date:20080901

(Bug?) Hidden staves take space if there are lyrics

2008-09-01 Thread Risto Vääräniemi

Hi,

It seems that if I remove the empty staves using
RemoveEmptyStaffContext everything is usually OK if there are not
lyrics. There's equal amount of space between the staves. However, if
I throw in some lyrics the spacing is messed up and the invisible
staves start taking some space. If there are lyrics you can see the
difference when you compare the space between the first and the second
stave and between the second and the third. If there's no lyrics the
spacing is normal (between 3rd and 4th staves).

Is this a known feature / issue or a new bug? Is there a workaround
for it? I tried to search the bug repository but could not find
anything similar.

-Risto


%%%
\version "2.11.56"

\paper {
ragged-right = ##t
indent = 0\mm
between-system-padding = 0\mm
}

\score {
<<
\new Staff {
c'1 c' \break
c' c' \break
c' c' \break
c' c'
}
\addlyrics { foo bar foo bar  }
\new Staff {
c'1 c'
s s
s s
c' c'
}
\addlyrics { foo bar }
>>

\layout {
\context {
\RemoveEmptyStaffContext
}
}
}
%%%
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Re: LH fingering not working

2008-09-01 Thread James E. Bailey



Am 01.09.2008 um 01:07 schrieb Jonathan Kulp:

It was with the extra offset part.  I was putting the #' in the  
wrong place (inside the parentheses instead of out).  If I had dug  
deeper I probably could have figured it out but I just googled a  
solution instead.  I don't think it's a problem with \tweak part of  
the docs. You can't possibly envision every scenario someone might  
want to use it for.  :)


That is very well covered in LM 5, so I can understand why it wouldn't  
be duplicated.



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arpeggio problems

2008-09-01 Thread Eluze Weehaeli

hi

when the notes of a chord are close problems with arpeggios arise
- \arpeggioNormal - the zigzag line cannot be recognised as such
- \arpeggioArrowUp - the arrow is below the chord, the zigzag line is missing
- \arpeggioArrowUp - the arrow is below the chord, the zigzag line is missing
- \arpeggioParenthesis - the parenthesis can nearly be distinguished
- \arpeggioBracket - this is the only really visible and readable arpeggio!

\version "2.11.57"
\layout { ragged-right = ##t }
{
 \arpeggioNormal < e'' g'' > 1 \arpeggio
 \arpeggioArrowUp < e'' g'' > 1 \arpeggio
 \arpeggioArrowDown < e'' g'' > 1 \arpeggio
 \arpeggioParenthesis < e'' g'' > 1 \arpeggio
 \arpeggioBracket < e'' g'' > 1 \arpeggio
}

is there a way to tweak this or is it a bug?
thanx
-eluze


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Re: lyrics and repeat

2008-09-01 Thread Grammostola Rosea


Joseph Haig wrote:

You want to add:

versetwo = \lyricmode {
  % Second line of words here
}

and then later, where you have:

\new Staff { \melody } \addlyrics { \verse }

you want:

\new Staff { \melody }
\addlyrics { \verse }
\addlyrics { \versetwo }

Note that the lyrics are not part of the staff, but are a separate
line in themselves so you can have as many of them as you want.

Hope this helps,

Joe
  

Yes, that helps! Thanks!



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Re: arpeggio problems

2008-09-01 Thread Eluze


sorry - i forgot to append the picture...
http://www.nabble.com/file/p19251669/arpeggio%2Bbug.png 

Eluze wrote:
> 
> hi
> 
> when the notes of a chord are close problems with arpeggios arise
> - \arpeggioNormal - the zigzag line cannot be recognised as such
> - \arpeggioArrowUp - the arrow is below the chord, the zigzag line is
> missing
> - \arpeggioArrowUp - the arrow is below the chord, the zigzag line is
> missing
> - \arpeggioParenthesis - the parenthesis can nearly be distinguished
> - \arpeggioBracket - this is the only really visible and readable
> arpeggio!
> 
> \version "2.11.57"
> \layout { ragged-right = ##t }
> {
>  \arpeggioNormal < e'' g'' > 1 \arpeggio
>  \arpeggioArrowUp < e'' g'' > 1 \arpeggio
>  \arpeggioArrowDown < e'' g'' > 1 \arpeggio
>  \arpeggioParenthesis < e'' g'' > 1 \arpeggio
>  \arpeggioBracket < e'' g'' > 1 \arpeggio
> }
> 
> is there a way to tweak this or is it a bug?
> thanx
> -eluze
> 
> 
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Re: arpeggio problems

2008-09-01 Thread Mats Bengtsson


What typesetting layout would you propose in these situations, where
the arpeggio is too short to fit in the zigzag or arrow head or ...?
Should the arpeggio be extended somewhat above and below the notes of
the chord, or ...?

As a workaround, you could add invisible note heads to the chord.

  /Mats

Quoting Eluze <[EMAIL PROTECTED]>:



sorry - i forgot to append the picture...
http://www.nabble.com/file/p19251669/arpeggio%2Bbug.png

Eluze wrote:


hi

when the notes of a chord are close problems with arpeggios arise
- \arpeggioNormal - the zigzag line cannot be recognised as such
- \arpeggioArrowUp - the arrow is below the chord, the zigzag line is
missing
- \arpeggioArrowUp - the arrow is below the chord, the zigzag line is
missing
- \arpeggioParenthesis - the parenthesis can nearly be distinguished
- \arpeggioBracket - this is the only really visible and readable
arpeggio!

\version "2.11.57"
\layout { ragged-right = ##t }
{
 \arpeggioNormal < e'' g'' > 1 \arpeggio
 \arpeggioArrowUp < e'' g'' > 1 \arpeggio
 \arpeggioArrowDown < e'' g'' > 1 \arpeggio
 \arpeggioParenthesis < e'' g'' > 1 \arpeggio
 \arpeggioBracket < e'' g'' > 1 \arpeggio
}

is there a way to tweak this or is it a bug?
thanx
-eluze


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Re: lyrics and repeat

2008-09-01 Thread Grammostola Rosea


Grammostola Rosea wrote:

Joseph Haig wrote:

You want to add:

versetwo = \lyricmode {
  % Second line of words here
}

and then later, where you have:

\new Staff { \melody } \addlyrics { \verse }

you want:

\new Staff { \melody }
\addlyrics { \verse }
\addlyrics { \versetwo }

Note that the lyrics are not part of the staff, but are a separate
line in themselves so you can have as many of them as you want.

Hope this helps,

Joe
  

Yes, that helps! Thanks!

And I want to repeat on another part (chorus) in the song, but it should 
not go back to the first beginning (verses) but to the beginning of the 
chorus.
So I want to use D.S. 
http://lilypond.org/doc/v2.11/Documentation/user/music-glossary/dal-segno#dal-segno
repeat the chorus and after that start with another part (skip one bar 
of the chorus)..


|b |  |go to c|   go back to b 
(D.S.)|  ...  |c   | |



How will I do this in Lilypond?





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Re: arpeggio problems

2008-09-01 Thread James E. Bailey

My quick and dirty solution would just be to make the chords take up  
more space with invisible notes:

\version "2.11.57"
{
\override Staff.LedgerLineSpanner #'transparent = ##t \arpeggioNormal  
< \tweak #'transparent ##t c'' e'' g'' \tweak #'transparent ##t b'' >  
1 \arpeggio
\override Staff.LedgerLineSpanner #'transparent = ##t \arpeggioArrowUp  
< \tweak #'transparent ##t c'' e'' g'' \tweak #'transparent ##t b'' >  
1 \arpeggio
\arpeggioArrowDown < \tweak #'transparent ##t c'' e'' g'' \tweak  
#'transparent ##t b'' > 1 \arpeggio
\arpeggioParenthesis < \tweak #'transparent ##t c'' e'' g'' > 1  
\arpeggio

}

Am 01.09.2008 um 11:10 schrieb Eluze Weehaeli:


hi

when the notes of a chord are close problems with arpeggios arise
- \arpeggioNormal - the zigzag line cannot be recognised as such
- \arpeggioArrowUp - the arrow is below the chord, the zigzag line  
is missing
- \arpeggioArrowUp - the arrow is below the chord, the zigzag line  
is missing

- \arpeggioParenthesis - the parenthesis can nearly be distinguished
- \arpeggioBracket - this is the only really visible and readable  
arpeggio!


\version "2.11.57"
\layout { ragged-right = ##t }
{
\arpeggioNormal < e'' g'' > 1 \arpeggio
\arpeggioArrowUp < e'' g'' > 1 \arpeggio
\arpeggioArrowDown < e'' g'' > 1 \arpeggio
\arpeggioParenthesis < e'' g'' > 1 \arpeggio
\arpeggioBracket < e'' g'' > 1 \arpeggio
}

is there a way to tweak this or is it a bug?
thanx
-eluze


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Re: lyrics and repeat

2008-09-01 Thread Dominic Neumann

There was a similar question some days ago. Do the answers help you?
http://www.mail-archive.com/lilypond-user@gnu.org/msg39370.html

Dominic

2008/9/1 Grammostola Rosea <[EMAIL PROTECTED]>:
> Grammostola Rosea wrote:
>>
>> Joseph Haig wrote:
>>>
>>> You want to add:
>>>
>>> versetwo = \lyricmode {
>>>  % Second line of words here
>>> }
>>>
>>> and then later, where you have:
>>>
>>> \new Staff { \melody } \addlyrics { \verse }
>>>
>>> you want:
>>>
>>> \new Staff { \melody }
>>> \addlyrics { \verse }
>>> \addlyrics { \versetwo }
>>>
>>> Note that the lyrics are not part of the staff, but are a separate
>>> line in themselves so you can have as many of them as you want.
>>>
>>> Hope this helps,
>>>
>>> Joe
>>>
>>
>> Yes, that helps! Thanks!
>>
> And I want to repeat on another part (chorus) in the song, but it should not
> go back to the first beginning (verses) but to the beginning of the chorus.
> So I want to use D.S.
> http://lilypond.org/doc/v2.11/Documentation/user/music-glossary/dal-segno#dal-segno
> repeat the chorus and after that start with another part (skip one bar of
> the chorus)..
>
> |b |  |go to c|   go back to b
> (D.S.)|  ...  |c   | |
>
>
> How will I do this in Lilypond?
>
>
>
>
>
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Re: arpeggio problems

2008-09-01 Thread Eluze



Am 01.09.2008, 12:02 Uhr, schrieb Mats Bengtsson <[EMAIL PROTECTED]>:

> What typesetting layout would you propose in these situations, where
> the arpeggio is too short to fit in the zigzag or arrow head or ...?
> Should the arpeggio be extended somewhat above and below the notes of
> the chord, or ...?

first i get the impression that the available space is not fully exploited
everywhere (only in the bracket style example) - maybe using that space
could help

if this is still not enough then of course it would be nice to extend a
little bit up or down would help - if a composer wants to have an arpeggio,
he probably would like it to be seen!

>
> As a workaround, you could add invisible note heads to the chord.
>

yes, that works - but 

-eluze 

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Intel Leopard and Smultron

2008-09-01 Thread Josh Parmenter


Hi all...

I was wondering if anyone else has seen this. I compiled lilypond  
according to the instructions here (thanks by the way!):


http://nicolas.sceaux.free.fr/

I used MacPorts for the dependencies. Running lilypond from the  
command line works great, and I have it loaded into my path without a  
problem. Running inside Terminal is fine.


However, when I try to run it within another program (e.g. Smultron) I  
get this error:


/opt/local/share/guile/1.8/srfi/srfi-1.scm:223:1: In procedure dynamic- 
link in expression (load-extension "libguile-srfi-srfi-1-v-3"  
"scm_init_srfi_1"):
/opt/local/share/guile/1.8/srfi/srfi-1.scm:223:1: file: "libguile-srfi- 
srfi-1-v-3", message: "dlopen(libguile-srfi-srfi-1-v-3.so, 9): image  
not found"


Any ideas? Why would anything compiled on a mac be looking for an .so  
lib instead of a .dylib?


Thanks for help!

Josh

**
/* Joshua D. Parmenter
http://www.realizedsound.net/josh/

“Every composer – at all times and in all cases – gives his own  
interpretation of how modern society is structured: whether actively  
or passively, consciously or unconsciously, he makes choices in this  
regard. He may be conservative or he may subject himself to continual  
renewal; or he may strive for a revolutionary, historical or social  
palingenesis." - Luigi Nono

*/

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Re: lyrics and repeat

2008-09-01 Thread Grammostola Rosea


Dominic Neumann wrote:

There was a similar question some days ago. Do the answers help you?
http://www.mail-archive.com/lilypond-user@gnu.org/msg39370.html

Dominic

2008/9/1 Grammostola Rosea <[EMAIL PROTECTED]>:
  

Grammostola Rosea wrote:


Joseph Haig wrote:
  

You want to add:

versetwo = \lyricmode {
 % Second line of words here
}

and then later, where you have:

\new Staff { \melody } \addlyrics { \verse }

you want:

\new Staff { \melody }
\addlyrics { \verse }
\addlyrics { \versetwo }

Note that the lyrics are not part of the staff, but are a separate
line in themselves so you can have as many of them as you want.

Hope this helps,

Joe



Yes, that helps! Thanks!

  

And I want to repeat on another part (chorus) in the song, but it should not
go back to the first beginning (verses) but to the beginning of the chorus.
So I want to use D.S.
http://lilypond.org/doc/v2.11/Documentation/user/music-glossary/dal-segno#dal-segno
repeat the chorus and after that start with another part (skip one bar of
the chorus)..

|b |  |go to c|   go back to b
(D.S.)|  ...  |c   | |


How will I do this in Lilypond?





Isn't there a D.S. al Coda feature in Lilypond?

'D.S. al Coda instructs the musician to repeat back to the sign, and 
when Al Coda or To Coda is reached jump to the Coda symbol. '


Cosa symbol > http://en.wikipedia.org/wiki/Image:Coda_sign.svg

Regards,



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Re: arpeggio problems

2008-09-01 Thread Kieren MacMillan


Hi all,


As a workaround, you could add invisible note heads to the chord.

yes, that works - but 


Why not use #'positions?

%%
\version "2.11.56"
\paper { line-width = 5\in }

music = \relative c''
{
1\arpeggio
\once \override Arpeggio #'positions = #'(-1 . 1) \arpeggio
1\arpeggio
}

\score { \music }
%%

Hope this helps!
Kieren.


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Re: lyrics and repeat

2008-09-01 Thread Grammostola Rosea


Grammostola Rosea wrote:

Dominic Neumann wrote:

There was a similar question some days ago. Do the answers help you?
http://www.mail-archive.com/lilypond-user@gnu.org/msg39370.html

Dominic

2008/9/1 Grammostola Rosea <[EMAIL PROTECTED]>:
 

Grammostola Rosea wrote:
   

Joseph Haig wrote:
 

You want to add:

versetwo = \lyricmode {
 % Second line of words here
}

and then later, where you have:

\new Staff { \melody } \addlyrics { \verse }

you want:

\new Staff { \melody }
\addlyrics { \verse }
\addlyrics { \versetwo }

Note that the lyrics are not part of the staff, but are a separate
line in themselves so you can have as many of them as you want.

Hope this helps,

Joe



Yes, that helps! Thanks!

  
And I want to repeat on another part (chorus) in the song, but it 
should not
go back to the first beginning (verses) but to the beginning of the 
chorus.

So I want to use D.S.
http://lilypond.org/doc/v2.11/Documentation/user/music-glossary/dal-segno#dal-segno 

repeat the chorus and after that start with another part (skip one 
bar of

the chorus)..

|b |  |go to c|   go back to b
(D.S.)|  ...  |c   | |


How will I do this in Lilypond?





Isn't there a D.S. al Coda feature in Lilypond?

'D.S. al Coda instructs the musician to repeat back to the sign, and 
when Al Coda or To Coda is reached jump to the Coda symbol. '


Cosa symbol > http://en.wikipedia.org/wiki/Image:Coda_sign.svg

Regards,

mmmh I have it now like this, but the D.S. must be on the end of the bar 
(after the rest) and not on the beginning. And it would be nice if there 
is a white space between DS and the second coda sign (which is now not 
displayed..., before f2. )


\version "2.11.53"

\include "nederlands.ly"
\header {
 title = "Can't Help Falling In Love"
 composer = "Elvis Presley"
 }

global = {
 \key f \major
 \tempo 4=76
 \time 4/4
}

chordNames = \chordmode {
 \global
 f2 a:m d1:m bes2 f c1:7
 bes2 c:7 d:m g:m f c:7 f1
 a2:m e:7 a:m e:7
 a:m e:7 a:m d:7 g:m c:7 f a:m
 d1:m bes2 f c1:7 bes2 c:7
 d:m g:m f c:7 f1

}

melodyone = \relative c' {
 \global
 % Music follows here.
\repeat volta 2 {f2 c'| f,2. \times 2/3 {r8 g a} | bes2 a | g r4 \times 
2/3 {r4 c,8} |

d2 e | f \times 2/3 {g4 a bes} | a2 g | f r |}
\mark \markup { \musicglyph #"scripts.segno" } {e8. a16 c8. e16 d2 |  
e,8. a16 c8. e16 d2 |  e,8. a16 c8. e16 d2 |

 c8 c4.~c8. a16 c8. a16| bes2 r | f c' |
 f,2. g8. a16| bes2 a | g r4 \times 2/3 { r4 c,8} | d2 e |
f \times 2/3 { g4 a bes} | a2 g} {\once \override Score.RehearsalMark 
#'font-size = #4

   \mark \markup { \musicglyph #"scripts.coda" } | f2 r2 \mark \markup{
   \line { "D.S. " \tiny \raise #1 \musicglyph #"scripts.segno" }
} } \bar "|."
  
   \break


   \once \override Staff.KeySignature #'break-visibility = 
#end-of-line-invisible

  \once \override Staff.Clef #'break-visibility = #end-of-line-invisible
  %\once \override Score.RehearsalMark #'font-size = #4
   \mark \markup { \musicglyph #"scripts.coda" }
  f2. \times 2/3 {r4 c8} d2 e f \times 2/3 g4 a bes | a2 g | f1 
\fermata \bar "|."

  }





verseone = \lyricmode {
 % Lyrics follow here.
  
Wise men say on -- ly fools rush in, But I can't help fall -- ing
 in love with you. Like a riv -- er flows sure -- ly to the sea, Dar -- 
ling

 so it goes Some -- things__ are meant to be. Take my hand. take my whole
 life too. For I can't help fall -- ing in love with you.
  
}

versetwo = \lyricmode {
 Shall I stay? Would it be a sin if I cant' help fall -- ing in love 
with you.


}

versethree = \lyricmode {
   you. For I can't help fall -- ing in love with you.
}
drum = \drummode {
 \global
 % Drums follow here.
 \repeat unfold 84 { \times 2/3 {8 hhp 8}
}
}

\score {
 <<
   \new ChordNames \chordNames
   \new Staff { \melodyone }
   \addlyrics { \verseone }
   \addlyrics { \versetwo }
   \new DrumStaff \drum
 >>
 \layout { }
 \midi { }
}



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Re: lyrics and repeat

2008-09-01 Thread James E. Bailey



Am 01.09.2008 um 12:48 schrieb Grammostola Rosea:


Isn't there a D.S. al Coda feature in Lilypond?


No, you put in the symbols where you want them, and the performers  
interpret them.

http://kainhofer.com/~lilypond/Documentation/user/lilypond/Text-marks.html#Text-marks
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I tried to follow your advice and read the lilypond-book section in
the lilypond-program file. I must admit that I do not understand very
much and did not found the --pdf option you mentioned. For a very
unexperiented user like me, using lilypond in latex only twice a year,
the lilypond-latex.engine scripts were super convenient.
Maybe there is someone in the list who can take a look at the scripts
and make them working. For someone who is familiar whith that stuff it
must be easy... (see the link below)

ole

Am 31.08.2008 um 21:56 schrieb Mats Bengtsson:

This script hasn't been updated since 2006, whereas
LilyPond has kept changing improving significantly since then.
Why not read in the manual on how to use lilypond-book with
the --pdf option, which simplifies things a lot. If you still need
a script to simplify things even further, I'm sure you can do it
yourself, perhaps using the previous one as inspiration or
somebody else on the list can assist you.

/Mats

Ole Schmidt wrote:
Some month ago I was using a small lilypond snippet inside a latex
file.
I did that successful with the help of the "lilypond-latex.engine"
script from Nicola Vitacolonna which was mentioned here in the
list. (http://users.dimi.uniud.it/~nicola.vitacolonna/download/software/latex/Lilypond-LaTeX.engine.txt
)

Today I was trying again to compile my old latex-lilypond file
again and it fails giving me the following error-message in texshop-
console:

-
cp: No match.
Usage: lilypond-book [OPTION]... FILE

lilypond-book: error: no such option: --psfonts
then: then/endif not found.

any help is very much appreciated...

best ole

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Re: arpeggio problems

2008-09-01 Thread Eluze



Kieren MacMillan wrote:
> 
> Hi all,
> 
> Why not use #'positions?
> 
> %%
> \version "2.11.56"
> \paper { line-width = 5\in }
> 
> music = \relative c''
> {
>   1\arpeggio
>   \once \override Arpeggio #'positions = #'(-1 . 1) \arpeggio
>   1\arpeggio
> }
> 
> \score { \music }
> %%
> 
> Hope this helps!
>  
hi

not really  - the position seems to be absolute - something around pitch c''
- and if you have to transpose or change anything you will have to
recalculate everything!

is there a function to do this automatically?!

thank you anyway!
-eluze
-- 
View this message in context: 
http://www.nabble.com/arpeggio-problems-tp19251408p19254165.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.



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Re: LH fingering not working

2008-09-01 Thread Tom Cloyd

Jonathan Kulp wrote:
Ok, now I'm getting somewhere.  I couldn't make the \tweak command 
work with extra-offset from looking at the manual, but I found an 
example in a guitar piece at Mutopia:

http://www.mutopiaproject.org/ftp/TarregaF/adelita/adelita.ly

From this I learned exactly where to put stuff and now I can get 
perfect positioning of each element of fingering even inside a chord. 
Here's the result of my experiment on the chord in Tom's sample code:

\version "2.11.56"

\relative c' { r4
 \voiceOne
 \override Fingering #'staff-padding = #'()
 \set fingeringOrientations = #'(down down up)
% \SO #'-0.0 #'2.5
 < e'-\tweak #'extra-offset #'(0 . 5.2)-0 fis-1-\tweak 
#'extra-offset #'(0.7 . 3.5 ) \3
 g-\tweak #'extra-offset #'(-0.5 . -1.5)-4-\tweak #'extra-offset 
#'(-0.2 . -1.5)\2 >4~ s2 }

It looks kind of ugly in the code but it does allow excellent 
placement of both the fingerings and the string indications.  This is 
definitely something I'll be using in my own scores.  I just wish it 
worked in variables (the docs on \tweak say it's a known issue that 
\tweak doesn't work in a variable).

BTW this still didn't fix the problem Tom cited about the fingering 
Orientation (down down up) being partially ignored. That's work for 
another day...

Thanks for the tips, James and Trevor!

Jon

Trevor Daniels wrote:

Jonathan

Have a look at NR 5.3.4 The \tweak command.  I rewrote this recently, 
so I'd like to know whether or not this is clear and helpful.  Thanks.

Trevor

- Original Message - From: "Jonathan Kulp" 
<[EMAIL PROTECTED]>

To: "James E. Bailey" <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTED]>; ; "Steven Padalino" 
<[EMAIL PROTECTED]>

Sent: Sunday, August 31, 2008 9:14 PM
Subject: Re: LH fingering not working

Ha!  I totally forgot about "tweak"!  Now I remember seeing that 
example where one note of a chord is smaller than the other three. 
I'm going to try it.  Many thanks, James.  I bet this will fix it.

Jonathan

James E. Bailey wrote:

First, I know nothing about this, but,
Am 31.08.2008 um 19:23 schrieb Jonathan Kulp:

Hi Tom,

 While it's possible to position fingerings very precisely using 
extra-offset,
you can only do so to notes inside chord constructs.  Fine.  The 
problem
is that if you're trying to position the fingerings for an actual 
chord

(i.e. more than 1 note at the same time inside a chord construct),
isn't that what \tweak is for? I mean, the only time I see it is 
when a specific change needs to be made inside a chord construct. 
Again, I know nothing about what's going on here.

--
Jonathan Kulp
http://www.jonathankulp.com

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Well, this is slick. While it does take a bit of trial and error, the
result is worth it. Here's the code which works exactly as I wish, and
with the triple bar fixed as well. Very nice.

I don't know what you think of my resolution of the "ugly code" problem,
but for me this is an acceptable resolution of that as well. Getting
into and back out of the code seems easy enough.

Thanks to all for contributions to this success. Everything I learned
from this thread to fix this code snippet will be regularly useful in
the future.

   \relative c'{
 <<
  { s2 r4
  <
  e'-\tweak #'extra-offset #'(0 . 5.2)-0
  fis-\tweak #'extra-offset #'(1 . 0.5 )-4
-\tweak #'extra-offset #'(1.2 . 10.5 )\3
  g-\tweak #'extra-offset #'(-0.5 . -1.8)-1
-\tweak #'extra-offset #'(-0.5 . -1.5)\2
  >4~
  }
  \\
  { \stemUp \times 2/3 { fis,8-3 ^"II" [ (g-4) e-1 ]}
\tweak #'direction #up %modifies placement of tuples
bracket
\times 2/3 {a8\rest
\set fingeringOrientations = #'(left)

[] }
2 }
  \\
  { \stemDown s4 e,,2.~ \ff }
 >>
}

   \relative c'{
 <<
 { < e'  fis g >1 \fermata }
 \\
 { b1}
 \\
   { e,,1 \fermata}
 >>
 }|

--

~
Tom Cloyd, MS MA, LMHC - Private practice Psychotherapist
Bellingham, Washington, U.S.A: (360) 920-1226
<< [EMAIL PROTECTED] >> (email)
<< TomCloyd.com >> (website)
<< sleightmind.wordpress.com >> (mental health weblog)
~

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Re: lyrics and repeat

2008-09-01 Thread Grammostola Rosea


Grammostola Rosea wrote:

Dominic Neumann wrote:

There was a similar question some days ago. Do the answers help you?
http://www.mail-archive.com/lilypond-user@gnu.org/msg39370.html

Dominic

2008/9/1 Grammostola Rosea <[EMAIL PROTECTED]>:
 

Grammostola Rosea wrote:
   

Joseph Haig wrote:
 

You want to add:

versetwo = \lyricmode {
 % Second line of words here
}

and then later, where you have:

\new Staff { \melody } \addlyrics { \verse }

you want:

\new Staff { \melody }
\addlyrics { \verse }
\addlyrics { \versetwo }

Note that the lyrics are not part of the staff, but are a separate
line in themselves so you can have as many of them as you want.

Hope this helps,

Joe



Yes, that helps! Thanks!

  
And I want to repeat on another part (chorus) in the song, but it 
should not
go back to the first beginning (verses) but to the beginning of the 
chorus.

So I want to use D.S.
http://lilypond.org/doc/v2.11/Documentation/user/music-glossary/dal-segno#dal-segno 

repeat the chorus and after that start with another part (skip one 
bar of

the chorus)..

|b |  |go to c|   go back to b
(D.S.)|  ...  |c   | |


How will I do this in Lilypond?




Can someone tell me why D.S. is not at the end of the bar, but on the 
beginning? How do I change that?


Why isn't the second coda sign not displayed? Thanks in advance.


\version "2.11.53"

\include "nederlands.ly"
\header {
 title = "Can't Help Falling In Love"
 composer = "Elvis Presley"
 }

global = {
 \key f \major
 \tempo 4=76
 \time 4/4
}

chordNames = \chordmode {
 \global
 f2 a:m d1:m bes2 f c1:7
 bes2 c:7 d:m g:m f c:7 f1
 a2:m e:7 a:m e:7
 a:m e:7 a:m d:7 g:m c:7 f a:m
 d1:m bes2 f c1:7 bes2 c:7
 d:m g:m f c:7 f1

}

melodyone = \relative c' {
 \global
 % Music follows here.
\repeat volta 2 {f2 c'| f,2. \times 2/3 {r8 g a} | bes2 a | g r4 \times 
2/3 {r4 c,8} |

d2 e | f \times 2/3 {g4 a bes} | a2 g | f r |}
\mark \markup { \musicglyph #"scripts.segno" } {e8. a16 c8. e16 d2 |  
e,8. a16 c8. e16 d2 |  e,8. a16 c8. e16 d2 |

 c8 c4.~c8. a16 c8. a16| bes2 r | f c' |
 f,2. g8. a16| bes2 a | g r4 \times 2/3 { r4 c,8} | d2 e |
f \times 2/3 { g4 a bes} | a2 g} {\once \override Score.RehearsalMark 
#'font-size = #4
   \mark \markup { \musicglyph #"scripts.coda" }  f2 r2 \mark "D.S. " 
 \bar "|."


 \mark \markup { \musicglyph #"scripts.coda" }
   {f2. \times 2/3 {r4 c8} d2 e f \times 2/3 g4 a bes | a2 g | f1 
\fermata \bar "|."

} }
}



verseone = \lyricmode {
 % Lyrics follow here.
  
Wise men say on -- ly fools rush in, But I can't help fall -- ing
 in love with you. Like a riv -- er flows sure -- ly to the sea, Dar -- 
ling

 so it goes Some -- things__ are meant to be. Take my hand. take my whole
 life too. For I can't help fall -- ing in love with you.
  
}

versetwo = \lyricmode {
 Shall I stay? Would it be a sin if I cant' help fall -- ing in love 
with you.


}

versethree = \lyricmode {
   you. For I can't help fall -- ing in love with you.
}
drum = \drummode {
 \global
 % Drums follow here.
 \repeat unfold 84 { \times 2/3 {8 hhp 8}
}
}

\score {
 <<
   \new ChordNames \chordNames
   \new Staff { \melodyone }
   \addlyrics { \verseone }
   \addlyrics { \versetwo }
   \new DrumStaff \drum
 >>
 \layout { }
 \midi { }
}



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Re: lyrics and repeat

2008-09-01 Thread Risto Vääräniemi

Hi,

2008/9/1 Grammostola Rosea <[EMAIL PROTECTED]>:

> Can someone tell me why D.S. is not at the end of the bar, but on the
> beginning? How do I change that?

You are using it as a \mark and it is now attached to the next bar line.

You could try: r2 ^\markup "D.S.".

> Why isn't the second coda sign not displayed? Thanks in advance.

It is sort of a consequence of the "D.S.". You have both D.S. and coda
sign assigned to the same position (bar line). I guess the second got
canceled.

If I have understood correctly, for Lilypond the D.S. and codas are
just "text" and you cannot loop music i.e. MIDI with them. They are
just visual aids for the real performer as James already pointed out.
Therefore, you don't need to contain the D.S. or coda parts inside
curly brackets.

If I'm wrong I'll take the lashing. :-)

-Risto


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Re: debian control file out of date? was: Re: live cd-with lilypondhttp://lilypond.org/doc/v2.10/Documentation/topdocs/INSTALL

2008-09-01 Thread Thomas Bushnell BSG

On Sun, 2008-08-31 at 21:52 +0200, Mats Bengtsson wrote:
> This isn't true. The only problem of not removing the old files
> is that they take some space. Newer versions of LilyPond will
> not use them anymore. Also, the whole problem is more or
> less outdated. LilyPond moved away from using TeX and
> the old way of finding/using fonts in version 2.6, i.e. about
> 3 years ago.

Debian actually has a policy on this one.  We need to support upgrades
from the previous stable release.  For lilypond, the oldstable version
is 2.2.6.  Once lenny releases (the current release-in-preparation), the
oldstable version will bump to 2.8.7 (which is the current stable
version).

That means that the clean upgrade must stick around for the meanwhile,
until the release of lenny.

Thomas

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Re: lyrics and repeat

2008-09-01 Thread Grammostola Rosea


Risto Vääräniemi wrote:

If I have understood correctly, for Lilypond the D.S. and codas are
just "text" and you cannot loop music i.e. MIDI with them. They are
just visual aids for the real performer as James already pointed out.
Therefore, you don't need to contain the D.S. or coda parts inside
curly brackets.


  

Thanks. I have it now like this, see below.

What if I want to use the repeats with MIDI? How should I change my score?

Thanks in advance,



\version "2.11.53"

\include "nederlands.ly"
\header {
 title = "Can't Help Falling In Love"
 composer = "Elvis Presley"
 }

global = {
 \key f \major
 \tempo 4=76
 \time 4/4
}

chordNames = \chordmode {
 \global
 f2 a:m d1:m bes2 f c1:7
 bes2 c:7 d:m g:m f c:7 f1
 a2:m e:7 a:m e:7
 a:m e:7 a:m d:7 g:m c:7 f a:m
 d1:m bes2 f c1:7 bes2 c:7
 d:m g:m f c:7 f1

}

melodyone = \relative c' {
 \global
 % Music follows here.
\repeat volta 2 {f2 c'| f,2. \times 2/3 {r8 g a} | bes2 a | g r4 \times 
2/3 {r4 c,8} |

d2 e | f \times 2/3 {g4 a bes} | a2 g | f r |}
\mark \markup { \musicglyph #"scripts.segno" } {e8. a16 c8. e16 d2 |  
e,8. a16 c8. e16 d2 |  e,8. a16 c8. e16 d2 |

 c8 c4.~c8. a16 c8. a16| bes2 r | f c' |
 f,2. g8. a16| bes2 a | g r4 \times 2/3 { r4 c,8} | d2 e |
f \times 2/3 { g4 a bes} | a2 g} {\once \override Score.RehearsalMark 
#'font-size = #4
   \mark \markup { \musicglyph #"scripts.coda" }  f2 r2 ^\markup "D.S. " 
 \bar "|."

 \break
  \once \override Staff.KeySignature #'break-visibility = 
#end-of-line-invisible

  \once \override Staff.Clef #'break-visibility = #end-of-line-invisible
 \mark \markup { \musicglyph #"scripts.coda" }
   {f2. \times 2/3 {r4 c8} d2 e f \times 2/3 g4 a bes | a2 g | f1 
\fermata \bar "|."

} }
}



verseone = \lyricmode {
 % Lyrics follow here.
  
Wise men say on -- ly fools rush in, But I can't help fall -- ing
 in love with you. Like a riv -- er flows sure -- ly to the sea, Dar -- 
ling

 so it goes Some -- things__ are meant to be. Take my hand. take my whole
 life too. For I can't help fall -- ing in love with you.
  
}

versetwo = \lyricmode {
 Shall I stay? Would it be a sin if I cant' help fall -- ing in love 
with you.


}

versethree = \lyricmode {
   you. For I can't help fall -- ing in love with you.
}
drum = \drummode {
 \global
 % Drums follow here.
 \repeat unfold 104 { \times 2/3 {8 hhp 8}
}
}

\score {
 <<
   \new ChordNames \chordNames
   \new Staff { \melodyone }
   \addlyrics { \verseone }
   \addlyrics { \versetwo }
   \new DrumStaff \drum
 >>
 \layout { }
 \midi { }
}




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Re: lyrics and repeat

2008-09-01 Thread James E. Bailey



Am 01.09.2008 um 16:42 schrieb Grammostola Rosea:
Can someone tell me why D.S. is not at the end of the bar, but on  
the beginning? How do I change that?





Why isn't the second coda sign not displayed? Thanks in advance.


http://kainhofer.com/~lilypond/Documentation/user/lilypond/Text-marks.html#Text-marks
Explains text marks, their usage, and why the second coda sign isn't  
shown, and how to have a text mark appear at the end of a line instead  
of the beginning.






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Re: lyrics and repeat

2008-09-01 Thread James E. Bailey



Am 01.09.2008 um 17:27 schrieb Grammostola Rosea:


Risto Vääräniemi wrote:

If I have understood correctly, for Lilypond the D.S. and codas are
just "text" and you cannot loop music i.e. MIDI with them. They are
just visual aids for the real performer as James already pointed out.
Therefore, you don't need to contain the D.S. or coda parts inside
curly brackets.




Thanks. I have it now like this, see below.

What if I want to use the repeats with MIDI? How should I change my  
score?


Thanks in advance,

http://kainhofer.com/~lilypond/Documentation/user/lilypond/Repeats-in-MIDI.html#Repeats-in-MIDI
That's one I actually forget rather regularly. Hopefully when it it's  
re-written, it will be easier to know that "MIDI" is part of "output".  
Or, just reading through the NR, you get a feel for where things are.___
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