a8~\longfermata fis d' gis a4 |
}
\new Staff \eOrg
Sean Reed
Hamburg, Germany
Web: www.seanreed.de
On 28.10.2005, at 09:41, Neil Killeen wrote:
Hi
have just upgraded to 2.7.14 from 2.6.31 (Mac version).
I now get the rather drammatic error message
programming error: Grob direction requested while calculation in
progress.
the output looks fine so I am wondering if this is a debug statement
in the development version ?
cheers
Neil
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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: midi for many pieces
But when I compile the *.ly file it generate only the midi for the second score. For the compilation comments above I think that it overwrite the first score. [EMAIL PROTECTED] lilypond book.ly GNU LilyPond 2.4.5 ^ That's a known bug. The only way out is to upgrade to 2.6.x. Thanks, I upgrated lilypond and lilypond-data packages to the 2.6.3-9 versions from the unstable debian package repositories and now it works fine. -- Daniel Hernandez ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bars and clefs
An alternative solution that goes more to the source of the actual problem is to do something like \override Score.BarLine #'space-alist = #'( (time-signature . (extra-space . 0.75)) (custos . (minimum-space . 2.0)) (clef . (minimum-space . 1.5)) % Default value = 1.0 (key-signature . (extra-space . 1.0)) (key-cancellation . (extra-space . 1.0)) (first-note . (fixed-space . 1.3)) (next-note . (semi-fixed-space . 1.3)) (right-edge . (extra-space . 0.0))) Maybe you have to increase the minimum space from BarLine to key-signature even further, 1.5 is just a guess. This is definitely something that's hard to figure out yourself from the documentation. That's why we have a mailing list. /Mats Guy Durrieu wrote: [EMAIL PROTECTED] a écrit : You might try \once \override Staff.Clef #'extra-X-extent = #'(-2 . 1) \clef tenor which would give you 2 more units of space to the left of the clef symbol and 1 more unit of space to the right of the clef. (tenor: sorry, I deleted so much e-mail that I've lost track of what clef you actually wanted.) I'm sitting at a non-LilyPond machine at the moment, so I can't test that to verify it, but I've used similar commands to provide extra space to the left or right of various musical graphic objects (grobs). -- Tom Thanks for your help. I'll try that. I am aware of these commands, but it is not easy for a beginner to find out the right command with the right parameters. And they may be difficult to use since the other objects stay where they are :) Regards. -- Guy ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: 2 conversion problems 2.4.6-2.6.3
On Friday 04 November 2005 09:54, Mats Bengtsson wrote:
2.) The other problem concerns the width of the braces at the
beginning of the piano staff.
Do you mean that they are too high or are you talking about the
horizontal width?
They are too high - sorry for being unclear. The ends of the braces
now reach above and below the uppermost and lowermost lines of the
right-hand and left-hand piano staff, respectively, whereas they were
at the same level before.
I have put two example images on
http://www.geophysik.uni-frankfurt.de/~ruedas/brace24.png
http://www.geophysik.uni-frankfurt.de/~ruedas/brace26.png
which were both generated with
\version 2.4.6 (resp. \version 2.6.3)
u = { \change Staff = upper \stemDown }
l = { \change Staff = lower \stemUp }
i = \context Staff {
\context Voice = i
\voiceOne
\clef bass \key bes \major \time 2/4
\relative { \u bes,8 \l bes \u bes \l bes }
}
ii = \context Staff {
\context Voice = ii
\voiceTwo
\clef bass \key bes \major \time 2/4 s2
}
\score {
\context PianoStaff
\context Staff = upper \i
\context Staff = lower \ii
}
Thomas
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Re: New and bug-free 2.6.4-4 for Windows
Mats Bengtsson writes: Python and midi2ly seem OK, Yay! but now lilypond.exe doesn't seem to do anything useful. How odd. I can't imaging changing anything except for fixing argv0 relocation (and of course, it works for me). Do you have a lilypond-windows.exe or lilypond-console.exe in your usr/bin directory? What about drag and drop operation? You did try setting LILYPOND_VERBOSE? Did you try the lilypond-windows.exe version too? ... It turns out that I didn't produce 2.6.4-4 from a clean build, my lilypond-windows.exe was broken. I'm uploading 2.6.4-5 right now, so any more testing (my questions above) please against that. Also, I noticed that the uninstaller (at least for some of the previous versions) didn't remove the changes done to the environment variables, so now I have .PY both at the front and at the end of PATHEXT, for example. Yes, it should prepend now only once, because that's easier to check. I think that removing this one is a bit tricky and useless. Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Proper Text output (kerning etc.)
Am 2005-10-29 um 10:57 schrieb Han-Wen Nienhuys: As an elucidation: you should use fonts which are distributed as .ttf files, like Verdana. Getting fonts working which are distributed as dfonts or inside Resource forks, is something that I'd love to work on that as a sponsored feature. dfonts work, but only if they contain only one font. I played around with fontconfig configuration, so that I got its fonts.cache-1 file everywhere I store fonts (texmf trees etc.), but these fonts never get used by LilyPond, regardless of format (TTF or anything else). Don't know if the bug's in fontconfig/pango or LilyPond. Greetlings from Lake Constance --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ http://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
grace-notes in tuplets
Hi,
Is there a good reason, that I just don't know of that the two tuplets
below do not give the same result?
Peter
==
\version 2.6.3
\paper {
raggedright = ##t
}
\new DrumStaff
\new DrumVoice {
\drummode { \times 2/3 { \grace sn8 sn8 sn sn }
\times 2/3 { \grace sn8 sn8 sn sn } }
}
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Re: grace-notes in tuplets
Alle 19:07, venerdì 04 novembre 2005, Peter Mogensen ha scritto: Hi, Is there a good reason, that I just don't know of that the two tuplets below do not give the same result? Peter I've just tried compiling your code with Lilypond 2.7.12 and the two tuplets look exactly the same. Could it be a bug of the 2.6.3 version? Maybe upgrading to the 2.6.8 will be of use. Gianluca ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: grace-notes in tuplets
Alle 19:20, venerdì 04 novembre 2005, Gianluca D. ha scritto: Maybe upgrading to the 2.6.8 will be of use. Gianluca Oops... I meant version 2.6.4- sorry :) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello! Complicated newbie questions!
Hi everyone!
I just discovered lilypond the other day, and I can't stop playing
with it. I have all sorts of questions, and I'm hoping maybe some
people here might be able to point me in the right direction.
First, here are the simple questions:
1. how can I make a small note? like, sometimes in a bass part
(vocal) there's an additional note an octave down, sometimes small,
sometimes in brackets, indicating that you can sing it if you're
able. I see in the manual an incredibly complex way to change the
notehead size in a chord. That's too much effort. I managed to do it
like this:
\relative c
\new Staff {
\clef bass
{c4 c c c f f e2
d4 d c c b g c2 \\ \tiny c,}
}
That's not too bad, trouble is the note has a seperate stem, which
might not be what you want. Is there any other way to do this?
2. Similarly, can I print a notehead with NO stem?
3. What about putting parentheses around a note in the score ie (o)
4. One other simple one. I'm sure I saw somewhere in the
documentation a way to extend lines, something like
\header{
composer = Mozart \\
\line the child prodigy
}
or something like that. But, now I can't find it any more!
OK, now, here are the tough questions.
5. I'm inputting cyrillic text. I've noticed that if cyrillic and
latin text coincide, they collide in a mess. Is this a known problem?
I'll send an example, but I don't know if this list will take
attachments. Basically if I write cyrillic latin cyrillic in, say,
\header{
title = cyrillic latin cyrillic
}
the result on the score will be cyriic where ## indicates
overlapped text.
6. I'm trying to understand how to format a choral score. Of
particular interest is how the words get attached etc.I looked at the
examples in section 3 of the manual, but that's not quite what I
want. So far, I've settled on this:
\score
{
\context ChoirStaff
\context Staff = bari
\clef bass
\mainvoice
\context Lyrics = bari \mainwords
\context Staff = bass
\clef bass
\secondvoice
}
Am I doing this right? Among the things I don't understand are how/
when the names apply (bari), and where the lyrics get stuck. In my
example, if I move my \context Lyrics line below the second staff,
the words print there as well. Yet, in the manual clearly the words
are tied to the staff explicitly?
7. Finally (for now), I'm having trouble aligning lyrics to music. I
have this:
mainvoice = \relative c
{
\key a \minor
\repeat volta 2
{
\partial 8*3
e8 a8. [ b16] c2~c8 b16 a gis8. a16 b2 r8
}
}
mainwords = \lyricmode{ one -- two -- three -- four five six }
So, the end of sylable four should align with c2~c8.. It does, but
five is also under the c2, not under the subsequent b16 where it
belongs. I've tried adding _ and __ and even _ __, but there doesn't
seem to be any effect. Am I doing something wrong? Same problem in
English and Cyrillic.
Greatly appreciate any help people can give me. This is a very cool
program, and I'd very much like to use it more!
Thanks,
Markian
PS: System: Mac OS X 10.4.2, Lilypond version 2.6.4-1, also using
lilypad preview 2-1
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Re: Hello! Complicated newbie questions!
On Friday 04 November 2005 23.12, Markian Hlynka wrote:
7. Finally (for now), I'm having trouble aligning lyrics to music. I
have this:
mainvoice = \relative c
{
\key a \minor
\repeat volta 2
{
\partial 8*3
e8 a8. [ b16] c2~c8 b16 a gis8. a16 b2 r8
}
}
mainwords = \lyricmode{ one -- two -- three -- four five six }
So, the end of sylable four should align with c2~c8.. It does, but
five is also under the c2, not under the subsequent b16 where it
belongs. I've tried adding _ and __ and even _ __, but there doesn't
seem to be any effect. Am I doing something wrong? Same problem in
English and Cyrillic.
Please re-read the sections about lyrics carefully. You probably want to use
\lyricsto or \addlyrics.
--
Erik
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Re: Proper Text output (kerning etc.)
Henning Hraban Ramm wrote: As an elucidation: you should use fonts which are distributed as .ttf files, like Verdana. Getting fonts working which are distributed as dfonts or inside Resource forks, is something that I'd love to work on that as a sponsored feature. dfonts work, but only if they contain only one font. I played around with fontconfig configuration, so that I got its fonts.cache-1 file everywhere I store fonts (texmf trees etc.), but these fonts never get used by LilyPond, regardless of format (TTF or anything else). Don't know if the bug's in fontconfig/pango or LilyPond. By default, the MacOS .app only pays attention to fonts in /Library/Fonts /System/Library/Fonts /usr/share/fonts/ and ~/.fonts ; It should also load the ~/.fonts.conf config file. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
\lyricsto was: Complicated newbie questions!
On Nov 4, 2005, at 15:52, Erik Sandberg wrote:
On Friday 04 November 2005 23.12, Markian Hlynka wrote:
7. Finally (for now), I'm having trouble aligning lyrics to music. I
have this:
mainvoice = \relative c
{
\key a \minor
\repeat volta 2
{
\partial 8*3
e8 a8. [ b16] c2~c8 b16 a gis8. a16 b2 r8
}
}
mainwords = \lyricmode{ one -- two -- three -- four five six }
So, the end of sylable four should align with c2~c8.. It does, but
five is also under the c2, not under the subsequent b16 where it
belongs. I've tried adding _ and __ and even _ __, but there doesn't
seem to be any effect. Am I doing something wrong? Same problem in
English and Cyrillic.
Please re-read the sections about lyrics carefully. You probably
want to use
\lyricsto or \addlyrics.
I see, but I don't understand to what I must attach \lyricsto
Also, is there a way to have a main lyrics line for choral stuff, and
alternative extra lyrics per voice as needed? ie so the main lyrics
only print out once if there's a master staff? Does that make sense?
Markian
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Re: what is wrong with this \markup /padding?
Mats [et al} thank you as for the tremolo in the 2.6 manual section 6.7.6 it gives examples with a half note and the stem has one slash perhaps I mistakenly thought that even if it was an eighth note to get one slash I merely needed to :8 But since that should really mean two 16ths I probably should have :16? Jay Mats Bengtsson wrote: Regarding the tremolo, the number after the : should indicate the duration of each subdivision. I don't know the standard notation for guitar music, but on most other instruments you use 3 beams to indicate tremolo, i.e. b8:32 /Mats -- Childhood is a Journey not a race- Emma Sadinsky aged 8 Jay Hamilton Sound and Silence 206-328-7694 www.soundand.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Hello! Complicated newbie questions!
I'm on a steep learning curve also, and the list has been great. There are a
couple of other things you can do. Download the manual onto your machine and
then do word searches for what you are trying to do. For example, if you do
a search for transparent, you 'll find ways to make bars, notes and stems
transparent, among other things.
Another thing I have been doing is finding templates wherever I can and then
using or adapting them. People will often send you a template if you tell
them what you are trying to do. Another good place to look is
www.mutopiaproject.org. There you'll find lots of different styles of music
with both the pdf and .ly files.
Finally, don't forget about Google. It will often take you straight to list
archives regarding your search.
You sound really excited about Lilypond, as are we all. But you might get
more responses if you split up your questions into separate emails with their
own subject line.
Regards
Arthur
On Friday 04 November 2005 03:12 pm, Markian Hlynka wrote:
Hi everyone!
I just discovered lilypond the other day, and I can't stop playing
with it. I have all sorts of questions, and I'm hoping maybe some
people here might be able to point me in the right direction.
First, here are the simple questions:
1. how can I make a small note? like, sometimes in a bass part
(vocal) there's an additional note an octave down, sometimes small,
sometimes in brackets, indicating that you can sing it if you're
able. I see in the manual an incredibly complex way to change the
notehead size in a chord. That's too much effort. I managed to do it
like this:
\relative c
\new Staff {
\clef bass
{c4 c c c f f e2
d4 d c c b g c2 \\ \tiny c,}
}
That's not too bad, trouble is the note has a seperate stem, which
might not be what you want. Is there any other way to do this?
2. Similarly, can I print a notehead with NO stem?
3. What about putting parentheses around a note in the score ie (o)
4. One other simple one. I'm sure I saw somewhere in the
documentation a way to extend lines, something like
\header{
composer = Mozart \\
\line the child prodigy
}
or something like that. But, now I can't find it any more!
OK, now, here are the tough questions.
5. I'm inputting cyrillic text. I've noticed that if cyrillic and
latin text coincide, they collide in a mess. Is this a known problem?
I'll send an example, but I don't know if this list will take
attachments. Basically if I write cyrillic latin cyrillic in, say,
\header{
title = cyrillic latin cyrillic
}
the result on the score will be cyriic where ## indicates
overlapped text.
6. I'm trying to understand how to format a choral score. Of
particular interest is how the words get attached etc.I looked at the
examples in section 3 of the manual, but that's not quite what I
want. So far, I've settled on this:
\score
{
\context ChoirStaff
\context Staff = bari
\clef bass
\mainvoice
\context Lyrics = bari \mainwords
\context Staff = bass
\clef bass
\secondvoice
}
Am I doing this right? Among the things I don't understand are how/
when the names apply (bari), and where the lyrics get stuck. In my
example, if I move my \context Lyrics line below the second staff,
the words print there as well. Yet, in the manual clearly the words
are tied to the staff explicitly?
7. Finally (for now), I'm having trouble aligning lyrics to music. I
have this:
mainvoice = \relative c
{
\key a \minor
\repeat volta 2
{
\partial 8*3
e8 a8. [ b16] c2~c8 b16 a gis8. a16 b2 r8
}
}
mainwords = \lyricmode{ one -- two -- three -- four five six }
So, the end of sylable four should align with c2~c8.. It does, but
five is also under the c2, not under the subsequent b16 where it
belongs. I've tried adding _ and __ and even _ __, but there doesn't
seem to be any effect. Am I doing something wrong? Same problem in
English and Cyrillic.
Greatly appreciate any help people can give me. This is a very cool
program, and I'd very much like to use it more!
Thanks,
Markian
PS: System: Mac OS X 10.4.2, Lilypond version 2.6.4-1, also using
lilypad preview 2-1
When arguing with an idiot, be sure they aren't doing the same.
___
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