alternate time sigs
I'd like to do this: http://notendur.centrum.is/~bobroff/lily/vartime.png Now, I figure I can handle the invisible changes between 9/8 and 3/4 by using \compressMusic or \times as necessary. I'm guessing that the compound time signature hack could serve as a model for the displaying the time signature as it is in the above example, but I only about half understand how that all works. Insights/comments/suggestions are welcome. -David ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: triplets
Take a look at the example called tuplet-properties.ly in the Regression Tests document to see how to turn off triplet brackets and do other fine tuning. /Mats Graham Percival wrote: On 5-Dec-05, at 5:50 AM, Homrighausen wrote: Hi Graham, one more question: the triplets in the attachment should not be connected. What can I do? Please keep lilypond emails on the mailing list. That way other people can help or get help from the answers. By connected, do you mean beamed? If so, see the manual about beams. If you want to remove the triplet bracket, it's a bit more complicated, and I don't know how to do it. I would start by reading the chapter on changing defaults, though. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Roadmap to lily code
I would start the other way around, namely in the LSR or (more or less equivalently) with the Regression Tests and Tips and Tricks documents. For Scheme, see Appendix B Scheme tutorial and the links therein. See also http://mitpress.mit.edu/sicp/ for a book that's a standard reference in computer science and uses Scheme throughout. /Mats D Josiah Boothby wrote: Regarding scheme, I can't really help you and would welcome additional explanations. However, in general, the easiest way to learn Lilypond (or at least what worked for me) is to go to the mutopia website and download lilypond sources. Copy and paste until you get comfortable starting from scratch (at which point you'll probably continue copying and pasting because you may find that it takes less time). Also, the LSR (lilypond snippet repository) can be quite useful, but unfortunately, I have not spent enough time there to tell you how useful it is. Josiah On Mon, 5 Dec 2005, Mehmet Okonsar wrote: Hello users and creators of the best music notation program in the world! What can you suggest for learning Scheme? A set of few links for getting from almost 0 up to Lilypond source. Recommended readings textbooks and on-line tutorials.. Thanks - Best regards, Mehmet Okonşar, pianist-composer www.okonsar.com [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Trivial (?) question re dynamics positioning
The conclusion is that you should look at the manual for version 2.6 if you use that version and the manual for version 2.7 if you use that. The original answer provided a link to the version 2.7 manual. /Mats Thomas Ruedas wrote: On Monday 05 December 2005 19:22, David Rogers wrote: On 5-Dec-05, at 8:52 AM, Thomas Ruedas wrote: I use 2.6.3 and got the following error: Interpreting music... error: unknown translator: `Engraver_group' In the link above, I've changed 2.7 to 2.6 - there appear to be some small differences in the templates for the different versions. And always say which version you're working on when you ask a question. :-) Yes, sorry, I forgot that - however, what is the conclusion now? Is the Engraver_group a new feature introduced only in 2.7? Then this example shouldn't be in the 2.6 branch of the docs. Thomas -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
triplets
Hi,
I need some help with triplets. I want to have 3 triplets in one measure. Each
triplet consists of bbg (example below). So each triplet should be beamed
individually. But: what happens is that all 3 triplets are connected by one
lang beam. What can I do?
Jutta
{
\time 3/4
\key g \major
\times 2/3 { b''8 b' g' }
\times 2/3 { b''8 b' g' }
\times 2/3 { b''8 b' g' }
}
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Re: triplets
On 12/6/05, jutta [EMAIL PROTECTED] wrote:
Hi,
I need some help with triplets. I want to have 3 triplets in one measure. Each
triplet consists of bbg (example below). So each triplet should be beamed
individually. But: what happens is that all 3 triplets are connected by one
lang beam. What can I do?
Try
{
\time 3/4
\key g \major
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
}
with the [ and ] brackets to specify start- and stop-beaming by hand.
--
Trevor Bača
[EMAIL PROTECTED]
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xml2ly-0.69.0
Hi everybody, I'm the author of the old xml2ly. I followed in the shadow the recent thread about MusicXML import, and I'd like to tell what happened to my work on xml2ly. First of all, the website http://www.nongnu.org/xml2ly is unmaintained, both because I missed to do the update procedure after some troubles on the GNU servers and due to lack of time and motivation. So, the first xml2ly rests in peace - and will do so forever ;-) BTW, it did its job rather well, as XSLT was not the best technology for such a task. Later on, I started a rewrite in Python. Step by step, I went on for some years... I was contacted by people asking for news about my work (hi Árpád, Nigel, Aaron, Piotr, Enrico!) and I gave them the scratches I had at hand. Few weeks ago I decided to polish definitely the new convertor and release it as musicxml2ly. Then, I read the thread on the Lilypond mailing-list and wrote to Han-Wen to talk about its own roadmap: he suggested me to send anyway my work to the list as soon as possible. So, here is the new xml2ly! I decided to name it xml2ly once again in order to avoid name clashes with Han-Wen's one, which is still well worth to be sponsored, due to the better design, integration with Lilypond infrastructure and distribution, and the known quality of his work. I'm releasing xml2ly hoping it will be useful, in the meanwhile. Ciao! Guido xml2ly-0.69.0.tar.bz2 Description: application/bzip-compressed-tar ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: triplets
A better solution is to tell LilyPond to automatically beam the
triplets this way, see 8.6.2 Setting automatic beam behavior for
more details. For Jutta's example, just add
#(override-auto-beam-setting '(end 1 12 3 4) 1 4)
#(override-auto-beam-setting '(end 1 12 3 4) 2 4)
before the triplets start.
Also, to save some typing, I would recommend to read about the
tupletSpannerDuration property in the section on Tuplets.
The resulting example could then look something like:
\version 2.6.0
{
\time 3/4
\key g \major
#(override-auto-beam-setting '(end 1 12 3 4) 1 4)
#(override-auto-beam-setting '(end 1 12 3 4) 2 4)
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { b''8 b' g' b''8 b' g' b''8 b' g' }
}
/Mats
Trevor Bača wrote:
On 12/6/05, jutta [EMAIL PROTECTED] wrote:
Hi,
I need some help with triplets. I want to have 3 triplets in one measure. Each
triplet consists of bbg (example below). So each triplet should be beamed
individually. But: what happens is that all 3 triplets are connected by one
lang beam. What can I do?
Try
{
\time 3/4
\key g \major
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
}
with the [ and ] brackets to specify start- and stop-beaming by hand.
--
Trevor Bača
[EMAIL PROTECTED]
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: Roadmap to lily code
On Tue, 6 Dec 2005 19:48:34 +0100 Erik wrote: On Monday 05 December 2005 18.17, Mehmet Okonsar wrote: Hello users and creators of the best music notation program in the world! What can you suggest for learning Scheme? A set of few links for getting from almost 0 up to Lilypond source. Recommended readings textbooks and on-line tutorials.. Thanks You can check out schemers.org. I will not turn this into a discussion about Scheme (we could maybe find another list) but I think that some words are in place. I was interested in understanding why a programmer would choose Scheme (or Lisp) for a programming language and I found only half answers. You cannot make pointer-mistakes in Scheme, for example. I found that my RedHat has a nice scheme-interpreter, University of Massachusetts at Boston scheme, sounds nice. I tried to find out how a programmer would read a string and e.g. cut the first letter (character) and put it into a variable. It is easy to understand that Scheme makes a new variable each time you get something which has to be stored. Changing strings is not possible in scheme; you create a new one and overwrite or delete the old one, I think. Correct me if I am wrong (but see the quote below from wikipedia first). However I wanted to know how this language would cut strings and I never found out - I even think that UMB-scheme cannot assign the first half of a string to another (new) string. Shame on me, sort of, I couldn't go on especially when I got the advice to try to understand what you actually **can do** with Scheme, because every operation translated into machine code or C-code in my head. I am still wondering why you cannot take the first half of a string ... So I need a good introduction to the rationale behind Scheme, and I think I have found such one on Wikipedia: http://en.wikipedia.org/wiki/Scheme_programming_language The dialect of Lisp known as Scheme was originally an attempt by Gerald Jay Sussman and Guy Steele during Autumn 1975 to explicate for themselves some aspects of Carl Hewitt's theory of actors as a model of computation. Hewitt's model was object-oriented (and influenced by Smalltalk); every object was a computationally active entity capable of receiving and reacting to messages. The objects were called actors, and the messages themselves were also actors. An actor could have arbitrarily many acquaintances; that is, it could know about (in Hewitt's language) other actors and send them messages or send acquaintances as (parts of) messages. Message-passing was the only means of interaction. Functional interactions were modeled with the use of continuations; one might send the actor named factorial the number 5 and another actor to which to send the eventually computed value (presumably 120). When I read such stuff I wonder why a message isn't an object. And how do they propose to cut a string ... (enough said;-) -- dax2-tele2adsl:dk -- http://d-axel.dk/ Donald Axel ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: alternate time sigs
On Tue, 06 Dec 2005 08:45:19 + David Bobroff [EMAIL PROTECTED] wrote: I'd like to do this: http://notendur.centrum.is/~bobroff/lily/vartime.png Now, I figure I can handle the invisible changes between 9/8 and 3/4 by using \compressMusic or \times as necessary. I'm guessing that the compound time signature hack could serve as a model for the displaying the time signature as it is in the above example, but I only about half understand how that all works. Insights/comments/suggestions are welcome. It would be nice with real compound time signature support, there already is #(set-time-signature ...) which you can give beat groupings, but it isn't used by the timesig engraver nor by the autobeamer... /Jonatan-=( http://kymatica.com )=- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
moving colliding rests
I have a little special case where I need to enter music as two voices. The thing is that the second voice is not a real voice but just a layer that shows a pitch with a parenthesized note-head. I have made everything but noteheads transparent in this voice. But sometimes there's a rest in the first voice that collides with the parenthesized note-head, in that case I want the rest to be moved up just as if I had put \voiceOne and \voiceTwo in the two voices... But If I do that, then all stems directions are forced up/down and also rest positions are changed even when there are no colliding stuff. It seems like \override Rest #'Y-offset = #0 fixed that, at least it looks like rests are changed only when they collides with the second voice noteheads... But the stem direction is still forced, so I tried to make my own make-voice-props-set scheme function like this, where I removed all grobs but Rests in the set-direction-loop (I think): #(define (my-make-voice-props-set n) (make-sequential-music (append (map (lambda (x) (make-grob-property-set x 'direction (if (odd? n) -1 1))) '(Rest)) (list (make-grob-property-set 'NoteColumn 'horizontal-shift (quotient n 2)) (make-grob-property-set 'MultiMeasureRest 'staff-position (if (odd? n) -4 4 )) And then I call it with #(context-spec-music (my-make-voice-props-set 0) 'Voice) instead of \voiceOne But nothing happens! It's just as if there was no \voiceOne or equivalent... Any tips? What am I missing? /Jonatan-=( http://kymatica.com )=- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
bezier-sandwich stencil
Hi to all, What is format of arguments to bezier-sandwich stencil in expression: ... (ly:make-stencil (list 'bezier-sandwich [WHAT HERE?]) '(0 . 0) '(0 . 0)) ... Thanks in advance, Regards, /ak/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Install of 2.6.4 on FreeBSD
Hi Mats, I looked around and I do have gettext 0.14.5 installed on this machine, and ports have nothing for msgfmt. If that is indeed part of gettext, then it should be doing the right thing (I would think). Still no farther ahead, though. What could I try? Blessings, Fr. Gordon Hi Fr. Gordon, Are you running FreeBSD 5.X ? I don't know if this will work on 4.X, as my 4.11 machine has to have ghostscript-gpl on it [and that won't do for lilypond]. You might try starting from scratch. Make sure you've got all the necessary dependencies [texinfo, teTeX-base, teTeX-texmf, ghostscript- gnu OR ghostscript-afpl (not ghostscript-gpl) mftrace and others I'm sure I'm forgetting]. Wipe out the directory created when you untarred lilypond-2.6.4.tgz [mine is in /usr/ports/distfiles]. Now, execute tar -xzf again. Change every instance of '4.7' to '4.6' in the 'configure' file. As root, run ./configure. Next, run 'gmake install'. It will complain loudly about things, but should run. I'm guess some of your errors might be left over from running 'make' rather than 'gmake'. Just my 2 cents. -- 72, Jim N0OCT ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Code completion
I prepeared some scores, and i feel that i need something like code completion (f. egz. aviable in editors for developers). I use Kate editor for typing notes and hilghting is nice, but it's not enought. It is possibile in any editor ?? Tomasz ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Newbie: 1st Inversion C minor using Chord Mode
Hi Everyone,
I have just started using lilypond recently (2.7.16 on Mac 10.4) and
am amazed at the results, especially the midi output, so I'd like to
thank the author for the great job!
I am trying to create a C minor chord in the first inversion using
chord mode but am having difficulties getting the result I'm
expecting. I've tried reading section 7.2 of the manual but can't see
what I have done wrong. Can anyone help? Here is the file that
illustrates my problem:
\version 2.7.16
twoWays = \relative c'{
\chordmode {c:m _\markup {Root} c':m/ees _\markup {1st Inversion}
c':m/g _\markup {2nd Inversion}}
ees g c
\bar ||
}
\key c \minor
\context ChordNames \twoWays
\context Voice \twoWays
Leanne
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Re: alternate time sigs
To accomplish something like what you referred to, I put this in the
header:
tsMarkup = \markup {
\override #'(baseline-skip . 0.5)
\number {
\column { 2 4 }
\musicglyph #scripts.stopped
\column { 3 4 }
}
and this in the score (note the tsMarkup):
% Variation VI
% rehearsal 52
\override Staff.TimeSignature #'print-function =
#Text_interface::print
\override Staff.TimeSignature #'text = #tsMarkup
\time 5/4
\once \override TextScript #'font-size = #3
\once \override TextScript #'padding = #2
d8)^\markup { \bold { Var. VI } } g-. d-. g-. \bar : fis4( e8) r
b16( c b c
d8) e d e \bar : c2 c16( d c d % \break
e8) bes'-. e,-. bes'-. \bar : a4( g8) r e16( f e f
g8) a-. g-. a-. \bar : fis2 r4 \bar ||
\revert Staff.TimeSignature #'print-function
\revert Staff.TimeSignature #'text
\time 4/4
See the attachment for the result. This is a work-in-progress, so a few
things on this page are still messy, but the time signature at 52 is
fine. As for the parentheses in your example, you can make really big
parentheses with \markup and offset them to the appropriate location.
Hope this helps.
--
Kris Shaffer
graduate student in music theory, Yale University
co-editor-in-chief for music theory, AmSteg.org
www.shaffermusic.com
On Tue, 06 Dec 2005 03:45:19 -0500, David Bobroff [EMAIL PROTECTED]
wrote:
I'd like to do this:
http://notendur.centrum.is/~bobroff/lily/vartime.png
Now, I figure I can handle the invisible changes between 9/8 and 3/4
by using \compressMusic or \times as necessary. I'm guessing that the
compound time signature hack could serve as a model for the displaying
the time signature as it is in the above example, but I only about half
understand how that all works.
Insights/comments/suggestions are welcome.
-David
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horn4.png
Description: PNG image
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Re: bezier-sandwich stencil
Andrzej Kopec wrote: Hi to all, What is format of arguments to bezier-sandwich stencil in expression: ... (ly:make-stencil (list 'bezier-sandwich [WHAT HERE?]) '(0 . 0) '(0 . 0)) ... They are 2x 4 control points, in a special order. Have a look at Lookup::slur (Bezier curve, Real curvethick, Real linethick) in lily/lookup.cc -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Roadmap to lily code
Erik Sandberg wrote: I guess Guile was chosen partly because that Scheme implementation existed and integrated well with C++ and with lily's parser. the reasons were political and practical. Political, because GUILE Scheme was supposed to be The One True GNU extension language, and practical because the prefix nature made it easy to add the # hack to LilyPond. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: alternate time sigs
Kris Shaffer wrote:
To accomplish something like what you referred to, I put this in the
header:
tsMarkup = \markup {
\override #'(baseline-skip . 0.5)
\number {
\column { 2 4 }
\musicglyph #scripts.stopped
\column { 3 4 }
}
there is a + symbol in the number font nowadays, so it should work to do
\number {
\column { 2 4 }
+
\column { 3 4 }
}
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Re: Install on FreeBSD
Hi Mats, I looked around and I do have gettext 0.14.5 installed on this machine, and ports have nothing for msgfmt. If that is indeed part of gettext, then it should be doing the right thing (I would think). Still no farther ahead, though. What could I try? Blessings, Fr. Gordon Hi Fr. Gordon, Are you running FreeBSD 5.X ? I don't know if this will work on 4.X, as my 4.11 machine has to have ghostscript-gpl on it [and that won't do for lilypond]. You might try starting from scratch. Make sure you've got all the necessary dependencies [texinfo, teTeX-base, teTeX-texmf, ghostscript- gnu OR ghostscript-afpl (not ghostscript-gpl) mftrace and others I'm sure I'm forgetting]. Wipe out the directory created when you untarred lilypond-2.6.4.tgz [mine is in /usr/ports/distfiles]. Now, execute tar -xzf again. Change every instance of '4.7' to '4.6' in the 'configure' file. As root, run ./configure. Next, run 'gmake install'. It will complain loudly about things, but should run. I'm guess some of your errors might be left over from running 'make' rather than 'gmake'. Just my 2 cents. -- 72, Jim N0OCT Hi Mats, Jim all, Thanks for your help. I finally managed to get my son the computer genius to look at the situation, and he successfully installed 2.7.20 on this machine. That version really smokes!! Great stuff! I am loving using it, and hope to be back up to speed shortly. Blessings, Fr. Gordon Gilbert +=+ | Angels' Roost Farm | | Rev. Fr. Gordon Gilbert Susan Gilbert | | 705-549-5056 | |[EMAIL PROTECTED] | |[EMAIL PROTECTED] | +=+ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Code completion
Dnia wtorek, 6 grudnia 2005 23:23, napisałeś: Tomasz Bojczuk wrote: I prepeared some scores, and i feel that i need something like code completion (f. egz. aviable in editors for developers). I use Kate editor for typing notes and hilghting is nice, but it's not enought. It is possibile in any editor ?? Yes, only in jEdit. Bert OK It works fine. Thanks ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Help with fonts
Hello. [Sorry for starting a new thread on the same problem, but I fear that the old one now is deeply buried in the Lily experts' mailbox, since my own comments/infos on the issue didn't elicit any reply.] I think that I'm zeroing on the problem. Here attached a screenshot of two gv zoom windows produced from the same LilyPond file, the difference being the version of culmus Hebrew font package used: With version 0.93, the Hebrew letters are in the output while with the more recent 0.101, the letters are not printed! The diff of the 2 runs of lilypond shows: 24c24 Layout output to `test3.ps'...[/usr/X11R6/lib/X11/fonts/Type1/c059016l.pfb][/usr/X11R6/lib/X11/fonts/Type1/c059013l.pfb][/usr/share/lilypond/2.6.3/fonts/type1/PFAemmentaler-20.pfa][/usr/share/fonts/truetype/freefont/FreeSansBold.ttf][/usr/share/lilypond/2.6.3/ps/music-drawing-routines.ps][/usr/share/lilypond/2.6.3/ps/lilyponddefs.ps] --- Layout output to `test3.ps'...[/usr/X11R6/lib/X11/fonts/Type1/c059016l.pfb][/usr/X11R6/lib/X11/fonts/Type1/c059013l.pfb][/usr/share/lilypond/2.6.3/fonts/type1/PFAemmentaler-20.pfa][/usr/X11R6/lib/X11/fonts/Type1/Nachlieli-Bold.pfa][/usr/share/lilypond/2.6.3/ps/music-drawing-routines.ps][/usr/share/lilypond/2.6.3/ps/lilyponddefs.ps] There, it seems that FreeSansBold.ttf has been substituted for the actual Nachlieli-Bold.pfa. What I've noticed is that in the non-working version of culmus, the fonts have names like NachlieliCLM-Bold.pfa instead of Nachlieli-Bold.pfa. What does that mean? I've not much knowledge of how fonts are looked for and found on the system (Debian) but does that indicate a bug in the more recent culmus package (like failure to update some font listing file)? Best regards, Gilles culmus_0.93_vs_0.101.png Description: PNG image ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Presentation and first doubt
Hello comunity, At first place I would like to present myself because this is the first time I write here and I'm so glad to be part of this comunity. My name is Pedro, I have study Musicology and I didn't know the existence of lilypond until a few days ago that I finded it casually at the net; I am very surprised for the posibilities and I hope to learn to use it step by step because I am a newbie in GNU/Linux, LaTeX and of course Lilypond. I am reading the tutorial of the software but firstly at all I have a small doubt: What I want a page with the staves alone to print it? Because the first steps in the tutorial is to learn notes, but I would like to know how to print a page with a format of staves. I am very sorry for my english, there is a long time ago I cannot practice. Thank you very much. Greetings ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
triplets
Hi,
Two questions on triplets. I typed in the following code:
{
\time 3/4
\key g \major
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
\times 2/3 { b''8[ b' g'] }
}
Now, the figure 3 above each triplet is too close to the beam. How can I
increase the space? (1 mm)
I would like to have the 3´s above the beams only in the first measure. For
the rest of the score I would like to switch them off. What can I do?
Jutta
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