Re: OSX version ???
Daniel Henry wrote: Hi and thank you for developing such an interesting project. I use a Mac with OsX 10.5. I downloaded Lilypond for Mac 2.10.33 and decompressed the .tar file. The application seemed to install fine and opened when double-clicked. A small text file opened as well instructing me to save it and ... That is all fine and well but there are no menus in the menubar except from the Lilypond menu which contains no item, not even quit ! Are there some previous steps of which I am unaware or is this version incompatible with my Os ? This has been broken since at least November. There are some partial workarounds. Google for LilyPond on 10.5 or Leopard for more information. I don't know why a notice isn't on the LilyPond downpage by now. Paul Scott ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
latex, newcommand and lilypond-book
Please,
in my latex file I have:
\newcommand{\lily }[1]{\lilypondfile{#1}{#1}}
but, lilypond-book then complains:
lilypond-book: error: file not found: #1
Again in my niavete, I had hoped to use blocks of latex code like:
\begin{figure}[h]
\index{over the ocean}
\lily{lilys/over.the.ocean.ly} % current implementation of newcommand
\end{figure}
I am using a figure environment to ensure that no tune involves a page
turn.
I have googled and googled and noticed that this issue has come up
before, but I do not see a work around.
--
Thanks
Joe Mc Cool
Snark, currently LEYC
028 37548074, 07802572441
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RE: OSX version ???
Daniel Welcome to LilyPond! What you describe is quite correct behaviour. LilyPond is unlike many applications and does not have pull-down menus. Instead you must prepare and save a text file written in LilyPond input format, and then drop this on the LilyPond icon to convert this to a printed music file. The essential first step is to locate the manual which was installed with it and read the tutorial there. This describes how to write input files. If you can't find the manual, look at the LilyPond documentation on the website where you found the download. Trevor D -Original Message- From: [EMAIL PROTECTED] [mailto:lilypond-user-bounces+t.daniels=treda.co.u [EMAIL PROTECTED] Behalf Of Daniel Henry Sent: 13 January 2008 00:44 To: lilypond-user@gnu.org Subject: OSX version ??? Hi and thank you for developing such an interesting project. I use a Mac with OsX 10.5. I downloaded Lilypond for Mac 2.10.33 and decompressed the .tar file. The application seemed to install fine and opened when double-clicked. A small text file opened as well instructing me to save it and ... That is all fine and well but there are no menus in the menubar except from the Lilypond menu which contains no item, not even quit ! Are there some previous steps of which I am unaware or is this version incompatible with my Os ? Thank you for your help. Daniel ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Keeping score titles with empty music
You can use
\new Devnull { c } %% music will not be print
instead of
\context Voice {}
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RE: double repeat voltas
David Fedoruk wrote 13 January 2008 06:28
I've worked ahead on this piece of music and
found that perhaps the
problem is not where it thought that it was.
What I saw as a single bar line in the middle of
a bar is actually an
extra bar who's ending bar line I could not see
(yet). As soon as I
attempted to move into the next section, the end
of the bar appeared.
This is usually a symptom of an incorrect note
duration (one that is too long) or maybe an extra
inserted note, which cause all remaining notes
to be shifted slightly to the right, and at the
end of the section the little bit left over causes
a new bar to be started. You are using bar checks,
which is good, so make sure you have these inserted
frequently, in even every bar if the rhythm is complex,
and in all voices, including skip voices, and look for
errors in the log file. I would hazard a guess that
your skip notes don't quite match the music length.
Check the upbeats are correct too.
This has been a hair puling problem (thankfully,
I still have hair
left -- so I am not yet defeated!). The music is
as I have described
in my first post. I am at the point where the B
section is ending and
the last A is upon me.
| A |: B1 :|: B2 | B2 1st ending :| B2 2nd ending | A ||
The problem first occurs in the second ending, a
bar line in the
middle where it should not be. The other problems
in this section come
from having to move from the B section which is
one voice to the A
section which has two voices. I've only been
partially successful in
solving this problem.
Snip %%% % bar 48
}
\include english.ly
\version 2.11.37
upper = \relative c'' {
\clef treble
\key bf \major
\time 2/4
\mark Allegro
\override TupletNumber #'transparent = ##t
\set Staff.extraNatural = ##f
\set tupletSpannerDuration =
#(ly:make-moment 1 8)
\override TupletBracket #'transparent = ##t
% second ending
{ { \times 2/3 { f16[ ) a, ]
\change Staff = lower \stemDown f a[ f
] \change Staff = upper f'( d[ ) a ] \change
Staff = lower d, f,[
bf,\! ] \p a' \change Staff = upper }
} \bar ||
% bar 48
}
}
\set Score.currentBarNumber = #49
\bar
| \break
\clef treble
\key d \minor
\times 2/3 { \change staff = lower
bf16)-[ e, ] cs'( \change Staff
= upper e)-[ g, ] a ] bf-[ f ] d'( ] f)-[
a, ] bs( } |
\times 2/3 { cs16)-[ g e'( ] } \times 2/3
{ g) [ bf,? ] d( } \times
2/3 { ef-) a,[ a'( ] } \times 2/3 { c?-)[ c, ] d( } |
}
lower = \relative c' {
\clef bass
\key bf \major
\time 2/4
\skip 16 \skip 16*8
| \break
\set Score.currentBarNumber = #49 \bar
\clef bass
\key d \minor
r8 a,, a'4-. d d'8-.~
| % bar 49
d d'8 e
e'4-. fs fs'8-.~
|
}
\score {
\new PianoStaff
\override PianoStaff.SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
\set PianoStaff.instrumentName = Piano
\new Staff = upper \upper
\new Staff = lower \lower
\layout { }
\midi { }
}
%% END SNIP %%%
I hope this is enough code to see the problem.
The change from one
voice to two voices is faulty. It only almost
works. and part-way
through the first bar of A (bar 49) the end of
the bar i saw begin in
the middle of the second ending appears.
Cheers,
David
not the problem with the added bar line
inside the last repeat.
Can you please post a (small) example?
Cheers,
Valentin
--
David Fedoruk
B.Mus. UBC,1986
Certificate in Internet Systems Administration, UBC, 2003
http://recordjackethistorian.wordpress.com
Music is enough for one's life time, but one
life time is not enough
for music Sergei Rachmaninov
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RE: Fitting more bars in a line
Keith
You may need to use \noBreak and \break commands to manually
control the number of bars in a system. By forbidding line
breaks with \noBreak at the point where the breaks currently
are, you should get more bars on a line. Alternatively, if
there are too many systems you could set system-count in the
paper block to the number of systems you require.
Trevor
-Original Message-
From: [EMAIL PROTECTED]
[mailto:lilypond-user-bounces+t.daniels=treda.co.u
[EMAIL PROTECTED] Behalf Of
Keith Dunsire
Sent: 12 January 2008 22:53
To: lilypond-user@gnu.org
Subject: Fitting more bars in a line
I am attempting to transpose a victoria piece
from CPDL which is written in
Lilypond
(http://www.upv.es/coro/victoria/ly/Vadam_Et_Circu
ibo_Civitatem.ly) the
PDf is
http://www.upv.es/coro/victoria/pdf/Vadam_Et_Circu
ibo_Civitatem.pdf.
I am using 2.11.something and have had to mess
around with the Ly file to get it
to print. However I can't get it to print as
compactly (7 a4 pages) as the
original PDF, as whatever I do I can't fit enough
bars on a line.
I have used {fontSize = #-6
\override StaffSymbol #'staff-space =
#(magstep -6)} but that makes the notes
and text smaller but the bar width stays the same.
Please can anyone suggest what I can do to fit 8
or 9 bars per line rather than
7 or 8.
Thanks
Keith
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RE: Which engraver creates \fermataMarkup
Reinhold Kainhofer wrote 12 January 2008 21:54 Am Samstag, 12. Januar 2008 schrieb Trevor Daniels: Why not just leave the fermata (and everything else that you don't want) out of mII? Because I'm also creating one score for the second voice alone, so each voice needs to have the full dynamics/articulations/ornaments... (And as these are vocal voices, i cannot use \partcombine, either, since that won't work with lyrics). In that case have you considered placing the dynamics over skip notes in a separate variable and including that in parallel with the voice where you wish them to appear? This method also gives better control over the horizontal placement of dynamics too. Cheers, Reinhold Trevor ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
slanted stem
is it possible to get a stem slanted? -- Esenlikler! Best regards! Mehmet Okonsar pianist, composer, conductor == www.okonsar.com == Bugunku ozdeyisiniz: Your fortune for today is: == If I traveled to the end of the rainbow As Dame Fortune did intend, Murphy would be there to tell me The pot's at the other end. -- Bert Whitney ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond-book and LaTeX; a few issues
Le 13 janv. 08 à 08:57, Joe Mc Cool a écrit :
On Fri, Jan 11, 2008 at 10:45:45PM +0100, Nicolas Sceaux wrote:
You may get rid off LaTeX and use LilyPond only, for instance with
the
help of
this titling stylesheet:
http://lsr.dsi.unimi.it/LSR/Item?id=368
Newbie:
Please, I have tried this with the result:
GNU LilyPond 2.11.33
Processing `test.ly'
Parsing...
book-titling.ily:41:1: error: GUILE signaled an error for the
expression beginning here
#
(let ((lower-case-accented-string éèêëáà âäà ìîïóòÃ
´Ã¶ÃºÃ¹Ã»Ã¼Ã§Å$B!Hæ(B)
book-titling.ily:41:6: error: syntax error, unexpected '(',
expecting '='
#(let
((lower-case-accented-string éèêëáà âäà ìîïóòÃ
´Ã¶ÃºÃ¹Ã»Ã¼Ã§Å$B!Hæ(B)
There is something wrong in LSR wrt to character encoding. When looking
the snippet source in the database interface, it looks right, whereas in
the above link weird characters appear. The original file can be found
there: http://nicolas.sceaux.free.fr/tmp/book-titling.ily
nicolas
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Re: double repeat voltas
This is usually a symptom of an incorrect note duration (one that is too long) or maybe an extra inserted note, which cause all remaining notes to be shifted slightly to the right, and at the end of the section the little bit left over causes a new bar to be started. You are using bar checks, which is good, so make sure you have these inserted frequently, in even every bar if the rhythm is complex, I can't live without those bar checks! and in all voices, including skip voices, and look for errors in the log file. I would hazard a guess that your skip notes don't quite match the music length. Check the upbeats are correct too. I've already checked the visible notes both note by note and with the midi control track which means the problem is in the lower staff I forced to contain the single voice in tandem with the upper staff. I was not at all sure of what I was doing and just pressing on, guessing values. At the end I simply tweaked the last value until there was no empty staff space. So I think I'll have to go through and calculate all those values exactly until I find the one that is causing this. I guess I'm looking for exactly one bar of time. If I can correct the time problem will that solve the problem I'm having getting the B section to become two voices again? That problem haunts here but I think it is linked to the extra bar lines as well. Cheers, David -- David Fedoruk B.Mus. UBC,1986 Certificate in Internet Systems Administration, UBC, 2003 http://recordjackethistorian.wordpress.com Music is enough for one's life time, but one life time is not enough for music Sergei Rachmaninov ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
from abc a general approach ?
Please, I am trying to put together a collection of (Irish) traditional music and I need some general advice. I have lilypond book working quite well, but I find the abc code is such that the resulting abc2ly files are often unsatisfactory - problems with beaming, abc2ly complains about a variety of things and says HUH ? a lot. Patching up the abc and/or ly is a lot of work. One of the reasons why I tried Lillypond at all is that I perceive a lack of standards in abc files. I have also tried abcm2ps and producing eps files. But here I cannot get latex to position the graphics consistently on the page and the printed output is again not very attractive sometimes. Any tips ? Perhaps I just have to prepare myself for a lot of donkey work and there is nothing I can do about it :-( -- Thanks Joe Mc Cool Snark, currently LEYC 028 37548074, 07802572441 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fitting more bars in a line
Keith Dunsire wrote:
I am attempting to transpose a victoria piece from CPDL which is written in
Lilypond (http://www.upv.es/coro/victoria/ly/Vadam_Et_Circuibo_Civitatem.ly) the
PDf is http://www.upv.es/coro/victoria/pdf/Vadam_Et_Circuibo_Civitatem.pdf.
I am using 2.11.something and have had to mess around with the Ly file to get it
to print. However I can't get it to print as compactly (7 a4 pages) as the
original PDF, as whatever I do I can't fit enough bars on a line.
I have used {fontSize = #-6
\override StaffSymbol #'staff-space = #(magstep -6)} but that makes the
notes
and text smaller but the bar width stays the same.
Please can anyone suggest what I can do to fit 8 or 9 bars per line rather than
7 or 8.
In the latest 2.11.x there is a page-count in which you can specify the
total number of pages. If that fails, you can try forcing more measures
on a line using \noBreak.
-David
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Re: Shifting a markup
2008/1/13, Alasdair McAndrew [EMAIL PROTECTED]:
I have a time change (from 6/2 to 9/4), and at the time change I have the
markup:
\markup {
\smaller \note #2 #1 = \smaller \note #2. #1
}
above the first note in the new time signature. But I'd like to shift the
entire markup to the left and up (ideally, I'd like the = sign to sit over
the bar line between the two times). My attempts to move the markup have
resulted in the three symbols being printed over each other.
Just use something such as
{
a4 b c d
\mark \markup {
% \translate #(cons -1 0 ) % if you really need to
\smaller \note #2 #1 = \smaller \note #2. #1
}
b1
}
You might also be interested in having a look at
http://lsr.dsi.unimi.it/LSR/Item?id=204
What is the correct way of doing such a shift? I'm using version 2.10.33,
but I shall upgrade to version 2.11 when I'm back at work in eight days, and
can afford to download large files! Or is there a smallish patch to upgrade
2.10.33 to 2.11. 37?
Unfortunately not (unless you are willing to compile the whole thing
from sources).
Cheers,
Valentin
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Re: OSX version ???
2008/1/13, Trevor Daniels [EMAIL PROTECTED]: What you describe is quite correct behaviour. Not really, there is indeed a bug. Daniel, can you please read this mail I sent a few days ago? http://lists.gnu.org/archive/html/bug-lilypond/2008-01/msg00152.html I hope this will not prevent you from trying this great software! Feel free to ask for more help you you get confused. Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond-book and LaTeX; a few issues
2008/1/13, Nicolas Sceaux [EMAIL PROTECTED]: There is something wrong in LSR wrt to character encoding. OK, I've added it on my ask-Sebastiano list. Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Shifting a markup
Alasdair
One way is to use the \mark command. This is normally used
for rehearsal marks, and the key point is that it is
positioned relative to the barline. The horizontal
adjustment can be varied from left-aligned to right-aligned
by setting self-alignment-X. Left-aligned is -1,
right-aligned +1. Any value inbetween may be specified. I
found a value of -0.2 was about right:
{
c c c c
\once \override Score.RehearsalMark #'self-alignment-X =
#-0.2
\mark \markup {
\smaller \note #2 #1 = \smaller \note #2. #1
}
c c c c
}
Don't forget RehearsalMark is in the Score context by
default.
Trevor
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
On Behalf Of Alasdair McAndrew
Sent: 13 January 2008 04:22
To: lilypond-user@gnu.org
Subject: Shifting a markup
I have a time change (from 6/2 to 9/4), and at the time
change I have the markup:
\markup {
\smaller \note #2 #1 = \smaller \note #2. #1
}
above the first note in the new time signature. But I'd
like to shift the entire markup to the left and up (ideally,
I'd like the = sign to sit over the bar line between the two
times). My attempts to move the markup have resulted in the
three symbols being printed over each other.
What is the correct way of doing such a shift? I'm using
version 2.10.33, but I shall upgrade to version 2.11 when
I'm back at work in eight days, and can afford to download
large files! Or is there a smallish patch to upgrade
2.10.33 to 2.11. 37?
Thanks,
Alasdair
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Feature request: attach notation elements to barlines
Hi, Something I often want to be able to do is to attach a notational element to a barline. For example: |\fermata - place a fermata over a barline |\! - end a (de)crescendo at a barline |\sustainUp - end pedalling at a barline |\stopTextSpan - end a text spanner over a barline What would the estmated implementation difficulty and sponsorhip cost be for this? Many thanks, Jamie -- www.postlude.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
feature request: per-score ragged-last-bottom
Hi,
It would be extremely useful to be able to make settings that are
available in the \paper block on a per-score basis. So for each score in
a book, one could do
\layout {
ragged-last-bottom=##f
}
etc.
Anyone interested in implementing this feature for sponsorship?
Jamie
--
www.postlude.co.uk
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Re: Which engraver creates \fermataMarkup
I'm having a piece with each vocal voice split into two, which are printed
on
the same staff. As I only want to print dynamics, articulations etc. once,
I
simply remove the corresponding engravers from the second voice. However,
I
have not been able to find the proper engraver for the \fermataMarkup.
It 's not so hard to use scheme here :
%%%
\version 2.11.36
#(ly:set-option 'point-and-click #f)
\header {
title = Which engraver creates the \fermataMarkup on the R1?
}
mI = \relative c'' { R1-\fermataMarkup | c4\p d\accent c^Text 1
d\fermata }
mII = \relative c'' { R1-\fermataMarkup | g4\p a\accent b_Text 2
d_\fermata }
#(define (filterOneEvent event)
( let
(
(eventname (ly:music-property event 'name))
)
(display eventname);; for infos
(newline) ;; for infos
(not
(or ;; add here event name you do NOT want
(eq? eventname 'MultiMeasureTextEvent)
(eq? eventname 'AbsoluteDynamicEvent)
(eq? eventname 'TextScriptEvent)
(eq? eventname 'ArticulationEvent)
)
)
))
filtermusic = #(define-music-function (parser location music) (ly:music?)
(music-filter filterOneEvent music)
)
\context Staff
\context Voice = v1 {\voiceOne \mI}
\context Voice = v2 {\voiceTwo \filtermusic \mII}
%%%
Gilles
Gilles
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Re: Shifting a markup
Hi Trevor (et al.): by setting self-alignment-X. Left-aligned is -1, right-aligned +1. Any value inbetween may be specified. For the record, I believe *any* value (i.e., not necessarily in the range [-1,1]) may be specified. Cheers, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: slanted stem
Hi Mehmet, is it possible to get a stem slanted? I answered the same question for you some time ago... http://lists.gnu.org/archive/html/lilypond-user/2008-01/msg00208.html Hope this helps. Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Arpeggio in the wrong bar
On 12 jan 2008, at 17:56, Valentin Villenave wrote: 2008/1/12, Arjan Bos [EMAIL PROTECTED]: This only occurs when the arpeggio mark applies to a chord with fingering in it and when that same arpeggio mark spans two or more voices. Are there any ideas on this list on how to prevent it? AFAICT, you will have to set your fingeringOrientations to 'up, and then manually find the right way to move your fingerings where you need to. Thanks for the tip. I think I'll use a pencil to update the printed version with the fingering. It's for private use only, so that is a feasible solution. Arjan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Which engraver creates \fermataMarkup
Am Sonntag, 13. Januar 2008 schrieb Gilles THIBAULT: I'm having a piece with each vocal voice split into two, which are printed on the same staff. As I only want to print dynamics, articulations etc. once, I simply remove the corresponding engravers from the second voice. However, I have not been able to find the proper engraver for the \fermataMarkup. It 's not so hard to use scheme here : Wow, that's really cool! Thanks a lot for the scheme code. I've added a snippet to the LSR showcasing your approach: http://lsr.dsi.unimi.it/LSR/Item?id=372 Cheers, Reinhold -- -- Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung Jung-Wien, http://www.jung-wien.at/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Which engraver creates \fermataMarkup
2008/1/13, Reinhold Kainhofer [EMAIL PROTECTED]: Wow, that's really cool! It is indeed :) Thanks a lot for the scheme code. I've added a snippet to the LSR showcasing your approach: http://lsr.dsi.unimi.it/LSR/Item?id=372 Thanks, (happily) approved. I modified your title a bit, however it is just a suggestion (you can change it back if you prefer your title). Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond slowness when invoking with *.ly
Hi all, when processing a number of files, it takes on my machine much more time calling Lily with: lilypond *.ly than lilypond a.ly lilypond b.ly Is this a general issue with Lily's memory managment? Regards, Michael ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Stacking order TextScript / FiguredBass
Hi all,
how can I place TextScripts above a FiguredBass context?
Following example:
\version 2.11.37
\score {
\new FiguredBass \figuremode { 64 5 6 4 5 3 }
\new Staff { c'4^blabla d e f }
}
Thanks for any advice,
Michael
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hungarian characters
Hi! I have a question of lilypond (\version 2.10.10) in Windows XP I want to use special characters in lyrics (é á ú ü ű ő ö ó í) How can I do that? Thanks! Németh Pál Fót 2151 Károlyi István u.1 [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: hungarian characters
Szia! Lilypond suports UTF8 as character encoding input. Save your file in UTF8 encoding and it will appear in the pdf like you wrote it. Tiago On Jan 13, 2008 8:48 PM, Nemeth Pal [EMAIL PROTECTED] wrote: Hi! I have a question of lilypond (\version 2.10.10) in Windows XP I want to use special characters in lyrics (é á ú ü ű ő ö ó í) How can I do that? Thanks! Németh Pál Fót 2151 Károlyi István u.1 [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fitting more bars in a line
Op zaterdag 12 januari 2008, schreef Keith Dunsire:
Please can anyone suggest what I can do to fit 8 or 9 bars per line rather
than 7 or 8.
I get the best results with the system-count variable, try putting
\layout { system-count = 11 } in the score section of the first part and
\layout { system-count = 10 } in the score section of the second part.
best regards,
Wilbert Berendsen
--
http://www.wilbertberendsen.nl/
You must be the change you wish to see in the world.
-- Mahatma Gandi
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GDP: NR 1.1 Pitches
I'm still seeking comments on NR 1.1 Pitches. As far as I know, only one advanced user has read the whole thing in the past month. If you read it and didn't see any problems, please let me know. View it here (and not on lilypond.org!) http://web.uvic.ca/~gperciva/ A pdf is available. The section is 24 pages; if you prefer viewing documentation on paper, then please consider printing it out. You could read it on a bus/subway, under the table during a boring business meeting, or even during an orchestra rehearsal while the conductor fixes mistakes in the viola section. Unless you play viola, of course. I know you're all sick of me asking for comments about this section, but it's important to catch mistakes before people start translating -- if we discover mistakes after the translations are done, we need to update documents in every language, instead of just the English docs. Also, this is the first part of the NR to be updated. The rest of the NR will follow the layout of 1.1 Pitches. If there's any problems with the layout / formatting, then I *really* want to know now, before we edit the rest of the docs to match this formatting. Here is the current TODO list; don't report any issues which are already on this list. MINOR ISSUES - headword could be improved (line-break) - some minor formatting issues with included LSR stuff. POSTPONED (ie after GDP is over) Note names in other languages: - table formatting - pitches in Turkish Maquam and other microtonal systems? Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: new LilyPond based project
BopLand.org wrote: This is an announcement about new LilyPond based project. http://bopland.org The BopLand.org project is FREE knowledge database for improvising musician. The database contains hundreds of beautiful melodic patterns played by outstanding jazz musicians like Bill Evans, Clifford Brown, Gerry Mulligan and others. All licks present in the database were carefully transcribed and examined to contain no errors. More about the project: http://bopland.org/about.html For quick start with BopLand.org search engine use the links below: http://bopland.org/find-lick.html?time=4/4changes=|%20Dm7%20|%20G7%20|%20Cmajpage=1licks_per_page=10 http://bopland.org/find-lick.html?time=4/4changes=Ebmpage=1licks_per_page=10 http://bopland.org/find-lick.html?time=4%2F4changes=Dm+Bm7-5+%7C+E7+A7+%7Csearch.x=0search.y=0search=Findpage=1licks_per_page=10 The BopLand.org syntax used for adding new licks slightly differs from LilyPond's one. However all patterns found in the database come along with their source code, moreover notations used at BopLand.org closely match hand-written notaions, so adding new lick won't be a headache. Documentaion is available at http://bopland.org/bopland-format.html To contribute a lick or test the BopLand.org engine check the following link: http://bopland.org/add-lick.html The project is currently in beta version. Any comments, suggestions, and bug reports are highly appreciated at http://bopland.org/feedback.html Sincerely Yours, BopLand.org Team. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user I agree, I was enthused to see your jazz transcriptions but was disappointed. If the web site needs a user manual to use it, then it's doomed. Can you automatically just generate all the links to the content or categorize it some how so people can just browse the site? Maybe just list all the progressions you have on file as clickable links (not key sensitive). Not to be too harsh but the content should be accessible to the average person. :) Also I entered the following 2 identical chord progressions (except in different keys) but got different search results: | Dm7 | G7 | Cmaj | | Em7 | A7 | Dmaj | IOW the search engine should NOT be key sensitive. You have a great domain name and a great idea, though the site needs a useability review. I hope this was constructive as it was meant to be constructive. -- View this message in context: http://www.nabble.com/new-LilyPond-based-project-tp14761297p14793613.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
partcombine
dear all,
in the following snippet I use \partcombine and no Triplets are
displayed. When I % the \partcombine and the second part then
everything is fine.
Do I miss something?
ole
%
\new Staff {
\set Staff.printPartCombineTexts = ##f
\time 6/4
\clef G_8
\partcombine
\relative c' { \override TupletBracket #'direction = #up
r4 \times 2/3 { r8 a e'~4 } a e'2 \times 2/3 { r8 a e'4 } a~
e'~4 |
}
\relative c' {
r1 r4 r8 es,,~ |
}
}
\version 2.11.36
\new Staff {
\set Staff.printPartCombineTexts = ##f
\time 6/4
\clef G_8
%\partcombine
\relative c' { \override TupletBracket #'direction = #up
r4 \times 2/3 { r8 a e'~4 } a e'2 \times 2/3 { r8 a e'4 } a~
e'~4 |
}
%\relative c' {
%r1 r4 r8 es,,~ |
%}
}
%%
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Re: Feature request: attach notation elements to barlines
Jamie Bullock wrote: Something I often want to be able to do is to attach a notational element to a barline. Good idea. |\p |\f etc. would also be nice. When there isn't too much vertical space you have to place dynamics on invisible rests and play with extra-space which sometimes is time-consuming. :-( -Risto -- View this message in context: http://www.nabble.com/Feature-request%3A-attach-notation-elements-to-barlines-tp14785601p14796730.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
